426 Best TV-MA Movies to Watch (Page 28)

With the source material being a Pulitzer winning novel, All The Light We Cannot See had high expectations. Plenty of what made the novel great was its straightforward prose, as well as its back-and-forth timeline, where each scene is arranged not by chronological order, but by the thematic logic that informs the characters’ actions. The new Netflix adaptation keeps the novel’s structure, however, the novel’s poetry is lost as the metaphors are shortened to its most cliché versions, and the showrunners couldn’t trust that the viewers would acknowledge the novel’s subtleties. While the cast does what it can, the show just feels like a missed opportunity to tell an excellent story.

Genre: Drama

Actor: Aria Mia Loberti, Hugh Laurie, Lars Eidinger, Louis Hofmann, Mark Ruffalo

Rating: TV-MA

Heist movies and TV shows as of late have been trying to experiment with form more than substance. In the case of the Italian series Everybody Loves Diamonds, we're shown the actual heist right from the beginning, as the show then moves back and forth through time to track the investigators right on the thieves' tails, as well as the delicate alliances that hang in the balance if the protagonists don't get away scot-free. There's a lightheartedness in the storytelling (complete with direct-to-camera address) that allows some of the more familiar elements to go down easily, and the more convoluted plot details to feel more like they're just part of the messiness of real life.

Unfortunately, the fact that the series doesn't innovate nearly as much with its actual story eventually catches up with it. At the end of the day, it still feels as if Everybody Loves Diamonds is counting on our being familiar with the heist formula to become invested, rather than giving us more substantial characters with motive. It doesn't help that the performances can't always get on the show's wavelength; many of the actors have trouble locating themselves between the serious and the comedic, which may be just as much a problem with the scripts, too.

Genre: Comedy, Crime, Drama

Actor: Anna Foglietta, Carlotta Antonelli, Gianmarco Tognazzi, Johan Heldenbergh, Kim Rossi Stuart, Leonardo Lidi, Synnøve Macody Lund

Director: Gianluca Maria Tavarelli

Rating: TV-MA

In the style of a handbook, How to Be A Cult Leader chronicles the manipulative tactics of infamous cult leaders, from their upbringing and early interests to the failures that honed their charismatic pull. Each episode profiles a leader (Charles Manson and Jim Jones for the first two episodes) with ex-followers and specialists that break down how the cults were sustained and eventually toppled tremendously. The overall tone is unsettling at first, and as the lies and crimes of these leaders are exposed, the lessons of the handbook mostly manage to be warnings. News (and stock) footage, meme-esque inserts, and animated renditions of events round out Peter Dinklage's narration and keep this unorthodox docuseries dynamic — but to what end? 

Genre: Documentary

Actor: Peter Dinklage

Rating: TV-MA

The most obvious cultural reference point for Barracuda Queens is The Bling Ring: both tell the based-on-real-life stories of a group of (mostly) wealthy young women who rob rich people’s houses. But where Sofia Coppola’s movie was rooted in a very specific era and explored the fascinating generational and psychological quirks that drove its disaffected teen burglars to do what they did, this Swedish Netflix series, at least in the first four episodes viewed for this review, makes only a half-hearted effort to evoke its ‘90s setting and takes a much soapier, less forensic approach to its story.

Here, the young women’s gateway into crime is the sky-high bill they rack up after a debauched weekend away. In need of cash to pay it off quickly, they convince themselves that they’re only robbing their wealthy neighbors to solve that problem, but other motivations soon arise. The women — who are mostly university-age, but seem closer to the protagonists of a teen drama — eventually begin to target people they have petty grievances with (like a love interest who spurns the ringleader after a one-night stand) as well as those who have wronged them more seriously (including a rapist, who gets off bizarrely lightly). The adrenaline rush of it all proves addictive for the gang, too. What’s more, for Mia (Tea Stjärne), the only member of the group not from a wealthy background, there’s also a Robin Hood-ish appeal to the burglaries, although this aspect regrettably takes something of a backseat to the girls’ escapades in the show. 

Between the gang’s crime spree and their unbelievably dysfunctional home lives, there’s enough broad drama here to keep Netflix’s autoplay function in good use. Even if it doesn’t provide keen insight, sharp nuance, or a remotely realistic plot, the show does go beyond a surface-level approach by exploring something of the girls’ inner lives, the class dynamics of their friendship group, and the shallowness of their parents’ milieu. At three hours total — and with an opening scene that teases a dramatic rise-and-fall story ahead — it all makes for a very bingeable, if ultimately forgettable, watch.

Genre: Crime, Drama

Actor: Alva Bratt, Carsten Bjornlund, Izabella Scorupco, Johannes Bah Kuhnke, Max Ulveson, Sandra Strandberg Zubovic, Sarah Gustafsson, Tea Stjärne, Tindra Monsen

Rating: TV-MA

Buddy comedies, especially those that pair up total opposites, are almost guaranteed to be fun at the beginning, just from the surprise factor of having these personalities clash. But a show needs more than that to sustain interest, and The Brothers Sun just doesn't fill out its characters enough beyond their respective archetypes within the first two episodes watched for this review. So far, this is a series that seems to be built around moments—in particular, the impressively choreographed fight scenes that communicate both peril and comedy—but without more substantial themes to prop itself up. It's definitely slickly made and has production values to show off, but it can't help but feel like it's just ticking boxes.

Genre: Action & Adventure, Comedy, Crime, Drama

Actor: Highdee Kuan, Joon Lee, Justin Chien, Michelle Yeoh, Sam Li

Rating: TV-MA

At its core, The Trust is everything you expect from American reality TV, complete with several highly irritating contestants and drama that just never hits as hard as it tries to. So it's good that the central game mechanics are simple yet designed to have the players sow as much discord among themselves as possible. With the constant temptation of higher individual shares dangled in front of them, and each contestant having the power to send somebody home with a single, anonymous, uncontested vote, the paranoia runs rampant fairly quickly. Unfortunately, the players themselves aren't the most interesting bunch to watch, and their strategies are decent at best, completely illogical at worst. There's still lots of excitement surrounding every voting session, but getting to know the players becomes a slog.

Genre: Reality

Actor: Brooke Baldwin

Rating: TV-MA

Social media has undeniably changed the way we perceive each other, and Netflix’s South African series Miseducation understands this. The show has fun getting its characters canceled online and getting them to ridiculous antics to make up for it. The cast, including the charismatic Buntu Petse and the hilarious Prev Reddy, seems to have a great time getting into hijinks only university life offers. However, inconsistent characterizations and being unwilling to get more deep keep this show from meeting its full potential. It’s still a fun watch, if you’re into soapy teenage comedies.

Genre: Comedy

Actor: Buntu Petse, Lunga Shabalala, Micaela Jade Tucker, Mpho Sebeng, Prev Reddy

Rating: TV-MA

When France is portrayed on the silver screen, we’re more used to seeing the nation’s capital, Paris. Netflix instead takes us to the coastline of Marseilles in crime thriller series Blood Coast. As the Marseilles police team, led by police officer Lyès Benamar, hunts down the people behind the drugs, Interpol agent Alice Vadal gets transferred from Paris to the coastal case, possibly for revenge for her father. It’s a familiar plot, and the crime thriller goes through the motions in a slow, but predictable fashion, alternating between the police team and the organized syndicate behind the foreign drugs flooding the coast. The resulting show feels a tad boring, though it’s thankfully limited to only six episodes.

Genre: Action & Adventure, Crime

Actor: Idir Azougli, Jeanne Goursaud, Nicolas Duvauchelle, Olivier Barthélémy, Tewfik Jallab

Director: Ivan Fegyveres, Olivier Marchal

Rating: TV-MA

In a world of constant surveillance– CCTV, mass-market trackers, social media– it would seem that it’s not possible to create a murder mystery that wouldn’t be easily solved by just checking the tapes. Fool Me Once proves that it’s possible to do so, it just won’t be satisfying. The series at first seems to have an unexplainable mystery, with a possible resurrection/fake death of Maya’s husband, but the series throws away certain footage (like the CCTV during Joe’s death, or the hospital he was brought to) only to bring back the technology when convenient. The show does keep certain tidbits from us, but for far too long, and without giving smaller clues that would hopefully piece together the whole mystery. And with eight whole episodes that drag out the plot, Fool Me Once seems to have fooled us into thinking that it would have all been worth it in the end.

Genre: Crime, Drama, Mystery

Actor: Adeel Akhtar, Emmett Scanlan, Joanna Lumley, Michelle Keegan, Richard Armitage

Rating: TV-MA