You might want to wait until the geds are in bed before going through this list of great titles to stream. Here are the very best movies and shows with an R rating, intended for audiences over 17 or with parental guidance.
Genre: Comedy, Drama, Romance
Actor: Aundrea Gadsby, Celia Au, Derrick Arthur, Dionne Audain, Gavin Haag, Gia Gadsby, Jemaine Clement, Jessica Williams, Matthew Maher, Michael Chernus, Nancy Eng, Paul Castro Jr., Regina Hall, Samantha Posey, Stephanie Allynne
Director: Jim Strouse
It's inspiring to see that, even after Jordan Peele made the jump to blockbuster budgets, he hasn't lost the ability to evoke the sheer visceral panic of seeing something that isn't supposed to be there. Nope is that increasingly uncommon kind of film whose dense air of mystery isn't frustrating—and in fact uses to great effect the very human instinct to understand the unknowable, even if we know it'll hurt us. Its characters might not be the most three-dimensional and the development of its themes seems to depend on a lot of extrapolation and educated guessing, but the way Nope transforms from alien invasion, to monster movie, to western adventure, to cosmic horror still makes the film much greater than the sum of its parts.
Genre: Horror, Mystery, Science Fiction
Actor: Alex Hyde-White, Andrew Patrick Ralston, Barbie Ferreira, Brandon Perea, Daniel Kaluuya, Devon Graye, Donna Mills, Eddie Jemison, Evan Shafran, Hetty Chang, Jacob Kim, Jennifer Lafleur, Keith David, Keke Palmer, Lincoln Lambert, Liza Treyger, Malcolm Jae O'Shea, Mark Casimir Dyniewicz Jr., Michael Wincott, Osgood Perkins, Oz Perkins, Pierce Kang, Ryan W. Garcia, Sophia Coto, Steven Yeun, Terry Notary, Wrenn Schmidt
Director: Jordan Peele
Genre: Drama, Romance
Actor: Alex Felix, Anne Joyce, Bianca Giancoli, Bob Ari, Brian Hopson, Carmen M. Herlihy, Craig Walker, David Cale, David Ross, Don Hewitt Jr., Elias Koteas, Elliot Villar, Franco Bulaon, Geronimo Frias, Jr., Gwyneth Paltrow, Isabella Rossellini, Jeanine Serralles, Joaquin Phoenix, John Ortiz, Julie Budd, Mari Koda, Marion McCorry, Mark Vincent, Moni Moshonov, Nick Gillie, Renee Fishman, RJ Konner, Saidah Arrika Ekulona, Samantha Ivers, Shiran Nicholson, Uzimann, Vinessa Shaw
Director: James Gray
If you’ve seen his stand-up, you’ll know that Pete Davidson likes to make fun of himself. But it’s also true that Davidson is honest. He speaks openly about his childhood traumas and mental health struggles, and this film about his life is no different than his live performances. It's darkly funny and deeply personal, this time plumbing new depths of his life with the help of director (and patron saint of comedians) Judd Apatow.
Here, Apatow allows Davidson to hell his story in his own irreverent flavor, all while boosting him with directorial flair and his trademark balance of humor and humanity. A triumphant collaboration between Apatow and Davidson, King of Staten Island is rich with nuanced performances and relatable insights into the life of someone slowly but surely healing from pain and coming into his own.
Genre: Comedy, Drama
Actor: Action Bronson, Alexis Rae Forlenza, Anthony Lee Medina, Bel Powley, Bill Burr, Bonnie McFarlane, Carly Aquilino, David S. Lomax, Derek Gaines, Domenick Lombardozzi, Gina Jun, Hank Strong, Jack Hamblin, Jessica Kirson, Jimmy Tatro, Keith Robinson, Ken Holmes, Kevin Corrigan, Laurence Blum, Liza Treyger, Lou Wilson, Luke David Blumm, Lynne Koplitz, Machine Gun Kelly, Marilyn Torres, Mario Polit, Marisa Tomei, Maude Apatow, Meredith Handerhan, Michelle Sohn, Mike Vecchione, Moises Arias, Nana Mensah, Nils Johnson, Nina Hellman, Nyla Durdin, Pamela Adlon, Pauline Chalamet, Pete Davidson, Rafael Poueriet, Rich Vos, Ricky Velez, Robert Smigel, Steve Buscemi, Teodorina Bello
Director: Judd Apatow
Abel Ferrara's protagonists have always searched for higher meaning in a flawed, messed-up world of pain and violence. If 1992's Bad Lieutenant took Harvey Keitel to church for one of American indie cinema's most spectacular endings, Padre Pio doesn't offer such solace. Ferrara (who's been living and working in Rome for years now) teamed up with Italian screenwriter Maurizio Braucci to direct a period piece that brings together the real life of a Catholic Church saint (the titular Padre Pio) and the rise of socialism after WWI. What seems like a straightforward historical approach turns first gruesome and then profound to capture the contradictions at the heart of Italy as a nation. A character study that breaks free of its biographical chains, Padre Pio shows that Ferrara has still got it, 50 films in.
Genre: Drama
Actor: Alessandro Cremona, Anna Ferrara, Asia Argento, Brando Pacitto, Cristina Chiriac, Ermanno De Biagi, Federico Majorana, Ignazio Oliva, Luca Lionello, Marco Leonardi, Martina Gatti, Michelangelo Dalisi, Roberta Mattei, Salvatore Ruocco, Shia LaBeouf, Stella Mastrantonio, Vincenzo Crea
Director: Abel Ferrara
An insightful and thoughtful Canadian coming-of-age drama, Giant Little Ones is about two seventeen-year-old best friends whose relationship changes after an incident one night. Spanning a quick 90 minutes, it manages to tell its story quickly and honestly, as it touches on themes of sexual identity not only for the teenagers but for their parents as well. And it has a great message about tolerance. It's a lovely and wholesome movie.
Genre: Drama
Actor: Carson MacCormac, Cory Lee, Darren Mann, Evan Marsh, Hailey Kittle, Jeff Clarke, Josh Wiggins, Kiana Madeira, Kyle MacLachlan, Maria Bello, Niamh Wilson, Olivia Scriven, Peter Outerbridge, Stephanie Moore, Taylor Hickson
Director: Keith Behrman
This anthology of 18 short films — directed by the likes of the Coen brothers, Gurinder Chadha, Wes Craven, and Olivier Assayas — is a cinematic charcuterie board. Each director offers their own creative interpretation of one north star: love in Paris. Romantic love is heavily represented, naturally, but in diverse forms: love that’s run its course, dormant love in need of rekindling, electric chance encounters, and, apt given the location, honeymoon love. Segments like the one starring Juliette Binoche and Alfonso Cuarón’s five-minute-long continuous take opt to focus on parental love instead, with the former also exploring love through the frame of grief.
If this all sounds a little syrupy and sentimental, fear not: there are dashes of bubble-bursting humor from the Coens, whose short stars a silent Steve Buscemi as a stereotypically Mona Lisa-obsessed American tourist who commits a grave faux pas in a metro station. Instead of sightseers, some directors offer more sober reflections on the experience of migrants in the city, which help ground the film so it doesn’t feel quite so indulgent. Still, the limited runtime of each vignette (sub-10 minutes) doesn’t let any one note linger too long, meaning the anthology feels like a series of light, short courses rather than a gorge of something sickly.
Genre: Drama, Romance
Actor: Aissa Maiga, Alexander Payne, Axel Kiener, Barbet Schroeder, Ben Gazzara, Bob Hoskins, Bruno Podalydès, Catalina Sandino Moreno, Cyril Descours, Elijah Wood, Emily Mortimer, Fanny Ardant, Florence Muller, Gaspard Ulliel, Gena Rowlands, Gérard Depardieu, Hervé Pierre, Hippolyte Girardot, Javier Cámara, Joana Preiss, Julie Bataille, Julien Béramis, Juliette Binoche, Leila Bekhti, Leonor Watling, Lionel Dray, Ludivine Sagnier, Maggie Gyllenhaal, Margo Martindale, Marianne Faithfull, Miranda Richardson, Natalie Portman, Nick Nolte, Olga Kurylenko, Paul Putner, Rufus Sewell, Sara Martins, Sergio Castellitto, Steve Buscemi, Thomas Dumerchez, Wes Craven, Willem Dafoe, Yolande Moreau
Director: Alexander Payne, Alfonso Cuarón, Bruno Podalydès, Christopher Doyle, Daniela Thomas, Ethan Coen, Frédéric Auburtin, Gérard Depardieu, Gurinder Chadha, Gus Van Sant, Isabel Coixet, Joel Coen, Nobuhiro Suwa, Oliver Schmitz, Olivier Assayas, Richard LaGravenese, Sylvain Chomet, Tom Tykwer, Vincenzo Natali, Walter Salles, Wes Craven
A young Steve Buscemi leads this wry farce about a calamitous film set where nothing goes right. The sardonic script skewers the ins and outs of low budget film production and the various personalities on set from belligerent directors, pretentious cinematographers, and egotistic actors.
A playful three-act structure and trips into dream sequences keep things light, while a strong supporting cast, including a cheeky appearance by Peter Dinklage and the fantastic Catherine Keener, gives the film the backbone it needs.
Genre: Comedy, Drama
Actor: Catherine Keener, Danielle von Zerneck, Dermot Mulroney, Hilary Gilford, James Le Gros, Kevin Corrigan, Lori Tan Chinn, Norman Fields, Peter Dinklage, Rica Martens, Robert Wightman, Steve Buscemi
Director: Tom DiCillo
Somehow an art house film, horror, and romance all in one, Let the Right One In explores the boundaries of its genres with unprecedented finesse, and offers a stunning alternative for those disappointed with recent vampire love stories. From its haunting minimalist imagery to its incredible score, it is persistently beautiful. The film follows twelve-year-old Oskar and Eli, drawing on numerous aspects of traditional undead lore, and still manages an impressive feat in feeling entirely fresh and devoid of cliche. Those in search of a terrifying movie might need to look elsewhere, but if what you're looking for is simply a great watch, don't pass this one up.
Genre: Drama, Horror
Actor: Anders T. Peedu, Henrik Dahl, Ika Nord, Johan Sömnes, Kåre Hedebrant, Karin Bergquist, Karl-Robert Lindgren, Lina Leandersson, Malin Cederblad, Mikael Rahm, Pale Olofsson, Patrik Rydmark, Per Ragnar, Peter Carlberg, Tom Ljungman
Director: Tomas Alfredson
Genre: Drama, History, Romance
Actor: Alicia Vikander, Bent Mejding, Cyron Melville, Daniel Bambas, David Dencik, Frederik Christian Johansen, Harriet Walter, Ivan G'Vera, Ivan Vodochodský, Jacob Ulrik Lohmann, John Martinus, Julia Wentzel Olsen, Karel Polišenský, Klaus Tange, Kristian Fjord, Laura Bro, Mads Mikkelsen, Michaela Horká, Mikkel Boe Følsgaard, Mikkel Boe Følsgaard, Morten Holst, Nikolaj Arcel, Petr Janiš, Rosalinde Mynster, Søren Malling, Søren Spanning, Tereza Terberová, Thomas W. Gabrielsson, Trine Dyrholm, William Jøhnk Nielsen, Zinnini Elkington
Director: Nikolaj Arcel
Never has evil been so darn fun to watch. Bridget (Linda Fiorentino) is such a captivating villainess, you'll actually find yourself rooting for her at times in this noirish take on..., I don't know what, but it involves drug money, double-crosses, lots of witty repartee and cat-and-mouse manipulation that will make your stomach hurt. The script is tight, the acting is all testosterone driven and crisp and you'll hear some choice words come from nice guy Bill Pullman (as Bridget's husband Clay) that you never imagined he could say. Peter Berg (Mike) is fantastic as the guy's guy determined to earn his Alpha-dog badge by subduing the fierce and wickedly intelligent heroine, Bridget. Fiorentino won a BAFTA award for her performance and was nominated, along with Director John Dahl, for several others. The movie did not qualify under Academy rules for the Oscars, but it would have been a strong contender.
Genre: Crime, Drama, Mystery, Romance, Thriller
Actor: Anne Flanagan, Bill Nunn, Bill Pullman, Bill Stevenson, Dean Norris, Donna W. Scott, Herb Mitchell, J.T. Walsh, Jack Shearer, Linda Fiorentino, Michael Raysses, Mik Scriba, Peter Berg, Walter Addison, Zack Phifer
Director: John Dahl
The Witch hardly reinvents the thriller wheel. In fact, part of the fun in watching it is calling out the cliches. Cold-blooded villain? Check. Antihero who defies death? Check. Senseless, bloody killings for minutes on end? Check, check, check. The Witch has everything you'd expect from an action movie, and yet, the viewing experience is all the better for it.
By trimming all the unnecessary fat and zeroing in on the action, director Park Hoon-jung delivers a no-nonsense, no-holds-barred film that could hold a candle to the John Wick franchise. Like those films, the movements here are sharp and the gore relentless. The only difference is that The Witch is led by a teenage girl—seemingly flimsy but deliciously deranged, Kim-Dami is magnetic in her breakout role as the titular witch Ja-yoon. It's also a bit like Stranger Things in that sense, but comparisons aside, The Witch stands out as a razor-edged entry into the genre.
Genre: Action, Adventure, Drama, Mystery, Science Fiction, Thriller
Actor: Baek Seung-chul, Cho Min-soo, Choi Jung-woo, Choi Woo-shik, Chung Ye-jin, Da-Eun, Go Min-si, Hyun Bong-sik, Jeong Da-eun, Kim Byeong-Ok, Kim Byung-ok, Kim Da-mi, Kim Ha-na, Ko Min-si, Kwon Tae-won, Lee Ju-won, Lee Ki-young, Lee Si-hoon, Oh Mi-hee, Park Hee-soon, Park Hoon-jung, Seung-chul Baek, Song Hyeong-su, Woo Min-kyu, Woo-sik Choi, Yeo Moo-yeong
Director: Hoon-jung Park, Park Hoon-jung
Set in the 1930's English Countryside, the story of the eccentric Mortmain family is told from the daughter Cassandra's point of view. Her father, a once acclaimed and famous writer has written nothing in years, leading the family into bankruptcy. Themes such as first love and financial troubles are explored from Cassandra's comic and intelligent point of view. A classic and a must-see.
Genre: Drama, Romance
Actor: Alice Marie Crowe, Anna Paquin, Bijou Phillips, Bill Nighy, Billy Crudup, Christopher Ettridge, David Bamber, Dolly Wells, Eion Bailey, Eric Stonestreet, Fairuza Balk, Frances McDormand, Helena Little, Henry Cavill, Henry Thomas, James Faulkner, James Warrior, Jason Lee, Jay Baruchel, Jean Warren, Jimmy Fallon, Joe Sowerbutts, John Patrick Amedori, Kate Hudson, Kevin Sussman, Marc Blucas, Marc Maron, Michael Angarano, Noah Taylor, Patrick Fugit, Pauley Perrette, Philip Seymour Hoffman, Rainn Wilson, Ray Porter, Romola Garai, Rose Byrne, Sarah Woodward, Sinead Cusack, Sophie Stuckey, Tara Fitzgerald, Terry Chen, Zack Ward, Zooey Deschanel
Director: Cameron Crowe, Tim Fywell
Summary: it’s a really unusual movie, especially for a star like Robin Williams. It’s almost an indie film actually. Robin Williams plays Lance Clayton, the father of a typical rude teenage boy Kyle Clayton (Daryl Sabara) wherein Sabara’s character meets an unusual demise, and out of embarrassment of the situation the father ghost-writes a suicide note from his son. This white lie leads to another and another and so on until his lies spread further than anticipated. The movie definitely earns points for making the film that was set out to be made. They wanted to make a dark comedy and a dark comedy was what they made. It’s even uncomfortable to watch at times. Between Lance’s love life and Kyle’s non-existent one there’s enough awkwardness that you feel like you can’t wait to get to the next scene just so this one can be over. All in all the actors did a truly fantastic job. Each character seemed well developed by the individual actor to the point where every gesture, line delivery, and awkward silence seemed too natural and organic. Additionally, the writing was exceptional for this movie, as no dialogue was ever wasted. Each and every little detail in each and every shot of each and every scene was very carefully designed to continually push the aesthetics, this film is a big success.
Genre: Comedy, Drama, Romance
Actor: Alexie Gilmore, Bobcat Goldthwait, Bruce Hornsby, Cheri Minns, Daryl Sabara, Ellie Jameson, Evan Martin, Geoff Pierson, Henry Simmons, Jermaine Williams, Jill Talley, Krist Novoselic, Lorraine Nicholson, Mitzi McCall, Morgan Murphy, Naomi Glick, Rebecca Erwin Spencer, Robin Williams, Toby Huss, Tom Kenny
Director: Bobcat Goldthwait