Much like the 1976 horror classic Carrie, Thelma centers on a young telekinetic woman whose religious upbringing and sexual repression give way to unpredictable moments of fury and rage. When she meets the cool, charismatic Anja, she falls in love immediately, but the wave of emotions that overwhelm her threaten to destabilize not just their budding romance, but other relationships and lives as well. 

Thelma recalls Carrie in other ways too, most notably in the way it uses supernatural elements to allude to female fury and lust, but it also stands on its own as a singular piece of work; the mesmerizing transitions, the slow-burn pace, and the undercurrent of melancholia are all known trademarks of director Joachim Trier. This layering of old and new makes Thelma an intriguing watch, at once recognizable and wholly original. 

Genre: Drama, Fantasy, Horror, Mystery, Thriller

Actor: Anders Mossling, Camilla Belsvik, Eili Harboe, Ellen Dorrit Petersen, Grethe Eltervag, Henrik Rafaelsen, Ingrid Jørgensen Dragland, Ingrid Unnur Giæver, Irina Eidsvold Tøien, Isabel Christine Andreasen, Kaya Wilkins, Lars Berge, Marte Magnusdotter Solem, Sigve Bøe, Steinar Klouman Hallert, Tom Louis Lindstrøm, Vanessa Borgli

Director: Joachim Trier

Rating: Not Rated

When Amin sits down for a tell-all interview about his troubling past, his memories come to life in vivid animation. Sometimes they are sweet and intimate, like when he recounts his time as a playful boy in a much freer Afghanistan. But often, they’re marred by the unbelievable horrors of refugee life. Now a successful academic and soon-to-be husband, Amin discovers the inescapability of his status and identity, the reality of which continues to threaten his safety to this day.

Relevant and vital, Flee sheds some much-needed light on an often-overlooked phenomenon. More than just displaying factoids and numbers, it relays the specific unease and constant vigilance that comes with fleeing one’s home. But as Amin’s story, it is also richly detailed and wonderfully personal; for all its harsh exposés, the film leaves enough room for Amin’s stirring realizations about love, identity, and sexuality.

Genre: Animation, Documentary

Actor: Behrouz Bigdeli, Belal Faiz, Bo Asdal Andersen, Daniel Karimyar, Elaha Faiz, Fardin Mijdzadeh, Jean-Pierre Pernaut, Mikhail Belinson, Milad Eskandari, Rashid Aitouganov, Tormod Ringnes

Director: Jonas Poher Rasmussen

Rating: PG-13

In Swan Song, acclaimed actor Udo Kier stars as the real-life Pat Pitsenbarger, a local queer legend in the small town of Sandusky. He used to live a private but joyful life, beautifying socialities by day and performing in drag at night. But now the aging icon is resigned to live out his days in a bleak retirement home, where he takes part in feeble acts of rebellion to keep himself amused. This is bound to change when Pat returns to town on an oddly specific request. There, he makes peace with old friends and grabs at the chance to revive his inner beauty queen once more. 

It’s a simple story with a simple premise, but Swan Song is elevated by Krier’s powerful presence and director Todd Stephens’ obvious love for his hometown. Every diss Krier drops as the sassy Pat is to be savored, and every tribute Stephens makes to town life is to be admired. Filled, too, with colorful and euphoric moments that celebrate gay pride, Swan Song makes for quite the lovable film. 

Genre: Comedy, Drama

Actor: Annie Kitral, Brandon Lim, Bryant Carroll, Dave Sorboro, Eric Eisenbrey, Ira Hawkins, Jennifer Coolidge, Jonah Blechman, Justin Lonesome, Linda Evans, Michael Urie, Richard Strauss, Shanessa Sweeney, Stephanie McVay, Tim Murray, Tom Bloom, Udo Kier

Director: Todd Stephens

Rating: R

Persepolis is the true story of Marjane Satrapi, the writer and illustrator whose graphic novels of the same name the film is adapted from. It details in vivid animation the trials of growing up in war-torn Iran, but also, crucially, the joys of being raised by a loving family and the significance of forming one’s own ideals and identity. In between revolving dictatorships and tightening restrictions, Marjane comes into her own and discovers what it means to live a meaningful life.

It’s a testament to Satrapi’s many talents that Persepolis never feels too flat or cynical given its 2D style and bleak backdrop. The drawings impressively morph with Marjane’s every thought, as if the ink itself were alive, and her wit persistently comes through in sharp observations and dialogues. Equally impressive is the film’s commitment to portraying war and conflict in a nuanced manner. In an autobiographical tale that is about Marjane’s coming of age as much as it is about her country’s survival, it’s never been more true that the personal is political.

Genre: Animation, Drama, History, War

Actor: Arié Elmaleh, Catherine Deneuve, Chiara Mastroianni, Danielle Darrieux, François Jerosme, Gabrielle Lopes Benites, Mathias Mlekuz, Simon Abkarian, Sophie Arthuys, Tilly Mandelbrot

Director: Marjane Satrapi, Vincent Paronnaud

Rating: PG-13

The Father is a compelling inner look at the ways dementia distorts memories. By occupying the unstable headspace of 80-year-old Anthony (Anthony Hopkins), the film allows us to experience his frustration and confusion firsthand. We, too, are unsure about the ever-shifting details we’re presented with. Conversations are circular and time seems inexistent. The faces we know are swapped with names we don’t know. Even the tiniest elements, such as the wall tiles and door handles, are constantly changing in the background. We grasp for the slippery truth with Anthony but always come up empty and unsure.

In a thoughtful move by director Florian Zeller, we also get a glimpse of the lives surrounding Anthony. The daughter Anne (Olivia Colman), in particular, is often the victim of her father’s tirades, but she takes care of him still, conflicted as to where to draw the line between his needs and hers. 

With its fluid editing, subtle detail-swaps, and empathic portrayal of characters, The Father is just as technically impressive as it is movingly kind.

Genre: Drama, Family, Mystery

Actor: Anthony Hopkins, Ayesha Dharker, Brian Rodger, Evie Wray, Imogen Poots, Mark Gatiss, Olivia Colman, Olivia Williams, Roman Zeller, Romulus Stoicescu, Rufus Sewell, Scott Mullins

Director: Florian Zeller

Rating: PG-13

In the early 1990s, Singaporean teens Sandi, Jasmine, and Sophie set out to make the country’s first indie movie. Incredibly, in between college, day jobs, and very limited funding, they manage to do just that with the help of their wise but mysterious mentor, Georges. Shirkers, as the project came to be called, seemed primed to revolutionize the burgeoning Singaporean film industry. It was ambitious and bonkers, unlike anything the country has seen before, and it lovingly contained tributes to the makers' cinematic heroes (among them Wim Wenders and David Lynch). But before it could see the light of the day, before it could even be viewed and edited by the girls who conceptualized it, Shirkers’ raw footage was whisked away by Georges, who fled the country without a trace. 

The potentially pioneering film was never to be seen again—that is, until 20 years later when it resurfaces in near-mint condition (sadly, the audio could not be recovered). Fascinated by the journey of the lost film and mystified by Georges’ motives, Sandi decides to remake Shirkers as a documentary. The result is an artistic and personal interrogation into what made their small beloved film possible, how its loss affected the people behind it, and how this all led to Shirkers, the documentary, which is a testament to how art always prevails in the end. 

Genre: Documentary

Actor: Georges Cardona, Jasmine Ng, Jasmine Ng Kin Kia, Sandi Tan, Sophia Siddique Harvey

Director: Sandi Tan

Rating: TV-14

This Canadian drama is directed by, written by, and stars first-time director Agam Darshi. It’s a labor of love about a 30-something woman who takes care of her sick father while trying to become a writer.

Mona (the character) comes from an immigrant Indian family, and she is proudly the black sheep of the bunch. When a visitor greets her with “God is Truth” in Punjabi, she replies in English with “Merry Christmas”, and when aunties catch her smoking she gives them the middle finger. Not to mention she is sleeping with a married man.

And yet the way the movie is made it works as a universal story - one about finding purpose in taking care of one’s parents while navigating complex family dynamics.

Genre: Comedy, Drama

Actor: Agam Darshi, Huse Madhavji, Husein Madhavji, Kim Coates, Marvin Ishmael, Sandy Sidhu, Stephen Lobo

Director: Agam Darshi

Celebrated Iranian director Asghar Farhadi’s latest movie is about Rahim, a man who is in jail because he was unable to repay a debt. He gets a temporary release from prison, and with a big smile on his face, he leaves his confinement with a plan not to come back.

His secret girlfriend hands him a pack of gold coins, which they plan to sell to repay the creditor. But, as is custom with Farhadi’s movies, the center of the story is a moral dilemma that comes from one of the characters trying to be a good person. The gold coins are not Rahim’s or his girlfriend’s, but it's life-changing for both of them. 

Selected as Iran's official submission to the Oscars. 

Genre: Drama, Thriller

Actor: Ali Reza Jahandideh, Amir Jadidi, Ehsan Goodarzi, Farrokh Nourbakht, Fereshteh Sadr Orafaee, Maryam Shahdaie, Mohsen Tanabande, Mohsen Tanabandeh, Sahar Goldoost, Sarina Farhadi

Director: Asghar Farhadi

Belfast stars Outlander’s Caitríona Balfe as the mother of a working-class Northern Irish family during The Troubles. Religious tension and the lack of opportunities put the family in a difficult position: they're the first in many generations to think about leaving the city of Belfast. They all have to navigate so many difficult questions on belonging, religion, and identity.

The story,  based on the director’s own childhood, is packaged in a noise-canceling black and white format. Also stars Judi Dench.

Genre: Drama, History

Actor: Bríd Brennan, Caitriona Balfe, Chris McCurry, Ciarán Hinds, Colin Morgan, Conor MacNeill, Drew Dillon, Elly Condron, Gerard Horan, Gerard McCarthy, James O'Donnell, Jamie Dornan, John Sessions, Josie Walker, Jude Hill, Judi Dench, Kit Rakusen, Lara McDonnell, Leonard Buckley, Mairéad Tyers, Mark Hadfield, Michael Maloney, Olive Tennant, Oliver Savell, Orla McDonagh, Rachel Feeney, Sid Sagar, Turlough Convery, Vanessa Ifediora, Victor Alli

Director: Kenneth Branagh

Edward Yang’s masterful and lush Yi Yi follows the lives of the Jian family and their respective, middle-class worries. The father agonizes over a business deal and, at the back of his mind, an old flame. The mother struggles with emptiness, the daughter with sensuality, and the son with his burgeoning artistry. In the periphery are other family members trying to get by as best they can despite having no certain future to look forward to. The story, which is bookended with life and death, is punctuated with these lingering anxieties but also, crucially, with moments of potent, profound joys. 

The premise seems simple, but Yang weaves a breathtaking epic out of the mundane. The mise-en-scene is immersive, the dialogue delicate, and the direction effectively real. The understated elegance of each piece coming together to build a rich whole is what makes YiYi Yang’s legacy to the world of cinema.

Genre: Drama, Family, Romance

Actor: Adriene Lin, An-an Hsu, Chen Yi-wen, Chen Yiwen, Cheryl Yang, Christian Storms, Danny Deng, Edward Yang, Elaine Jin, Hsi-Sheng Chen, Hsu Kuei-ying, Hsu Shu-Yuan, Issey Ogata, Jerry Sun, Jonathan Chang, Kai-Li Peng, Kate Yeung, Kelly Ko, Kelly Lee, Kenjiro Tsuda, Lawrence Ko, Lawrence Ko Yu-Luen, Leon Dai, Liang-Tso Liu, Luo Bei An, Ru-Yun Tang, Sharon Mao, Shau-Ching Sung, Shu-shen Hsiao, Shu-Yuan Hsu, Su-Yun Ko, Tang Ru-Yun, Tang Tsung Sheng, Tao Chuang Cheng, Wang Chi-tsan, Wu Nien-Jen, Yi-Wen Chen, Yung-Feng Lee

Director: Edward Yang