168 Best R Movies On Netflix Australia (Page 8)

When the system messes with you personally, it’s such a powerful fantasy to be able to settle things with your own hands. To be strong enough to retaliate, and once things are settled, to be strong enough to be left alone, not to be messed with. The Black Book depicts this revenge fantasy, reminiscent of Liam Neeson’s Taken, albeit with corrupt police. The Nigerian action thriller isn’t afraid to go hard, with threats of splitting a person in half by a table saw, dramatic shoot-outs, and fight sequences. However, what makes the thriller work is that all these action sequences are intended to be the reckoning of corrupt institutions. There are some messy parts, certain shots that included some bad takes. Despite this, The Black Book still proves to be entertaining enough to forgive these mishaps.

Genre: Action, Mystery, Thriller

Actor: Ade Laoye, Alex Usifo Omiagbo, Bimbo Akintola, Bimbo Manuel, Femi Branch, Iretiola Doyle, Richard Mofe-Damijo, Sam Dede, Shaffy Bello

Director: Editi Effiong

Rating: R

Watch this if you like weird movies. And don't be fooled by the first half, which serves just to set Jesse Eisenberg's character and the monotone life he leads. It's the calm before the storm, during which that character is attacked by a violent gang and decides to take self-defense classes in an unusual club. This is a movie about modern manhood and how it can lead to some pretty strange situations. Great performance from Eisenberg as usual.

Genre: Action, Comedy, Drama, Thriller

Actor: Alessandro Nivola, Apollo Bacala, Caroline Amiguet, Dallas Edwards, Davey Johnson, David Zellner, Frederic Spitz, Hauke Bahr, Imogen Poots, Jason Burkey, Jesse Eisenberg, Josh Fadem, Katherine Smith-Rodden, Leland Orser, Lena Friedrich, Louis Robert Thompson, Mike Brooks, Phillip Andre Botello, Steve Terada

Director: Riley Stearns

Rating: R

The documentary offers a simplified, reflective look at the origins of meme culture and hive mind, and how online anonymity has led to toxic beliefs and behaviors in real life. It features a nostalgic collection of 2000s memes and references that awaken the sleeping cringe, as well as valuable insights from people who have contributed to or lived through the destructive milestones that ironic memes created. At best, it is an informative work that doesn't waste time or become so overwhelming—it even comes with short, entrancing animations that serve as a respite from the depressing subject. At worst, it's preaching to the choir.

Genre: Documentary

Director: Arthur Jones, Giorgio Angelini

Rating: R

While not having world-ending stakes or large-scale operations, Sixty Minutes just works as an action movie. Sure, the plot is familiar and a little far fetched, but the film maximizes the potential of its premise, with excellently choreographed fight sequences working in tandem with the cinematography to reflect the MMA fighter leading the movie. Each moment isn’t wasted, with the action escalating each time Octa finds out about the hidden information kept from him about the match he’s planned to skip, and the film easily keeps track of his journey through neon-lit stopwatch faces and maps. And when we (and Octa) feel tired from all the fighting, the film ends right on time after sixty (and twenty nine) minutes.

Genre: Action, Drama

Actor: Alain Blazevic, Aristo Luis, Balázs Megyeri, Bettina Hoppe, Bruno Salgueiro, Dennis Mojen, Emilio Sakraya, Eniko Fulop, Florian Schmidtke, Georg Blumreiter, Harry Szovik, Janna Striebeck, José Barros, Laurent Winkler, Livia Matthes, Ludger Bökelmann, Marie Mouroum, Mehmet Ateşçi, Morik Heydo, Nyamandi Adrian, Paul Wollin, Philipp Droste, Steffen Jung, Tatjana Šojić, Tayssir Khalfallah, Vassilis Koukalani, Wanja Valentin Kube

Director: Oliver Kienle

Rating: R

The movie follows Martha (Vanessa Kirby), a young wife who loses her baby in a failed home birth. She tries her best to trudge through the aftermath of loss, but her coping attempts prove to be near impossible, not least because her husband Sean (Shia LaBeouf) and mother Liz (Ellen Burstyn) continually domineer every aspect of her life.

Pieces of a Woman is harrowing and heartbreaking, with the actors giving their all in this realistic and revealing drama. But it's Kirby's performance as the unraveled yet apathetic Martha that is the film's immediate standout, rightfully earning her a Best Actress nomination at the 2021 Academy Awards.

Genre: Drama

Actor: Alain Dahan, Benny Safdie, Domenic Di Rosa, Ellen Burstyn, Frank Schorpion, Gayle Garfinkle, Harry Standjofski, Harry Strandjofski, Iliza Shlesinger, Jimmie Fails, Leisa Reid, Molly Parker, Sarah Snook, Sean Tucker, Shia LaBeouf, Steven McCarthy, Tyrone Benskin, Vanessa Kirby, Vanessa Smythe

Director: Kornél Mundruczó, Kornél Mundruczó

Rating: R

For better or for worse, we have no choice in the country we’re born in, the citizenship we first attain, and sometimes we’re forced to leave that country for our own safety. My Name is Loh Kiwan depicts a North Korean defector seeking refugee status in Belgium, but while the government deliberates, it’s a hard life he has to face, one that changes when he meets a fellow Korean who may not be an immigrant, but who’s just as lost as he is. While there are some subplots that falter halfway, My Name is Loh Kiwan still manages to stick the landing of being both a moving romance and an empathetic survival drama that highlights the struggles of refugees.

Genre: Drama, Romance

Actor: Choi Sung-eun, Heo Seon-haeng, Jo Han-chul, Kang Gil-woo, Kim Sung-ryung, Lee Il-hwa, Lee Sang-hee, Seo Hyun-woo, Song Joong-ki, Waël Sersoub

Director: Kim Hee-jin

Rating: R

At first, the Last Call for Istanbul feels like one of those serendipitous travel romances reminiscent of Before Sunrise. As Serin and Mehmet enjoy New York at night, it’s absolutely enchanting, especially with the unique, striking mirrored transitions that shift between the two as they get ready, but this nighttime stroll has already been walked on before, complete with droll dialogue and impulsive choices. However, the film makes a shift to its second half, and it suddenly reconfigures what we know about the two and their romance. While it does employ other familiar romance tropes, it’s still an intriguing shift that explores the concept of possibilities, and the cost in choosing one over the others.

Genre: Drama, Romance

Actor: Beren Saat, Kıvanç Tatlıtuğ, Michael Loayza, Senan Kara, Susan Slatin, Zihan Zhao

Director: Gönenç Uyanık

Rating: R

If you’re new to the story, I Don’t Expect Anyone to Believe Me feels difficult to understand. The film adaptation portrays the novel through abruptly cut sequences, meticulously framed naturalistic frames, and monologue and dialogue that mean more than what’s being said, on top of Juan Pablo’s gradual descent into a criminal network. It’s as disorienting as being in Barcelona feels for Mexican couple Juan Pablo and Val. However, this film feels like a new approach in adapting novels – the multiple perspectives and epistolary portions adeptly portrayed through typed up screens and alternating perspectives (and direction) between the couple. It doesn’t feel like something that you’ve likely seen before.

Genre: Comedy, Crime, Drama

Actor: Aimar Vega, Alexis Ayala, Ángel Zermen, Anna Castillo, Ariana Van X, Bel Gris, Bruna Cusí, Carmen Beato, Clara Roquet, Darío Rocas, Dario Yazbek Bernal, Jelen García, Juan Carlos Remolina, Juan Daniel Garcia Treviño, Juan Minujín, Natalia Portnoy, Natalia Solián

Director: Luis Fernando Frías de la Parra

Rating: R

As host Hannah Gadsby explains at the beginning of this stand-up showcase, Netflix only really gave her and these other queer comedians this special after Gadsby sent a strongly worded message to the streaming service first. So as expected from a move that feels more like a business decision than a sincere gesture, Hannah Gadsby's Gender Agenda doesn't dive too deeply into trans rights or totally reignite the conversation surrounding the issue. It does, however, give us generally consistent laughs over the course of its 75 minutes, from seven comics with very distinct personalities and perspectives. No comedy showcase is perfectly coherent, and Gender Agenda definitely has its share of awkward moments. But even in its weaker moments, there's still something refreshing about watching these queer comics simply exist as themselves, separate from all the cartoonish vitriol that transphobic comedians have for them on the same type of stage. And while these seven comedians center their routines on their respective identities, they're never obnoxious or angry (like those other comedians may want you to believe). There's a generosity in how they educate and deconstruct things for the audience, and a self-awareness of the conflicts that continue to exist around them—which they still look at with good humor.

Genre: Comedy

Actor: Alok, Ashley Ward, Chloe Petts, DeAnne Smith, Graham Norton, Hannah Gadsby, Jes Tom

Director: Julian Smith

Rating: R

It took a while to get going, but this packed hour was filled with the many fascinating gripes of Fern Brady, who comes across relatable in the most absurd way. I don't know if I just wasn't properly lubed up until about 25 minutes in, but the more you hear her talk about her aversion to marriage and muse about death and decline, her range as an animated and insightful person starts to really shine. And as engrossing as her stories can get, perhaps the most consistent thing she does is her voices—she is a hilarious character. Which is to say this felt honest, friendly, and absurd, in all the best ways.

Genre: Comedy

Actor: Fern Brady

Director: Phoebe Bourke

Rating: R

It’s slower and talkier than you’d expect from a semi-erotic film, but Ehnegard lives up to its title well enough to satisfy. It’s titillating, but in a cheeky rather than provocative way. The dialogues are lengthy, but they’re alternately witty and poetic, so despite the pace they never actually bore. Ehnegard’s real delight, however, is its beauty. Set in the old kingdom of Babenhausen, Ehnegard looks like a fairy tale come to life. The towering castles, the sprawling meadows, the twinkling forest lakes, and of course, the smartly costumed people who populate the scenery—all these and more ensure that each frame has a picturesque glow to it. And with Sidse Babett Knudsen (Borgen, Westworld) taking charge of an appealing cast, Ehnegard proves to be a charming watch. 

Genre: Comedy, Drama, Romance

Actor: Alice E. Bier Zandén, Christopher Laesso, Emilie Kroyer Koppel, Jacob Ulrik Lohmann, Mikkel Boe Følsgaard, Paul Hüttel, Sara-Marie Maltha, Sidse Babett Knudsen

Director: Bille August

Rating: R

With a new, fast-paced media landscape, Call Me Chihiro might feel too slow for people new to the story. Composed of serene, slice-of-life moments, the film starts off feeling plotless, as the titular protagonist builds random interactions with the townspeople. She makes friends with people who seemingly don’t have much in common with her. Despite this, each interaction feels meaningful and genuine, thanks to the subtle acting of Kasumi Arimura. And as these scenes build up, and Chihiro’s friends begin to become friends with each other, these day-to-day moments form a character study of a lonely woman whose kindness and appreciation for life make her feel so admirable. For those wistful Sunday nights, Call Me Chihiro might be a great watch, but only if you’re in that certain mood.

Genre: Drama

Actor: Fusako Urabe, Hana Toyoshima, Itsuki Nagasawa, Jun Fubuki, Kasumi Arimura, Keiichi Suzuki, Lily Franky, Mitsuru Hirata, Miwako Ichikawa, Ryuya Wakaba, Shigeo Ôsako, Tetta Shimada, Toshie Negishi, Van, Wakaba Ryuuya, Yoichiro Saito, Yui Sakuma

Director: Rikiya Imaizumi

Rating: R, TV-14