You might want to wait until the geds are in bed before going through this list of great titles to stream. Here are the very best movies and shows with an R rating, intended for audiences over 17 or with parental guidance.
Genre: Comedy, Drama, Romance, Science Fiction
Actor: Andrew Farrier, Anthony Mackie, Bernard Hocke, Geoff Stults, Jason Bayle, Kaleka, Langston Fishburne, Missi Pyle, Natalie Morales, Sarah Voigt, Taylor Shurte, Zoë Chao
Director: Kristian Mercado Figueroa
It sounds like a great idea to a documentary on minor league basketball players. After all, these are individuals who don't yet have their stories written for them by public opinion, and each of them is an underdog living in close proximity to their ultimate goal, but still not good enough to get there. So it does these men no favors that this film is so disjointed in its construction, and opts to go down the most predictable sports documentary route, asking them the usual questions and making out the G League to be purgatory. And while it's good that these players—whose personalities still manage to shine through in the haze—are honest about their dissatisfaction with where they are, the film ends up becoming less an account of what the G League is like, and more an advertisement for the NBA all over again.
Genre: Documentary
Actor: Scoot Henderson
Director: Bryant Robinson, Liam Hughes
The Perfect Find follows Jenna (Gabrielle Union), a fashion editor trying to make a comeback after a public breakup and a high-profile firing. She lands a job at a new fashion magazine, but this is complicated when she falls for her charming and much younger coworker, Eric (Keith Powers), who just so happens to be the son of her boss. Admittedly, the plot is as cliche as can be, with a few shenanigans, quirky best friends, and an ex or two popping up in the third act. But it's also easy to fall for, especially with Union as the charismatic lead. The jokes about her character and Eric's age gap land well most times, and many parts of the film are beautiful enough, most notably: the talent, the color grading, and the eye-catching New York landscape.
Genre: Comedy, Romance
Actor: Aisha Hinds, D.B. Woodside, Gabrielle Union, Gina Torres, Godfrey, Janet Hubert, Keith Powers, La La Anthony, Leigh Davenport, Numa Perrier, Remy Ma, Shayna McHayle, Sterling 'Steelo' Brim, Ts Madison, Winnie Harlow, Yrsa Daley-Ward
Director: Numa Perrier
You ought to know what you’re getting into with a movie like The Out-Laws, a production from the Adam Sandler-founded Happy Madison banner that’s behind such lofty cinematic heights as Grown Ups and Paul Blart: Mall Cop. Even in that charitable frame of reference, though, The Out-Laws feels, even more than usual, like a tax write-off for its creators and a sweet solely-for-the-paycheck gig for its starry cast, who don’t have to do much by way of actual dramatic work here. The perfunctory editing and bland direction often seem disinterested in (or, perhaps, embarrassed by) most of the script’s attempts to be funny, and so the film rushes through its scenario, which is only mildly amusing to begin with. In a movie like this, that’s more of a blessing than a curse, even if it does mean some of its better moments get short shrift from the whistlestop treatment. All in all, even as Happy Madison vehicles go, this is an utterly forgettable 95 minutes — the kind you’ll barely even be able to recall by the time the credits roll.
Genre: Action, Comedy, Romance
Actor: Adam Devine, Anthony Belevtsov, Betsy Sodaro, Blake Anderson, Cale Schultz, Dean Winters, Derek Russo, Ellen Barkin, Haley Leary, Jackie Sandler, Jackson Beals, Julie Hagerty, Laci Mosley, Lauren Lapkus, Lil Rel Howery, Lynne Ashe, Michael Rooker, Mo Gallini, Montrel Miller, Nina Dobrev, Orelon Sidney, Otis Winston, Paul Eliopoulos, Peggy Walton-Walker, Pierce Brosnan, Poorna Jagannathan, Rebecca Covert, Reyn Doi, Richard Kind, Sunny Sandler, Tywayne Wheatt, Zele Avradopoulos
Director: Tyler Spindel
The Machine wants us to assume many unlikely things, with Bert Kreischer’s global fame being the most improbable. It also wants to be both high stakes as we follow Bert and his father (Mark Hamill) being chased by the mafia and comedic as they make lighthearted jokes along the way. But it never really achieves that balance. Though it looks sleek and high-budgeted, its contents are lopsided and messy, not once hitting the mark on its many targets. Moreover, it's based on a premise so thin, that it loses all credibility midway through the film. After that, it simply becomes a parody of itself. To be sure, there are some noteworthy moments in between, like when Kreischer and Hamill share genuine father-and-son moments, but for the most part, it’s just too overbearing to warrant anyone’s attention.
Genre: Action, Comedy, Crime
Actor: Aleksandar Srećković 'Kubura', Amelie Child-Villiers, Bert Kreischer, Brian Caspe, Dobrila Stojnic, Đorđe Simić, Iva Babić, Jess Gabor, Jimmy Tatro, Mark Hamill, Marko Nedeljković, Martyn Ford, Mercedes De La Cruz, Milena Predić, Miodrag Dragičević, Nikola Đuričko, Oleg Taktarov, Rita Bernard-Shaw, Robert Maaser, Set Sjöstrand, Stephanie Kurtzuba, Tea Wagner, Vladimir Gvojić
Director: Peter Atencio
Seemingly engineered in a lab to appeal strictly to romantic comedy enthusiasts who are familiar with every trope, Make Me Believe is charming and enjoyable in the moment, but ultimately does little with its ingredients. The things that it gets right are pretty foolproof: beautiful Turkish locales, steamy PG-rated romance, and a good dose of humor from supporting characters who can see the spark of love even before the couple does. Unfortunately this is all window dressing for a story built on flimsy foundations. The protagonist's assignment to book an interview doesn't actually carry that much weight, which makes the risk of pursuing and/or seemingly betraying her childhood neighbor feel inconsequential. And when these two characters inevitably meet in the middle, their connection is unconvincing, draining the excitement out of everything that follows.
Genre: Comedy, Romance
Actor: Ayça Ayşin Turan, Çağrı Çıtanak, Ekin Koç, Naz Çağla Irmak, Yıldız Kültür, Zerrin Sümer
Director: Evren Karabıyık Günaydın, Murat Saraçoğlu
Amid energetic lights and obnoxious airhorns, Katt Williams makes his way to the stage and quickly greets you with the gospel of crass. His descriptions and premises aren’t anything to write home about as his style is more a boisterous NSFW style that resembles a night of gossip. But for most of this set, you’ll just be thinking about how his performer voice sounds like a cartoon grandma, a southern Spongebob, and “Macho Man” Randy Savage preaching to you all at once. The set had a touchy mental health bit that sucked the life out the room for a moment, but would take an empowering turn in its final third as Williams talks about racism in 2024. It’s a mess, but it finishes strong, at least.
Genre: Comedy
Actor: Katt Williams
Set in the capital of Peru, How to Deal with a Heartbreak is a follow-up to the mildly successful romantic comedy How to Get Over a Breakup. The titles are pretty self-explanatory, but where the first film is strictly about romance, the sequel experiments with more tender themes like family and friendship. It features everyday characters meant to seem relatable and endearing, but halfway through watching, one can’t help but wonder why any of this matters. The stakes are so low and the premise so ordinary, it feels like a huge effort to simply care about the movie. Some rom-coms are saved by a funny script or a charming cast, but this has none of that. The most rousing part of the film is when one character (I won’t divulge who) dies, and so Maria Fe is forced to grapple with the heaviness of death. It’s the one moment in the movie that feels real, but sadly it’s tossed aside to make way for more generic fare.
Genre: Comedy
Actor: Ana María Orozco, Carlos Carlín, Christopher Von Uckermann, Gisela Ponce de León, Jason Day, Jely Reategui, Karina Jordán, Norma Martínez, Salvador del Solar
Director: Joanna Lombardi
If nothing else, Chris Moukarbel's Tribeca Film Festival-winning narrative feature really forces us to think about the form of the documentary and the layers of interpretation through which we're shown an ostensibly factual account. Cypher begins as a music doc, before taking on true-crime qualities, then turning into a full-blown found footage thriller—the movie itself practically being brainwashed into its own conspiracy. Unfortunately, this is all much less interesting in execution, as the film goes long stretches without keeping up the momentum of its eerier moments. Its eventual twists are particularly uninspired, coming up with a vision of the music industry that doesn't say anything all that meaningful.
Genre: Documentary, Drama, Music, Mystery
Actor: Brian Jordan Alvarez, Chris Anthony, Chris Moukarbel, Jamila Curry, Johnny Montina, Kenete Simms, Nick Canonica, Tierra Whack, Vanya Asher
Director: Chris Moukarbel
Fifteen minutes into Marry My Dead Body, it becomes clear where this supernatural crime dramedy is going; the only question is if the two-hour runtime is worth it. It has “don't drop the soap" bits that will cause severe whiplash, and sporadic mentions of misogyny that are just as offensive. As an action film, there's nothing notable or memorable about it, and as a drama, there isn't enough emotional substance to overshadow the childish antics of our protagonists. If anything, Greg Hsu as Wu Ming-han and Austin Lin as Mao Pang-yu have a chemistry that somehow survives everything thrown its way. But don’t let curiosity get the better of you—as absurd as it sounds, the film isn’t nearly as exciting as it sounds.
Genre: Action, Comedy, Mystery
Actor: Austin Lin, Gingle Wang, Greg Hsu, Ma Nien-Hsien, Tsai Chen-Nan
Director: Cheng Wei-Hao
Trying to make a mostly two-hander drama with one primary location is much harder than it looks, and What If unfortunately doesn't succeed in taking on the challenge. It has a list of relationship issues that it wants to address (which, to be fair, come off as plausible sources of tension once they're finally brought up) and the performance from Alessandra de Rossi is reliably affecting. But a lack of chemistry between her and JM de Guzman—as well as a tedious first half that shows us their characters' blossoming relationship in the cheesiest ways—makes it very hard to care about them when the arguing eventually starts. Without a strong dramatic foundation, the conflict feels shallower than it should. And without a good use of setting, it all becomes tedious to watch.
Genre: Drama, Romance
Actor: Alessandra de Rossi, Ana Abad-Santos, Chard Ocampo, JM de Guzman, Nicole Omillo
Director: Manny Palo
As far as documentaries go, The Lady of Silence doesn't deviate much from the true-crime formula. It follows a serial killer in charge of a series of attacks against elderly women from the late 1990s to 2003 in Mexico City. But the show stands out for highlighting just how unfamiliar the Mexican government was with understanding and handling serial killers at the time. There's also an insightful exploration into the socio-political implications of the case; political parties fueled the incompetence of the police, and the case remained ignored allegedly because women were the only victims. But it's jarring how much of the victims' stories are sidelined to make way for sensationalism. It's a tasteless and heartless choice made by the filmmakers.
Genre: Crime, Documentary
Actor: Aileen Wuornos, Jeffrey Dahmer, John Wayne Gacy, Juana Barraza, Ted Bundy
Director: María José Cuevas
As far as slashers go, Killer Book Club is a painfully run-of-the-mill entry. After a clown prank goes wrong, ending with a dead professor, a group of "horror-obsessed" friends are stalked by a killer clown. But, as they die - forgettably - one by one, the accusations are comically baseless, and the lacking tension dissipates because at no point do you doubt who will make it to the end. The overall result is underwhelming since there's no new take or critique on the numerous, poorly executed horror tropes littered throughout an already unimaginative plot.
Genre: Horror
Actor: Álvaro Mel, Carlos Alcaide, Hamza Zaidi, Priscilla Delgado, Veki Velilla
Director: Carlos Alonso-Ojea
Genre: Action, Drama, Thriller
Actor: Angela Kovács, Edvin Ryding, Felicia Truedsson, Jakob Hultcrantz Hansson, Jakob Öhrman, Kardo Razzazi, Katarina Ewerlöf, Peter Franzén, Tintin Poggats Sarri, Tuva Novotny
Director: Richard Holm
After a strong first act that has lots of fun playing with fake identities donned by its characters (and with a particularly entertaining supporting turn from Bill Nighy), Role Play slows down significantly and only ends up spinning its wheels. In its attempt to inject some more drama into the central relationship between Anna (who goes by Emma with her family) and Dave, the film articulates itself awkwardly, overemphasizes the obvious, and loses precious time for the plot develop in interesting ways. By the third act, Role Play practically teleports itself into entirely new circumstances, where the emotional stakes are neither high enough or clear enough to begin with.
Genre: Action, Comedy, Romance
Actor: Angus McGruther, Bill Nighy, Connie Nielsen, Cornell Adams, David Oyelowo, Dominic Holmes, Jade-Eleena Dregorius, Jonathan Failla, Julia Schunevitsch, Kaley Cuoco, Lucia Aliu, Moritz Berg, Reagan Bryan-Gudgeon, Rudi Dharmalingam, Simon Delaney, Sonita Henry, Stacy Thunes, Steffen Jung, Stephanie Levi-John
Director: Thomas Vincent