179 Best Movies & Shows Released in The 2020s On Itunes (Page 12)

Known best for his horror films, writer-director Christopher Smith’s latest stint in the genre has dropped on Hulu. Consecration is one of many supernatural horror films set in convents and churches, as the Catholic Church’s notorious silence is easy fodder for potential fears. There’s some of that here, as Grace, portrayed by the excellent Jena Malone, tries to uncover the truth, not just for her brother’s murder but for her own past. However, there’s no secrecy in this murder mystery with the dialogue holding no subtlety at all. Even as the cast makes the most of it, Consecration drags down any possible tension or intrigue with its painfully straightforward dialogue and incoherent timeline shifts.

Genre: Horror, Thriller

Actor: Alexandra Lewis, Angela White, Charlotte Palmer, Danny Huston, David Boyle, Eilidh Fisher, Emma Hixson, Ian Pirie, Janet Suzman, Jena Malone, Jolade Obasola, Kit Rakusen, Marilyn O'Brien, Steffan Cennydd, Thoren Ferguson, Will Keen

Director: Christopher Smith

Rating: R

With inconsistent pacing and a deeply unpleasant protagonist, it’s hard to recommend The Seeding to every viewer. It’s really slow-paced, deeply uncomfortable, and it starts with, of all things, a baby eating a finger. But there’s an interesting style to this arthouse horror, a marriage of desert survival thriller and folk horror that restricts all possible modes of escape through its claustrophobic canyon. As Wyndham gradually discovers a secret community driven back to primitive instincts, director Barnaby Clay inverts the idea of what it means to be one’s fundamental self. Most viewers might not appreciate the story, and the ideas aren’t as cohesive as it could be, but horror fans looking for something new in the genre might find The Seeding fairly interesting.

Genre: Horror, Thriller

Actor: Alex Montaldo, Charlie Avink, Kate Lyn Sheil, Scott Haze, SoKo, Thatcher Jacobs

Director: Barnaby Clay

Rating: R

Fairytale parodies reimagine these classic tales to reexamine or question its related themes. Once Upon a Crime attempts to do this by imagining Little Red Riding Hood as a detective investigating the murder of a hairdresser in Cinderella’s ball. The campy glamor of the costumes and sets, as well as the incongruence of Little Red’s detective mindset, makes the film watchable. However, the film takes strange twists that stray too far from the original stories. And while the cut locks make an intriguing metaphor, the resulting ending betrays any sense of justice for the characters, most especially the abused Cinderella.

Genre: Adventure, Comedy, Crime, Fantasy

Actor: Atsuhiro Inukai, Jiro Sato, Kanna Hashimoto, Masaki Kaji, Midoriko Kimura, Miki Maya, Mirei Kiritani, Mizuki Yamamoto, Natsuna Watanabe, Takanori Iwata, Tomoharu Hasegawa, Tsuyoshi Muro, Yuko Araki, Yumi Wakatsuki, 室毅

Director: Yuichi Fukuda

Rating: PG

The Machine wants us to assume many unlikely things, with Bert Kreischer’s global fame being the most improbable. It also wants to be both high stakes as we follow Bert and his father (Mark Hamill) being chased by the mafia and comedic as they make lighthearted jokes along the way. But it never really achieves that balance. Though it looks sleek and high-budgeted, its contents are lopsided and messy, not once hitting the mark on its many targets. Moreover, it's based on a premise so thin, that it loses all credibility midway through the film. After that, it simply becomes a parody of itself. To be sure, there are some noteworthy moments in between, like when Kreischer and Hamill share genuine father-and-son moments, but for the most part, it’s just too overbearing to warrant anyone’s attention.

Genre: Action, Comedy, Crime

Actor: Aleksandar Srećković 'Kubura', Amelie Child-Villiers, Bert Kreischer, Brian Caspe, Dobrila Stojnic, Đorđe Simić, Iva Babić, Jess Gabor, Jimmy Tatro, Mark Hamill, Marko Nedeljković, Martyn Ford, Mercedes De La Cruz, Milena Predić, Miodrag Dragičević, Nikola Đuričko, Oleg Taktarov, Rita Bernard-Shaw, Robert Maaser, Set Sjöstrand, Stephanie Kurtzuba, Tea Wagner, Vladimir Gvojić

Director: Peter Atencio

Rating: R

The suggestion that life gets better if only you stand up for yourself is a helpful one. After all, self-confidence is something young kids could use a lot more of. But it’s also not true, and for Sid to instantly get his dream life once he starts applying himself just doesn’t ring true. Things unfold a little too smoothly and conveniently in this movie, making it less of an actual coming-of-age journey (which is complicated and messy) and more of a young boy’s simpleminded fantasy (that is, idealistic and egotistic). I just don’t buy that Sid, a kid who has been shy and avoidant all his life, gains all the wisdom, courage, and charisma of a hero overnight. And it certainly doesn’t help that everyone in his high school looks like they’ve long graduated from college. Ultimately, Sid is Dead lacks the authenticity to stand out from the wealth of excellent teen dramas we’ve been spoiled with in recent years. 

Genre: Comedy, Drama

Actor: Anjelica Bette Fellini, Aubrey Cleland, Audrey Whitby, Belissa Escobedo, Carla Gallo, Denisea Wilson, Eileen Galindo, Genevieve Hannelius, Helen Hong, Jack Griffo, Joey Bragg, Luke Massy, Mary Stuart Masterson, Suraj Partha, Tyler Alvarez

Director: Eli Gonda

There is a version of Moon Students that solely focuses on the students of color themselves, victims of racial profiling and injustice, instead of their white teacher and his overbearing white guilt. That would’ve been a slightly better movie to watch, but even then, Moon Students seems broken beyond repair. The film is riddled with technical blunders. The timeframe is confusing, the pacing is off, and the dialogue is unrealistic (and unintentionally funny, because what young person actually says, with full sincerity, “You know what time is it? Party time!”). The actors deserve credit for breathing a bit of life into a limp script, and the cinematography can be nice at times—fuzzy and hazy like an LA dream. But the film’s misguided sense of justice ultimately brings it down.

Genre: Drama

Actor: B.A. Tobin, Cedrick Terrell, Eddie Navarro, Nicholas Heard, Nicholas Thurkettle, Sydney Carvill

Director: Daniel Holland

There’s no way to escape it– the plotline of One True Loves feels like the other side of Cast Away (2000), but instead of focusing on the survival aspect, it focuses on the wife trying to move on with grief. The original novel portrays Emma moving on through reclaiming her past, and learning to appreciate the roots she’s tried to forget with her lost husband. However, the film adaptation falters in depicting the personal, inner world of Emma, as it bungles through the timelines with Hallmark-esque quotes and disarranged scenes. It tries to save the film through its star-studded cast, but their decent performances can’t save the way the film is structured.

Genre: Comedy, Drama, Romance

Actor: Beth Broderick, Christina Bach, Cooper van Grootel, Gabriella Garcia, Gary Hudson, Jacinte Blankenship, Jay DeVon Johnson, Jessi Goei, Kelvin Hodge, Lauren Tom, Luke Bracey, Michael OKeefe, Michaela Conlin, Oceana Matsumoto, Oona Yaffe, Phillipa Soo, Simu Liu, Tom Everett Scott, Victoria Blade, Wil Deusner

Director: Andy Fickman

Rating: PG-13

Ricky Stanicky has all the ingredients of a zany romp: an insane premise, a cast of well-oiled comedians, and most notably, a veteran of the game, Peter Farrelly (Dumb and Dumber, There’s Something About Mary), at the helm of it all. And yet Ricky Stanicky falls unbelievably flat. For starters, there is zero chemistry between the trio who we’re supposed to believe are lifelong friends. And despite his Rolodex of disguises, John Cena is a one-trick pony here who can’t carry this film on his own. The joke is that he’s big and scary but can act pretty soft, but it gets tiring eventually. If I were you, I’d save myself some time and watch this SNL skit where Emma Stone plays a serious actress hoping to make her big break in a porn video instead. It captures the essence of what Ricky Stanicky wants to be, but the difference is, it’s actually funny.

Genre: Comedy

Actor: Andrew Santino, Anja Savcic, Jermaine Fowler, John Cena, Lex Scott Davis, William H. Macy, Zac Efron

Director: Peter Farrelly

Rating: R

There is a clear and wide gap between what Maximum Truth wants to be and what it actually is. What it wants to be is a silly but smart sendup of right-wing activism and the rampant disinformation the movement propels. What it ends up being is an occasionally funny but mostly tiresome film that falls flat thanks to caricature performances and flimsy arguments that essentially work against the film's supposed ideals. In a self-contradictory twist, it actually helps the conservatives it claims to poke fun at by proving just how dumb liberal humor can be. The running gag about Rick being in the closet feels outdated at best and offensive at worst, while Simon being the typical airheaded jock does nothing to subvert the trope. It’s baffling that a film like this could come out in 2023; ultimately it just seems like a terrible waste of everyone’s time. 

Genre: Comedy

Actor: Andrew Friedman, Beth Grant, Blake Anderson, Brandon Wardell, Brenda Koo, Brianna Baker, David Stassen, Dylan O'Brien, Ike Barinholtz, Ithamar Enriquez, Jena Friedman, Jon Barinholtz, Josh Meyers, Kelvin Yu, Kiernan Shipka, Mark Proksch, Matt Corboy, Max Minghella, Mia Serafino, Robert Belushi, Scott MacArthur, Seth Rogen, Sunil Narkar, Tiya Sircar

Director: David Stassen

Rating: R