Far From the Madding Crowd is a classic tale, but in terms of story, it has the familiar thread of a lady having to choose between multiple swoon-worthy suitors, which is a common story of many lengthy, overly melodramatic period dramas. However, with the restrained direction of Thomas Vinterberg, and the writing of David Nicholls, known best for his decades sprawling romance in One Day, the fifth film adaptation captures the magic of the classic countryside novel, elevating the old-fashioned romance with an easier, faster flow, and carried by the powerful performance of its cast. Fans of the novel or the 1967 adaptation might feel disappointed at how much was removed, but overall, Far From the Madding Crowd is an exemplary drama adaptation.

Genre: Drama, Romance

Actor: Bradley Hall, Carey Mulligan, David Golt, Dorian Lough, Eloise Oliver, Harry Peacock, Hilton McRae, Jessica Barden, Jody Halse, Jon Gunn, Juno Temple, Mark Wingett, Matthias Schoenaerts, Michael Sheen, Pauline Whitaker, Richard Dixon, Sam Phillips, Stuart Davidson, Thomas Arnold, Tilly Vosburgh, Tom Sturridge, Victor McGuire

Director: Thomas Vinterberg

Rating: PG-13

Atlas is bad on every conceivable level. The writing is hackneyed, the cinematography is soulless, and the acting (save for a few) is one-dimensional. Only Jennifer Lopez and Sterling K. Brown are turning in serious performances, but somehow that makes the film worse, not better, because of how mismatched the energy is. If the acting wasn’t so serious, then Atlas could probably pass as camp—so bad and corny that it actually becomes fun to watch. If that’s the kind of film you’re looking for, then by all means, put on this Netflix film. But if you’re looking for genuine sci-fi fare, films with something meaningful and enlightening to say about the scary future of AI, then I suggest you look elsewhere.

Genre: Action, Science Fiction

Actor: Abraham Popoola, Amy Sturdivant, Briella Guiza, Gloria Cole, Gregory James Cohan, Howland Wilson, Jennifer Lopez, Justin Walker White, Lana Parrilla, Lesley Fera, Logan Hunt, Mark Strong, Mel Powell, Michelangelo Hyeon, Nicholas Walker, Paul Ganus, Samantha Hanratty, Simu Liu, Sterling K. Brown, Vaughn Johseph, Zoe Boyle

Director: Brad Peyton

Rating: PG-13

For the longest time, it was always about how wrestling was affected by David Arquette; this documentary finally turns it around and asks how Arquette was affected by pro wrestling. We get interviews from his family that mostly look down on his silly wrestling phase; and from established wrestling personalities that, despite dated fan perceptions, welcome him at every turn. We really get in the weeds of Arquette’s motivations, anxieties, and training for a comeback tour on the indies. The audio levels may be a little erratic, but the intangible rawness combined with its polished nature make this a very fitting film for the wild man.

Genre: Documentary

Actor: André Roussimoff, Aurelian Smith Jr., Bill Goldberg, Billy Corgan, Booker Huffman, Booker Huffman, Jr., Brett Giehl, Brian Yandrisovitz, Brian Zachary Pillman, Chris Jericho, Chris Klucsarits, Coco Arquette, Conan O'Brien, Courteney Cox, David Arquette, David Penzer, Dusty Rhodes, Elizabeth Hulette, Ellen DeGeneres, Eric Bischoff, George Murdoch, Harvey Levin, Hulk Hogan, Jack Perry, James Ellsworth Morris, Jay Leno, Jeffrey Jarrett, Jerome Saganovich, Jerome Young, Jerry Lawler, Jim Cornette, Jim Fullington, Joe Rogan, Joseph Ryan Meehan, Julian Micevski, Karen Yu, Ken Anderson, Kevin Nash, Kurt Russell, Lewis Arquette, Luke Perry, Mark LoMonaco, Maxwell Friedman, Michael Lee Alfonso, Mick Foley, Monty Sopp, Mr. T, Nathan Blauvelt, Nicholas W. Wilson, Noah Nelms, Oprah Winfrey, Page Falkinburg Jr., Patricia Arquette, Randy Poffo, Randy Savage, Ric Flair, Richmond Arquette, Rob Strauss, Rosanna Arquette, Scott Colton, Scott Hall, Timothy Moura, Tony Schiavone, Vince Russo, Virgil Runnels, Wendy Williams

Director: David Darg, Price James

Rating: R

Contrary to the headline displayed on this film’s poster, Disney’s The Beach Boys isn’t a definitive guide to the band. Instead, it plays like a “greatest hits” album that goes through their famous ups and downs. Their steady rise among American teens and leader Brian Wilson’s pop music innovations are covered, as are the more dour moments of their career, like the relentless abuse they got from their manager (the Wilsons’ father Murry) and the disagreements between Brian and his cousin and co-writer Mike Love. But for better or worse, the documentary doesn’t go into too much detail about these high-profile feuds, focusing instead on the joy and brilliance of their era-defining music, which tends to get buried beneath all the drama anyway. Because of this sunny approach, the film sometimes fails to match the band’s complexity. But there’s no denying that it's just as enjoyable to watch as it is to listen to The Beach Boys' music.

Genre: Documentary, Music

Actor: Al Jardine, Blondie Chaplin, Brian Wilson, Bruce Johnston, Carl Wilson, Charles Manson, Chuck Berry, David Marks, Dennis Wilson, Don Was, George Harrison, Glen Campbell, Janelle Monáe, John Lennon, Lindsey Buckingham, Mike Love, Paul McCartney, Ricky Fataar, Ringo Starr, Ryan Tedder

Director: Frank Marshall, Thom Zimny

Rating: PG-13

Of course, a lovely vacation in the Italian countryside will not solve all your problems. It won’t fix marital problems, or solve financial issues, or grant you respect, or suddenly make everything feel better. But Enchanted April charmingly suggests that maybe a break in a new environment, with the sun and the waves and the quiet, might grant you a new perspective and maybe lifelong friendships that can change your life, and make the day-to-day just a little better. The film might not be the most profound story ever created, but it’s a lovely little adaptation with relatable women enjoying life in the same way we probably should do once in a while.

Genre: Drama, Romance

Actor: Adriana Facchetti, Alfred Molina, Anna Longhi, Davide Manuli, Jim Broadbent, Joan Plowright, Josie Lawrence, Matthew Radford, Michael Kitchen, Miranda Richardson, Neville Phillips, Polly Walker, Stephen Beckett, Vittorio Duse

Director: Mike Newell

Rating: PG

As much as we like to imagine children being innocent, schoolyard bullying does happen, and sometimes it goes way past the regular teasing and ends up becoming something that could only be described as evil. After Lucia is the story of a girl that has experienced this after the death of her mother, leaving only her and her father behind. While Roberto does try to reach out to her, the death of her mother means the loss of a trusted adult, someone that Alejandra can talk about anything and everything with without judgment. Writer-director Michel Franco gradually escalates the terrible deeds done by Alejandra’s classmates, building up mercilessly that it leads to a terrible end. But ultimately, the ugliness of what happens emphasizes how a lack of open communication, a reluctant school administration, and an ineffective policy towards bullying easily places children in danger.

Genre: Drama

Actor: Gonzalo Vega Sisto, Hernán Mendoza, Mónica Del Carmen, Nailea Norvind, Paco Rueda, Tamara Yazbek Bernal, Tessa Ía

Director: Michel Franco

While marked as a comedy, Zegen isn’t the kind of film that would make you laugh freely– it is, after all, a film that mocks the real-life sex trafficking of impoverished Japanese women during both world wars. This makes it a challenging film to watch, especially to viewers outside the country. But to Shohei Imamura’s credit, the butt of the joke isn’t on the women being sold, but rather, on the titular pimp Iheiji Muraoka, the delusions and lies he told himself and others, and the twisted nationalism he uses to exploit his ladies. Zegen is based on Muraoka’s supposedly true autobiography, but Imamura uses the text to mirror the follies (and consequences) of imperialism.

Genre: Comedy, History

Actor: Hiroyuki Konishi, Ken Ogata, Ko Chun-Hsiung, Mitsuko Baisho, Norihei Miki, Sanshô Shinsui, Shino Ikenami, Taiji Tonoyama, Tetta Sugimoto

Director: Shōhei Imamura

Nat Geo is still the champion of pristine nature documentaries: the skies, the seas, the snow, and the coloring everywhere is divine. But the serene seaside in Scotland, combined with the reflective, poetic musings about love from Billy and Susan isn’t just cutesy light viewing. I’m confident it can heal an exhausted person. This documentary is a mesmerizing meditation on love and connection, on the things that unite people and other creatures. It might feel like a chunky 77 minutes, especially in the latter half given the pace it goes by, but it’s a warm experience that you instantly know you’ll want to revisit.

Genre: Documentary

Actor: Billy Mail, Susan Mail

Director: Charlie Hamilton James

Rating: G

While many homophobic people like to think otherwise, there have been gay people all throughout history, some that have survived war and pandemics and persecution and even became widely renowned. Gods and Monsters is a more speculative than accurate biopic about Hollywood director James Whale, who was actually out during his career. That being said, it’s astounding how writer-director Bill Condon and lead Ian McKellen created such a bittersweet examination of the Lost Generation, not just of the loves that were lost but of the lives that could not be lived, the longing that could not be actualized. And the film takes a risky, but nuanced subversion in the way it examines the Hollywood system, subverting the roles Whale and Boone have placed on others and on themselves. It’s a daring portrayal of both homosexuality and of the film industry, one that’s emotionally poignant and ahead of its time.

Genre: Drama

Actor: Amir Aboulela, Arthur Dignam, Brendan Fraser, Celeste Lecesne, Cornelia Hayes O'Herlihy, Curtis Harrington, David Dukes, David Fabrizio, David Millbern, Ian McKellen, Jack Betts, Jack Plotnick, Jesse James, John Gatins, Judson Mills, Kent George, Kevin J. O'Connor, Lisa Darr, Lolita Davidovich, Lynn Redgrave, Mark Kiely, Martin Ferrero, Matt McKenzie, Michael O'Hagan, Owen Masterson, Pamela Salem, Rosalind Ayres, Sarah Ann Morris, Todd Babcock

Director: Bill Condon

Rating: R

, 2015

In Amy, Kapadia eschews talking heads for something more intimate: home videos, photographs, and phone messages from Winehouse’s earliest and closest friends, which he stitches together to reintroduce a version of the singer that has, up till this point, been ignored by the public. It’s an attempt to reverse Winehouse’s vilified public persona, not by denying her struggles with drug and alcohol abuse, but by showing as many parts of her as possible. The musical prodigy, jazz fanatic, and sweet friend, as well as the troubled soul, hurt child, and obsessive lover. She’s far from perfect, but she is human, not some punching bag caricature the media has made her out to be. Though Kapadia’s methods sometimes get a little too close for comfort (using phone messages intended for her friends and private clips of her being high feels borderline voyeuristic), they also feel necessary in reclaiming an identity that’s closer to her true self. During these questionable moments, Amy feels not just hard but wrong to watch, but that discomfort is also the point. It should be unsettling to get to know a real person.

Genre: Documentary, Music

Actor: Amy Winehouse, Blake Fielder, Frankie Boyle, Jay Leno, Juliette Ashby, Mark Ronson, Mitch Winehouse, Pete Doherty, Russell Brand, Salaam Remi, Tom Myers, Tony Bennett, Tyler James, Yasiin Bey

Director: Asif Kapadia

Rating: R

Of course, with wartime spy romances, it’s expected to have conflicted desire, twisty betrayals, and the internal war between personal love and national duty. Black Book delivers this in spades, infusing the drama with writer-director Paul Verhoeven’s propensity for sex and violence, which he brings back to his homeland after two decades apart. The drama is well-made, especially with the talented Carice van Houten as a survival-first composite spy character inspired by several resistance members, but the familiar plot, the melodrama, and the pacing can make the 2 and a half hour runtime feel a bit tedious for some viewers. Still, for fans of the genre, Black Book isn’t a terrible choice to watch.

Genre: Drama, Thriller, War

Actor: Bert Luppes, Carice van Houten, Christian Berkel, Derek de Lint, Diana Dobbelman, Dolf de Vries, Frank Lammers, Garrick Hagon, Gijs Naber, Halina Reijn, Hugo Metsers, Johnny de Mol, Marcel Musters, Marisa van Eyle, Matthias Schoenaerts, Menno van Beekum, Merel Pauw, Michiel Huisman, Mike Reus, Nolan Hemmings, Peter Blok, Pieter Tiddens, Ronald Armbrust, Sebastian Koch, Theo Maassen, Thom Hoffman, Timothy Deenihan, Waldemar Kobus, Xander Straat

Director: Paul Verhoeven

Rating: R

Being named after the genre, Wu xia, the title replaced in English as Dragon, would understandably follow its conventions with dramatic action in ancient China. The plot roughly follows a typical wuxia thread, where a hidden master is revealed, leading to plenty of exciting adventures, and they seek justice in order to return to a state of peace. But the way Dragon approaches this plot is exciting, as the film mixes in the investigation of a murder mystery, with a determined detective suspecting the master through his knowledge of the body, through an eclectic mix of forensics, medicine, and Qi acupuncture. And as the detective is consistently challenged by the former fighter, it’s clear how difficult it can be to master the body, especially after going through trauma and violence and self-doubt. The threads in the film are familiar, but Dragon understands what makes these threads work, and the way these are woven together makes for a good movie to watch.

Genre: Action, Drama, Thriller

Actor: Donnie Yen, Ethan Juan, Hua Yan, Jiang Wu, Jimmy Wang Yu, Kang Yu, Kara Hui, Kara Wai Ying-Hung, Kenji Tanigaki, Li Jia-Min, Li Xiaoran, Peter Chan, Takeshi Kaneshiro, Tang Wei, Wang Chunyuan, Wei Tang, Wu Jiang, Xiao Ran Li, Yin Zhusheng, Yu Kang, Yu Wang, Zheng Wei, Zhou Bo

Director: Peter Chan, Peter Ho-Sun Chan

Rating: R

Fighting with My Family manages to pull off a respectable pro wrestling movie with a lighthearted teen drama slant — a nice change of pace and a victory in itself. Saraya (Florence Pugh) and her family paint the movie with dorky crass jokes, but the film doesn’t seem to tread that line masterfully enough to where we look past her family’s obnoxiousness and find it purely charming instead. But there is more to like here than not: Vince Vaughn as levelheaded NXT coach Hutch Morgan, Dwayne Johnson as himself, and even the blonde girls posse were a little more than just clichés and added a sense of maturity to the portrayal of modern WWE.

Genre: Comedy

Actor: Adam Maxted, Aqueela Zoll, Ashley Darkwood, Bobbi Tyler, Brendon Burns, Charlie Sterling, Chloe Csengery, Christine Ozanne, Chuey Okoye, Ciaran Dowd, David Minton, Dwayne Johnson, Ellie Gonsalves, Elroy Powell, Florence Pugh, Hannah Dodd, Hannah Rae, Jack Gouldbourne, Jack Lowden, James Burrows, Jerome Fleisch, Jerry Lawler, John Cena, John Layfield, Jonathan Jules, Josh Myers, Julia Davis, Julia Hamer-Bevis, Justin Sysum, Kim Matula, Leah Harvey, Lena Headey, Michael Coulthard, Mike Mizanin, Mohammad Amiri, Nick Frost, Olivia Bernstone, Paul Robinson, Paul Wight, Rishi Ghosh, Rod Zapata, Roy Bevis, Samantha Allen, Samantha Alleyne, Saraya-Jade Bevis, Simon Kippen, Simon Musk, Stephen Farrelly, Stephen Merchant, Thea Trinidad, Thomas Whilley, Tori Ellen Ross, Vince Vaughn

Director: Stephen Merchant

Rating: PG-13

Initially, A Revolution on Canvas is about the Nodjoumi family’s quest to retrieve the patriarch’s missing paintings in post-Islamic Revolution Iran. Necessarily, it goes through Nodjoumi’s troubled childhood and shocking life as a resilient revolutionary. But the documentary eventually evolves into a knotty and heartbreaking tale about family, specifically about the sacrifices the partner of a rebel genius like Nodjoumi has to make to let the other shine. Nodjoumi’s daughter, Sara, confronts her father about his absence during their family’s formative years and, more importantly, shines a light on the sacrifices her mother--the artist Nahid Hagigat--had to make to keep them all afloat. The documentary could’ve easily been a straightforward portrait of Nodjoumi, but because it's told through such a specifically intimate lens, it’s elevated into something even more relatable and revealing.

Genre: Documentary

Actor: Nahid Hagigat, Nicky Nodjoumi, Sara Nodjoumi

Director: Sara Nodjoumi, Till Schauder

Rating: NR

For a film made in the mid-90s, by a straight white man in his early 20s, Chasing Amy is startingly smart and sensitive, filled with more relatable moments than anyone would care to admit. Sure, by today’s standards, its exploration of sexuality is questionable at best and cringe-worthy at worst, but it’s also an honest depiction of how an era (and some people still) confront this reality. And for all the important issues it tries to address, like homophobia, racism, and toxic masculinity, it’s also at its core a confectionary romcom. If When Harry Met Sally asks, “Can women and men be friends?”, then Chasing Amy complicates it with a question of its own: “Can a lesbian and a guy who falls in love too quickly be friends?” You may or may not arrive at an answer by the film’s end, but you’ll find much to like in its earnestness and thoughtfulness.

Genre: Comedy, Drama, Romance

Actor: Ben Affleck, Brian O'Halloran, Carmen Llywelyn, Casey Affleck, Dwight Ewell, Ethan Suplee, Guinevere Turner, Jason Lee, Jason Mewes, Joe Quesada, Joey Lauren Adams, Kevin Smith, Matt Damon, Scott Mosier, Welker White

Director: Kevin Smith

Rating: R