329 Best PG-13 Movies to Watch (Page 13)

At first, you wonder, couldn’t this behind-the-scenes look at the making of The Boy and The Heron just be a DVD special? But a few minutes in, it becomes clear how rich the material is. It’s not just about Miyazaki and the making of a movie, it’s about him grappling with grief and transforming it into art. A surprising chunk of this documentary is about death. Miyazaki’s friends and colleagues are passing away, it seems, every month, and the only way Miyazaki can mourn and honor them is through his (their) art. The Boy and The Heron itself is a fulfillment of a promise Miyazaki made to his closest friend, Isao Takahata, or Pak-san, as Miyazaki lovingly calls him. It’s Pak-san whom he mourns the most in the movie, but almost everyone who’s passed makes an appearance both in the documentary and the film. The lines between the two are often blurred by Miyazaki, in his failing memory, and by documentary director Kaku Arakawa. Arakawa’s editing is chaotic, if not experimental. He cuts between reality and fiction—documentary footage and Ghibli clips—faster than you can make sense of it all. “I opened my brain way too far for this project,” Miyazaki claims, and you can feel the exhilaration and fear in every second of this brilliant film.

Genre: Documentary

Actor: Hayao Miyazaki, Isao Takahata, Kenshi Yonezu, Masaki Suda, Takuya Kimura, Toshio Suzuki

Director: Kaku Arakawa

Rating: PG-13

Bank of Dave is a simple but well-told film that feels utterly satisfying from start to end. Dave is the little guy who only wants to give back to his community, but stopping him from achieving his noble goals are the big guys in suits with vested interests and too narrow a focus to appreciate the good that Dave is after. The film is David versus Goliath, countryside versus cityside, socialist versus capitalist (or, if you like, ethical capitalism versus unethical capitalism). You know who will triumph in the end, but that doesn’t detract from the film’s overall enjoyability. The dialogue is smart and stirring, and you can’t help but root for the film’s small heroes to win big. 

Genre: Comedy, Drama

Actor: Adrian Lukis, Angus Wright, Cathy Tyson, Drew Cain, Florence Hall, Freddie Bolt, Harry Michell, Hopi Grace, Hugh Bonneville, Jo Hartley, Joe Elliott, Joel Fry, Naomi Battrick, Paul Kaye, Phil Collen, Philip Gascoyne, Phoebe Dynevor, Rick Allen, Rick Savage, Roger Morlidge, Rory Kinnear, Simon Manyonda, Steve Edge, Vivian Campbell

Director: Chris Foggin

Rating: PG-13

While the YA genre doesn't have the best track record with regards to mental illness representation, there’s a funny, surprisingly accurate, and, dare I say, relatable approach to Words on Bathroom Walls that makes the topic of schizophrenia feel approachable. It helps that the cast was well-picked, with festival favorites Charlie Plummer and Taylor Russell forming a compelling pair, but what makes the film work is director Thor Freudenthal, whose previous experience in directing classic teen franchises can be seen through the way he portrays Adam with heart, rather than with stereotypes, just like the original novel. Words on Bathroom Walls is an unexpectedly fresh take on an often misrepresented condition.

Genre: Drama, Romance

Actor: Aaron Dominguez, Andy Garcia, AnnaSophia Robb, Beth Grant, Blaque Fowler, Charlie Plummer, Cruz Abelita, Devon Bostick, Drew Scheid, Evan Whitten, Iain Tucker, Jeris Donovan, Justin Matthew Smith, Lobo Sebastian, Molly Parker, Reinaldo Faberlle, Sean Michael Weber, Taylor Russell, Walton Goggins

Director: Thor Freudenthal

Rating: PG-13

What strikes most people about The Vertical Ray of the Sun is how idyllic Tran Anh Hung captures Hanoi, Vietnam’s capital– lush greens, the summer sunshine softened by mosquito nets, scored by the birds and the neighborhood kids and a mix of early 00s soft rock and traditional Vietnamese songs. These visuals are so beautiful that it distracts from fairly turbulent conflicts in the three relationships present in the film, the unfulfilled desires they feel, some totally forbidden, some stemming from past generations, which makes the PG rating all the more surprising. But even as the drama unfolds, the feeling of a languid summer afternoon never fades, painting the melodramatic troubles under a peaceful veneer, made subtle and humorous with the way the sisters joke, make innuendoes, and decide on family matters together.

Genre: Drama, Romance

Actor: Chu Hung, Do Thi Hai Yen, Doan Viet Ha, Le Khanh, Le Tuan Anh, Le Vu Long, Ngo Quang Hai, Nhu Quynh, Tran Nu Yên-Khê

Director: Tran Anh Hung

Rating: PG-13

When it comes to ghosts, plenty of films are centered around personal, unresolved business in the living world, but rarely do films examine how the spirit world would be, unless it’s for fantastical fights or horrific terror. The Parades instead focuses on a world of lost, but ordinary, and thankfully kind, souls. And as the film builds its calm world, Minako (and the viewers) get to meet the people who would form her eventual found family, whose various lives uncover the intimate and personal hopes of ordinary people, shaped by the events of their respective times. While the film doesn’t fully resolve all their stories, The Parades celebrates life, in all forms, and the powerful ways storytelling and community helps us go through it.

Genre: Drama

Actor: Akari Takaishi, Ayumu Nakajima, Azuki Terada, Daiken Okudaira, Denden, Go Ayano, Hana Kino, Haru Iwakawa, Hiroshi Tachi, Kentaro Sakaguchi, Kotone Hanase, Lily Franky, Mai Fukagawa, Masami Nagasawa, Nana Mori, Ron Mizuma, Ryusei Yokohama, Shinobu Terajima, Shun Sugata, Suon Kan, Takuya Wakabayashi, Tetsushi Tanaka, Yuina Kuroshima, Yukiya Kitamura

Director: Michihito Fujii

Rating: PG-13

The Great Lillian Hall doesn’t do anything particularly great to a familiar premise, but it’s still worth watching for the knockout performances. There’s Lange, whose dementia both complicates her desire to mount one last performance and resurfaces her guilt for being an absent mother. There’s Bates, who offers both sympathy and tough love. And then there’s Rabe, who’s gut-punching as the pained daughter crawling her way into her mother’s stiff arms. Everything else about the film is not as noteworthy as it drags the film for way longer than it should be. But that trifecta of performances makes it all worthwhile.

Genre: Drama

Actor: Allison Mackie, Blaque Fowler, Bryan McClure, Cindy Hogan, Clayton Landey, David Chin, David Marshall Silverman, David Silverman, David Vaughn, Derrick LeMont, Erik Parillo, Jesse Williams, Jessica Lange, Jonathan Horne, Katerina Eichenberger, Kathy Bates, Keith Arthur Bolden, Kenneth Trujillo, Lauren Buglioli, Lily Rabe, Meg Gillentine, Michael Rose, Noshir Dalal, Pierce Brosnan, Rebecca Watson, Robert Stevens Wayne, Tenz McCall, Zele Avradopoulos

Director: Michael Cristofer

Rating: PG-13

The Fountain is a highly compelling science-fiction/fantasy film told in three interwoven parts related to the mythical concept of the Tree of Life. Hugh Jackman and Rachel Weisz star in a triad of roles that alternate along the film’s narrative: 1) an ancient conquistador assigned by the Queen of Spain to locate the legendary tree within the jungles of South American, 2) a modern medical doctor desperately striving to find a cure for his wife’s terminal brain cancer, and 3) a futuristic space traveler transporting the sacred tree across the cosmos with spectral images of his wife as his companion. In this, his 3rd feature feature-length film, writer/director Darren Aronofsky has crafted a strikingly ambitious depiction of the search for, manifestation of and preservation of the oft-fabled key to eternity. It’s highly philosophical and at times strikingly abstract visual storytelling, aided immeasurably by Jackman’s and Weisz’s heartfelt, aggrieved performances. The passion and the earnestness they deliver helps to buoy a complicated plot that isn’t always entirely cohesive, but comes together as a wonderfully compelling amalgamation of sights and sounds bound to inspire the viewer. Kudos to Aronofsky for eschewing simple fantasy in lieu of something so dynamic, original and emotionally commanding.

Genre: Adventure, Drama, Romance, Science Fiction

Actor: Abraham Aronofsky, Alex Bisping, Boyd Banks, Cliff Curtis, Donna Murphy, Ellen Burstyn, Ethan Suplee, Fernando Hernandez, Hugh Jackman, Janique Kearns, Kevin Kelsall, Lorne Brass, Marcello Bezina, Mark Margolis, Rachel Weisz, Richard McMillan, Sean Patrick Thomas, Stephen McHattie

Director: Darren Aronofsky

Rating: PG-13

Some Kind of Wonderful is the less iconic, gender-swapped cousin of Pretty in Pink (both are written by John Hughes and directed by Howard Deutch), but what it lacks in renown, it makes up for in nuance. It goes a bit deeper in its exploration of gender roles and class disparity, really digging into the important differences between its female leads and the privilege of its wealthier characters, and it’s just as funny and charming too. Sure, a big part of the delight of watching it stems from nostalgia, but a larger chunk comes from the actors’ easy chemistry and the script’s witty lines. The movie is not revolutionary—it’s just a romcom at the end of the day—but it is smart and subverts expectations when you least expect it.

Genre: Drama, Romance

Actor: Candace Cameron Bure, Carmine Caridi, Chynna Phillips, Craig Sheffer, Elias Koteas, Eric Stoltz, Ike Eisenmann, John Ashton, Kenneth Kimmins, Laura Leigh Hughes, Lea Thompson, Lee Garlington, Maddie Corman, Mary Stuart Masterson, Molly Hagan, Patricia Gaul, Penelope Sudrow

Director: Howard Deutch

Rating: PG-13

The entirety of Pieces of April takes place on Thanksgiving Day, a busy holiday meant to bring loved ones together. Sure enough, April, the eldest Burns daughter, takes great pains to prepare a nice dinner for her visiting family. But we soon learn that she is motivated less by excitement than by dread: she's long been estranged, disowned even, by her uptight mother, Joy, who is only agreeing to come because she's sick with cancer. April seems to be on a reluctant mission to fix their fraught relationship, but pesky (albeit funny) mishaps, both on her and Joy's end, keep getting in the way. Shot digitally and very closely with hand-held cameras, Pieces of April looks as intimate as it feels. It's a snapshot of an era and of a particular family dynamic, one that relatably relies on both love and scorn to keep going. It's an excellent, honest, and underrated gem of a movie.

Genre: Comedy, Drama, Family

Actor: Adrian Martinez, Alice Drummond, Alison Pill, Anney Giobbe, Armando Riesco, Birdie M. Hale, Derek Luke, Isiah Whitlock Jr., Jamari Richardson, John Gallagher Jr., Katie Holmes, Leila Danette, Lillias White, Oliver Platt, Patricia Clarkson, Rusty De Wees, Sally Leung Bayer, Sean Hayes, Sisqó, Stephen Chen, Susan Bruce, Vitali Baganov

Director: Peter Hedges

Rating: PG-13

This difficult movie is about a seventeen-year-old from the U.S. underclass who has to deal with an unplanned pregnancy. Autumn is creative, reserved, and quiet, but those are not qualities that her environment in rural Pennsylvania seems to value. On the opposite, she is surrounded by threats, including disturbing step-father and boss characters. 

Dangers escalate as Autumn decides to travel to New York to have an abortion. Never Rarely Sometimes Always is about unplanned pregnancies as much as it is about just how dangerous it is to be a teenage girl living in America.

Genre: Drama

Actor: Amy Tribbey, Brian Altemus, Carolina Espiro, Christian Clements, David Buneta, Denise Pillott, Drew Seltzer, Eliazar Jimenez, Lizbeth MacKay, Mia Dillon, Ryan Eggold, Salem Murphy, Sam Dugger, Sharon Van Etten, Sidney Flanigan, Sipiwe Moyo, Talia Ryder, Théodore Pellerin, Théodore Pellerin

Director: Eliza Hittman

Rating: PG-13

There is a lightness to Miss Pettigrew Lives for a Day that makes this period romantic comedy enjoyable– the banter, the gorgeous costumes, the gorgeous men, of which there are plenty, and silly hijinks in which the couples get together– and it feels reminiscent of some of the classic romantic comedies that once captivated the world during its time. But make no mistake. While the genre has a rep for superficiality, the characteristic lightheartedness through which the titular governess and her socialite ward eases through is much more thoughtful than the eye would expect, with the looming war and Pettigrew’s past grounding the idea to seize true love when it comes your way. Miss Pettigrew Lives for a Day just does it all with old school charm and modern filmmaking polish.

Genre: Comedy, Drama, Romance

Actor: Amy Adams, Beatie Edney, Christina Cole, Ciarán Hinds, Frances McDormand, Katy Murphy, Lee Pace, Mark Strong, Matt Ryan, Shirley Henderson, Stephanie Cole, Tim Potter, Tom Payne

Director: Bharat Nalluri

Rating: PG-13