35 Best Movies & Shows Released in The 1990s On Itunes (Page 2)

Staff & contributors

The 1990s was an exciting time for cinema, especially since that was our first introduction to home entertainment in the form of VHS videos. If you want to brush up on your ’90s film trivia, find the decade’s best movies to stream now.

Audition is not for the faint of heart. It's shockingly violent and deeply unsettling, filled with sights and sounds that will haunt you for days on end. But there is grace to its terror; it's profound and artistic in ways that elevate it from generic horror fare.

On a deeper level, Audition is about the destructive power of abuse, trauma, and loneliness, about how a society that neglects to recognize this eventually suffers from it. The revenge plot isn't merely individual, as well, but a representation of the female subconscious: tired of objectification, eager for redress. And everything about the way the film is made, from the shaky camera and titled frames to the dramatic shadows and eerie lighting, reflects that imbalance. 

Audition may be chilling and gruesome, but it's also smart and important, a psychosexual thriller that captures female anger well before it became the rage. 

Genre: Drama, Horror

Actor: Eihi Shiina, Fumiyo Kohinata, Jun Kunimura, Kanji Tsuda, Ken Mitsuishi, Kimiko Tachibana, Miyuki Matsuda, Ren Osugi, Renji Ishibashi, Ryo Ishibashi, Shigeru Saiki, Tatsuo Endō, Tetsu Sawaki, Toshie Negishi, Yuriko Hirooka

Director: Takashi Miike

Rating: R

Known for showcasing the grittier side of New York in his films, Martin Scorsese shifts to its upper echelons in The Age of Innocence. Based on the 1920 novel, the film follows society attorney Newland Archer (Daniel Day-Lewis) as he courts and marries the respectable May Welland (Winona Ryder), despite his desire for childhood friend Countess Ellen Olenska (Michelle Pfeiffer).

Undeniably gorgeous and impressively shot, what ultimately makes the film stand out among Scorsese’s work is how well the three leads embody the complex characters of the novel on multiple levels. Day-Lewis skillfully turns a corrupt, arrogant lawyer into someone who admirably refuses to be anything but himself, while Pfeiffer hides a stubbornness and frustration within Olenska. But it’s Ryder who best portrays her character's complexity, Welland’s wide-eyed gaze concealing secret manipulations. All of them drive this story that not only mourns for lost love, but acts as a mourning for a lost Golden Age.

Genre: Drama, Romance

Actor: Alec McCowen, Alexis Smith, Brian Davies, Carolyn Farina, Catherine Scorsese, Charles Scorsese, Cindy Katz, Clement Fowler, Daniel Day-Lewis, Domenica Cameron-Scorsese, Geraldine Chaplin, Howard Erskine, Joanne Woodward, John McLoughlin, Jonathan Pryce, June Squibb, Kevin Ash, Linda Faye Farkas, Martin Scorsese, Mary Beth Hurt, Michael Gough, Michelle Pfeiffer, Miriam Margolyes, Norman Lloyd, Pasquale Cajano, Patricia Dunnock, Richard E. Grant, Robert Sean Leonard, Siân Phillips, Siân Phillips, Stuart Wilson, Thomas Barbour, Thomas Gibson, Tracey Ellis, W.B. Brydon, Winona Ryder

Director: Martin Scorsese

Rating: PG

When citizenship and rights can only be achieved through federal service, you have no choice but to militarize. Johnny Rico is young, impressionable, but noble; in other words, he is an archetypal hero even if he initially enlists just to be close to his girlfriend Carmen (Denise Richards). From then on, Starship Troopers unfolds as a high-strung high school drama, but in the middle of a space colonization. During one such mission, a highly evolved insectoid race, Arachnids, proves to be the most dangerous enemy to human supremacy and the fight is on. What's interesting about Starship Troopers is that it shows how a well-oiled propaganda machine works and for that reason, it was accused of indoctrination and army endorsement. Even more, it was dubbed fascist, instead of the fascist satire it claimed to be. But today, it's indisputably a cult film and a great introduction to the Paul Verhoeven's work in Hollywood.

Genre: Action, Adventure, Science Fiction, Thriller

Actor: Aaron Stielstra, Amy Smart, Anthony Ruivivar, Betty Hankins, Blake Lindsley, Brad Kane, Brenda Strong, Brooke Morales, Bruce Gray, Bruce Holman, Casper Van Dien, Christopher Curry, Clancy Brown, Curnal Achilles Aulisio, Dale Dye, Dan Olivo, David Rey, Dean Norris, Denise Dowse, Denise Richards, Dina Meyer, Edward Neumeier, Eric Bruskotter, Eric DaRe, Farnaz Samiinia, Greg Travis, Hunter Bodine, Jake Busey, John Cunningham, Jon Davison, Julianna McCarthy, Julie Pinson, Kai Lennox, Lenore Kasdorf, Mara Duronslet, Marshall Bell, Mary Ann Schmidt, Matt Duggan, Matt Entriken, Matt Levin, Michael Ironside, Michael Papajohn, Mylin Brooks, Neil Patrick Harris, Parry Shen, Patrick Bishop, Patrick Muldoon, R. Lee Ermey, Ray Quiroga, Robert David Hall, Rue McClanahan, Seth Gilliam, Stephanie Erb, Steven Ford, Tami-Adrian George, Timothy McNeil, Timothy Omundson, Tyrone Tann, Ungela Brockman, Walter Adrian, Whitney Hall, Zoë Poledouris

Director: Paul Verhoeven

Rating: R

Warm and nourishing as the film's cuisine, Soul Food is a celebration of the modern African-American family, represented here by the Josephs. The Chicagoan family has a longstanding tradition of making dinner together every Sunday—a ritual, we’re told, that's lasted for at least 40 years. However, when the matriarch Big Mama Joe gets hospitalized, the simmering tension between her daughters boils over and threatens to break them apart. Many of the struggles they go through are familiar but not cliché, as writer-director George Tillman Jr. draws from his own experiences in a close-knit, extended family. So even if some plot lines feel unresolved, the film is well-paced, soulfully scored, and evenly balanced between the three sisters. Like the food cooked on-screen, this movie will still leave you hungering for more.

Genre: Comedy, Drama

Actor: Brandon Hammond, Gina Ravera, Irma P. Hall, Jeffrey D. Sams, John M. Watson Sr., Marcia Wright, Mekhi Phifer, Mel Jackson, Michael Beach, Nia Long, Vanessa Williams, Vivica A. Fox

Director: George Tillman Jr.

Rating: R

You can tell Drugstore Cowboy was written by someone who has been through drug abuse and incarceration himself. This is the kind of film that has to be lived, not researched. It’s realistic, sure, and it gets at the interiority of a drug user with ease. But there is no judgment to be found here, no preachy criticism or misguided glorification of a hardened lifestyle. Bob (Matt Dillon) and his wife Dianne (Kelly Lynch) have created a nomadic, transient life that allows them to live on drugstore lootings one district at a time, while looking out for each other and the other couple they live with, Rick (James LeGros) and Nadine (Heather Graham). They chose this outlaw life, and because of the agency the film affords them, there is joy to be found despite their difficulties. It’s an authentic story, elevated by imaginative editing, a jazzy, heart-thumping score, and believable performances by a quartet of capable actors.

Genre: Crime, Drama

Actor: Beah Richards, Eric Hull, George Catalano, Grace Zabriskie, Gus Van Sant, Heather Graham, James Le Gros, James Remar, Kelly Lynch, Matt Dillon, Max Perlich, Michael Parker, Ray Monge, Ted D'Arms, William S. Burroughs

Director: Gus Van Sant

Rating: R

A sweet and wholesome tale of two boys falling in love against the backdrop of 90s homophobia and social issues. Jamie is a heavily bullied high schooler whose only sanctuary is his family's low-income apartment. His mom Sandra decides to also make that apartment a sanctuary for Ste, another highschooler suffering from an abusive father and older brother. They share Jamie's bed and their prospect of friendship quickly turns into something else.

Beautiful Thing is beautifully scripted and never too emotional. In fact, whenever the story moves towards the emotional, a funny scene is introduced to ease the tension. Many of these scenes feature Sandra's boyfriend, a well-spoken hippie by the name of Tony. Features heavy British accents, subtitles may be necessary!

Genre: Comedy, Drama, Romance

Actor: Andrew Fraser, Anna Karen, Ben Daniels, Beth Goddard, Davyd Harries, Garry Cooper, Glen Berry, Jeillo Edwards, John Benfield, John Savage, Jonathan Harvey, Julia-Lee Smith, Liane Ware, Linda Henry, Marlene Sidaway, Martin Walsh, Meera Syal, Scott Neal, Sophie Stanton, Tameka Empson, Terry Duggan

Director: Hettie Macdonald

Rating: R

Slow, contemplative, but captivating, Baraka uses no narration, dialogue, or text to connect its images. The documentary stitches together shots with different subjects from different locations around the world. At first, it seems very peaceful—gorgeous, high-definition shots of nature paired with a soothing, resonant score that lulls you into hypnosis—but as the film progresses, director and cinematographer Ron Fricke presents more scenes with people, from the cities to the countryside, to places rarely documented on film. Depending on how you look at it, Baraka will either feel like just a compilation of screensavers or a profound meditation on how intrinsically connected everything is. It’s totally breathtaking either way.

Genre: Documentary, Drama

Director: Ron Fricke

One of Studio Ghibli’s overlooked gems, My Neighbors the Yamadas is a charming anthology film about a modern-day Japanese family. The film sets itself apart from other Ghibli films through its unique doodle-like watercolor animation and its short piano themes. While the vignettes may just depict regular family conflicts, the scenes still feel compelling due to the Yamadas’ imagination of the metaphors that they use. Exaggerating the metaphors keeps the audience breathless in certain strategic moments - most notably in the wedding day speech of the mother of the bride. While not as fantastical as Ghibli’s other offerings, the completely digital My Neighbors the Yamadas finds humor in and celebrates the mundane.

Genre: Animation, Drama, Family

Actor: Akiko Yano, Chôchô Miyako, Hayato Isohata, Masako Araki, Naomi Uno, Tamao Nakamura, Toru Masuoka, Yukiji Asaoka

Director: Isao Takahata

Rating: PG

Unlike the many courtroom films of its time, My Cousin Vinny forgoes theatrics and drama for true-blue comedy. It stars Joe Pesci as the titular Vinny, a newly minted New York attorney who's taking on a murder trial in Alabama as his first case, while Marisa Tomei plays Vinny's fiancée, Mona Lisa Vito, in an Oscar-winning turn. The loudmouthed couple are decidedly out of place in Alabama, supplying the film with many comedic gems, but they're also unexpectedly clever. Along with its humor and memorable characters, My Cousin Vinny has come to be known for its legal accuracy and flair.

Genre: Comedy, Crime

Actor: Austin Pendleton, Bill Coates, Bob Penny, Bruce McGill, Chris Ellis, Fred Gwynne, J. Don Ferguson, James Rebhorn, Jill Jane Clements, Joe Pesci, Kenny Jones, Lane Smith, Lou Walker, Marisa Tomei, Maury Chaykin, Michael Burgess, Michael Genevie, Mitchell Whitfield, Muriel Moore, Paulene Myers, Ralph Macchio, Raynor Scheine, Ron Leggett, Suzi Bass, Thomas Merdis

Director: Jonathan Lynn

Rating: R

Welcome to the Dollhouse tells the story of Dawn, an unpopular seventh-grader mercilessly bullied at school and ignored at home. Her day-to-day is painful to watch; her classmates make fun of her, her teachers never believe her, and her parents punish her, blatantly favoring her other siblings over her. But all this she puts up with, as if going through the murky in-between stage that is adolescence isn't confusing enough. Dawn finds no respite elsewhere, except perhaps in her friend Ralphy (another target of bullying) and her crush, the high schooler Steve.  

A Sundance jury winner back in '96, Welcome to the Dollhouse is as darkly funny as it is grim. It takes on a deadpan approach in handling its more serious topics; it doesn't make fun of them so much as it shines them in a new and blinding light. It's difficult to look away from this frank and well-balanced film; a sure good watch for anyone curious to know what it's really like to be a teenage loner.

Genre: Comedy, Drama

Actor: Angela Pietropinto, Bill Buell, Brendan Sexton III, Christina Brucato, Christina Vidal, Daria Kalinina, Elizabeth Martin, Eric Mabius, Heather Matarazzo, Ken Leung, Matthew Faber, Molly Howe, Rica Martens, Richard Gould, Siri Howard, Stacey Moseley, Teddy Coluca, Telly Pontidis, Victoria Davis, Will Lyman

Director: Todd Solondz

Rating: R

At first glance, The Madness of King George seemed like a history lesson about King George III. Like plenty of British royalty dramas, the film has all the opulent trappings in its sets and costumes, as well as some of the best actors from the British isles. However, unlike other depictions of the monarchy, the film depicts the king not as a benevolent ruler or oppressive tyrant– instead, King George III is terribly human, with his memory failing, being unsettled by loss, and concern over his health, which involves having to look at his urine. But the historical satire, based on the 1991 stage play, still manages to have the same mockery towards the opportunistic court, while still retaining sympathy for the very nobility it mocks, through original playwright Alan Bennett’s adept writing, as well as the excellent performance of the stacked ensemble cast.

Genre: Comedy, Drama, History

Actor: Adrian Scarborough, Alan Bennett, Amanda Donohoe, Anthony Calf, Barry Stanton, Caroline Harker, Charlotte Curley, Clive Brunt, Colin McPhillamy, Cyril Shaps, David Leon, Dermot Keaney, Geoffrey Palmer, Helen Mirren, Iain Mitchell, Ian Holm, Janine Duvitski, Jeremy Child, Jim Carter, Joanna Hall, John Wood, Julian Rhind-Tutt, Julian Wadham, Michael Grandage, Nicholas Irons, Nicholas Selby, Nick Sampson, Nigel Hawthorne, Paul Corrigan, Peter Woodthorpe, Robert Swann, Roger Ashton-Griffiths, Roger Hammond, Rupert Everett, Rupert Graves, Selina Cadell, Struan Rodger

Director: Nicholas Hytner

Rating: PG-13

Before “burnout,” “bullshit jobs,” and “quiet quitting” became part of our everyday lexicon, there was a film in the ‘90s that prophesied the rise of these workplace problems. Office Space follows three co-workers who, having had enough of their dreary low-paying jobs, fight back against their company via an embezzlement scheme. 

Office Space makes the most out of its indie budget as it mostly takes place in the cramped quarters of a company, effectively bottling us into the cubicled windowless world of the characters. But the real beauty of the film is in the details, from its quick zingers and thoughtful takes on the essence of work down to its elaborate “planning to plan” scheme in the background and the employees’ forced politeness singing happy birthday to their boss. Modern viewers will notice that Office Space sits right in between the dystopian thriller Severance and the beloved sitcom The Office—a dark comedy that highlights the necessity of humanity in everyday work. 

Genre: Comedy, Drama

Actor: Ajay Naidu, Alexandra Wentworth, Ali Wentworth, Barbara George-Reiss, Cassie Townsend, Charissa Allen, David Herman, Diedrich Bader, Gabriel Folse, Gary Cole, Greg Pitts, Heath Young, Jack Betts, Jackie Belvin, Jennifer Aniston, Jennifer Jane Emerson, Jesse De Luna, Joe Bays, John C. McGinley, Josh Bond, Justin Possenti, K. Todd Lytle, Kinna McInroe, Kyle Scott Jackson, Linda Wakeman, Michael McShane, Mike Judge, Orlando Jones, Paul Willson, R.C. Keene, Richard Riehle, Ron Livingston, Rupert Reyes, Samantha Inoue Harte, Spencer Kayden, Stephen Root, Todd Duffey, Tom Schuster

Director: Mike Judge

Rating: R

As southern movies go, Fried Green Tomatoes is inoffensively sweet and realistic—it’s not afraid to touch on the genuine issues that plagued America in the 1930s while also cushioning some blows, as feel-good movies are wont to do. But the film seems less interested in presenting a clear picture of the past than it is in telling a specific tale: that of outsiders forming bonds and making it together in an unforgiving society. 

The main narrator is Ninny, an 83-year-old woman seemingly forgotten by everyone except Evelyn, an unhappy housewife who is “too young to be old and too old to be young.” Ninny recalls the stories of Sipsey and Big George, Black laborers who dared to succeed in their deeply racist community; of Smokey, the town outcast, who still helped people even if he was denied it himself; of Ruth, the domestic abuse victim; and of Idgie, the tomboy who spat on the face of all decorum. Then, of course, there’s the unspoken relationship between Ruth and Idgie, which hint at something quite radical for its time. 

These are all the people conventionally denied happy endings, and in period films, you’d expect to be abandoned in tragedy. But here they sing; they win and lose in equal measure, and even though it might seem like light and familiar fare to some, it still goes down heartily and unforgettably—funnily enough, like a plate of fried green tomatoes.

Genre: Comedy, Drama

Actor: Afton Smith, Bob Hannah, Carol Mitchell-Leon, Chris O'Donnell, Chris O'Donnell, Cicely Tyson, Constance Shulman, Danny Nelson, David Dwyer, Evan Lockwood, Fannie Flagg, Gailard Sartain, Gary Basaraba, Grace Zabriskie, Grayson Fricke, Haynes Brooke, Jessica Tandy, Jo Harvey Allen, Kathy Bates, Kathy Larson, LaTanya Richardson Jackson, Lois Smith, Macon McCalman, Mary Stuart Masterson, Mary-Louise Parker, Nancy Moore Atchison, Nick Searcy, Raynor Scheine, Reid Binion, Richard Riehle, Stan Shaw, Suzi Bass, Ted Manson, Tim Scott, Timothy Scott, Tom Even, Wallace Merck

Director: Jon Avnet

Rating: PG-13

Never has evil been so darn fun to watch. Bridget (Linda Fiorentino) is such a captivating villainess, you'll actually find yourself rooting for her at times in this noirish take on..., I don't know what, but it involves drug money, double-crosses, lots of witty repartee and cat-and-mouse manipulation that will make your stomach hurt. The script is tight, the acting is all testosterone driven and crisp and you'll hear some choice words come from nice guy Bill Pullman (as Bridget's husband Clay) that you never imagined he could say. Peter Berg (Mike) is fantastic as the guy's guy determined to earn his Alpha-dog badge by subduing the fierce and wickedly intelligent heroine, Bridget. Fiorentino won a BAFTA award for her performance and was nominated, along with Director John Dahl, for several others. The movie did not qualify under Academy rules for the Oscars, but it would have been a strong contender.

Genre: Crime, Drama, Mystery, Romance, Thriller

Actor: Anne Flanagan, Bill Nunn, Bill Pullman, Bill Stevenson, Dean Norris, Donna W. Scott, Herb Mitchell, J.T. Walsh, Jack Shearer, Linda Fiorentino, Michael Raysses, Mik Scriba, Peter Berg, Walter Addison, Zack Phifer

Director: John Dahl

Rating: R

Following is the first movie Christopher Nolan ever directed, a mesmerizing low-budget effort that introduced the world to the genius who will later give us Memento, Inception, The Dark Knight, and many other classics. Shot in "extreme" conditions to quote Nolan himself, for just over £3000, it had to be filmed in the span of a year on Saturdays only and in friends' houses. But almost none of that is visible in the sharp camera work, the magnificent acting (most of it was first or second takes), and the twisted script. It tells the story of an unsuccessful writer (The Young Man) who tries to find inspiration in following random people in the street, and doing it via strict rules. One day he follows a man in a suit (Cobb), who catches him and becomes intrigued by him. It turns out that Cobb has his own fascination with people's intimate lives, of criminal nature, which he lets The Young Man into. Using the same non-linear plot technique as in Memento, this movie is halfway between a thriller and a film noir. The inspiration for it came when Nolan's own apartment in London was robbed, and he was fascinated by the act of strangers going through his personal items. If you take into consideration the conditions of its making, this movie is a masterpiece.

Genre: Drama, Mystery, Thriller

Actor: Alex Haw, Barbara Stepansky, David Julyan, Dick Bradsell, Emma Thomas, Gillian El-Kadi, Jennifer Angel, Jeremy Theobald, John Nolan, Lucy Russell, Nicolas Carlotti, Paul Mason, Rebecca James

Director: Christopher Nolan

Rating: R