Renowned British director Ken Loach’s signature traits are present in The Old Oak: simple, humanistic, and unapologetically hopeful. But this time, we see things unfold through the eyes of Turner’s TJ and Ebla Mari’s Yara, whose endearing friendship anchors the film. They prove that seemingly conflicting things can coexist, like workers’ and immigrants’ rights, local and newcomer needs, old and new ideals. Loach hones in on his characters’ rich and specific lives so that his message doesn’t come across like an advocacy poster, but a richly woven tapestry filled with beautiful and complex meanings. Because it tackles heavy themes, The Old Oak might sound like it’d be heavy to watch, but as in most of the director’s work, you’ll no sooner be uplifted by an outpouring of hope and love.

Genre: Drama

Actor: Chris McGlade, Claire Rodgerson, Col Tait, Dave Turner, Debbie Honeywood, Ebla Mari, Lorenzo McGovern Zaini, Neil Leiper, Rhys Mcgowan, Rob Kirtley, Trevor Fox

Director: Ken Loach

The film starts with an atmosphere of almost peaceful defeat. We see a rather stealthy Godzilla, but it doesn’t last long until we’re back to regular programming with the metal-chewing monster. Time spent without Godzilla is spent on people trying to be heroes, armed with admirable optimism. The many scenes of wreckage turn this into a very human story about shared trauma. Godzilla vs other kaiju is usually an easy sell, but Godzilla vs people is a hard story to root for, just because of how unbalanced it gets. But the film finds a way to make it work—the final battle is epic, packed with a lot of heart and preparation.

Genre: Action, Horror, Science Fiction

Actor: Akio Nakadai, Eisuke Sasai, Etsuji Harada, Gohshuu, Hidemasa Mase, Hidetaka Yoshioka, Hirotaka Akatsuma, Hiroyuki Toritani, Ippei Sasaki, Keisuke Fujita, Kenji Anan, Kenji Mizuhashi, Kentaro Furuyama, Kisuke Iida, Kiyomi Aratani, Kota Kawabata, Kunihiro Suda, Kuranosuke Sasaki, Mami Tokuda, Masataka Matsubara, Michael Arias, Miki Mirai, Minami Hamabe, Mio Tanaka, Munetaka Aoki, Ozuno Nakamura, Ryunosuke Kamiki, Saki Nakatani, Sakura Andô, Saori, Seiji Okuda, Sentarou Kusakabe, Shinsuke Kasai, Sho Nishigaki, Shohei Abe, Shoji Omiya, Shota Taniguchi, Takato Yonemoto, Takumi Matsui, Tetsu Hirahara, Tetsunori Akira, Touta Tawaragi, Yosuke Minokawa, Yuji Komatsu, Yuki Takao, Yuki Yamada, Yukio Tsukamoto, Yuya Endo

Director: Takashi Yamazaki

Rating: PG-13

When it comes to films depicting America’s history of racism, many white produced films tend to be centered on a white savior. At best, this is just patting each other on the back for actions done a generation or two ago. At worst, it tends to be outright historical revisionism. The difference between these and The Long Walk is that, while clearly made for a white audience, the film doesn’t crown Sissy Spacek’s character as a messiah, but her choice to help the boycott anyway is a message worth depicting, even if it’s small, even if it isn’t the typical, single-handed salvation Hollywood is used to doling out. While the white narrator adds unnecessary distance, and while it would have been better to see more of Whoopi Goldberg in the non-comic role of Odessa Cotter, The Long Walk cares about the everyday, and that’s what makes it mostly work.

Genre: Drama, History

Actor: Afemo Omilami, Chelcie Ross, Cherene Snow, Dan Butler, Dwight Schultz, Dylan Baker, Erika Alexander, Graham Timbes, Haynes Brooke, Jason Weaver, Kevin Thigpen, Lexi Randall, Mary Steenburgen, Nancy Moore Atchison, Norman Matlock, Philip Sterling, Rebecca Wackler, Richard Habersham, Schuyler Fisk, Sissy Spacek, Ving Rhames, Whoopi Goldberg

Director: Richard Pearce

Rating: PG

With Netflix producing countless true crime documentaries, you’d be forgiven for dismissing How to Rob a Bank as usual, forgettable fare. But the documentary ever so slightly curbs cliches by focusing on a theme—in this case Hollywood, in honor of Scurlock’s pseudonym and love of movies—without losing sight of the bigger picture. Which is to say, directors Seth Porges and Stephen Robert Morse go all in the movie theme without giving way to cheesiness, mostly by honing in on Scurlock’s favorite films like Heat and Point Blank and effectively replicating the thrill of those action classics. It uses fine, storyboard-like illustrations that are mostly entertaining and nostalgic but occasionally quite beautiful, and borrows the same synth soundtrack from the said films. But it even though it initially sets Scurlock as the anti-hero, a Robin Hood of the times, its sympathies lie with the victims, the traumatized bank tellers and goers. It’s a smartly made and engaging film, complete with the quintessential shootouts and elaborate heists, and it thankfully doesn’t let the talking heads do all the work.

Genre: Crime, Documentary

Actor: Al Pacino, Chezca Vega, Gavin Langelo, Jeff Bezos, Jordan Burtchett, Keanu Reeves, Kevin Costner, Kurt Ostlund, Lesley Mirza, Lori Petty, Morgan Freeman, Patrick Swayze, Randy Lee, Robert De Niro, Scott Patey, Tristan McKinnon, Val Kilmer

Director: Seth Porges, Stephen Robert Morse

Rating: R

In modern day Europe, demonic possession seems to be a thing of the past, something most likely to be attributed to mental illness, and something that can be dealt with through modern medicine, not exorcism. Still, exorcisms are conducted in certain areas in the continent, and some instances don’t go the way they should. Inspired on the real life Tanacu exorcism, Beyond the Hills doesn’t depict the event through a horror or melodramatic lens– instead the film is stoic, naturalistic, with long single takes that linger uncomfortably and repetitively. As Alina pleads to Voichița to help her, to choose her and their bond, Voichița grapples with wanting the modern yet isolating freedom she knows Alina has found elsewhere, while still wanting the refuge religious tradition has granted her, but also has made her dependent on. It does take a while to reach its conclusion, but Beyond the Hills is a deeply unsettling and striking movie to watch.

Genre: Drama, Romance

Actor: Adrian Acuta, Alina Berzunteanu, Călin Chirilă, Cătălina Harabagiu, Cosmina Stratan, Cristina Flutur, Cristina Mihailescu, Dana Tapalagă, Dionisie Vitcu, Doru Ana, Gheorghe Ifrim, Gina Tandura, Ion Sapdaru, Katia Pascariu, Liliana Mocanu, Luminita Gheorghiu, Nora Covali, Tania Popa, Teodor Corban, Valeriu Andriuță

Director: Cristian Mungiu

The Western had its heyday in the 60s, but the decades have proven that there’s still stories from the deserts that we haven’t heard yet, and gems that twist the genre on its head. The Proposition is a unique Western, being from the East, in Australia where the Brits have started to form colonies. As the British Empire builds society, and the police start to enforce the King’s justice, writer Nick Cave and director John Hillcoat crafts a bloody tale, where promises between men are betrayed for the State, where vengeance can only be met through brutality, and where the line between civility and savagery is drawn and moved by the will of an angry majority. The Proposition is quite violent, but it’s performed well, scored by a moody, moving soundtrack, and it surprisingly contemplates Australia’s bloody past.

Genre: Action, Adventure, Crime, Drama, Thriller, Western

Actor: Bogdan Koca, Boris Brkic, Bryan Probets, Danny Huston, David Gulpilil, David Vallon, David Wenham, Emily Watson, Gary Waddell, Guy Pearce, Iain Gardiner, Jeremy Madrona, John Hurt, Leah Purcell, Mick Roughan, Noah Taylor, Oliver Ackland, Ralph Cotterill, Ray Winstone, Richard Wilson, Robert Morgan, Tom Budge, Tom E. Lewis

Director: John Hillcoat

Rating: R

Heart Attack is a romantic comedy, but instead of the hijinks being caused by the usual dating, miscommunication, and wooing, Yoon’s struggle here is to finally get a hold of his overbearing schedule and figure out how to relax and recover from burnout, and it’s all inspired by wanting to impress his doctor Imm. It’s funny, but it’s also all too real. Writer-director Nawapol Thamrongrattanarit recreates the overwhelming frenzy to complete a job through a magnificent jazz soundscape and Sunny Suwanmethanon’s internalized monologue, and it’s such an effective cinematic translation that the moments of rest, the moments where Yoon and Imm finally take a break feels like a relief. Heart Attack works precisely because it empathizes and understands the experience of workers in today’s gig economy.

Genre: Comedy, Drama, Romance

Actor: Adisorn Trisirikasem, Banjong Pisanthanakun, Chatcharin Saetan, Chonlasit Upanigkit, Davika Hoorne, Morakot Liu, Natda Chawawanid, Nottapon Boonprakob, Panjavit Tangtongjit, Sunny Suwanmethanon, Sunny Suwanmethanont, Surattanavee Suviporn, Surattanawee Suviporn, Thanapob Leeratanakachorn, Torpong Chantabubpha, Vichai Matakul, Violette Wautier

Director: Nawapol Thamrongrattanarit

Rating: N/A

This documentary prides itself on its rawness from its home video style. It uses a lot of uninterrupted clips that don’t really need to be there, as well as odd choices for symbolic b-roll and mood-setting music in the early going. But at the center of the documentary is John du Pont, an unstable old money mark who wishes to be one of the boys, treating the wrestlers like his family in the absence of his own. The interviews paint a clear picture of him as a delusional, lonely, and dangerous man, and the foreshadowing is insane albeit too slow. While it may be visually all over the place, perhaps the biggest nitpick about it is that, out of respect, it could have allotted more time to Dave Schultz or the aftermath.

Genre: Crime, Documentary

Actor: Dan Chaid, Dave Schultz, John E. du Pont, Mark Schultz, Nancy Schultz

Director: Jon Greenhalgh

Rating: TV-14

This is a nostalgic, ethereal memory like a childhood yearning, which can be credited to the soundtrack and friendly characters. Its got a lovely message about unspoken or repressed feelings, but the journey there unravels quickly. The second act enters filler side quest territory and loses the energetic pace and tight direction of the exposition. In the end, the premise and pretty visuals feel almost wasted on an ill-paced bloated story, one that tries to capture a wistfulness or magic but ends up feeling forced and manufactured. This is one of those movies you wish was the first movie you ever watched as a child. You won’t have a clue what it was about, but you'll remember it was nice.

Genre: Adventure, Animation, Family, Fantasy

Actor: Aya Yamane, Hisako Kyoda, Kensho Ono, Mio Tanaka, Mitsuho Kambe, Miyu Tomita, Noriko Hidaka, Satoshi Mikami, Satsuki Yukino, Shintaro Asanuma, Shirou Saitou, Shouzou Sasaki, Tomoko Shiota

Director: Tomotaka Shibayama

Rating: PG-13

Stories of forbidden love are captivating, because in the face of a lover, in the face of one’s opposite, one cannot help but be challenged, hopefully for the better. This is not what happened here. Out in the Dark is a film debut that takes this idea in the Middle East, with two gay lovers coming from Palestine and Israel. It’s an intriguing idea, and had it been more nuanced, Israeli director Michael Mayer would have created a daring first feature, but the film clearly comes from a limited Israeli perspective, with no Palestinians casted or working behind the scenes. While the film may be sympathetic to hypothetical LGBTQ+ people in Palestine, Out in the Dark doesn’t have the guts to question why they’ve been persecuted in the first place.

Genre: Drama, Romance, Thriller

Actor: Alon Pdut, Chelli Goldenberg, Huda Al Imam, Jameel Khoury, Khawlah Hag-Debsy, Loai Nofi, Michael Aloni, Moris Cohen, Nicholas Jacob, Shimon Mimran

Director: Michael Mayer

Rating: NR

The Great Lillian Hall doesn’t do anything particularly great to a familiar premise, but it’s still worth watching for the knockout performances. There’s Lange, whose dementia both complicates her desire to mount one last performance and resurfaces her guilt for being an absent mother. There’s Bates, who offers both sympathy and tough love. And then there’s Rabe, who’s gut-punching as the pained daughter crawling her way into her mother’s stiff arms. Everything else about the film is not as noteworthy as it drags the film for way longer than it should be. But that trifecta of performances makes it all worthwhile.

Genre: Drama

Actor: Allison Mackie, Blaque Fowler, Bryan McClure, Cindy Hogan, Clayton Landey, David Chin, David Marshall Silverman, David Vaughn, Derrick LeMont, Erik Parillo, Jesse Williams, Jessica Lange, Jonathan Horne, Kathy Bates, Keith Arthur Bolden, Kenneth Trujillo, Lauren Buglioli, Lily Rabe, Meg Gillentine, Michael Rose, Noshir Dalal, Pierce Brosnan, Rebecca Watson, Robert Stevens Wayne, Tenz McCall, Zele Avradopoulos

Director: Michael Cristofer

Rating: PG-13