329 Best PG-13 Movies to Watch (Page 21)

Staff & contributors

Most audience members assume that PG-13 rating automatically indicates a show is not for adults, but you’d be surprised at how many excellent series can be enjoyed by the whole family, across generations. Here are the very best PG-13-rated movies and shows to stream.

In most instances, Rez Ball isn’t all that different from traditional sports dramas. It features a down-on-their-luck high school basketball team--the Chuska Warriros-- that gets better through sheer perseverance and teamwork. But as the title suggests, the Warriors play a slightly different kind of game. Rez Ball, according to the film, is faster and more points-focused. And the way the film lets the players (and us, the audience) learn about it by connecting the team with Navajo culture and practices is ingenious. As an intimate showcase of rez life, the film shines. But as a drama, it falters. The acting is rusty and uneven (though shoutout to Devin Sampson-Craig and first-timer Kauchani Bratt for getting it right), and the direction feels similarly wooden. The film is a promising entry, it just needs more time and polishing to be great.

Genre: Drama

Actor: Amber Midthunder, Cody Lightning, Dallas Goldtooth, Jessica Matten, Julia Jones, Kauchani Bratt, Kiowa Gordon, Ryan Begay

Director: Sydney Freeland

Rating: PG-13

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This is a nostalgic, ethereal memory like a childhood yearning, which can be credited to the soundtrack and friendly characters. Its got a lovely message about unspoken or repressed feelings, but the journey there unravels quickly. The second act enters filler side quest territory and loses the energetic pace and tight direction of the exposition. In the end, the premise and pretty visuals feel almost wasted on an ill-paced bloated story, one that tries to capture a wistfulness or magic but ends up feeling forced and manufactured. This is one of those movies you wish was the first movie you ever watched as a child. You won’t have a clue what it was about, but you'll remember it was nice.

Genre: Adventure, Animation, Family, Fantasy

Actor: Aya Yamane, Hisako Kyoda, Kensho Ono, Mio Tanaka, Mitsuho Kambe, Miyu Tomita, Noriko Hidaka, Satoshi Mikami, Satsuki Yukino, Shintaro Asanuma, Shirou Saitou, Shouzou Sasaki, Tomoko Shiota

Director: Tomotaka Shibayama

Rating: PG-13

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Beat for beat, word for word, Love is in the Air moves just like any other romantic comedy. Within that genre, it slots easily into the category of romcoms that follow a city guy who falls in love with a country girl, eventually learning and preferring the ways of small-town living. But Love in Air is even more improbable than usual because of how eerily perfect the two leads are. Goodrem, in particular, is always manicured to perfection, which makes her role as a down-to-earth no-nonsense go-getter very hard to believe. Still, the movie isn’t entirely unwatchable. There are pockets of humor to be found, and the stunning visuals almost make it worth the watch. Almost.  

Genre: Comedy, Drama, Romance

Actor: Craig Walker, Daniela Pizzirani, Delta Goodrem, Hugh Parker, Joshua Sasse, Mia Grunwald, Roy Billing, Simon McLachlan, Steph Tisdell

Director: Adrian Powers

Rating: PG-13

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If it takes your girlfriend dying before you’re able to open up to her, you’re probably not acting like a good significant other, especially when she moved all the way across the Atlantic Ocean to live with you. It’s hard to root for If Only’s leading man with such a rough start, but there’s a certain charm to the story that makes the movie watchable, the sweet reminder to cherish the people in your life while they’re still here to be cherished. While the schedule of Ian’s repeated day is kinda ridiculous, the lines are a bit cheesy, and the plot is a bit too predictable for a premise that can be made much more fantastic, If Only won’t disappoint viewers just looking for a cute romance.

Genre: Drama, Fantasy, Romance

Actor: Anthony Milner, Diana Hardcastle, Graham Turner, Jennifer Love Hewitt, Kevin Moore, Lucy Davenport, Neville Phillips, Oscar James, Paul Nicholls, Pippa Haywood, Roy Sampson, Stewart Wright, Terence Harvey, Tom Wilkinson

Director: Gil Junger

Rating: PG-13

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In the grand scheme of streamer romcoms, A Family Affair is not too bad. Like The Idea of You before it, the film explores what it means to find love as a woman late in life while proving that it can be just as exciting and steamy as any other affair. The film is even occasionally funny, with Efron’s vain character banging out punchlines like “It’s one of a kind! I only have two of these!” But there are too many lapses that are hard to ignore, such as the glaring lack of chemistry between Efron and Kidman, and the sheer unlikeability of King’s Zara. Yes, they acknowledge her narcissism multiple times, but it doesn’t change how exhausting she can be, and how rushed her growth was. In fact, none of them seem to really develop, except Brooke, who is the most realized character in the film. A Family Affair is at its best when it's parodying the franchise-hungry film industry and when it’s discussing the passions and pleasures of late womanhood. Unfortunately, they often feel like two separate films, and the filler in between feels exactly like that: filler, with nothing new, important, or forgivably funny to say.

Genre: Comedy, Romance

Actor: Brooks Ashmanskas, Carrie Solomon, Gissette E. Valentin, Ian Gregg, Irene Kim, Joey King, Kathy Bates, Liza Koshy, Nicole Kidman, Olivia Macklin, Sarah Baskin, Sean Evans, Sherry Cola, Vince Pisani, Wes Jetton, Zac Efron, Zele Avradopoulos

Director: Richard LaGravenese

Rating: PG-13

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Though it borrows from some of the oldest genre tropes—stoic but kind-hearted hero finding a heart in a community that needs his help—Jigen Daisuke still manages to carve out a visual identity that has one foot rooted in its Lupin III manga origins, and another in noir fiction. The world of the film is beautifully lit and feels bustling with activity, as are the frenetic action scenes that turn gleefully silly with the sheer amount of gunfire being sprayed everywhere. That said, the movie can't handle the number of plates it tries to spin, as side characters fail to develop more meaningfully and its more exciting parts are diluted by long stretches of drama that aren't as engaging as the film thinks they are. This feels like a sampler for the kinds of stories the title character could be involved in in the future, but little else.

Genre: Action, Crime, Drama, Thriller

Actor: Akihiko Sai, Eugene Nomura, Honami Sato, Kazuki Namioka, Kotoka Maki, Masatoshi Nagase, Mitsuko Kusabue, Rina Sakuragi, Takashi Sasano, Tetsuji Tamayama, Toru Baba, Yasukaze Motomiya, Yoji Tanaka, Yôko Maki, Yuuki Tsujimoto

Director: Hajime Hashimoto

Rating: PG-13

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When Disney and Marvel drove the industry with its multi-phase superhero film franchise surrounding the collection and use of magical alien MacGuffins, it’s no wonder that some Hindi filmmakers watched it, squinted, and thought that it was small fry compared to the vast collection of stories and reinterpretations of Hindu folklore and epics. But it’s not an easy thing to do. Brahmastra: Part One - Shiva has admirable ambition, but the plot is predictable, the characterization is scant, and the film just throws so much of the mythology at the audience rather than taking its time, letting the magic build up some mystery, and letting the audience get to know the characters before they launch themselves into a spectacular fight scene. It’s not a terrible watch, but Brahmastra is off to a very shaky start.

Genre: Action, Adventure, Fantasy

Actor: Aditi Joshi, Alia Bhatt, Amitabh Bachchan, Chaitanya Sharma, Deepika Padukone, Dimple Kapadia, Farida Dadi, Gurfateh Pirzada, Lehar Khan, Mouni Roy, Nagarjuna Akkineni, Ranbir Kapoor, Rashi Mal, Saqib Ayub, Saurav Gurjar, Shah Rukh Khan

Director: Ayan Mukerji

Rating: PG-13

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With a boring wedding, attended by a guarded woman and a spontaneous man, starting a series of shared recollections of past heartbreak, Which Brings Me to You has all the elements needed for an early aughts romcom, releasing at a time when Y2K is trending. The original novel’s epistolary format is interestingly translated into flashbacks told in one whole day, with Will and Jane visually popping within the sequences as the two get to know each other through their past heartbreaks. It’s a unique idea, but the execution feels lackluster, with the dialogue and direction that can’t be saved through Lucy Hale’s or Nat Wolff’s efforts. There’s certainly something here about romance being a possible avenue to open up, but Which Brings Me to You doesn’t build the chemistry to get there.

Genre: Comedy, Drama, Romance

Actor: Alexander Hodge, Avery Cole, Britne Oldford, Chase Liefeld, Genevieve Angelson, Jamie McRae, John Gallagher Jr., Laura Kai Chen, Lucy Hale, Marceline Hugot, Michael Mulheren, Mitzi Akaha, Nat Wolff, Reilly Walters, Ward Horton

Director: Peter Hutchings

Rating: PG-13

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I’m sure the novel Uglies is based on makes a lot more sense since it has a lot of space to world-build and explore themes like external beauty, class, and identity. Unfortunately, the same cannot be said about the movie Uglies, which is almost impressively out of date in look and tone. The CGI is 2000s-level wonky and the premise is unconvincing. You’re telling me these Hollywood kids are supposed to be ugly? So ugly that they’re nicknamed after their defects— “Nose,” “Skinny,” and “Squint”? What would they call normal-looking people like us? Slurs? And don’t get me started on their “pretty” versions. It’s literally just them with layers of makeup and a touch of Botox, which I suppose could be the point, but also…just wear makeup? It’s mind-numbingly confusing. The world of the Uglies doesn’t even seem that bad—they’re fed, roomed, allowed to explore their environment, and create friendships. A lot of people in the real world would kill for that level of comfort. If freethought is what’s being killed here, then they should have focused on that more. Ironically, the movie itself seems too preoccupied with looks to get that, so what we get instead is this half-baked mess.

Genre: Action, Adventure, Drama, Science Fiction, Thriller

Actor: Alex D. Jennings, Brett Hoyle, Brianne Tju, Charmin Lee, Chase Stokes, Dutch Johnson, Gabriella Garcia, Jan Luis Castellanos, Jay DeVon Johnson, Jessica Craig, Jessica Galinas, Jillian Murray, Joey King, Jordan Sherley, Keith Powers, Kelly Gale, Kevin Miles, Laverne Cox, Lindsay Rootare, Luke Eisner, Quintin Mims, Robert Palmer Watkins, Sarah Vattano, Will Poston, Zamani Wilder

Director: McG

Rating: PG-13

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With stunning art, an exciting heist, and a steamy romance between a good girl detective and bad boy billionaire, Art of Love could have leaned into the sleek and campy tension of the original 2005 Mr. & Mrs. Smith. There’s some of it here, with the investigation bringing up her previous, sensual memories of the romance that was, and Esra Bilgiç and Birkan Sokullu looking so, so gorgeous dressed in the most stylish outfits. But the film mostly plays out in generic Netflix fashion, with the characters replaying dated clichés, and not actually dealing with the emotional betrayal that should have marked Güney’s abandonment. Art of Love is at least beautiful to look at.

Genre: Action, Drama, Romance

Actor: Birkan Sokullu, Esra Bilgiç, Fırat Tanış, Hakan Ummak, Nil Keser, Osman Alkaş, Ushan Cakir

Director: Recai Karagöz

Rating: PG-13

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Sweet Dreams is supposedly a film about Patsy Cline, one of the most influential country and pop vocalists of the 1960s. To the film’s credit, Jessica Lange does a great job emulating the singer, though the vocal performances come straight from the source recordings, and Ed Harris, portraying the husband Charlie Dick, shares a believable chemistry with Lange. But sadly, Sweet Dreams is much more interested in her marriage than in her artistry, more interested in the accidents she’s gone through than in the way she recovered after the crash. Rather than focus on an inspiring life story that practically writes itself– a young woman who, despite what life has given, managed to teach herself music and become one of the greatest singers of all time– Sweet Dreams is not so sweet at all.

Genre: Drama, Music, Romance

Actor: Ann Wedgeworth, Bruce Kirby, Carlton Cuse, David Clennon, Ed Harris, Gary Basaraba, James Staley, Jessica Lange, John Goodman, John Walter Davis, Kenneth White, P.J. Soles, Robert Rothwell, Tony Frank

Director: Karel Reisz

Rating: PG-13

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Less homage to Star Wars than it is a pastiche of that cultural juggernaut, a strong sense of déjà vu hangs over Zack Snyder’s Rebel Moon. Unfortunately, in plainly appealing to the memory of its vastly superior inspiration so many times, it inadvertently reminds viewers of how much better its muse is. There are far too many direct copycat scenes here for Rebel Moon to craft anything like an identity of its own, but its derivativeness might be forgivable were it not so self-consciously, humorlessly straining for epicness.

Rebel Moon rises with narration from Anthony Hopkins and an operatic score — a promise of grandness it never lives up to. At two-hours-plus, this dreadnought announces its lofty ambitions for future franchise status at every turn, but never once earns it: the dialogue is creakingly expository and the acting is spotty, ultimately making it feel like the film has lazily assumed it's already secured all the interest it needs to justify a potential two further sequels and a galaxy of tie-in media. Though there are bright spots that suggest an actual movie lurks somewhere deep within its 134 minutes, Rebel Moon instead feels like a laborious couple of hours of scene-setting that arrogantly banks on you returning for more, despite doing little to deserve any more of your time.

Genre: Action, Adventure, Drama, Fantasy, Science Fiction

Actor: Adam J. Smith, Alexander Ward, Alfonso Herrera, Anthony Hopkins, Bae Doona, Ben Geurens, Bonnie Morgan, Brandon Auret, Brett Robert Culbert, Caden Dragomer, Carolyne Chen, Cary Elwes, Charity Witt, Charlie Hunnam, Charlotte Maggi, Christine Kellogg-Darrin, Christopher Matthew Cook, Cleopatra Coleman, Cody Banta, Colby Lemmo, Corey Stoll, Danielle Burgio, Derek Mears, Djimon Hounsou, Dominic Burgess, Douglas Tait, Dustin Ceithamer, E. Duffy, Ed Skrein, Elise Duffy, Elizabeth Martinez, Fra Fee, Francis Ngannou, Gary Nohealii, Giovanni Lopes, Greg Kriek, Ingvar E. Sigurðsson, Isabella Brenza, James William O'Halloran, Jena Malone, Jordan Coleman, Josefine Lindegaard, Kayden Alexander Koshelev, Kendall Wells, Kingston Foster, Mark Steger, Matt Nolan, Max Pescherine, Michael James Bell, Michiel Huisman, Mingus Johnston, Napoleon Ryan, Patrick Luwis, Raphael Corkhill, Ray Fisher, Ray Porter, Rhian Rees, Richard Cetrone, Robbie Jarvis, Rory Gibson, Sam Bass, Sam Stinson, Samantha Win, Savanna Gann, Scott Subiono, Simon Potter, Sisse Marie, Sky Yang, Sofia Boutella, Staz Nair, Stella Grace Fitzgerald, Steven Allen, Stuart Martin, Thomas Ohrstrom, Tony Amendola

Director: Zack Snyder

Rating: PG-13

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, 2024

Sometimes, after a demanding work week, you want to watch a low-stakes, enjoyable movie with just enough plot to enjoy. Heist comedy Lift tries to be that film, with Kevin Hart as a smooth criminal who steals art in order to keep art from undeserving owners and improve the artist’s revenue from their work. It’s an interesting twist to the Robin Hood stereotype, one that could have hinted at concerns of screen artists last year when its release date was originally scheduled for. That being said, the film throws this idea away when Kevin Hart and his team are now forced to participate in a risky heist due to the Interpol. The events that play out amount to a fairly generic caper, but there are far better heist films to spend your weekend watching, with far better plots and stunts.

Genre: Action, Comedy, Crime

Actor: Amit Dhut, Andrew Wilson, Billy Magnussen, Burn Gorman, Caroline Loncq, David Proud, Eman Kazemi, Erol Ismail, Gary Fannin, Gerard Monaco, Gordon Alexander, Gugu Mbatha-Raw, Jacob Batalon, Jean Reno, Jess Liaudin, Kevin Hart, Kim Yun-jee, Michael Absalom, Oli Green, Paul Anderson, Ross Anderson, Roy McCrerey, Russ Bain, Sam Worthington, Stefano Skalkotos, Úrsula Corberó, Vincent D'Onofrio, Viveik Kalra

Director: F. Gary Gray

Rating: PG-13

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With its celebration of Thai dances, excellent costumes, and two male theater actor leads, ManSuang seemed like it would be something akin to a Thai Farewell My Concubine, especially as it starts off with what could have been sex scene interrupted by a murder. The addition of the espionage storyline, as well as the dynamics between the Chinese and the mainland Thai, seemed like the film would be subtle social commentary through historical drama. However, the story feels haphazardly assembled, with characters acting contrary to their goals, and sadly, the film doesn’t showcase as much of Thai culture as we would like. Instead, the film spends more time establishing an overly complicated mystery that gets too hard to follow with its multiple plotlines. ManSuang has beautiful set design, costumes, and a handsome cast, but the writing wastes the potential the story had.

Genre: Drama, Mystery

Actor: Asavapatr Ponpiboon, Chartchai Ketnust, Chertsak Pratumsrisakhon, Duangjai Hiransri, Gandhi​ Wasuvitchayagit, Nattawin Wattanagitiphat, Nonthakorn Chalermnai, Nutthasid Panyangarm, Ornanong Panyawong, Phakphum Romsaithong, Pongsakorn Ponsantigul, Pradit Prasartthong, Saifah Tanthana, Sornchai Chatwiriyachai, Sumontha Suanpholaat, Teerawat Mulvilai, Thanayut Thakoonauttaya

Director: Bhanbhassa Dhubthien, Chartchai Ketnust, Krisda Witthayakhajorndet

Rating: PG-13

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It isn't even just because it's a sequel, but every bit of Your Christmas or Mine 2 seems like it was sourced from other films with more personality, resulting in a stew of holiday tropes driven entirely by contrivances and conflicts that should be more easily resolved. And yet there's something that keeps the film far more tolerable than insufferable, as both Asa Butterfield and Cora Kirk compensate for the artificiality of the drama with authentic emotion. There are funny moments throughout and a decent supporting cast (who are given precious little to do), but all this adds up to a film that still feels like it was meant to be played in the background.

Genre: Comedy, Drama, Romance

Actor: Alex Jennings, Angela Griffin, Anna Behne, Asa Butterfield, Christopher Sherwood, Cora Kirk, Daniel Mays, David Bradley, Jane Krakowski, Karl Markovics, Natalie Gumede, Ram John Holder, Rhea Norwood, Simon Hatzl

Director: Jim O'Hanlon

Rating: PG-13

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