100 Best NR Movies to Watch (Page 5)

Bad Boy Bubby is not an easy watch. Within the first ten minutes, the indie drama seemed to be one of those films created only to provoke the viewer, and not much else. We won’t deny that the intro is provocative– in fact, we’re warning you outright that it includes domestic violence, abuse towards the disabled main character that’s implied to have started since childhood, and the killing of a cat– but with such a harrowing introduction, Bubby being thrown into the wider world actually becomes something optimistic. His escape is written to be full of possibilities, the possibilities that we ordinary folk take for granted, but possibilities nonetheless. There’s nowhere to go but up, for him. Writer-director Rolf de Heer matches this unusual characterization with unusual style, with 30+ cinematographers shooting with different styles as Bubby learns from each person he meets, and with the binaural audio recorded to simulate what Bubby would actually hear. It makes for a very weird, experimental film, but Bad Boy Bubby also reveals to be a surprisingly hopeful drama that celebrates the goodness of ordinary life.

Genre: Comedy, Crime, Drama

Actor: Andy McPhee, Carmel Johnson, Claire Benito, Grant Piro, Nicholas Hope, Ralph Cotterill, Syd Brisbane, Ullie Birvé

Director: Rolf de Heer

Rating: NR

Sure, it takes a special type of crazy to try to make it in the movies, especially if you’ve been at it for ten years without any sort of premiere, but the strangely persistent four-man production of Why Don’t You Play in Hell? takes this to even crazier heights, involving a yakuza gang war and potentially their lives. Writer-director Sion Sono infuses his signature gore with much more playful comedy, slinging together chaotic action scenes through the pure power of cool, and the entire roster’s enthusiasm for cinema is just so infectious, it’s compelling to watch, even when the plotlines don’t fully mesh well. Why Don't You Play in Hell? is such a fun tribute to gritty action filmmaking.

Genre: Action, Comedy, Drama

Actor: Akaji Maro, Akihiro Kitamura, Akira Yamamoto, Daisuke Kuroda, Denden, Donpei Tsuchihira, Fumi Nikaido, Gen Hoshino, Hakase Suidobashi, Hideo Nakaizumi, Hiroki Hasegawa, Hiroyuki Onoue, Itsuji Itao, Jun Kunimura, Jyonmyon Pe, Kazuki Namioka, Kenjirou Ishimaru, Kyōko Enami, Megumi Kagurazaka, Mickey Curtis, Motoki Fukami, Nanoka Hara, Ōmiya Ichi, Riko Narumi, Shimako Iwai, Shinichi Tsutsumi, Tak Sakaguchi, Taro Suwa, Tasuku Nagaoka, Tetsu Watanabe, Tomochika, Tsugumi

Director: Sion Sono

Rating: NR

Many films that deal with the advent of some sort of apocalypse usually hit the ground running, but When Evil Lurks also keeps its sense of panic and paranoia right up to its bitter end. Even during moments of downtime—as this small group of "survivors" tries to keep moving—there is an overwhelming sense that they're only delaying their inevitable suffering, or that evil has existed long before  any of them. There are passing mentions of this demonic presence having originated in the city, and how it manages to infiltrate the lives of those on the outskirts through modern things like electricity and gunfire. It's an intriguing angle that gives possession a new texture: these demons aren't just randomly manifesting, but invading and occupying.

And when the violence kicks in, When Evil Lurks really doesn't spare its characters, as shown by some pretty gnarly practical effects and vicious sound design. The constant escalation of the demonic threat can feel contrived at times—as the rules of how things operate in this world keep on being added or modified, at a rate that can be hard to process—but the anguish it leaves its characters in is suffocating all the same. There may not appear to be a moral at the end of all this, but it evokes a sense of hopelessness better than many other films.

Genre: Horror, Thriller

Actor: Demián Salomón, Diego Sampayo, Emilio Vodanovich, Ezequiel Rodríguez, Federico Liss, Isabel Quinteros, Jorge Prado, Luis Ziembrowski, Marcelo Michinaux, Paula Rubinsztein, Sebastián Muñiz, Silvina Sabater, Virginia Garófalo

Director: Demián Rugna

Rating: NR

Shot for only 20 days with a budget of a million dollars, The Last Stop in Yuma County is a small film, but it achieves significant feats, thanks in large part to first-time feature director Francis Galluppi’s strong vision. The set is stylish, the characters feel lived in, and the central mystery—will these robbers get away with it?—feels so taut and tense that it’s enough to fuel the entire film’s energy. There’s no need to look for backstories, motivations, or subplots; just waiting to see whether the finger will let go of the gun’s trigger, or if anyone will catch the hostage’s silent plea for help, is absorbing enough.

Genre: Crime, Thriller

Actor: Alex Essoe, Barbara Crampton, Connor Paolo, Faizon Love, Gene Jones, Jim Cummings, Jocelin Donahue, Jon Proudstar, Matt McVay, Michael Abbott Jr., Nicholas Logan, Richard Brake, Robert Broski, Robin Bartlett, Ryan Masson, Sam Huntington, Sierra McCormick

Director: Francis Galluppi

Rating: NR

After the 1975 release of the Maysles brothers’ Grey Gardens, Big and Little Edie Beale’s story captivated viewers and spawned a musical and a dramatized biopic about the reclusive, impoverished socialite mother-daughter duo. The Beales of Grey Gardens is a compilation of the remaining unreleased archival footage, released after the death of both subjects and David Maysles. For those unfamiliar with their story, the film might feel a bit random and contextless. But for Beale fans, and those familiar with their first documentary, this sticks close to the classic cinema vérité style of the Maysles, while also uncovering other sides of these interesting, eccentric former socialites, becoming a lovely tribute for them and their fans.

Genre: Documentary, Drama

Actor: Albert Maysles, David Maysles, Edith Bouvier Beale, Jerry Torre, Lois Wright

Director: Albert Maysles, David Maysles

Rating: NR

There is goodness within everyone… supposedly. However, there are some instances where the belief is almost foolish, some sins done against humanity that can't be explained, reasoned out, or defended. Henry: Portrait of a Serial Killer challenges that notion in three characters (the titular serial killer, his fellow ex-con Otis, and Otis’ sister Becky) and in the silent, unprotesting way writer-director John McNaughton makes us witness their lives. While true crime aficionados and horror fans might find this rather tame, the true horror of this portrait isn't in the kills, but rather in the way we’ve become accustomed to this violence, the same way a literal serial killer would be.

Genre: Crime, Horror, Thriller

Actor: Anne Bartoletti, Mary Demas, Michael Rooker, Tom Towles, Tracy Arnold

Director: John McNaughton

Rating: NR

Green Day's Bullet in a Bible has certainly aged well. Maybe it's even better now with time and hindsight, and knowing that the once punk group would commit to their alternative sound from that point forward. Green Day with their American Idiot tracks and frontman Billie Joe Armstrong's stage presence absolutely belongs as a stadium-level act, but you could argue they could've cut down on the heavy American Idiot representation to have more of a mix of albums in the setlist. The film could've also had less of the vignettes and montages with edgy editing—we don't need that many breaks from 14 songs—but it's all nitpicking, really. Say what you want, but this concert marks the birth of Green Day as rockstars.

Genre: Documentary, Music

Actor: Adrienne Armstrong, Billie Joe Armstrong, Jason Freese, Jason White, Mike Dirnt, Samuel Bayer, Tre Cool

Director: Samuel Bayer

Rating: NR

Normally, a film like this would be a straightforward documentary with archival footage and key interviews with experts in the issue. But instead of taking that approach in Four Daughters, writer-director Kaouther Ben Hania takes a more personal approach, understanding that the topic in question isn’t just about extremism, but that this is a tragedy experienced by the Hamrouni family. As such, the approach doesn’t try to mine the drama to make the film more engaging. Hania just tries to introduce us to the family, with the archival footage interspersed with conversations filmed behind-the-scenes of the documentary, and with the past recreated by both the real family and by actors. It’s because of this that Hania cedes unparalleled control for Olfa Hamrouni to tell her story. With this issue spreading throughout the globe, Four Daughters is a necessary documentary. The personal, compelling approach helps drive that home.

Genre: Documentary, Drama

Actor: Eya Chikahoui, Hend Sabry, Ichraq Matar, Nour Karoui, Olfa Hamrouni, Tayssir Chikhaoui

Director: Kaouther Ben Hania

Rating: NR

Looking at the animated character designs, it seemed like Birdboy: The Forgotten Children would be a cutesy, creepy cartoon for children with a defanged Halloween aesthetic. But the cute animals of the island face a horror much scarier than plenty of terrifying tales, because their horrors mirror everyday poverty in a fictional island taken, destroyed, and tossed aside by an industry producing garbage. It immediately starts off bleak, with a father telling his son what became of the island as they pick up copper scraps for food, and as the film continues, desperation starts closing in, shifting the colors into a red, white, and black nightmare. Birdboy: The Forgotten Children takes on a different tone than what animation lovers are used to seeing, but it’s a welcome difference in a media landscape made to distract from today’s troubles.

Genre: Animation, Drama, Fantasy

Actor: Andrea Alzuri, Eva Ojanguren, Felix Arkarazo, Jorge Carrero, Josu Cubero

Director: Alberto Vázquez, Pedro Rivero

Rating: NR

It won’t be a surprise that a movie titled Violent Cop would have a police officer smacking people left and right. But upon its release, Violent Cop surprised viewers when comedian Beat Takeshi took it upon himself to direct a moody, serious neo-noir where blood splatters come sparingly, knives are drawn on occasion, and the camera is much more interested in lingering between the men inflicting violence rather than flashy choreography– and somehow end up with a pretty solid effort. The film does have a somewhat familiar plot, but its bleak, depressing portrayal of how mundane violence has become makes Violent Cop such a brutal debut to watch.

Genre: Action, Crime, Thriller

Actor: Akira Hamada, Bang-ho Cho, Hakuryu, Ittoku Kishibe, Kazuyoshi Ozawa, Ken Yoshizawa, Ken'ichi Endô, Koichi Ueda, Kunihiko Ida, Maiko Kawakami, Makoto Ashikawa, Nobuyuki Katsube, Sei Hiraizumi, Shirō Sano, Susumu Terajima, Takeshi Kitano, Taro Ishida

Director: Takeshi Kitano

Rating: NR