Miso may be living day to day on her meager earnings as a cleaner, but she is decidedly content. She insists that all she needs to get by are cigarettes, whiskey, and time with her boyfriend, so when a spike in rent and prices invites her to reassess her priorities, she doesn’t budge. Instead of forgoing these luxuries, she gives up her tiny place and couch surfs with her old bandmates. What follows is a reunion of sorts, where darkly humorous epiphanies are had on both ends about adulthood, responsibilities, and what it really means to be happy in an increasingly indifferent, profit-oriented world.  

Microhabitat treads on very grave themes, and the images it conjures can be unsettling. But it is also surprisingly light on its feet, displaying sharp satire and sweet empathy for its unyielding protagonist. Miso is portrayed with a smartness and softness that evades rational judgment, and this endearment makes the story, especially the ending, all the more painfulul, poignant, and impactful.

Genre: Drama, Romance

Actor: Ahn Jae-hong, An Jae-hong, Cho Soo-hyang, Choi Deok-moon, Esom, Hwang Mi-young, Jang Sung-kyu, Kang Jin-ah, Kim Hee-won, Kim Jae-hwa, Kim Jae-rok, Kim Kuk-hee, Kim Yae-eun, Lee Seong-wook, Lee Sung-wook, Lee Yo-sup, Lee Yong-nyeo, Park Ji-young, Woo Moon-gi

Director: Jeon Go-woon

Rating: Not Rated

Robert lies dying in hospital, an activist still raging against the lack of financial support and mainstream acknowledgment of the AIDS crisis. David volunteers to be his “buddy” while he’s bedbound, keeping him company and conversing. He’s less bothered by how the world treats homosexuality and AIDS, and although he commits to sticking by Robert, he’s doubtful of the need for his protests.

The film is firmly on Robert’s side, giving him space to shout and show frustration. What’s more, Buddies never treats sex as dirty or dangerous, allowing it to be something in which gay people find joy and solace, refusing to cast it as shameful. By the end of the decade, Geoff Edholm, who played Robert, and director Arthur J. Bressan Jr. had both lost their lives to the pandemic. It’s a snapshot of hospital rooms across the world, which were often hidden from sight, as a community was left to fend for itself, unsupported. David comes to understand.

Genre: Drama, History, Romance

Actor: David Rose, David Schachter, Geoff Edholm, Tracy Vivat

Director: Arthur J. Bressan Jr.

Rating: Not Rated

Adam Sandler rarely plays a role straight, but when he does, you know it’s good. In Hustle, Sandler is Stanley Sugarman, a basketball scout stuck in the long game, waiting for his chance to finally coach an NBA team. On a recruitment trip to Spain, Stan discovers a talented but unknown player named Bo Cruz. They fly to the US, where Stan and Bo fight against all odds and hustle for a spot in the NBA draft. 

Inspiring without being too cheesy and informative without being bogged down by too many details, Hustle is a slam dunk of a film; a gritty crowd-pleaser that’s sure to draw anyone in.

Genre: Comedy, Drama

Actor: Aaron Gordon, Adam Sandler, Ainhoa Pillet, Allen Iverson, Andrea Sooch, Anthony Edwards, Beanie Sigel, Ben Foster, Boban Marjanović, Charles Barkley, Dan Patrick, Dirk Nowitzki, Emeka Okafor, Evan Rosado, Fat Joe, Freeway, Gina Jun, Glenn 'Doc' Rivers, Grayson Boucher, Heidi Gardner, Ivica Marc, Jaleel White, James Goldstein, Jon Collin Barclay, Jordan Hull, Joseph Vecsey, Juancho Hernangómez, Julius Erving, Kenny Smith, Lyman Chen, María Botto, Mark Cuban, Mark Jackson, Moritz Wagner, Oliver Morton, Olivia Daniels, Oscar Pavlo, Pat Croce, Peter Linari, Peter Vecsey, Queen Latifah, Raúl Castillo, Robert Duvall, Samuel Muriithi, Shaquille O'Neal, Sunny Sandler, Thaddeus Daniels, Tierra Whack, Toonyun, William Franke

Director: Jeremiah Zagar

Rating: R

Us and Them follows two former lovers who reminisce and reassess their decade-long relationship over one night. They both seem to be in better places, certainly financially if anything else, but their shared wistfulness for the past threatens to prove otherwise. 

The film was an immediate hit when it was first released in China, and it’s easy to see why. With just the right balance of realism, romance, and comedy, the movie makes for a simple but deeply moving and involving watch. You can’t help but root for the exes to get back together, even though you know as well as they do how minimal the chances of that happening are.

Genre: Drama, Reality, Romance

Actor: Andrew Tiernan, Boran Jing, Dongyu Zhou, Jack Roth, Jing Boran, Liu Di, Liu Qiheng, Qu Zhe Ming, Qu Zheming, Rene Liu, Shi Yufei, Sophie Colquhoun, Su Xiaoming, Tian Zhuangzhuang, Tim Bentinck, Zhang Zixian, Zheming Qu, Zhou Dongyu, Zhuangzhuang Tian

Director: Rene Liu

Rating: Not Rated

, 2022

Set in 1920s India, RRR follows two revolutionaries who strike up an unlikely bond and fend off the British regime from their home. In their epic journey to protect their people, they encounter a number of setbacks that prompts them to put their incredible combat skills on full display. 

Despite its three-hour run, RRR never drags, thanks in large part to its breathtaking action sequences and eye-popping visuals. It may contain all the familiar beats of a blockbuster, but RRR is notably grounded in its central, political theme of anti-colonialism, the sincerity of which keeps the film's big heart beating palpably throughout. 

Genre: Action, Adventure, Drama, History

Actor: Ahmareen Anjum, Ajay Devgan, Ajay Devgn, Alexx O'Nell, Alia Bhatt, Alison Doody, Chatrapathi Sekhar, Edward Sonnenblick, Ivan Kostadinov, Makrand Deshpande, Mark Bennington, N. T. Rama Rao Jr., Oleh Karpenko, Olivia Morris, R. Bhakti Klein, Rahul Ramakrishna, Rajiv Kanakala, Ram Charan, Ray Stevenson, S. S. Rajamouli, Samuthirakani, Shriya Saran, Spandan Chaturvedi, Varun Buddhadev

Director: S. S. Rajamouli

Rating: Not Rated

From The Babadook director Jennifer Kent comes another horror, although this one is more about the horrors of humanity. Set in 1825 Tasmania, The Nightingale follows Irish settler Clare as she seeks bloody revenge on the monsters who wronged her and her family. She teams up with an Aboriginal guide named Billy to accomplish her goal.

Because of its often violent and disturbing tone (the film is rated R for its potentially triggering scenes), The Nightingale understandably polarized audiences upon its release. But it's also an excellent conversation piece, best watched with friends or anyone up for a discussion-filled movie night.

Genre: Adventure, Drama, History, Thriller

Actor: Aisling Franciosi, Alan Faulkner, Anthony Phelan, Baykali Ganambarr, Ben McIvor, Charlie Jampijinpa Brown, Charlie Shotwell, Christopher Stollery, Damon Herriman, Eloise Winestock, Ewen Leslie, Harry Greenwood, Huw Higginson, James O'Connell, Luke Carroll, Maggie Blinco, Magnolia Maymuru, Matthew Sunderland, Michael Sheasby, Nathaniel Dean, Sam Claflin, Sam Smith

Director: Jennifer Kent

Rating: R

Director Thomas Vinterberg (The Hunt) reunites with Mads Mikkelsen to tell the story of four teachers going through a mid-life crisis. They’re not sad, exactly—they have homes and jobs and are good friends with each other—but they’re not happy either. Unlike the ebullient youth they teach, they seem to have lost their lust for life, and it’s silently eating away at them, rendering them glassy-eyed and mechanic in their everyday lives. Enter an experiment: what if, as one scholar suggests, humans were meant to fulfill a certain alcohol concentration in order to live as fully and present as possible? The teachers use themselves as the subjects and the tide slowly starts to turn to mixed effects. Are they actually getting better or worse? With an always-satisfying performance by Mikkelsen and an instant classic of an ender, it’s no surprise Another Round took home the award for Best Foreign Film in the 2020 Academy Awards.

Genre: Comedy, Drama

Actor: Albert Rudbeck Lindhardt, Christiane Gjellerup Koch, Diêm Camille G., Dorte Højsted, Frederik Winther Rasmussen, Helene Reingaard Neumann, Lars Ranthe, Mads Mikkelsen, Magnus Millang, Magnus Sjørup, Maria Bonnevie, Martin Greis-Rosenthal, Mercedes Claro Schelin, Michael Asmussen, Morten Thunbo, Niels Jørgensen, Per Otto Bersang Rasmussen, Silas Cornelius Van, Susse Wold, Thomas Bo Larsen

Director: Thomas Vinterberg

Rating: Not Rated

With a particularly empowering tenderness and resilience, The Divine Order explores a glossed-over chapter in history wherein Swiss women could not vote until 1971. The hillside Swiss farming village in which Nora Ruckstuhl lives seems picture-perfect. But under the village’s close-knit and idyllic surface, change is stirring. When an emerging sense of autonomy pushes Nora to question her identity beyond being a complacent housewife, she publicly declares herself in favor of women’s suffrage and draws attention from both outspoken opponents and quiet supporters.

As Nora discovers herself—what she does and doesn’t like; what her body looks like; what pleasure feels like—she also uncovers a yearning for better, for more: who is she not just as a spouse and mother, but also as a friend, a member of a greater community, an independent woman?

Genre: Comedy, Drama

Actor: Bettina Stucky, Ella Rumpf, Fabienne Hadorn, Finn Sutter, Ingo Ospelt, Marie Leuenberger, Marietta Jemmi, Marta Zoffoli, Maximilian Simonischek, Nicholas Ofczarek, Noe Krejcí, Peter Freiburghaus, Rachel Braunschweig, Sibylle Brunner, Sofia Helin, Steffi Friis, Therese Affolter, Urs Bosshardt, Walter Leonardi

Director: Petra Biondina Volpe

There is no shortage of resources—be it books, films, articles, or interviews—about the atrocities Ferdinand Marcos unleashed on the Philippines. And yet, in the years since his exile and eventual death, his family has returned to power in the country, winning the hearts and (manipulated) minds of the masses.

In The Kingmaker, director Lauren Greenfield (who earlier directed the equally revealing The Queen of Versailles) exposes how this came to be, with a focus on the titular kingmaker herself, Imelda Marcos. It’s chilling how much of Imelda’s stated goals in this documentary, which spans five years, have come true. History repeats itself, and Greenfield skillfully and delicately captures the delusion, irony, and blatant corruption of a family dead set on owning a country, as if it were another luxury to purchase (or in the case of the Marcoses, pocket). 

Genre: Crime, Documentary, Drama

Actor: Andres D. Bautista, Benigno Aquino III, Bongbong Marcos, Etta Rosales, Imee Marcos, Imelda Marcos, Jose F. Lacaba, Leni Robredo, Mary Yturria

Director: Lauren Greenfield

Rating: R

All the synopses going around the internet won’t fail to let you know that The Falls takes place at the height of the COVID-19 crisis. The film is certainly marketed that way, with commercial posters featuring the leads in ubiquitous face masks, socially distanced from the blurred crowd. 

But interestingly, The Falls is not just a situational, pandemic-era story. More than anything else, it tells the story of Pin-wen and Xiao Jing, mother and daughter who, despite previously living a life of comfort, are now dealt with unfavorable circumstances (exacerbated but not entirely caused by the pandemic). Now, they are forced to navigate life with only each other, and it’s in the isolation they instate from the rest of the world do they forge a genuine and heartwrenching bond any and all family members will immediately recognize and perhaps even sympathize with. 

Genre: Drama, Family

Actor: Alyssa Chia, Chen Yi-wen, Chen Yiwen, Gingle Wang, Guan-Ting Liu, Huang Hsin-Yao, Kuan-Ting Liu, Lee-zen Lee, Liang-Tso Liu, Shao-Huai Chang, Shau-Ching Sung, Tiffany Hsu, Waa Wei, Yang Li-yin, Yi-Wen Chen

Director: Chung Mong-hong

Rating: Not Rated

When David and his sister Jennifer fight over the TV remote, they are suddenly transported to David’s favorite sitcom, Pleasantville. They’re told by a spirit guide that their best bet at getting out is fitting in, but their modern sensibilities prove to be too much for the genteel ‘50s town. Soon, the residents learn about sex, art, criticism, and politics, and it’s up to the twins to control the ensuing mayhem and guide them to the right path. 

In hindsight, Pleasantville seems ahead of its time, preceding Marvel’s WandaVision as the ultimate, deconstructed homage to 20th-century television. But unlike the series, Pleasantville dives deep into personal and social politics, all while maintaining an impressive balance of wisdom and humor. Equally notable is the film’s transformation from black and white to Technicolor, which, aside from being a symbolic and technical feat, is also a piece of pure, mesmerizing cinema.

Genre: Comedy, Drama, Family, Fantasy

Actor: Andrea Baker, Charles C. Stevenson Jr., Danny Strong, David Tom, Dawn Cody, Denise Dowse, Don Knotts, Erik MacArthur, Gerald Emerick, Giuseppe Andrews, Harry Singleton, J. Patrick Lawlor, J.T. Walsh, James Keane, Jane Kaczmarek, Jason Behr, Jason Maves, Jeanine Jackson, Jeff Daniels, Jenny Lewis, Jim Antonio, Joan Allen, John Ganun, Johnny Moran, Justin Nimmo, Kai Lennox, Kevin Connors, Kristin Rudrüd, Laura Carney, Lela Ivey, Maggie Lawson, Marc Blucas, Marissa Ribisi, Marley Shelton, McNally Sagal, Nancy Lenehan, Natalie Ramsey, Patrick Thomas O'Brien, Paul Morgan Stetler, Paul Walker, Reese Witherspoon, Robin Bissell, Stanton Rutledge, Tobey Maguire, Weston Blakesley, William H. Macy

Director: Gary Ross

Rating: PG-13

A young bisexual woman attends a shiva, caught between her parents and their expectations, her ex, and her sugar daddy. Rachel Sennott’s Danielle is yet to find her path in life and everyone is determined to remind her of that. Taking place almost entirely in real-time, the film’s sharp wit is contrasted with constant anxiety, complemented by Ariel Marx’s horror-like score, full of discordant pizzicato that sounds like every last bit of sanity snapping. 

It’s a sex-positive take on 20-something life, treating bisexuality as wholly unremarkable and passing no judgment on Danielle’s sugar daddy income. Its specificities about Jewish customs and traditions are non-exclusionary, while its social claustrophobia is achingly universal. It’s comforting in the way it portrays the social horrors we all face, the feeling that everyone but you has life figured out, and that – ultimately – those who matter will pull through, eventually. One of 2021’s best.

Genre: Comedy, Drama

Actor: Ariel Eliaz, Cilda Shaur, Danny Deferrari, Deborah Offner, Dianna Agron, Fred Melamed, Glynis Bell, Jackie Hoffman, Molly Gordon, Polly Draper, Rachel Sennott, Richard Brundage, Rita Gardner, Sondra James, Ted Seligman

Director: Emma Seligman

Rating: Unrated

Prior to being defined by that fateful bombing in 1945, Hiroshima was like any other city outside of Tokyo; small but full, quiet but busy, and in the midst of a slow-but-sure journey to modernization. We experience the rich and intimate details of this life through the kind-hearted Suzu, who herself is stuck between the throes of old and new. She is an ambitious artist but also a dedicated wife; a war-wearied survivor and a hopeful cheerleader. 

Set before, during, and after the Second World War, the film starts off charmingly mundane at first, but it quickly gives way to inevitable grief in the second half. One stark tragedy follows another as it becomes increasingly clear how much we lose our humanity in war.

In This Corner of the World is the rare film outside of the Hayao Miyazaki canon that captures the latter's heart for detail while still being graciously its own.

Genre: Animation, Drama, Family, History, Romance, War

Actor: Asuka Ohgame, Barbara Goodson, Christine Marie Cabanos, Daishi Kajita, Daisuke Ono, Hisako Kyoda, Kei Tomoe, Kenta Miyake, Kira Buckland, Kohei Kiyasu, Kosuke Sakaki, Manami Sugihira, Manami Tanaka, Mayumi Shintani, Megumi Han, Miki Hase, Minori Omi, Nanase Iwai, Natsuki Inaba, Non, Nozomu Sasaki, Rena Nōnen, Rio Kawakami, Risa Sakurana, Shigeru Ushiyama, Sunao Katabuchi, Tengai Shibuya III, Tomoko Shiota, Tsubasa Miyoshi, Tsuyoshi Koyama, Yoshimasa Hosoya, Yukitomo Tochino, Yuuki Hirose

Director: Sunao Katabuchi

Rating: PG-13

This teenage crime drama contains enough grit to stand on its own, but The Tribe’s real hook is in the way it’s told: entirely in Ukrainian sign language, without subtitles. Set in a boarding school for deaf students, new arrival Sergei must contend with an institution that’s run like a gang. His journey through the ranks is extremely violent and graphic, including unflinching depictions of rape and a back-alley abortion that lingers long in the mind.

Its unpleasantness will be a barrier for some, but for the curious, it’s an oddly balletic film. Among the misery, actors communicate the entire story via body language. Emphatic dialogue delivery conveys the mood of each scene (which often changes for the worse), and the characters’ actions speak loud and clear. Narratively it breaks little ground, and its darkness can’t be overstated, but there’s grace to its reliance on everything but words to tell its story. A film you won’t stop thinking about.

Genre: Crime, Drama

Actor: Alexander Panivan, Grygoriy Fesenko, Hryhoriy Fesenko, Ivan Tishko, Oleksandr Dsiadevych, Oleksandr Osadchyi, Rosa Babiy, Roza Babiy, Yana Novikova

Director: Myroslav Slaboshpytskiy, Myroslav Slaboshpytskyi

Rating: Unrated

Running on Empty is a movie that covers many timely themes including capitalism, education, and social class. It tells the story of a family who have to go on the run and hide their true identity for the rest of their lives. Director Sidney Lumet’s light touch on heavy topics gives the movie a tender and intimate atmosphere throughout. Aside from the great script, River Phoenix's performance is definitely one of the biggest highlights of this movie, where he successfully delivers a restrained yet fascinating performance. Christine Lahti and Judd Hirsch also give a top-notch performance that adds to the movie’s thrill. In short, Running on Empty is the kind of movie that shows there is courage in running away when it's the right thing to do.

Genre: Crime, Drama, Romance

Actor: Alice Drummond, Angela Pietropinto, Augusta Dabney, Bobo Lewis, Burke Pearson, Christine Lahti, Daniel Dassin, David Margulies, Donna Hanover, Ed Crowley, Elżbieta Czyżewska, Herb Lovelle, Jenny Lumet, Jonas Abry, Judd Hirsch, Justine Johnston, L.M. Kit Carson, Leila Danette, Lynne Thigpen, Marcia Jean Kurtz, Martha Plimpton, Michael Boatman, River Phoenix, Ronnie Gilbert, Sloane Shelton, Steven Hill, William Foeller

Director: Sidney Lumet

Rating: PG-13