Too Funny to Fail isn’t just a documentary about funny people. It’s a documentary that’s hilarious in its own right. Director Josh Greenbaum assembles the comedic powerhouse behind the short-lived Dana Carvey Show and has them recall the idiosyncratic, subversive skits they did on the show. They are, of course, naturally funny, but it’s the questions Greenbaum asks them off-cam, the clips he shows, and the titles he picks for them (Bill Hader, as a fan who used to watch the show in lieu of going to classes, is stuck with “once skipped school”) that gives the documentary its own comedic signature. The spectacular failure of The Dana Carvey Show is also an inspirational story of sorts, given the astronomical success its staff and cast have and are continuing to enjoy since its cancellation.

Genre: Comedy, Documentary

Actor: Bill Hader, Dana Carvey, Jon Glaser, Louis C.K., Robert Carlock, Robert Smigel, Spike Feresten, Stephen Colbert, Steve Carell

Director: Josh Greenbaum

Rating: NR

With inconsistent pacing and a deeply unpleasant protagonist, it’s hard to recommend The Seeding to every viewer. It’s really slow-paced, deeply uncomfortable, and it starts with, of all things, a baby eating a finger. But there’s an interesting style to this arthouse horror, a marriage of desert survival thriller and folk horror that restricts all possible modes of escape through its claustrophobic canyon. As Wyndham gradually discovers a secret community driven back to primitive instincts, director Barnaby Clay inverts the idea of what it means to be one’s fundamental self. Most viewers might not appreciate the story, and the ideas aren’t as cohesive as it could be, but horror fans looking for something new in the genre might find The Seeding fairly interesting.

Genre: Horror, Thriller

Actor: Alex Montaldo, Charlie Avink, Kate Lyn Sheil, Scott Haze, SoKo, Thatcher Jacobs

Director: Barnaby Clay

Rating: R

Admittedly, being released in theaters a month after Immaculate, The First Omen can almost be accused of being derivative, with similar protagonists, plots, and themes. However, unlike Immaculate, this film captures a bit of the 1970s horror style that was best seen in the original 1976 Omen film, with the paranoia, the investigations, the Eastman Kodak-inspired color grading, and the number of the devil now depicted in striking modern images and clearer digital definition. And, considering that the Roe decision was overturned two years ago, the idea of a forced virgin conception is a great way to reintroduce Gen Z to the horror franchise, as the prequel, and today’s women, now have to deal with religion and authority reducing women only into vessels. The First Omen is a timely adaptation that takes familiar horror tropes and executes them well.

Genre: Horror

Actor: Alessandra Fallucchi, Andrea Arcangeli, Anton Alexander, Bill Nighy, Charles Dance, Dobrila Stojnic, Dora Romano, Eva Ras, Ishtar Currie Wilson, James Swanton, María Caballero, Mario Opinato, Mia McGovern Zaini, Michelangelo Dalisi, Milena Božić, Miodrag Rakočević, Nell Tiger Free, Nicole Sorace, Rachel Hurd-Wood, Ralph Ineson, Sônia Braga, Sylvia Panacione, Tawfeek Barhom

Director: Arkasha Stevenson

Rating: R

The tags raunchy and irreverent get thrown around on Netflix like I throw around the word fascinating. But make no mistake about it, this was disgusting right off the bat. There’s not a lot to the jokes, though, other than terrible accents and caricatures and small dick references. It feels like a reenactment of a mid standup comedy bit that went on too long. It's a fun bro movie that tells conservative Pinoy culture to suck it, but it’s a visual and narrative mess, and it has the balls to try and end on a meaningful note when it never attempted any semblance of it throughout.

Genre: Comedy

Actor: Caira Lee, Donna Cariaga, Enrique Gil, Kenneth Won, Kumron Jivachat, Miguel Almendras, Mihk Vergara, Nikko Natividad, Pepe Herrera, Red Ollero, Sahatchai Chumrum, Sunshine Teodoro, Vern Kaye, Wipawee Charoenpura

Director: Victor Villanueva

It’s hard not to be enchanted by Henson’s furtively creative world, which here is charmingly sectioned into nostalgic archival footage, stop motion art, and clips of Henson’s own experimental films early in his career. Those unfamiliar with Henson might think his story is simply the history of the Muppets and Sesame Street (though even then it would be a full one), but Henson has plenty of other creations too. He’s part of a line of chronically dissatisfied artists who are constantly reinventing and restlessly one-upping themselves, which is why his work evolved into early CGI, as well as The Dark Crystal franchise and films like Labyrinth. This lovingly told documentary tries to match Henson’s heart and creativity, while also showing the darker aspects of his life, such as the effect his nonstop artistry had on his family and health.

Genre: Documentary

Actor: Brian Henson, Dave Goelz, Fran Brill, Frank Oz, Jennifer Connelly, Jim Henson, Lisa Henson, Rita Moreno

Director: Ron Howard

Rating: PG

After the 1975 release of the Maysles brothers’ Grey Gardens, Big and Little Edie Beale’s story captivated viewers and spawned a musical and a dramatized biopic about the reclusive, impoverished socialite mother-daughter duo. The Beales of Grey Gardens is a compilation of the remaining unreleased archival footage, released after the death of both subjects and David Maysles. For those unfamiliar with their story, the film might feel a bit random and contextless. But for Beale fans, and those familiar with their first documentary, this sticks close to the classic cinema vérité style of the Maysles, while also uncovering other sides of these interesting, eccentric former socialites, becoming a lovely tribute for them and their fans.

Genre: Documentary, Drama

Actor: Albert Maysles, David Maysles, Edith Bouvier Beale, Jerry Torre, Lois Wright

Director: Albert Maysles, David Maysles

Rating: NR

While the mixed reception of its near-faithful American remake Vanilla Sky might make some viewers pause, there’s an intuitive brilliance in the Spanish original Open Your Eyes that isn’t easy to translate. Sure, the apparent differences help– it’s shorter and less complicated, and Cesar’s face turns more grotesque than David’s does. But what’s startling about Open Your Eyes is the way writer-director Alejandro Amenábar guides the camera through its various shifts, creating a more subtle and gradual realization that something is wrong, and thus, a more terrifying dream turned nightmare. Amenábar has later deemed the film as his worst, saying it was written when he didn't know much about life, but, in our opinion, Abre Los Ojos still holds up as a groundbreaking existential sci-fi simulation, one that still puzzles and captivates years after.

Genre: Drama, Science Fiction, Thriller

Actor: Chete Lera, Eduardo Noriega, Fele Martínez, Gérard Barray, Ion Gabella, Miguel Palenzuela, Najwa Nimri, Penélope Cruz, Tristán Ulloa, Walter Prieto

Director: Alejandro Amenábar

Rating: R

The Euro 2020 finals was a cultural event, a celebration, a riot. This documentary perfectly captures the weight of the attack on Wembley, which it takes the time to characterize as like a holy ground being desecrated. But for the most part, the story spotlights the thousands of destructive drunks that needed to make it inside Wembley because of the magic in the air that day that you felt from every car on the road, every passenger on the train, every exploding glass bottle, and every bleeding individual. It’s got accounts from diehard English and Italian fans, Wembley security, and media personnel, which when put together, creates a fascinating stampede control documentary that also takes a sad turn post-game.

Genre: Documentary

Actor: Bobby Moore, Boris Johnson, Bukayo Saka, Catherine, Princess of Wales, David Beckham, Diego Maradona, Emma Saunders, Gareth Southgate, Harry Kane, Leonardo Bonucci, Luciano Spalletti, Marcus Rashford, Paul Gascoigne, Queen Elizabeth II of the United Kingdom, Tom Cruise, Wayne Rooney, William, Prince of Wales

Director: Kwabena Oppong, Robert Miller

Rating: R

As a first feature, The Unbelievable Truth had a startlingly new style at the time, with deadpan humor, intentional stilted dialogue delivery, interrupting intertitles, and randomly posed existential questions, but these stylistic touches was what made Hal Hartley a key figure in the early aughts of American indie filmmaking. It’s a surprising twist to the romantic comedy, the first where Hartley pays homage to his hometown of Long Island. The two leads form an unconventional relationship, that at first, seems objectionable with Josh having a criminal background, and Audry just barely coming of age, but as they recognize the genuine emotion inside of each other– the existential despair, the want of a normal life, and the soul seeking they try to find through art, science, and literature– the romance just works. This, the leap of faith in another person despite appearances, forms the current that makes the portrait of small town America feel real and hopeful, even with its nihilistic humor.

Genre: Comedy, Drama, Romance

Actor: Adrienne Shelly, Bill Sage, Christopher Cooke, David Healy, Edie Falco, Gary Sauer, Jeff Howard, Julia McNeal, Katherine Mayfield, Kelly Reichardt, Mark Chandler Bailey, Matt Malloy, Mike Brady, Paul Schulze, Robert John Burke, Tom Thon

Director: Hal Hartley

Rating: R

When Moviepass announced that it would allow you to watch at least one theater film a day for just $10/month, the deal seemed too good to be true. And it was, though it wouldn’t be apparent till a couple years later after top executives Mitch Lowe and Ted Farnsworth burned through the company’s funding and ultimately ran the company down to the ground. That’s one story MoviePass, MovieCrash tells, that of a business that bit too much than it could chew. But the documentary also brings to the fore the overlooked story of Stacy Spikes and Hamet Watt, the company’s Black co-founders who built something special and innovative, but who were shoved off in a frustrating move of greed and racial politics. That’s the more interesting part of the film, especially since Spikes eventually reclaims what’s his. It’s also what gives the documentary more heart than the usual tale of a business’s downfall.

Genre: Documentary

Actor: Daymond John, Hamet Watt, Mitch Lowe, Stacy Spikes, Ted Farnsworth

Director: Muta'Ali Muhammad

Most sports biopics are centered around winners– their drive, their spirit, and their determination to beat the competition, and maybe win some glory for their respective teams, hometowns, or countries. The Happiest Day in the Life of Olli Mäki instead focuses on a Finnish boxer that lost a match. Shot in 16mm black and white film stock, writer-director Juho Kuosmanen captures the man, not the legend, in sequences that feel like decades-old memories that draws you into his story, his humble character, and the motivations that drive him, a yearning for love rather than bragging rights, trophies, and nationalistic pride. It’s such a charming twist to the genre, one that recognizes a different kind of masculinity. While Mäki might not be the world’s best boxer, this film suggests that he might be one of the happiest, forgoing an important match for a marriage that ended up lasting his lifetime.

Genre: Drama, Romance

Actor: Aaro Airola, Anna Airola, Claes Andersson, Deogracias Masomi, Eero Milonoff, Elma Milonoff, Emilia Jansson, Esko Barquero, Heikki Metsämäki, Iiris Anttila, Jarkko Lahti, Jarmo Kiuru, Joanna Haartti, Joonas Saartamo, Leimu Leisti, Mika Melender, Olli Rahkonen, Oona Airola, Pia Andersson, Salla Yli-Luopa, Tiina Weckström, Viljami Lahti

Director: Juho Kuosmanen

Rating: NR

Regardless of where, when, and why war came to be, war inevitably makes children grow up faster than they ought to. Turtles Can Fly depicts one such boy, a thirteen year old refugee nicknamed Kak Satellite whose limited English and resourcefulness transformed him into a leader for the rest of the children as they scrounged for scraps, sweep for landmines, and set up satellites for news. It’s a harrowing experience. Writer-director Bahman Ghobadi depicts it in a grounded, real way, with the Kurdish cast directly re-enacting the same horrors that they’ve gone through the year before, and the same practical nonchalance that they cling to for survival. Regardless of how viewers feel about the Iraq invasion, or other wars with refugee crises, Turtles Can Fly simply asks viewers to see their faces.

Genre: Drama

Actor: Abdol Rahman Karim, Avaz Latif, Emre Tetikel, Hiresh Feysal Rahman, Saddam Hossein Feysal, Soran Ebrahim

Director: Bahman Ghobadi

Green Day's Bullet in a Bible has certainly aged well. Maybe it's even better now with time and hindsight, and knowing that the once punk group would commit to their alternative sound from that point forward. Green Day with their American Idiot tracks and frontman Billie Joe Armstrong's stage presence absolutely belongs as a stadium-level act, but you could argue they could've cut down on the heavy American Idiot representation to have more of a mix of albums in the setlist. The film could've also had less of the vignettes and montages with edgy editing—we don't need that many breaks from 14 songs—but it's all nitpicking, really. Say what you want, but this concert marks the birth of Green Day as rockstars.

Genre: Documentary, Music

Actor: Adrienne Armstrong, Billie Joe Armstrong, Jason White, Mike Dirnt, Samuel Bayer, Tre Cool

Director: Samuel Bayer

Rating: NR