892 Best Movies & Shows Released in The 2020s (Page 2)

Poland's nomination for Best Foreign Language Film at the 2020 Academy Awards may have lost to Parasite, but director Jan Komasa's film is still utterly compelling. The crazy sounding premise is inspired by true events: after having had a transformative experience in jail, an ex-convict, played by the wiry, blue-eyed Bartosz Bielenia, decides he wants to become a priest. When he is told that his criminal history prohibits it, he goes down the path that got him into trouble in the first place and just pretends he is. Apparently, he does so quite convincingly—and serves the community well, which is collectively grieving for the victims of a tragic accident. For all his charisma, there's no way not to root for the crooked clergyman conning his way to the top. The complex character at the heart of Corpus Christi is refreshing and three-dimensional, and the smart writing of the film excels at exploring they grey areas of truth and religion. The ending, too, circumvents the soppy and the melodramatic. Thought-provoking European drama.

Genre: Drama

Actor: Łukasz Simlat, Aleksandra Konieczna, Anna Biernacik, Barbara Jonak, Barbara Kurzaj, Bartosz Bielenia, Eliza Rycembel, Jakub Sierenberg, Juliusz Chrząstowski, Leszek Lichota, Lidia Bogacz, Lidia Bogaczówna, Łukasz Simlat, Tomasz Ziętek, Tomasz Ziętek, Zdzisław Wardejn, Zdzisław Wardejn, Томаш Зитек

Director: Jan Komasa

From Drive My Car director Ryusuke Hamaguchi comes another film featuring long drives, thoughtful talks, and unexpected twists. An anthology of three short stories, Wheel of Fortune and Fantasy ponders over ideas of love, fate, and the all-too-vexing question, “what if?” 

What if you didn’t run away from the one you love? What if you didn’t give in to lust that fateful day? What if, right then and there, you decide to finally forgive?

Big questions, but without sacrificing depth, Hamaguchi does the incredible task of making every single second feel light and meaningful. Wheel of Fortune and Fantasy will leave you with mixed emotions: excited, startled, dejected, hopeful. But one thing you won’t feel is regret over watching this instant classic of a film.

Genre: Drama, Romance

Actor: Aoba Kawai, Aoba Kawai 河井清叶, Ayumu Nakajima, Fusako Urabe, Hitoshi Omika, Hyunri, Katsuki Mori, Kiyohiko Shibukawa, Kotone Furukawa, Shouma Kai

Director: Ryusuke Hamaguchi

Rating: R-13

Nothing Compares weaves a poignant story about one of the most misunderstood artists of our time, Sinéad O’Connor. The iconoclast first made waves in the '80s with her catchy music, but she quickly reclaimed the reins of her own fame and used her platform to champion marginalized causes, long before pop stars were expected to do so. 

The documentary zeroes in on this part of O’Connor's life: what prompted her to music and how she used it as a tool of activism. The answers are multi-faceted and handled here with extreme grace. Like the many from her generation, O’Connor struggled with religion and abuse, such was the Catholic Church's hold on Ireland at the time time. 

The film contextualizes her once-shocking moments and reveals how they were all grounded on things she cared about. It’s a beautiful piece of work that reassesses and redeems a wronged artist who was ahead of her time.

Genre: Documentary, Drama, Music

Actor: Ariana Grande, Billie Eilish, Bob Dylan, Bob Marley, Chuck D, Gay Byrne, George H. W. Bush, Joe Pesci, John F. Kennedy, John Maybury, Kathleen Hanna, Kurt Cobain, Michael Hutchence, Peaches, Pope John Paul II, Sinéad O'Connor, Skin, Tim Robbins

Director: Kathryn Ferguson

Rating: Not Rated

Poignant, delightful, and simply gorgeous, Licorice Pizza just might be Paul Thomas Anderson's best work to date. The period dramedy follows two young people, one in her 20s and one in his teens, as they strike an unlikely but lovely friendship and try to find their place in the world. They may be 10 years apart, but they're stuck in the same swirl of rejection and confusion that trap a lot of ambitious people like them. The premise is far from original, but Alana Haim and Cooper Hoffman turn in captivating performances (made even more impressive by the fact that this is both their film debut). There is an ease and naturalism to both their chemistry and onscreen performances that’s hard not to love.

The thick and wistful patina of the ‘70s, the comedic asides, and the colorful supporting cast all also help paint an overall charming picture that shouldn't be missed.

Genre: Comedy, Drama, Romance

Actor: Adam Somner, AJ Carr, Alana Haim, Alex Canter, Alex Herschlag, Allegra Clark, Anna Cordell, Anthony Molinari, Ariel Rechtshaid, Benjamin Barrett, Benny Safdie, Bottara Angele, Bradley Cooper, Cassandra Kulukundis, Charlotte Townsend, Christine Ebersole, Ciara Williamson, Cooper Hoffman, Craig Stark, Dan Anderson, Danielle Haim, Danielle Miller, Delaina Mitchell, Demelza Cronin, Destry Allyn Spielberg, Dick Rudolph, Eloy Perez, Emily Althaus, Emma Dumont, Erica Sullivan, Este Haim, Fatimah Hassan, George DiCaprio, Gerren Hall, Harriet Sansom Harris, Hazel Schaffer, Ingrid Sophie Schram, Isabelle Kusman, Iyana Halley, Jeff Willy, John C. Reilly, John Michael Higgins, Jon Beavers, Jonathan Goetzman, Joseph Cross, Karen Kilgariff, Kat Barnette, Kimiko Kasai, Kirk Saduski, Lakin Valdez, Laura Gary, Laura Louise Richardson, Liz Cackowski, Louis Delavenne, Mark Flanagan, Mark Wolfson, Mary Eileen O'Donnell, Mary Elizabeth Ellis, Max Mitchell, Maya Rudolph, Mick Giacchino, Nate Mann, Paige Locke, Patrick Salway, Pearl Minnie Anderson, Ray Chase, Ray Nicholson, Richard B. Larimore, Rogelio Camarillo, Ryan Heffington, Sasha Spielberg, Savannah Ioakimedes, Sean Penn, Skyler Gisondo, Steven Herrera, Tim Conway Jr., Tom Waits, Tyler Young, Waylon Richling, Yumi Mizui, Zoe McLane

Director: Paul Thomas Anderson

In Drive My Car, a widowed artist travels to Hiroshima for his latest production. There he meets a young woman enlisted to drive him around the area. They forge an unexpected bond and soon share pithy observations and long-buried secrets, which culminate in a touching scene of catharsis and forgiveness.

Not a lot is said in this three-hour film, but when words (and signals) are shared, they are always underlaid with simple but transcendent truths. Drive My Car is a gripping film that explores love and loss in its own quiet way, at once intense and intimate.

Genre: Drama

Actor: Ahn Hwi-tae, Ahn Hwitae, Hidetoshi Nishijima, Hiroko Matsuda, Jin Dae-yeon, Masaki Okada, Park Yu-rim, Perry Dizon, Reika Kirishima, Ryo Iwase, Satoko Abe, Shoichiro Tanigawa, Sonia Yuan, Toko Miura, Toshiaki Inomata

Director: Ryusuke Hamaguchi

Rating: Unrated

The Teacher’s Lounge is one of those movies where a simple misunderstanding is blown out of proportion, so much so that it causes the fabric of a community to unravel into chaos. Aided by a precise score, it ticks like a timebomb, with every second filled with so much dread and anxiety you have to remind yourself to breathe. It’s an impeccable and taut thriller, but it also works as an allegory about modern-day surveillance and authority. Director İlker Çatak gives the Gen-Z students and their much older teachers a level field where they struggle for control, and the result is both bleak and funny. It’s often said that schools are a microcosm of the real world, but nowhere is that more apparent than here. 

Genre: Drama, Thriller

Actor: Anne-Kathrin Gummich, Antonia Luise Krämer, Eva Löbau, Katharina M. Schubert, Kathrin Wehlisch, Katinka Auberger, Leonard Stettnisch, Leonie Benesch, Lisa Marie Trense, Michael Klammer, Özgür Karadeniz, Rafael Stachowiak, Sarah Bauerett, Uygar Tamer

Director: İlker Çatak

Rating: PG-13

Many films have tried to decipher the indecipherable bond between mothers and daughters. Lady Bird, Everything Everywhere All at Once, and Turning Red, to name a few, center on this particular relationship, which to outsiders may seem strange at best and dysfunctional at worst. How can mothers yell at their daughters one second and coddle them the next? How can daughters treat mothers like their best friend and enemy all at once? 

One of the best films to explore this complexity is Petite Maman, a fantasy-like film that brings together mother and daughter in a unique situation, forcing them both to regard the other in otherwise impossible ways. It succeeds where others haven’t precisely because it accepts that this relationship is beyond dissecting, and the only way to honor it is in the poignant, poetic, and otherworldly way that it does. It’s a quiet film that manages to say a lot, not least of which is that it’s okay to feel and love and hurt as much as one does.

Genre: Drama, Family, Fantasy

Actor: Joséphine Sanz, Margot Abascal, Nina Meurisse, Stéphane Varupenne

Director: Céline Sciamma

As in his previous films, Director Andrew Haigh explores the delicate nature of loneliness, grief, and love in All of Us Strangers, except this time he does so through a supernatural lens. The result is mesmerizing: amid the tenderness the film draws from its characters, there’s a swirl of mystery too: how is it possible that Adam is conversing with his dead parents? Who, exactly, is Harry? The intrigue is there, and Haigh builds to a satisfying climax that answers all these questions. The mystery also lends the film an ethereal style that makes it visually resemble a horror or thriller more than it does a romance or drama. But as superb as it looks and as compelling as the ambiguity is, they never distract from the film’s central goal, which is to bring us into the complex emotional journey Adam goes through as he simultaneously develops a relationship with Harry and parses his childhood trauma with his parents. It’s a hefty film, filled with big emotional moments that will have you crying, smiling, longing, and healing all at the same time. And like any good film, it will haunt you for days on end.

Genre: Drama, Fantasy, Romance

Actor: Ami Tredrea, Andrew Scott, Carter John Grout, Claire Foy, Jamie Bell, Paul Mescal

Director: Andrew Haigh

Rating: R