181 Best Movies & Shows Released in The 2020s On Itunes (Page 6)

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The Innocents is a Norweigan thriller that follows four kids who discover they have supernatural powers over the summer. They play around and experiment in the woods nearby, but what begins as harmless fun quickly develops into something much more disturbing and sinister. This unnerving film, a blend of fantasy and horror, doesn't waste time explaining the origins of its mysticism. Instead, it goes straight into action—bending, twisting, and splitting open anything and anyone that gets in its way. This kind of rawness is shocking given the age range of the characters, but it also works to subvert what we've come to expect from kids, youth, and goodness. The Innocents isn't for the faint of heart, but if you can manage some bloody and unhindged scenes, then it's sure worth checking out. Directed by Eskil Vogt, co-writer of critically-acclaimed films like Thelma and The Worst Person in the World.

Genre: Drama, Fantasy, Horror, Thriller

Actor: Alva Brynsmo Ramstad, Ellen Dorrit Petersen, Irina Eidsvold Tøien, Lisa Tønne, Marius Kolbenstvedt, Mina Yasmin Bremseth Asheim, Morten Svartveit, Rakel Lenora Fløttum, Sam Ashraf

Director: Eskil Vogt

It may seem like it’s targeted at a specific demographic, but Spoiler Alert is actually a universal tale about love, grief, and moving on. Jim Parsons affectingly plays Michael, a romantic and TV aficionado who has trouble separating fact from fiction. He views life as one big sitcom, but his cheery outlook is increasingly challenged by the tragedies he encounters, not least of which is the surprise diagnosis of his boyfriend Kit (Ben Aldridge). 

Spoiler Alert is very sweet, perhaps too sweet for some viewers, but if you enjoy the unabashed schmaltz of romantic dramas, then this comes highly recommended. Of course, for that extra fluff, Spoiler Alert is mostly set during the holidays, so it’s best to watch while cozying up with a loved one—just make sure you have spare tissues on-hand for those tearjerking moments.

Genre: Comedy, Drama, Romance

Actor: Allegra Heart, Antoni Porowski, Ben Aldridge, Bill Irwin, Christine Renee Miller, Eleni Yiovas, Erica Cho, Jeffery Self, Jim Parsons, Josh Pais, Kate Pittard, Nikki M. James, Paco Lozano, Sadie Scott, Sally Field, Scott Burik, Shunori Ramanathan, Supriya Ganesh, Tara Summers, Winslow Bright

Director: Michael Showalter

As the third instalment in Paul Schrader's "man in a room" trilogy after First Reformed (2017) and The Card Counter (2021), Master Gardner rounds up the issues at stake in a most profound way. For anyone who's seen a film either scripted by Schrader (such as Taxi Driver) or directed by him, there will be no surprises here: lost men, despairing men, men who are desperate to believe in something. But the salvation of love lurks around the corner and the new film makes no exception. An unconventional couple, Joel Edgerton and Quintessa Swindell (as Maya) make up the beating heart of this suspenseful drama with an emotional push and pull delivered in small doses. What could have been a kitschy, insensitive work blossoms into a treatise on how gentle the harshness of life can be. 

Genre: Drama, Romance, Thriller

Actor: Amy Le, Eduardo Losan, Esai Morales, Ja'Quan Monroe-Henderson, Jared Bankens, Joel Edgerton, Matt Mercurio, Quintessa Swindell, Rick Cosnett, Sean Richmond, Sigourney Weaver, Suzette Lange, Timothy McKinney, Victoria Hill

Director: Paul Schrader

Rating: R

While named as a “how-to”, How to Have Sex is less of an instruction manual, and more of a collection of summer break moments presented as is. At the start, when Tara, Em, and Skye run to the freezing ocean water, the film seemed like it would have all the nostalgic coming-of-age moments that they would remember forever. But as the film progresses, and the girls meet other teenagers at the resort, there’s an eerie, foreboding feel that starts to build up, with every beer bottle, with every whisper, and with every insinuation Tara receives. And rather than preach about consent, writer-director Molly Manning Walker makes them fumble around without the concept of it, the same way teens tend to do, making it much more potent than a cautionary tale.

Genre: Drama

Actor: Anna Antoniades, Daisy Jelley, Eilidh Loan, Elliot Warren, Enva Lewis, Eric Manaka, Guy Lewis, Lara Peake, Mia McKenna-Bruce, Samuel Bottomley, Shaun Thomas

Director: Molly Manning Walker

Rating: NR

Two misfits, an immigrant and a traveling cook, team up to start an unlikely enterprise in this slow but captivating drama. The story, set in 19th century Pacific Northwest, evolves around the arrival of the first cow to that part of the world. This presents a unique opportunity that the two main characters try to benefit from. 

First Cow is a mix between a Western and a modern-day plot-less indie drama.  It has likable characters, stunning scenery, and a fascinating look into how social outcasts lived back then.

Genre: Drama, History, Western

Actor: Alia Shawkat, Don MacEllis, Dylan Smith, Eric Martin Reid, Ewen Bremner, Gary Farmer, Jean-Luc Boucherot, Jeb Berrier, John Keating, John Magaro, Kevin-Michael Moore, Lily Gladstone, Mary Ann Perreira, Mike Wood, Mitchell Saddleback, Orion Lee, Patrick D. Green, Phelan Davis, Rene Auberjonois, Scott Shepherd, T. Dan Hopkins, Ted Rooney, Toby Jones, Todd A. Robinson

Director: Kelly Reichardt

Rating: PG-13

Surprisingly heartwarming and enjoyable, The Unbearable Weight of Massive Talent turns its over-the-top premise into a tribute to the one and only Nicolas Cage. Playing an unfulfilled and broke version of himself, Cage’s next gig is an appearance at eccentric billionaire Javi Gutierrez’s (Pedro Pascal) birthday party. They strike up an instant bond over their love of film. However, the CIA suspects Gutierrez’s involvement in a political kidnapping, forcing Cage to investigate his friend. The film brilliantly employs those 90s-esque action tropes that Cage’s movies are known for - the car chases, the sunglasses, and the eccentric characters. Cage himself fully commits to the premise, but Pedro Pascal adeptly matches his energy with his easy-going charm. Their moments together and their shared love for cinema makes this a great watch.

Genre: Action, Comedy, Crime, Drama

Actor: Alessandra Mastronardi, Björn Freiberg, Caroline Boulton, Cesare Taurasi, David Gordon Green, Demi Moore, Eli Jane, Enrique Martínez, Ike Barinholtz, Jacob Scipio, Jaime Ordóñez, Joanna Bobin, Katrin Vankova, Kristian Flores, Kristian Ventura, Lily Mo Sheen, Manuel Tallafé, Mario Perez, Neil Patrick Harris, Nicholas Wittman, Nicolas Cage, Paco León, Pedro Pascal, Rebecca Finch, Ricard Balada, Sharon Horgan, Tiffany Haddish

Director: Tom Gormican

Rating: R

If it’s true that to cook is to love, then Dodin and Eugenie must be enraptured by one another. They use the exquisite language of food to express their feelings for one another, and watching their exchange, you can’t help but feel honored, if not embarrassed, to witness such an intimate and love-filled act. Food is everywhere here, delicately prepared and sumptuously consumed, but the film is more than just a glorified Food Network program. It’s a painting come to life, a love letter to craft, and a beautiful example of a life fully lived.

Genre: Drama, Romance

Actor: Benoit Magimel, Bonnie Chagneau-Ravoire, Emmanuel Salinger, Frédéric Fisbach, Galatéa Bellugi, Jan Hammenecker, Jean-Marc Roulot, Juliette Binoche, Mhamed Arezki, Patrick d'Assumçao, Sarah Adler, Yannik Landrein

Director: Tran Anh Hung

Rating: PG-13

After Loving Vincent, DK and Hugh Welchman’s iconic oil paint animation initially seems like old hat, but this time the style is actually more fitting for their second feature. As an adaptation of the iconic Polish novel, The Peasants had to live up to the book’s reputation as the Nobel-winning depiction of the Polish countryside, one of the first to take an intimate look into the lives of the commonfolk, their customs, beliefs, and traditions. The Welchmans’ naturalist, impressionist art style lines up with the way the original Chłopi was inspired by these movements, as does L.U.C’s selection of mesmerizing, haunting Polish folk songs. While the plot is a tad cliché, it only does so in the way folklore tends to weave the same threads. It just so happens that the threads in The Peasants lead to violent ends.

Genre: Animation, Drama, History

Actor: Andrzej Konopka, Andrzej Mastalerz, Anna Grzeszczak, Cezary Łukaszewicz, Cyprian Grabowski, Dorota Stalińska, Ewa Kasprzyk, Jadwiga Wianecka, Jarosław Gruda, Julia Wieniawa, Kamila Urzędowska, Klara Bielawka, Lech Dyblik, Maciej Musiał, Małgorzata Kożuchowska, Małgorzata Maślanka, Marek Pyś, Mariusz Kiljan, Mariusz Urbaniec, Mateusz Rusin, Matt Malecki, Mirosław Baka, Piotr Srebrowski, Robert Gulaczyk, Sonia Bohosiewicz, Sonia Mietielica, Szymon Kukla, Tomasz Więcek

Director: DK Welchman, Hugh Welchman

Rating: R

Named after the Celtic concept of heaven, Summerland is a rare queer period drama that feels hopeful rather than despairing. The film takes us to the countryside in World War II, where our protagonist, the reclusive writer Alice Lamb (Gemma Arterton), studies the folklore about Summerland. We know that her isolation wasn’t fully chosen; her refusal to marry causes adults to gossip and causes children to speculate that she’s a witch. But this all changes when a young evacuee is entrusted to Alice’s care.

Gemma Arterton shines as a reluctant guardian stifled by repressed grief, and she makes Alice’s dynamic with Frank (Lucas Bond) and her former lover Vera (Gugu Mbatha-Raw) incredibly believable. And while it would have been lovely to see more of Vera, even just their first meeting easily captures that heady sense of pure enchantment with another person. It’s no wonder that Alice has to cling to folklore the same way we do. For many of us, it’s the only way we can express our hopes, fears, and dreams.

Genre: Drama, Romance, War

Actor: Amanda Lawrence, Amanda Root, Casper Allpress, Daniel Eghan, David Ajao, David Horovitch, Dixie Egerickx, Fergal McElherron, Gemma Arterton, Gugu Mbatha-Raw, Jessica Gunning, Joshua Riley, Lucas Bond, Martina Laird, Nimmy March, Penelope Wilton, Rakhee Thakrar, Sally Scott, Siân Phillips, Thomas Coombes, Toby Osmond, Tom Courtenay

Director: Jessica Swale

Rating: N/A, PG

It’s always tricky translating literature to screen. In Shortcomings’ case, it struggles to make its Berkeley and New York settings appear more lived-in than just a few postcard-like frames. You could also tell that the conversations it stirs up about things like representation and mixed-race relationships began in the early aughts, when the novel it was adapted from was first released. But those lapses are small and forgivable in the face of a lovely ensemble cast and a whipsmart script. It also takes a special kind of skill to make a character as fiercely unlikeable as Ben (Min) watchable, to hold up a mirror to the audience and make them stay. Thankfully, it's a skill that Tomine and first-time director Randall Park display with such grace. Ben, Alice (Sherry Cola), and Miko (Ally Maki) are flawed and often pathetic, but they’re also honest reflections of who we become when the demands of self-preservation and romantic openness clash. It’s a little unnerving to hear them verbalize what we've always feared about ourselves, but it’s also exhilarating, not to mention comforting, knowing that we're not alone in feeling this way. Shortcomings works because it doesn't confine itself to genre: it's a character study first, and a romantic comedy second.

Genre: Comedy, Drama, Romance

Actor: Adam Enright, Adrian Tomine, Ally Maki, Boran Anh, Debby Ryan, George Deihl Jr., Jacob Batalon, Jess Nahikian, Justin H. Min, Melanie J. Newby, Mike Cabellon, Nikhaar Kishnani, Randall Park, Ronny Chieng, Scott Seiss, Sheldon Best, Sherry Cola, Sonoya Mizuno, Stephanie Hsu, Tavi Gevinson, Theo Iyer, Timothy Simons

Director: Randall Park

Rating: R

Huesera: The Bone Woman might not be the scariest film horror fans would see, but it does strike at the heart of the scary experience of motherhood. Through eerie sounds of breaking bones and weirdly contorted hands at the edge of beds, the film depicts new mother Valeria being haunted by the titular spirit, despite her prayer to the Virgin Mary. Valeria pleads for her husband and family to listen, though each time she does becomes proof of her faults as a mother. The terror in newcomer Natalia Solián’s face makes it all feel believable, but it’s the folk-inspired imagery of first-time feature director Michelle Garza Cervera that turns this film into a feminist masterpiece.

Genre: Drama, Horror, Mystery

Actor: Aida López, Alfonso Dosal, Emilram Cossío, Enoc Leaño, Gina Morett, Martha Claudia Moreno, Mayra Batalla, Mercedes Hernández, Natalia Solián, Pablo Guisa Koestinger, Samantha Castillo, Sonia Couoh

Director: Michelle Garza Cervera

Rating: NR

, 2021

Gunda offers an empathetic look at the lives of farm animals with its minimalist approach to the nature doc. Director Victor Kossakosvsky films without a sentimental score or voice-over narration, and shoots in a sparse yet striking black and white. This decision gives the film an intimacy often missing from more traditional modes. 

We watch a sow named Gunda, her piglets, and a few other animals through their daily routines. Long natural sequences allow the viewer to sink into the zen of the animals’ natural rhythms. The result is an astounding and bittersweet film that hints at the brutalities of factory farming without ever stepping foot in a slaughterhouse.

Genre: Documentary, Drama

Director: Viktor Kossakovsky

This lovely comedy-romance from Ireland is about a closeted gay teen and his lesbian schoolmate who pretend to be in a relationship to avoid being bullied at their school.

This premise makes Dating Amber an original story in a genre in which that's increasingly rare. This is added to the setting, in 1995 rural Ireland, which is executed to gorgeous perfection in everything from the clothes to the music. 

Dating Amber ends up being more coming-of-age than a comedy-romance. It's a tale of friendship and self-acceptance.

Genre: Comedy, Drama, Romance

Actor: Adam Carolan, Ally Ni Chiarain, Anastasia Blake, Andrew Bennett, Arian Nik, Art Campion, Barry Ward, Corey Millar, Emma Willis, Eva O'Connor, Evan O'Connor, Fionn O'Shea, Fionn O'Shea, Ian O'Reilly, Ian O'Reilly, Jonny Woo, Karl Rice, Lauryn Canny, Lola Petticrew, Peter Campion, Sharon Horgan, Shauna Higgins, Simone Kirby, Tara Flynn

Director: David Freyne

In Compartment Number 6, two different people strike an unlikely friendship during a train ride from Moscow to Murmansk. One is Laura, a Finnish student looking to observe ancient rock carvings at their destination, and the other is Ljoha, a gruff miner who hopes to secure a job once there. While the pair are initially unable to get on the same page, their friction eventually lends way to curiosity and empathy, especially as they learn more about each other and life itself.

It’s a great film to put on if you’re a fan of smart but subdued movies like the Before trilogy and Lost in Translation, and there is a lot to mine beyond their already-rich conversations, especially in terms of class and romance. It’s little wonder then that this delightful two-hander shares the 2021 Grand Prix award with another brilliant piece of art, Asghar Farhadi's A Hero.

Genre: Drama

Actor: Denis Pyanov, Dinara Drukarova, Galina Petrova, Konstantin Murzenko, Mikhail Brashinsky, Natalia Drozd, Polina Aug, Seidi Haarla, Sergey Agafonov, Tomi Alatalo, Valeriy Nikolaev, Yuliya Aug, Yuriy Borisov

Director: Juho Kuosmanen

Rating: R

Directed by Japanese filmmaker Hirokazu Koreeda, the Korean film Broker is a simple but tender story about chosen family. It follows Moon So-young (IU), a young mother who decides to drop her baby off at a church, seemingly for good. But when So-young decides to return for the child, she discovers that he’s been stolen by two brokers who’ve put the baby up for adoption on the black market. She joins them in the hopes of meeting her child’s prospective new parents (and staking a claim at the payment) but the more they spend time with each other, acting like a real family on the road as they do, the more it becomes real for her, and the more she feels conflicted about the decision she’s about to make.

As with any Hirokazu Koreeda film, Broker is an affecting, empathetic story that succeeds at humanizing its misunderstood cast of characters. Admittedly, it’s not the best Koreeda movie out there, even when the category is narrowed down to stories about found families (the best in that regard would be his 2018 film Shoplifters). And Koreeda fans will find Broker somewhat scrubbed and Disney-fied for a larger crowd, lacking the edge that his previous Japanese films had. But it is undeniably heartwarming and beautiful. The road trip setup allows the characters to build their rapport naturally, and the warm crisp tones capture the seabreeze ease of the film. Regardless of your view on Koreeda, Broker is well worth a watch.

Genre: Comedy, Crime, Drama

Actor: Bae Doona, Baek Hyun-jin, Bek Hyun-jin, Choi Hee-jin, Choi Hui-jin, Choi Hyo-sang, Choi Yoon-woo, Gang Dong-won, IU, Jeong Jong-yeol, Jong Ho, Jung Ji-woo, Kang Gil-woo, Kim Do-yeon, Kim Keum-soon, Kim Sae-byuk, Kim Soo-hyeon, Kim Sun-young, Kim Yae-eun, Lee Dong-hwi, Lee Doo-seok, Lee Ga-kyung, Lee Joo-young, Lee Moo-saeng, Lee Mu-saeng, Lim Seung-soo, Oh Hee-joon, Oh Hee-jun, Park Hae-jun, Park Kang-seop, Park Kang-sup, Ryu Ji-an, Ryu Kyung-soo, Seong Yu-bin, Song Kang-ho, Song Sae-byuk, Woo Sung-min, Yun Seul

Director: Hirokazu Kore-eda