Is Amazon Worth It?

The Verdict’s plot is familiar. It follows a lonely, washed-up lawyer who subverts expectations by siding with the small guys and going against the big guys—in this case, a renowned hospital and its religious and political backers. Despite this, the film is gripping from start to end, thanks to a tight-knit script and the powerful performances that bring it to life. Newman is scarily believable as a panic-prone alcoholic, but the supporting cast is just as strong. The nurses, played by Lindsay Crouse and Julie Bovasso, are absolute scene stealers. You forget for a moment that these are actors—so palpable is their fear and anger. You feel for them, but The Verdict is never soapy or preachy. It’s taut and pragmatic, and even during its victorious moments, you can’t help but feel a little sad. Even when it reigns, justice is the exception, not the rule.

Genre: Drama

Actor: Bruce Willis, Charlotte Rampling, Jack Warden, James Mason, Milo O’Shea, Paul Newman

Director: Sidney Lumet

Rating: R

Released in between Francis Ford Coppola’s famed Godfather trilogy, The Conversation is the director’s undersung gem of a film. It follows surveillance agent Harry (Hackman) as he obsesses over a conversation he’s asked to record. Hyperaware of how privacy is rendered useless by people like him, he starts to get overly suspicious about everything and everyone. A birthday card is greeted with hostility instead of warmth. A lover interested in his inner life is seen as a threat to his guarded persona. Paranoia eats at him from the inside, and yet he loves what he does. He’s great at it after all. The Conversation poses a moral question—should Harry interfere and save someone he thinks might be in danger?—but it works best as a thriller. The pacing is slow then sudden; the climax crashes onto you with a severity that will make you hit pause. Crucial to all this is the impeccable score and editing, both by Walter Murch. Fewer films than this have been able to make those two aspects stand out. The ending is also one of the most memorable in recent cinema.

Genre: Crime, Drama, Mystery

Actor: Allen Garfield, Cindy Williams, Elizabeth MacRae, Frederic Forrest, Gene Hackman, Harrison Ford, John Cazale, Mark Wheeler, Michael Higgins, Phoebe Alexander, Robert Duvall, Robert Shields, Teri Garr

Director: Francis Ford Coppola

Rating: PG

The Goodbye Girl is a charming romantic comedy following single mom Paula and her 10-year-old daughter Lucy (Quinn Cummings) as they reluctantly share their apartment with Elliot, a friend of her ex subletting the place. The plot is formulaic: Paula and Elliot are at each other’s throats, constantly sniping at each other while simultaneously charming us with their verbal acumen and physical dynamism. Dreyfuss is particularly stunning—he’s unpredictable at every turn, giving a twirl here and doing an accent there. He nabbed the Best Actor award at the Oscars that year, and rightly so. Then slowly but surely, they fall in love. No surprise there, but the whip-smart script (penned by Neil Simon) and the lively performances are what save the film. Even Lucy gets to drop laugh-out-loud one-liners while still being believably her age. It’s an all-around likable film, as well as a masterclass in romcom charm and acting.

Genre: Comedy, Drama, Romance

Actor: Barbara Rhoades, Marsha Mason, Paul Benedict, Powers Boothe, Quinn Cummings, Richard Dreyfuss, Robert Kerman, Tom Everett

Director: Herbert Ross

Rating: PG

The Seed of the Sacred Fig bravely takes on the increasingly violent patriarchy and theocracy in modern-day Iran. It follows a family of four—Iman, Najmeh (Soheila Golestani), Rezvan (Mahsa Rostami), and Sana (Setareh Maleki)—and reveals how the political can creep into the personal. Iman, the father, has just been promoted at work (he’s one step closer to being a judge), while his two daughters are budding revolutionaries. The educated girls see through the lies of state television and challenge their conservative parents’ ideas on government and religion. It sounds straightforward, but director Mohammad Rasoulof lets everything unfold subtly and sharply. By the second half, the film transforms into a slow-burn thriller as the family home becomes a microcosm of Iran itself. It’s a brave film helmed by even braver people. Rasoulof and his cast, who filmed in secret to avoid the film ban in Iran, had to escape to Europe after they were interrogated and sentenced in their home country. The Seed of the Sacred Fig can’t encapsulate the entirety of Iran’s troubles, nor does it try, but it’s a good place to start.

Genre: Crime, Drama, Thriller

Actor: Mahsa Rostami, Misagh Zare, Niousha Akhshi, Reza Akhlaghirad, Setareh Maleki, Soheila Golestani

Director: Mohammad Rasoulof

Rating: PG-13

Hurt people hurt people, the saying goes, and nowhere is that more evident than in Hard Truths. Directed by Mike Leigh (Secrets & Lies, Vera Drake, Happy-Go-Lucky), Hard Truths follows two sisters who couldn’t be more different. One is Chantelle, a cheerful hairdresser who has raised equally ebullient daughters, and the other is Pansy, a hardened woman who lashes out at everyone from her family to the people queuing up in the grocery. Pansy is brutal, the sort of person you’d roll your eyes at if you were unlucky enough to encounter her in public. But Leigh gives us a glimpse into her internal struggle; nothing too obvious, as is the naturalistic director’s style, but we feel her pain whenever she goes out of her way to avoid the people closest to her, or when she savors a moment alone and hides her tears. There is no linear plot in Hard Truths; instead, it’s a collection of lived moments and ordinary joys and sorrows. It’s also a welcome reflection of our fractured reality. Loneliness, grief, anger, anxiety—these feelings are often inexplicable, and they come out of us in ways that are never immediately understandable or direct. So why should Pansy be? The film is an exercise in sympathy as well as a mirror to our own complicated and invisible hurt.

Genre: Comedy, Drama

Actor: Ani Nelson, Bryony Miller, Chinenye Ezeudu, David Webber, Gary Beadle, Jo Martin, Jonathan Livingstone, Marianne Jean-Baptiste, Michele Austin, Ruby Bentall, Samantha Spiro, Sophia Brown, Tuwaine Barrett

Director: Mike Leigh

Rating: R

The first things that grab your attention in Nickel Boys are its beauty and technicality. Director RaMell Ross, a large-format photographer, ensures every frame relays something deep, intimate, and moving. Then there’s how he takes these shots: we see things unfold through the POV of Elwood and Turner, students at an abusive reform school in Tallahassee, Florida. The year is 1962, and even though the civil rights movement inspires Elwood and his peers to stand up for themselves, the political climate is as skewed and violent as ever. Nickel Boys tells the unfortunately common story of how Black men, in particular, had to endure unimaginable abuse during the Jim Crow era in the South. What is uncommon, though, is the sensitivity and boundless inventiveness with which Ross tells this story. Yes, violence is unavoidable in a story like this, but Ross swaps trauma porn with something more effective and chilling—a mixture of silence, archival photographs, time jumps, and that immersive POV, which forces you to be in Elwood and Turner’s shoes. The world before them may be brutal, but inside, they hold space for beauty, fun, relationships, and wonder, manifested in the film in dreamy visual sequences. What Ross does is art in the highest form, an unforgettable balance between style and substance.

Genre: Drama, History

Actor: Aunjanue Ellis-Taylor, Billy Slaughter, Brandon Wilson, Craig Tate, Daveed Diggs, Ethan Herisse, Fred Hechinger, Gralen Bryant Banks, Hamish Linklater, Luke Tennie, Martin Luther King Jr., Sam Malone, Sidney Poitier, Tanyell Waivers, Tony Curtis

Director: RaMell Ross

Rating: PG-13

When the film publication Sight and Sound dubbed it “the greatest film of all time,” movie fans were quick to give their opinion. Those opposed complained about its simplicity, while those favoring the film praised the same trait. It’s true the film is simple—the camera is static and far away, and all it does is follow the titular Jeanne as she goes through the strict routines of her life. But nothing about it is plain or easy. You could mine a thousand things from a single scene alone, to say nothing about the woman at the center of it all. As Jeanne juggles her duties as a homekeeper, mother, and breadwinner, she eventually unravels, and the film rewards us with one of the most memorable climaxes of all time. There’s complexity in the ordinary, Akerman reminds us in her mundane epic, and there’s always something political motivating our choices, no matter how normal they seem.

Genre: Drama

Actor: Chantal Akerman, Delphine Seyrig, Henri Storck, Jacques Doniol-Valcroze, Jan Decorte, Yves Bical

Director: Chantal Akerman

Rating: NR