There’s an intriguing meta appeal to this drama, the plot of which is a thinly veiled reference to the scandal that erupted around South Korean director Hong Sang-soo and star Kim Min-hee’s extramarital affair. Here, Kim plays an actress who flees to Germany amidst a media storm swirling around a similar relationship and then returns home to skirt prying questions from friends and — maybe — confront her now-distant lover.

But beyond its references to salacious real life, On the Beach at Night Alone is also a fascinating conversational movie, one that explores with gentleness all the messy feelings that Kim is having in her physical and professional exile (offers of acting roles having dried up because of the scandal). That tone isn’t permanent, though, because the film reaches a violently emotional crescendo with two extremely raw and strange outbursts at dinner parties — a strangeness echoed by the lightning bolts of surreality that break up what is otherwise a naturalistic film (and filmography, for Hong). This might make an unconventional entry point if you’ve never seen a Hong film before (he’s averaged two films a year since 2017, so there are plenty of other options), but it’s an illuminating introduction for newcomers all the same, and a fascinating evolution for confirmed fans.

Genre: Drama

Actor: Ahn Jae-hong, Gong Min-jeung, Han Ja-i, Han Jae-yi, Jung Jae-young, Kang Tae-u, Kim Min-hee, Kwon Hae-hyo, Mark Peranson, Moon Sung-keun, Seo Young-hwa, Song Sun-mi

Director: Hong Sang-soo

This fiery coming-of-age drama has an unlikely origin story: director Jonas Carpignano was first introduced to the sprawling Roma clan that makes up most of the movie’s cast when one of them stole his car while he shot another film. The charismatic Amato family made such an impression on him that he decided to center a movie around their real lives, naming it for the insular neighborhood they live in on the outskirts of a Southern Italian town.

The Amatos are part of a much-maligned ethnic minority, but not the only one in the film. The Ciambra pokes at the idea of solidarity between the Amatos and local African migrants: while his elders are quick to reject the idea, plucky 14-year-old Pio (Pio Amato) flits across these invisible borders and bonds with Ayiva (Koudous Seihon). But Pio is desperate to win the respect of the men in his family, who might then allow him to take part in their criminal exploits — a crisis point The Ciambra chronicles with raw emotion. This is a movie whose grit and bleakness often recall the uncompromising gaze of neo-realist classics, as a child is heartbreakingly forced to declare his allegiances in the dog-eat-dog world his elders can’t imagine an alternative to.

Genre: Crime, Drama

Actor: Damiano Amato, Francesco Papasergio, Iolanda Amato, Koudous Seihon, Patrizia Amato, Pio Amato, Rocco Amato, Susanna Amato

Director: Jonas Carpignano

Beat for beat, word for word, Love is in the Air moves just like any other romantic comedy. Within that genre, it slots easily into the category of romcoms that follow a city guy who falls in love with a country girl, eventually learning and preferring the ways of small-town living. But Love in Air is even more improbable than usual because of how eerily perfect the two leads are. Goodrem, in particular, is always manicured to perfection, which makes her role as a down-to-earth no-nonsense go-getter very hard to believe. Still, the movie isn’t entirely unwatchable. There are pockets of humor to be found, and the stunning visuals almost make it worth the watch. Almost.  

Genre: Comedy, Drama, Romance

Actor: Craig Walker, Delta Goodrem, Hugh Parker, Joshua Sasse, Mia Grunwald, Roy Billing, Simon McLachlan, Steph Tisdell

Director: Adrian Powers

Rating: PG-13

Nanpakal Nerathu Mayakkam might not immediately make sense to audiences new to director Lijo Jose Pellissery, but it’s still an interesting film that depicts Tamil culture. Also known as Like an Afternoon Dream, the contemplative bilingual film is centered around a prejudiced Malayali tour guide who wakes up as another man, specifically someone fluent in Tamil, and walks into the nearby village. Through vignettes focused on the village inhabitants, the film slowly unravels the dynamics between each of the villagers, flitting back to the tour bus on occasion to see how they’re faring. While some of the comedy goes over viewer’s heads, especially for people unfamiliar with the state, the slow-paced film feels like a fond memory from Pellissery. The film doesn’t explain anything at all, in the same way strange dreams refuse to do.

Genre: Comedy, Drama, Fantasy

Actor: 'Poo' Ram, Ashokan, Ashwanth Ashokkumar, G. M. Kumar, Mammootty, Namo Narayanan, Rajesh Sharma, Ramachandran Durairaj, Ramya Pandian, Ramya Suvi, Thennavan

Director: Lijo Jose Pellissery

Known for his comedy skits on Facebook, the comedian Kountry Wayne finally gets his own Netflix special to middling results. The character that he plays on the stand-up stage is meant to be highly irreverent, showing a callous disregard to everybody except himself. But while a more seasoned comic (which Wayne could become in good time) might find a way to build these predictable jokes into something truly novel or subversive, Wayne settles for shock value—often relying on exaggerated physical comedy to sell a flatly written punchline. But even this trick he relies on too often, which makes his already impressive stage presence seem cheaper than it should.

Genre: Comedy

Actor: Kountry Wayne

Director: Jeff Tomsic

Rating: R

Director Crystal Moselle based Skate Kitchen on NYC’s eponymous crew of young female skateboarders, who actually play fictionalized versions of themselves here. That real-life casting lends the film a documentary-esque quality: the girls’ bantering chemistry and die-hard loyalty feel warmly authentic, and the movie would be well worth a watch just to bask in this vibe alone.

The Skate Kitchen girls are an eclectic bunch, but what’s so refreshing — and therapeutic — about the film is that they’re also deeply, instinctively empathetic. These misfits don’t just tolerate but celebrate one another’s uniqueness and respect their differing boundaries (the way the girls and the movie treat shyness as a feature rather than a flaw to be resolved is particularly moving). What’s more, in its own low-key way, Skate Kitchen is an inspirational watch for its portrait of young women building the sanctuary they need themselves — not just in a largely male subculture but on a broader canvas, too. Rather than skulk anxiously on the sidelines, the girls use skating to carve out a space of their own in New York, a way to make the big, scary city feel warm and intimate. Amidst all the steezy ollies and clean rail grinds, these might just be the greatest tricks they pull off.

Genre: Comedy, Drama

Actor: Ajani Russell, Darlene Violette, Dede Lovelace, Elizabeth Rodriguez, Hisham Tawfiq, Jaden Smith, Javier Nunez, John Palumbo, Kabrina Adams, Kobi Frumer, Nico Hiraga, Nina Moran, Rachelle Vinberg, Samuel Smith, Tashiana Washington, Taylor Gray, Thaddeus Daniels, Tom Bruno

Director: Crystal Moselle

There’s much to despair at in Mahamat-Saleh Haroun's drama set in Chad, where abortion is illegal, female genital mutilation isn't, and single mothers are ostracised. Amina's (Achouackh Abakar) 15-year-old daughter Maria (Rihane Khalil Alio) has just been expelled from school because she’s pregnant. Like Amina, Maria has been abandoned by the child’s father — but, having witnessed first-hand the stigma that comes with being an unmarried mother, she refuses to let history continue repeating itself, and declares she wants an abortion.

But underground abortions are expensive, and the duo are barely scraping by as it is, in spite of Amina’s backbreaking manual work. Their situation is dire — and there are more disturbing revelations to be had — but, despite the bleakness of Lingui’s plot on paper, the film isn’t miserabilist. As Amina searches desperately for a safe abortion provider, she takes us with her into a furtive underground network of solidarity, one that offers the mother and daughter all the compassion and aid that the government and their imam should be providing. This is a film in which acts of kindness are quietly delivered on the understanding that that’s what we owe each other, and one where sisterhood is alive — making this, paradoxically, a simultaneously enraging and heartening watch.

Genre: Drama

Actor: Achouackh Abakar Souleymane, Briya Gomdigue, Rihane Khalil Alio, Saleh Sambo, Youssouf Djaoro

Director: Mahamat-Saleh Haroun

After two adaptations, with the 1982 version considered a Christmastime classic for Polish families, Forgotten Love can seem like a redundant take on the iconic Polish novel. With twenty more minutes, it seems like the new Netflix adaptation could only improve its take through better production design, and sure, it certainly delivers that pre-war aesthetic through period-accurate costumes, props, and sets. However, Forgotten Love takes a more streamlined approach to the novel’s plot, through changing certain character choices. Without spoiling too much, some choices paint certain characters in a better light, while other changes prove to add an entertaining twist, such as the humorous way the villagers defend Kosiba. Znachor takes the 1937 story into the present, bringing a new generation through the emotional journey of the cherished Polish tale.

Genre: Drama, Romance

Actor: Adam Nawojczyk, Agata Łabno, Alicja Jachiewicz, Anna Szymańczyk, Artur Barciś, Dawid Ściupidro, Ewa Kolasińska-Szramel, Ewa Szykulska, Henryk Niebudek, Ignacy Liss, Izabela Kuna, Jarosław Gruda, Joachim Lamża, Kamil Pardo, Karolina Piechota, Krzysztof Dracz, Leszek Lichota, Maciej Damięcki, Małgorzata Mikołajczak, Maria Kowalska, Mikołaj Grabowski, Mirosław Haniszewski, Patryk Szwichtenberg, Paweł Janyst, Paweł Tomaszewski, Piotr Rogucki, Robert Gonera, Sławomir Holland, Stanisław Brudny, Waleria Gorobets

Director: Michał Gazda

Rating: PG-13

The Spy Kids movies have always been knowingly corny, which hasn't changed for this latest installment—it's just that it also has an odd lack of color and personality to its generic action movie shenanigans. This is especially disappointing given the film's focus on video games, which it only seems to understand in their most surface level terms. And because there's a lack of definition in the movie's rules and logic, the plot progresses without any weight or sense of mounting excitement. These are just people going through the motions toward some unclear message about the value of honesty and kindness, which never really factor into the actual adventure and keep the status quo firmly unchanged.

Genre: Action, Action & Adventure, Adventure, Comedy, Family, Science Fiction

Actor: Billy Magnussen, Connor Esterson, D.J. Cotrona, Everly Carganilla, Gina Rodriguez, Jersey Johnston, Joe Schilling, Neal Kodinsky, Solar Dena Bennett, Zachary Levi

Director: Robert Rodriguez

Rating: PG

As an adaptation of a story written to commemorate the Louvre’s comics-focused exhibit, Rohan at the Louvre expands the short story into a riveting, nearly two-hour supernatural mystery film that contemplates Japanese art in context with the world. The original story is a spin-off of the popular manga Jojo’s Bizarre Adventure, so this film adaptation may shock fans expecting the same plot points and the vibrant, colorful style of the manga. However, the shadow-heavy cinematography, alongside Issey Takahashi’s performance, casts the eeriness needed to make this story work on film. It’s a change that fits a story all about art as a depiction of pain and desire, severing the self from the past, and escapism through stories.

Genre: Action, Adventure, Drama, Mystery

Actor: Fumino Kimura, Issey Takahashi, Katia Tchenko, Kayoko Shiraishi, Kei Kagaya, Kento Nagao, Kou Maehara, Léa Bonneau, Makoto Nakamura, Marie Iitoyo, Masanobu Ando, Minami, Robin Barde, Ryo Ikeda, Ryosuke Otani, Tomoya Masuda

Director: Kazutaka Watanabe