30 Best R Movies On Crave Canada (Page 2)

The Banshees of Inisherin is an Irish dark comedy film that begins with the breakup of longtime friends Pádraic (Colin Farrell) and Colm (Brendan Gleeson). Averse to the sudden split, Pádraic tries to repair their relationship, but instead of achieving goodwill, he inadvertently sets off even more unrest in their little town of Inisherin. Set in 1923 against the backdrop of the Irish Civil War, the film doubles as a fable about the consequences of war. 

The last time Farrell and Gleeson were together was in the expert thriller In Bruges, and their reunion in The Banshees of Inisherin shows how powerful and chemistry-filled their pairing is. Theirs is a knockout turn, but it's also far from the only good thing in the movie. Packed with gorgeously lush images of rural Ireland, strong performances from an all-Irish cast, and a whipsmart script from writer-director Martin McDonagh, The Banshees of Inisherin is an impactful watch that will give you lots to unpack long after the credits roll. 

Genre: Comedy, Drama

Actor: Aaron Monaghan, Barry Keoghan, Brendan Gleeson, Bríd Ní Neachtain, Colin Farrell, David Pearse, Gary Lydon, Jon Kenny, Kerry Condon, Pat Shortt, Sheila Flitton

Director: Martin McDonagh

Rating: R

Somewhere in Queens has the familiar feel of an indie dramedy. It’s intimate and unassuming, casually funny and effortlessly moving. It has the low-key charm that evades more large-scale productions, lending the film that rare poignancy that makes something feel special. 

All these boost an otherwise simple story of family and acceptance. Couple Leo and Ange (a very compelling Ray Romano and Laurie Metcalf) are getting on in years, and watching them navigate the common pitfalls of people their age is both funny and heartwarming to watch. This is cleverly paralleled with their son Sticks’ (Jacob Ward) coming-of-age journey, which is just as expected but tender as ever. 

Theirs is a tight-knit family that fights as much as they love, and watching them in a modest production like this isn't just feel apt but authentic and dear too, like an old family picture come to life.

Genre: Comedy, Drama

Actor: Caryn Richman, Danny Garcia, David St. Louis, Elizabeth Yu, Erik Griffin, Geoffrey Owens, J. C. MacKenzie, Jackson Pace, Jacob Ward, James Ciccone, Jennifer Esposito, Jennifer Simard, Joe Caniano, Jon Manfrellotti, June Gable, Karen Lynn Gorney, Katie Kreisler, Lauren Biazzo, Laurie Metcalf, Matt Romano, P. J. Byrne, Ray Romano, Sadie Stanley, Sebastian Maniscalco, Seth Barrish, Tony Lo Bianco

Director: Ray Romano

Rating: R

Surreal, off-putting, and extremely disturbing, Infinity Pool plays with the concepts of cloning and the death penalty to craft an examination on colonial tourism. It’s a thematically rich horror film, with hazy neon-lit sex scenes and absolutely terrible behavior, enabled by their wealth and advanced technology that could have been put to better use. Mia Goth, in particular, is strikingly unhinged, as Gabi taunts and lures James into bigger and more terrible crimes, crimes that he can only pay off with the wealth of his father-in-law. And Alexander Skarsgård as James believably gets sucked into this extremely libertine lifestyle, fuelled by the nepotistic anxiety of not living up to his own potential. The film presents a scary notion that pushed by wealth and playground tactics, one will willingly kill their own conscience, again and again, to belong to their cohort.

Genre: Horror, Science Fiction, Thriller

Actor: Alexander Skarsgård, Amanda Brugel, Amar Bukvić, Caroline Boulton, Cleopatra Coleman, Géza Kovács, Jalil Lespert, Jeff Ricketts, John Ralston, Mia Goth, Roderick Hill, Romina Tonković, Thomas Kretschmann

Director: Brandon Cronenberg

Rating: R

A documentary told entirely through animated avatars can be a hard sell, but instead of playing into the expected jokes, director Joe Hunting takes this digital environment extremely seriously, and that makes all the difference. He doesn't downplay how absurd it is to see what are essentially 3D characters going on dates and having bellydance classes together, and yet Hunting still takes time to emphasize how freeing this virtual existence is for all involved. It's disappointing that the film never addresses the many real concerns people have about purely online relationships (deception, exploitation, and abuse, among others), but as a positive and perhaps overly romanticized view of this new, 21st-century social space, the documentary remains fresh and vital.

Genre: Animation, Documentary

Actor: DragonHeart, Dust Bunny, DylanP, IsYourBoi, Jenny0629

Director: Joe Hunting

Rating: R

Survivors are often painted in a brave light; they’re applauded for their resilience and toughness, and in the case of school shootings, many of them are also expected to take up arms and fight the good fight. While this is of course laudable, many survivors are simply trying to get by. Unable to process trauma and inexplicable loss, they become withdrawn, depressed, and reckless—not exactly noteworthy traits, but understandable and equally deserving of empathy.

The Fallout shifts the focus on this side of survival by following Vada in the aftermath of a school shooting. Unlike her peers, she fails to cope positively and becomes increasingly self-destructive. But it's through this unsentimental portrayal that The Fallout achieves a frankness and rawness that few films like it have. 

Genre: Drama

Actor: Austin Zajur, Christine Horn, Elliott Roca, Jenna Ortega, John Ortiz, Julie Bowen, Lumi Pollack, Maddie Ziegler, Niles Fitch, Shailene Woodley, Will Ropp, Yindra Zayas

Director: Megan Park

Rating: R

The tired stereotype is that in horror films, it’s always the Black characters who are the first to die. The Blackening turns that on its head and gives us an interesting premise by asking, what if all the characters are Black? While it’s not the first film to do this (in fact, a lot of Black creatives are reclaiming horror and dominating the genre), it just might be the first to tackle the issue in a smart and funny way. This is a ridiculous parody filled with outsized performances and observational jokes, but it’s equally meta and socially aware as it literally (and thankfully) beats the stereotype to its final death. 

 

Genre: Comedy, Horror

Actor: Antoinette Robertson, Dewayne Perkins, Diedrich Bader, George Fisher, Grace Byers, James Preston Rogers, Jay Pharoah, Jermaine Fowler, Melvin Gregg, Sinqua Walls, X Mayo, Yvonne Orji

Director: Tim Story

Rating: R

It’s best not to overthink the details of No Hard Feelings, an uproarious comedy that benefits from the lead actors’ physicality. It’s meant to be enjoyed as it happens, at the moment, with Lawrence lighting up every scene with full-bodied commitment and Feldman, a worthy co-lead, delighting at every turn. They’re playing stock characters, and the script doesn’t give much beyond the usual backstories, but Lawrence and Feldman play them with so much heart and gusto, knocking every scene they’re in out of the park. Everything else plays second fiddle to their two-hander show. The cameos are star-studded but forgettable (except for Kyle Mooney, who I wished was onscreen more as Percy’s male nanny), the character development is heartwarming but predictable, and though it bills itself as a sex comedy, the film never really touches past third base. But all that is water under the bridge when you’re watching Maddie and Percy flirt and fumble their way through the film.  

Genre: Comedy, Drama, Romance

Actor: Alysia Joy Powell, Amalia Yoo, Andrew Barth Feldman, Ari Frenkel, Brian Calì, Ebon Moss-Bachrach, Hasan Minhaj, Jennifer Lawrence, Jordan Mendoza, Kyle Mooney, Laura Benanti, Luca Padovan, Madison McBride, Matt Walton, Matthew Broderick, Matthew Noszka, Melissa Lehman, Natalie Morales, Quincy Dunn-Baker, Scott MacArthur, Victor Verhaeghe, Zahn McClarnon

Director: Gene Stupnitsky

Rating: R

In this ensemble cast directed by Wes Anderson, we see a very dysfunctional family with three very unique siblings who grow apart from each other due to their father, a charismatic and ever-absent grifter. However, when he announces his immanent death, the whole family is forced to confront each other, themselves and their childhoods as they gather in their patriarchal home together for the first time in years. An absolutely gorgeously filmed movie, the usage of color, pattern and 60's rock music alone makes it worth seeing, and the beautiful story just sweetens the deal.

Genre: Comedy, Drama

Actor: Al Thompson, Alec Baldwin, Amir Raissi, Andrew Wilson, Anjelica Huston, Ben Stiller, Bill Murray, Brian Smiar, Brian Tenenbaum, Danny Glover, Dipak Pallana, Don McKinnon, Donal Lardner Ward, Ebon Moss-Bachrach, Eric Chase Anderson, Frank Wood, Gary Evans, Gene Hackman, Grant Rosenmeyer, Greg Goossen, Guido Venitucci, Gwyneth Paltrow, Irina Gorovaia, Jennifer Wachtell, Jonah Meyerson, Kalani Queypo, Keith Charles, Kumar Pallana, Larry Pine, Liam Craig, Luke Wilson, Max Faugno, Mel Cannon, Nova Landaeus-Skinnar, Owen Wilson, Pawel Wdowczak, Rex Robbins, Roger Shamas, Rony Clanton, Saidah Arrika Ekulona, Sam Hoffman, Seymour Cassel, Sheelagh Tellerday, Sonam Wangmo, Stephen Dignan, Stephen Lea Sheppard, Tatiana Abbey, Tom Lacy, Wes Anderson, 吉恩·哈克曼

Director: Wes Anderson

Rating: R

The broad, symbolic strokes of The Killing of Two Lovers—how its story is set up and the general atmosphere it evokes—are stunning to behold. It's a naturalistic story whose ordinary moments feel like they're being told at the end of the world, given how deliberately chilling Robert Machoian's direction is. Unfortunately, once you start getting into the details of the plot and its characters, their actions and decisions don't lead to particularly interesting insights about the separation and the couple's relationship to each other or their children. The end result is something that's clearly driven by a compelling mood more than anything, but whose resolution still feels anticlimactic.

Genre: Drama, Thriller

Actor: Arri Graham, Avery Pizzuto, Barbara Whinnery, Chris Coy, Clayne Crawford, Sepideh Moafi

Director: Robert Machoian

Rating: R

As a supernatural horror, The Pope’s Exorcist doesn’t bring anything new to the table. It employs more or less the usual elements you’d expect from the genre, and to be fair, it does occasionally fright you with its bloody jumpscares and demonic screeches. But as a drama, the film is surprisingly watchable thanks to a committed and compelling performance from Crowe. The movie works best when it removes itself from its horror trappings and follows Crowe’s Gabriele as he moves through the ins and outs of the Vatican. When he challenges the church’s authority, when he defends his practice, when he inserts jokes in serious conversations because “the devil hates jokes,” these are when The Pope’s Exorcist shines and entertains. They’re also proof the film shouldn’t take itself too seriously when its star is having this much fun. 

Genre: Horror, Thriller

Actor: Alessandro Gruttadauria, Alex Essoe, Andrea Dugoni, Bianca Bardoe, Carrie Munro, Cornell John, Daniel Zovatto, Derek Carroll, Ed White, Edward Harper-Jones, Ella Cannon, Franco Nero, Gennaro Diana, Jordi Collet, Laurel Marsden, Matthew Sim, Pablo Raybould, Paloma Bloyd, Peter DeSouza-Feighoney, Ralph Ineson, Russell Crowe, Ryan O'Grady, Santi Bayón, Tom Bonington, Victor Solé

Director: Julius Avery

Rating: R

The Machine wants us to assume many unlikely things, with Bert Kreischer’s global fame being the most improbable. It also wants to be both high stakes as we follow Bert and his father (Mark Hamill) being chased by the mafia and comedic as they make lighthearted jokes along the way. But it never really achieves that balance. Though it looks sleek and high-budgeted, its contents are lopsided and messy, not once hitting the mark on its many targets. Moreover, it's based on a premise so thin, that it loses all credibility midway through the film. After that, it simply becomes a parody of itself. To be sure, there are some noteworthy moments in between, like when Kreischer and Hamill share genuine father-and-son moments, but for the most part, it’s just too overbearing to warrant anyone’s attention.

Genre: Action, Comedy, Crime

Actor: Aleksandar Srećković 'Kubura', Amelie Child-Villiers, Bert Kreischer, Brian Caspe, Dobrila Stojnic, Đorđe Simić, Iva Babić, Jess Gabor, Jimmy Tatro, Mark Hamill, Marko Nedeljković, Martyn Ford, Mercedes De La Cruz, Milena Predić, Miodrag Dragičević, Nikola Đuričko, Oleg Taktarov, Rita Bernard-Shaw, Robert Maaser, Set Sjöstrand, Stephanie Kurtzuba, Tea Wagner, Vladimir Gvojić

Director: Peter Atencio

Rating: R

While at first it seems like this third installment in Antoine Fuqua's series of Denzel Washington star vehicles is setting itself up to be a more serious and thoughtful story of personal absolution, it gradually becomes clear that The Equalizer 3 has no story to tell. Very, very little happens in this movie, and all the time we spend with Washington (still somehow compelling, even when he's on autopilot) drinking tea and chatting with locals doesn't lead to any character relationships worth caring for. Fuqua and screenwriter Richard Wenk seem to want to create a sense of familiarity with this Italian town, through which we should ideally see the things Robert McCall grows to value in his violent life. But even the prettiest landscapes (shot by Robert Richardson) can't make up for how empty and misjudged the writing is.

There are approximately two short action scenes in The Equalizer 3, neither of which has the clockwork precision of the fights in the first film, or the environmental inventiveness of the climax of the second film. And while an action movie can aspire to something beyond its action, the fact that this installment has abandoned it completely is a genuinely perplexing choice.

Genre: Action, Crime, Thriller

Actor: Adolfo Margiotta, Agostino Chiummariello, Andrea Dodero, Andrea Scarduzio, Arcangelo Iannace, Bruno Bilotta, Dakota Fanning, Danilo Capuzi, David Denman, Denzel Washington, Diego Riace, Eugenio Mastrandrea, Gaia Scodellaro, Gianluigi Scilla, Giovanni Scotti, Lucia Zotti, Marco Giuliani, Marta Zoffoli, Mauro Cremonini, Melissa Leo, Niccolò Senni, Remo Girone, Salvatore Ruocco, Sonia Ammar, Valerio Da Silva

Director: Antoine Fuqua

Rating: R

An interesting premise quickly sputters out in Fool’s Paradise, writer-star Charlie Day’s misfire of a directorial debut. Day plays a down-and-out Charlie Chaplin-esque mute who happens to be a dead ringer for a difficult method actor (also Day) who’s stalling production on a Billy the Kid remake — and so he’s brought in by the movie’s producer (Ray Liotta) to star instead. 

The rest of Fool’s Paradise follows in this vein, as things just happen to Latte Pronto (as he comes to be named). There’s wry satirical potential in this set-up: a lot can be revealed about someone (in this case, the self-serving stars, agents, and directors of Hollywood) by what they project onto a blank slate like Latte. The problem, however, is twofold: Fool’s Paradise doesn’t have anything especially sharp to say about the biz — and, in the absence of clever or indeed funny writing, the film’s weak center is exposed. Day’s wordless performance is understated to a fatal degree; presumably designed to highlight the ridiculousness of the Hollywood players he’s surrounded by, it only shows up the weakness of the material and the unfocusedness of some of the key supporting performances. Maybe the movie would’ve fared better had some of its other characters been silent instead.

Genre: Comedy

Actor: Adrien Brody, Aixa Maldonado, Alanna Ubach, Allison Paige, Andre Hyland, Andrew Leeds, Andrew Santino, Artemis Pebdani, Austin Zajur, Benito Martinez, Brett Wagner, Charles Grisham, Charlie Day, Christine Horn, Common, David Hornsby, Dean Norris, Drew Droege, Edie Falco, Eliza Coleman, Eric VanArsdale, George Lopez, Glenn Howerton, Harry Yi, Helen Geller, Jason Bateman, Jason Sudeikis, Jeremy Chu, Jillian Bell, Jimmi Simpson, John Ales, John Malkovich, Julia Cho, June Carryl, Kate Beckinsale, Katherine McNamara, Ken Jeong, Lance Barber, Leandra Terrazzano, Leonora Pitts, Lindsay Musil, Lisa Schwartz, Luvh Rakhe, Lyndon Smith, Marilyn Giacomazzi, Mary Elizabeth Ellis, Moses Storm, Peter MacKenzie, Ray Liotta, Ricky Wang, Robert Belushi, Romel de Silva, Roy Jenkins, Scott Allen Perry, Scott Pitts, Shane Paul McGhie, Steve Coulter, Steve DeCastro, Talia Tabin, Thomas Vu, Tom Beyer

Director: Charlie Day

Rating: R

Despite a solid premise that should lead to compelling drama—about men scarred by war and the morally grey inner workings of the police—Confidential Informant devolves into a half-baked thriller that's as dull as its title. Flat direction, a lack of connective tissue between scenes, and an unfortunately visible lack of production resources suck the life out of the script and from the actors' performances. There's clearly a foundation to be built upon here, but the film makes a crucial mistake in trying to have its cake and eat it too: it wants to deliver all the (unsatisfying) thrills of an antihero police procedural, but it just doesn't have the money or the creativity to do this, on top of being a character drama. And so any tension that it tries to build up deflates by the end, its characters nothing but hollow shells, stuck in a story that that never gives them a chance to be anything more interesting.

Genre: Action, Mystery, Thriller

Actor: Arielle Raycene, Dominic Purcell, Erik Valdez, Jon Lindstrom, Kate Bosworth, Meadow Williams, Mel Gibson, Nick Stahl

Director: Michael Oblowitz

Rating: R