Set in the quaint city of Burlington, Vermont, Paint is a cute and folksy comedy that has a Wes Anderson-esque charm to it. The characters are dressed in blocked pastels and wooly sweaters, while the protagonist Carl seems stuck in the ‘70s, and not just sartorially, too. He drives a “Vantastic” custom van, swears off cell phones, and manages to incorporate phrases like “far out” in his daily lingo. It all makes for whimsical viewing, but underneath the flair, there’s very little substance holding this picture up. It tells the tale of an aging narcissist who learns the error of his ways when a younger version of himself is hired to aid and eventually replace him. Narratively, it’s familiar and forgettable, and it becomes immediately clear that style is a crutch that the film leans on. It’s funny, at times, thanks to a very likable Wilson and a strong supporting cast (there are occasional laugh-out-loud moments too, like when Carl does the big reveal about his portrait). But ultimately, it’s just too flat to be as special as the art it admires. 

Genre: Comedy, Drama, Romance

Actor: Aidan T.K. Baker, Brit McAdams, Ciara Renée, Colin J. Sweeney, Crystal Tweed, Denny Dillon, Elisabeth Henry-Macari, Elizabeth Loyacano, Evander Duck Jr., Jen Smedley, Joel Leffert, Kristin Hensley, Lucy Freyer, Lusia Strus, Lynda Suarez, Michael Pemberton, Michaela Watkins, Noa Graham, Owen Wilson, Paul Kosopod, Rob Figueroa, Ryan Czerwonko, Ryan Gaul, Sarah Baker, Scott Beehner, Stephen Root, Vin Craig, Wendi McLendon-Covey

Director: Brit McAdams

What Black Ice lacks in comprehensive research about the structures that maintain institutionalized racism inside major hockey leagues, it partly makes up for with one painful testimonial after another. This is a documentary that aims for the personal and the emotional over the intellectual—still an effective strategy as the film makes its point through repetition, to show just how commonplace racism is within hockey culture. And though it begins to feel somewhat plain in its execution (and without as much momentum leading into its concluding statements), Black Ice makes for a fiery, impassioned wake-up call especially to Canada's own seemingly "progressive" racial politics.

Genre: Documentary

Actor: Jashvina Shah, P.K. Subban, Sarah Nurse, Willie O'Ree

Director: Hubert Davis

Named for all the connections that form a functioning society, Threads is a harrowing look at what might happen when those ties are rent apart by nuclear war. This British TV movie — released during the Cold War — so violently seized on the nuclear anxieties of the time that its premiere was dubbed “the night the country didn’t sleep.” Depressingly, it hasn’t lost that initial resonance, and so it remains a panic attack-inducing watch.

Threads begins in the kitchen-sink vein of a Ken Loach movie. In the northern industrial town of Sheffield, a young couple from different social classes (Reece Dinsdale and Karen Meagher) discover they’re about to be parents — but looming above their small-scale drama are the clouds of war, as televisions and radios blare out the details of escalating tensions between the US and the USSR. And then, it happens: the town is strategically bombed, and Threads unfurls into an unrelenting nightmare. In the documentary-like approach that follows, it spares no graphic or emotional detail, charting both the personal devastation caused by the bomb and the annihilating impact of the nuclear holocaust on all the vital infrastructure we take for granted. In short, one of the bleakest, most terrifying movies ever made.

Genre: Drama, Horror, Science Fiction, War

Actor: Ashley Barker, Brian Grellis, David Brierly, Dean Williamson, Ed Bishop, Harry Beety, Henry Moxon, Jane Hazlegrove, Joe Belcher, June Broughton, Karen Meagher, Lesley Judd, Maggie Ford, Michael O'Hagan, Nat Jackley, Patrick Allen, Peter Faulkner, Phil Rose, Reece Dinsdale, Richard Albrecht, Rita May, Ruth Holden, Steve Halliwell, Ted Beyer

Director: Mick Jackson

The walk-and-talk roots of the Before Trilogy are traceable to this low-budget cult movie from writer-director Richard Linklater, which came five years before our first introduction to Celine and Jesse. Rather than follow a single, winding conversation, though, Slacker hops from character to character every few minutes, and we never meet them again. In fact, we rarely even learn their names, which makes the credits a particular pleasure to watch as it identifies cast members with wry monikers like “Dostoyevsky wannabe,” “Ultimate loser,” and “Scooby Doo philosopher.”

Shot in Linklater’s adopted hometown of Austin, Texas, the movie captures the city’s uniquely alternative vibe — or, as one character succinctly puts it, “This town has always had its share of crazies.” Conversations range from the spaced-out to the flat-out paranoid, a fair amount of the movie’s ragtag band being partial to conspiracy theories, from the well-worn (JFK's death) or the more bizarre (the real meaning behind The Smurfs). With its freewheeling approach to narrative, Slacker shares the lovable weirdness of its characters, as attested to by its enduring status as a cult classic.

Genre: Comedy, Drama

Actor: Athina Rachel Tsangari, Bob Boyd, Charles Gunning, Clark Walker, D. Montgomery, Deborah Pastor, Kim Krizan, Lee Daniel, Louis Black, Mark James, Richard Linklater, Robert Jacks, Tommy Pallotta

Director: Richard Linklater

An essential documentary for sports fans but one that may be too specialized for casual viewers, The League continues director Sam Pollard's project of tracing Black history and civil rights through various vantage points. This time he trains his eyes on baseball, and though the film gets bogged down in information that threatens to come off as mere namechecking, Pollard still manages to steer the discussion towards the forgotten (and often actively concealed) struggles of pioneering Black players shut out by their own industry. The documentary is at its best when it debunks preconceived notions we have about baseball, such as its popular styles of play and the extent to which a superstar like Jackie Robinson actually became a beacon for other Black players (hint: representation alone isn't change). Though it may take some digging to get to these revelations, Pollard's diligence is admirable all the same.

Genre: Documentary

Director: Sam Pollard

Genre: Comedy, Drama

Actor: Allison Riley, Christopher Heyerdahl, Danny Pudi, Jon Hamm, Sarah Gadon

Director: Joachim Back

Rating: PG-13

Genre: Crime, Documentary

Actor: Aileen Wuornos, Jeffrey Dahmer, John Wayne Gacy, Juana Barraza, Ted Bundy

Director: María José Cuevas

Rating: R

Genre: Comedy, Music

Actor: Benny Emmanuel, Dagoberto Gama, Harold Azuara, Nora Velázquez, Silverio Palacios

Director: Ricardo Castro Velázquez

Part fantasy, part road trip, and part coming-of-age, Suzume is a rich and fast-paced tale with no dull moments in between. The energy is relentless and the animation, as expected, is dazzling, so even though there are occasional plot holes and melodramatic reaches, you’d be hard-pressed not to forgive them. Suzume still wins you over. Of course, the fantastical aspects are what make Shinkai’s films his, but Suzume works best when it zeroes in on humans and their complicated feelings toward each other. The confrontation between Suzume and her aunt, where Suzume accuses her of suffocation and the aunt, in turn, laments the life she could’ve had if she wasn’t charged with caring for her dead sister’s daughter, is just as shattering as any scene involving slaying monsters or battling gods. I only wish there were more tender moments like this, but Suzume is just as endearing and entrancing all the same.

Genre: Adventure, Animation, Drama, Fantasy

Actor: Aimi, Akihiro Tajima, Arisa Maesako, Ayumi Tsuji, Eri Fukatsu, Genta Nakamura, Hinano Harumi, Hokuto Matsumura, Kaito Ogawa, Kana Hanazawa, Katsumi Fukuhara, Kotone Hanase, Kyo Yaoya, Matsumoto Hakuō II, Nanoka Hara, Ryoko Nagata, Ryunosuke Kamiki, Sairi Ito, Saori Seto, Shinjirou Gouda, Shota Sometani, Takuya Yokota, Tomomichi Nishimura, Yoji Ueda, Yoshino Aoyama, Yuki Sorami, Yuri Kimura, Yuu Ayase

Director: Makoto Shinkai

Rating: PG

Low-budget but imagination-rich, this singular sci-fi crosses a vintage found-footage aesthetic with an inspired time-travel concept. It’s 1938, and two brilliant sisters — Thomasina (Emma Appleton) and Martha (Stefanie Martini) — have invented a machine that can anticipate future radio and television broadcasts. The device (named Lola) allows them to support themselves with bullseye bets on upcoming horse races, as well as revel in the cultural output of the decades to come. When WW2 strikes, however, Lola takes on life-saving potential.

As with every time-travel story, there’s the domino effect to be considered. Lola ends the Blitz, but its timeline-meddling paves the way for a darker future — chillingly realized by the film’s clever manipulation of real archival footage — and an ideological schism between the sisters. The movie’s tight runtime doesn’t allow for full exploration of this emotional fallout, but the actors fill in the outlines enough to make this flaw less gaping than niggling.

Shot with vintage film cameras, the movie looks like a product of its setting, but it absorbs some of the modernism of the contraption's intercepted broadcasts — and it's this beguiling anachronism (plus its narrative ingenuity) that ultimately win out to make Lola a fascinating sci-fi, despite some tantalizingly unrealized potential. 

Genre: Drama, Science Fiction, War

Actor: Aaron Monaghan, Adolf Hitler, Ayvianna Snow, David Bowie, Emma Appleton, Eva O'Brien, Francesca Brabazon Legge, Franklin D. Roosevelt, Gerald Tyler, Hugh O'Conor, Ian Toner, Joseph P. Kennedy Sr., Lorcan Cranitch, Neil Hannon, Nick Dunning, Oswald Mosley, Richard Elfyn, Rory Fleck Byrne, Stefanie Martini, Theodora Brabazon Legge, Winston Churchill

Director: Andrew Legge