329 Best PG-13 Movies to Watch (Page 22)

Staff & contributors

Most audience members assume that PG-13 rating automatically indicates a show is not for adults, but you’d be surprised at how many excellent series can be enjoyed by the whole family, across generations. Here are the very best PG-13-rated movies and shows to stream.

This documentary could be commended for taking the time to set the stage of McNair’s importance to his football team and his bond with the interviewees. But the extended game footage really feels like a way to pad the runtime to make the full hour. Elsewhere, the work really captures the shock of it all, with interrogations that feel especially unsettling because the documentary is so bare and we spend all this time with the suspects. But as good as it handles the true crime portions, and though career tributes hammer home the final point that McNair's legacy is not his death, this did not need to be 58 minutes long, and it showed.

Genre: Crime, Documentary

Actor: Al Michaels, Brad Hopkins, Brian Williams, Dan Dierdorf, Eddie George, Jeff Fisher, Kurt Warner, Robert Gaddy, Sahel Kazemi, Steve McNair, Vincent Hill

Director: Rodney Lucas, Taylor Alexander Ward

Rating: PG-13

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The plot of the Union feels insultingly childish. An undercover agency has to retrieve an important device before it falls into the “wrong” (i.e. non-Western) hands, and to achieve that, they absolutely must have Mike (Wahlberg) on their team. That nothing here seems plausible shouldn’t be the point--it’s an action movie anyway. But even the action isn’t thrilling. There’s no tension or buildup, no satisfying hits and falls. There’s nothing in here that you haven’t seen before. The potential saving grace lies in its A-lister leads, Wahlberg and Berry. They’re supposed to be lovers here but the chemistry they create is closer to “colleagues who have an unexplored spark” more than anything. The Union works as a mid-tier nostalgia-filled film. It’s a perfectly okay movie, neither bad nor good, which seems par for the course for streaming anyway.

Genre: Action, Comedy

Actor: Adam Collins, Adewale Akinnuoye-Agbaje, Alex Brightman, Alice Lee, Andrei Lenart, Anthony Thomas, Cain Aiden, Christian Yeung, Claire Ashton, Dana Delany, Daniel Joseph Woolf, Fahim Fazli, Guy Robbins, Halle Berry, J.K. Simmons, Jackie Earle Haley, Jag Patel, James McMenamin, Jen Jacob, Jeśka Pike, Jessica De Gouw, Juan Carlos Hernández, Julianna Kurokawa, Lorraine Bracco, Lucy Cork, Mark Wahlberg, Mike Colter, Nathan Hall, Obie Matthew, Patch Darragh, Riley Neldam, Robert John Gallagher, Robert Ryan, Stephane Fichet, Stephen Campbell Moore, Susan Fordham, Tommy Bayiokos

Director: Julian Farino

Rating: PG-13

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Tarot’s biggest success is managing to resemble not just a sterile horror comedy, but bits of an actual feel-good horror film (in hindsight, of course it's possible with Ned from Spider Man). The tarot-reading cold open gives us lovely friend group vibes and makes astrology/tarot feel accessible, though it does become the vehicle for wordy and blatant foreshadowing. Still, the most striking scenes of the film come in generic scenes of isolation, which is a shame for that initial friendship dynamic. As a result, we’re left with a promising and friendly adventure in horror that ultimately drags and peters out into forgettable nothingness.

Genre: Horror

Actor: Adain Bradley, Avantika, Harriet Slater, Humberly González, Jacob Batalon, James Swanton, Larsen Thompson, Olwen Fouéré, Wolfgang Novogratz

Director: Anna Halberg, Spenser Cohen

Rating: PG-13

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Based on the autobiography of real-life evangelical pastor Greg Laurie, Jesus Revolution recounts how a Christian movement in the '60s turned lost hippies into dedicated Christians. It was an interesting moment in time, but instead of delving into the movement's peculiarities and intricacies, Jesus Revolution offers a myopic tale that paints Laurie as a hero and the movement as inspirational when, really, they are anything but. Laurie's story never feels significant enough to justify a feature film and the movement never seems as radical as the film thinks it to be. And even though it’s autobiographical, it never really digs into Laurie's spirituality and interiority deep enough to reveal complex truths. In fact, everyone’s a caricature in this simplistic film that feels more like propaganda as it paints religion as perfect and all-saving while glossing over its many imperfections and questionable rhetoric. It could have worked as commentary, satire, or maybe even a sincere memoir, but as it is, it just feels like a short-sighted attempt at telling history.

Genre: Drama, History

Actor: Alexia Ioannides, Anna Grace Barlow, Billy Graham, Charlie Morgan Patton, DeVon Franklin, Jackson Robert Scott, Joel Courtney, Jolie Jenkins, Jonathan Roumie, Julia Campbell, Kelsey Grammer, Kevin Downes, Kimberly Williams-Paisley, Matthew Montemaro, Mina Sundwall, Nic Bishop, Nicholas Cirillo, Paras Patel, Randall Newsome, Shaun Weiss, Steve Hanks

Director: Brent McCorkle, Jon Erwin

Rating: PG-13

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A movie based on a theme park ride is always going to be a marketing exercise, but what’s remarkable about Haunted Mansion is how uninterested it is in even pretending to be anything more. Amazon, Yankee Candle, CVS, Baskin Robbins, Burger King: you could fill a mall with the list of brands shamelessly name-dropped in the movie. Gallingly, the cast are even forced to do double duty as brand ambassadors during some of the movie’s most determined efforts at poignancy — oof.

Not even an ensemble featuring the comedic-dramatic chops of LaKeith Stanfield, Rosario Dawson, Tiffany Haddish, Danny DeVito, Owen Wilson, and Chase Dillon (the best of the bunch) can make such naked cash-grabs feel organic. What’s more, though, Haunted Mansion depressingly asks so little of its cast that there aren’t really any opportunities for them to counterbalance these embarrassing moments with anything approaching compelling. Adding to its struggles are the mansion’s sludgy color palette (which renders every scene unremarkable, no matter how moving or spooky it’s supposed to be) and the fact that it somehow feels rushed even at an overlong two hours. Though you can appreciate director Justin Simien’s efforts at elevating the material into something coherent, Haunted Mansion feels as lifeless as the ghosts that fill it.

Genre: Comedy, Drama, Family, Fantasy, Horror

Actor: Alisa Harris, Amy Parrish, Andrew Morgado, Anthony Burrell, Arielle Prepetit, Ashley John, Ayane Azevedo, Ben Bladon, Bryan McClure, Chad Crumley, Charity Jordan, Charles Black, Chase W. Dillon, Chenise Johnson, Christopher Winchester, Clarence White III, Creek Wilson, Cruz Abelita, D. Jerome Wells, Dan Levy, Danny DeVito, Derrick James Moss, Don Stallings, Edward Zhu, Elisabeth Lagrande, Erika Coleman, Erion Brandon WIlliams, Fedor Steer, Glendon Ray Hobgood, Gralen Bryant Banks, Hasan Minhaj, Hector Machado, Helene Henry, Ian Covell, J.R. Adduci, Jamie Lee Curtis, Jared Leto, Jared Simon, Jo Koy, John Curran, Joseph Miller, Julie Nalibov, Kailie Sanders, Kamran Shaikh, Kat Montes, Kathi Callahan, Kay Galvin, Keiko Bell, Kurt Yue, Lakeith Stanfield, Lindsay Lamb, Lorenzo Beronilla, Lumar Christopher Leblanc III, Manuel Perkins, Marcus Otis Hubbard, Marilu Henner, Mike Benitez, Nico Gomez, Owen Wilson, Paul Michael Robertson, Rachel Pitner, Raianna Brown, Rick Andosca, Rosario Dawson, Rowan Joseph, Sebastien Soudais, Steve Zissis, Terence Mathews, Terence Rosemore, Tiffany Haddish, Tony Paone, Tracy Goode, William Calvert, Winona Ryder

Director: Justin Simien

Rating: PG-13

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Atlas is bad on every conceivable level. The writing is hackneyed, the cinematography is soulless, and the acting (save for a few) is one-dimensional. Only Jennifer Lopez and Sterling K. Brown are turning in serious performances, but somehow that makes the film worse, not better, because of how mismatched the energy is. If the acting wasn’t so serious, then Atlas could probably pass as camp—so bad and corny that it actually becomes fun to watch. If that’s the kind of film you’re looking for, then by all means, put on this Netflix film. But if you’re looking for genuine sci-fi fare, films with something meaningful and enlightening to say about the scary future of AI, then I suggest you look elsewhere.

Genre: Action, Science Fiction

Actor: Abraham Popoola, Amy Sturdivant, Briella Guiza, Dawayne Jordan, Gloria Cole, Gregory James Cohan, Howland Wilson, Jennifer Lopez, Justin Walker White, Lana Parrilla, Lesley Fera, Logan Hunt, Mark Strong, Mel Powell, Michelangelo Hyeon, Nicholas Walker, Paul Ganus, Samantha Hanratty, Simu Liu, Sterling K. Brown, Vaughn Johseph, Zoe Boyle

Director: Brad Peyton

Rating: PG-13

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There is a world where all of Little Wing's ideas make thematic sense, as a story about a young woman reeling from the difficulty of her home life. But as it is now, the film just isn't tightly woven enough, with various characters and subplots making little effect on the whole and major conflicts barely leaving consequences for the characters to deal with afterwards. It's definitely unique; you aren't likely to find many movies about pigeon racing anywhere. But even then, Little Wing doesn't allow us to get an insider look into pigeon racing as a sport, nor how this underground network is even supposed to operate. Without a strong enough setting to support this story, it becomes much harder to suspend one's disbelief and enjoy the strange things it shows us.

Genre: Drama

Actor: Brian Cox, Brooklynn Prince, Che Tafari, Hank Cartwright, Ina Chang, Jason Rouse, Jeanine Jackson, Jonathan Togo, Kelly Reilly, Lowell Deo, Melanie Nicholls-King, Parker Hall, Trinity Bliss

Director: Dean Israelite

Rating: PG-13

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All the little twists in the case of Mirna Salihin's murder are intriguing enough to speculate over, so Ice Cold is definitely a true-crime case worth revisiting. The problem is in how the documentary indulges sensationalist arguments and pure speculation with the same level of urgency as it does with expert counsel. A large part of the film has to do with how this trial started to become such a fixture in Indonesian public life, but it feels as if the movie would rather provoke even more baseless conspiracies through its gossipy tone than provide smarter analysis. There's an appeal to how simple this case is relative to other true-crime stories, but this shouldn't be an excuse to haphazardly throw opposing perspectives at each other for the sake of drama.

Genre: Crime, Documentary

Actor: Edi Darmawan Salihin, Jessica Wongso, Marcella Zalianty, Mirna Salihin, Otto Hasibuan

Director: Rob Sixsmith

Rating: PG-13

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There’s no way to escape it– the plotline of One True Loves feels like the other side of Cast Away (2000), but instead of focusing on the survival aspect, it focuses on the wife trying to move on with grief. The original novel portrays Emma moving on through reclaiming her past, and learning to appreciate the roots she’s tried to forget with her lost husband. However, the film adaptation falters in depicting the personal, inner world of Emma, as it bungles through the timelines with Hallmark-esque quotes and disarranged scenes. It tries to save the film through its star-studded cast, but their decent performances can’t save the way the film is structured.

Genre: Comedy, Drama, Romance

Actor: Beth Broderick, Christina Bach, Cooper van Grootel, Gabriella Garcia, Gary Hudson, Jacinte Blankenship, Jay DeVon Johnson, Jessi Goei, Kelvin Hodge, Lauren Tom, Luke Bracey, Michael OKeefe, Michaela Conlin, Oceana Matsumoto, Oona Yaffe, Phillipa Soo, Simu Liu, Tom Everett Scott, Victoria Blade, Wil Deusner

Director: Andy Fickman

Rating: PG-13

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Nobody should doubt Tatiana Suarez's place in the world of mixed martial arts, and it goes without saying how inspirational she can be to young girls who feel they don't fit a traditionally feminine mold. But a documentary really should do more than just reiterate facts, farm motivational soundbites, and refuse to ask follow-up questions to the most interesting ideas revealed. By the end of The Unbreakable Tatiana Suarez, it feels as if the film has repeated the same few talking points over and over, which doesn't actually make Suarez herself look better, but makes her look more like a product to be endorsed. Any potential discussion that can be had about the dangerous nature of wrestling and MMA—or on how this kind of controlled, organized violence interacts with real domestic violence experienced by Suarez—is quietly dismissed.

Genre: Documentary

Actor: Tatiana Suarez

Director: Cassius Corrigan

Rating: PG-13

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Like posters and stills of Space Cadet suggest, the film is cute and, occasionally, fun. Emma Roberts is bubbly and funny enough to carry the feature-length movie on her back, and the visuals, which are shock of Lisa Frank glittery pink, elevate an otherwise bland landscape. But the film doesn’t reach far enough into the sky to be the truly weird and out-there film it could be. Instead, it relies on implausible plot lines and go-girl messages to become yet another flatly inspiring film about how anyone can be anything if they just believed in themselves. Space Cadet proves that Legally Blone meets Apollo 11 has potential, but it’s not the film meant to land the idea home.

Genre: Comedy, Romance

Actor: Dave Foley, Desi Lydic, Drew Powell, Emma Roberts, Gabrielle Union, Joshua Harto, Kevin Downes, Kuhoo Verma, Max Jenkins, Poppy Liu, Sam Robards, Sebastián Yatra, Tom Hopper, Troy Iwata, Yasha Jackson

Director: Liz W. Garcia

Rating: PG-13

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Sight is based on the extraordinary life of Dr. Ming Wang, a Chinese immigrant who fled Communist China and revolutionized his field of ophthalmology in the West. Because of his hardships, he’s sympathetic to the needy and often takes pro-bono cases. In the movie, he even helps partially restore a little girl’s sight, which was cruelly taken from her by an abusive stepmom. Obviously, Wang’s story is rife with intrigue, inspiration, and drama, but this film by Director Andrew Hyatt does him no justice. There is no conflict nor tension to be found here, no exciting twists or turns—just a perfectly bland story whose ending anyone could guess. The performances could’ve elevated it, but Terry Chen, who plays Wang, never compels. To be fair, he doesn’t seem to have a lot to work with; he’s just an all-around good guy who doesn’t find the need to grow past anything. But even in the simplest scenes, his delivery seems wooden, almost like he, too, is unconvinced by the strength of his lines. Looking equally bored is a squandered Greg Kinnear, whose presence makes me wonder whether he has some debts he needs to settle. But even if Chen and Kinnear gave it their all, it’s hard to imagine Sight as anything more than a lazy attempt to retell an inspiring true story.

Genre: Drama, History

Actor: Aaron Paul Stewart, Ben Wang, Danni Wang, Donald Heng, Fionnula Flanagan, Greg Kinnear, Jennifer Juniper Angeli, Ken Godmere, Mia SwamiNathan, Natalie Skye, Raymond Ma, Sky Kao, Terry Chen, Wai Ching Ho

Director: Andrew Hyatt

Rating: PG-13

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Unfortunately, it isn't enough to have cartoonishly attractive people do silly things in the name of love for an entire feature film. This premise is undeniably fun at first: the pace is snappy, the locations are pretty, and there are more than a few intentional laughs buried within the film's fast-paced dialogue. But the longer Love Tactics 2 goes on, the more idiotic its characters seem and the more it feels like they don't actually deserve the love they supposedly earned in the previous movie. It greatly underestimates how frustrating it is to watch people fail to communicate over and over again, not out of any goodwill, but out of pure pride and jealousy. Sure, the leads provide plenty of eye candy, but after seeing how little they actually get to work with, watching them becomes an act of secondhand embarrassment.

Genre: Comedy, Romance

Actor: Atakan Çelik, Bora Akkaş, Ceyhun Mengiroğlu, Demet Özdemir, Deniz Baydar, Hande Yılmaz, İpek Tuzcuoğlu, Kerem Atabeyoğlu, Melisa Döngel, Şükrü Özyıldız

Director: Recai Karagöz

Rating: PG-13

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The fourth Kandasamys installment may only appeal to viewers who've been there from the beginning, but no matter your history with the South African Indian series, The Baby really offers far too little. With unconvincing third-act drama and extremely loose connection tissue between scenes, it becomes very difficult to see what the point of all this is, unless you are truly charmed by the bickering of this dysfunctional family. Unfortunately there isn't any wit to the clashing of personalities here; these are characters who aren't even trying to get on the same page, so set in their stubborn ways that it becomes infuriating to watch them butt heads for no good reason.

Genre: Comedy, Drama

Actor: Jailoshini Naidoo, Koobeshan Naidoo, Madhushan Singh, Maeshni Naicker, Mariam Bassa, Mishqah Parthiephal

Director: Jayan Moodley

Rating: PG-13

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