Held back by awkward and uninspired musical numbers but otherwise a surprisingly funny and sweet animated comedy, Leo gets a lot of mileage out of being simply weirder than many of its direct-to-streaming contemporaries. As the titular lizard works through his cynicism by spending his last days helping others with their early years (a premise heartwarming enough to stand on its own), the film expresses itself through plenty of cutaway jokes and throwaway lines, excellent physical comedy, and a few particularly bizarre character designs. Everything is played in good fun though, and the movie's witty, easygoing personality allows it to overcome any limitations from its admittedly ordinary animation.

Genre: Animation, Comedy, Family, Music

Actor: Adam Sandler, Alex Quijano, Allison Strong, Andre Robinson, Andrew Morgado, Ashley Lambert, Ava Acres, Bill Burr, Blake Clark, Bryant Tardy, Carson Minniear, Cecily Strong, Chris Kattan, Chris Titone, David Wachtenheim, Heidi Gardner, Jackie Sandler, Janie Haddad Tompkins, Jaquita Ta'le, Jason Alexander, Jason Griffith, Jo Koy, Joel Marsh Garland, John Farley, Jonathan Loughran, Kelly Stables, Nicholas Turturro, Nick Swardson, Nikki Castillo, Noah Robbins, Paul Brittain, Rob Schneider, Robert Marianetti, Robert Smigel, Rose Abdoo, Ryan Bartley, Ryun Yu, Sadie Sandler, Scott Menville, Sheila Carrasco, Shelby Young, Sonya Leslie, Stephanie Hsu, Sunita Param, Sunny Sandler, Terence Mathews

Director: David Wachtenheim, Robert Marianetti, Robert Smigel

Rating: PG

Being made for free, fanfiction is free to play with controversial, less print-friendly concepts like gender-bending your favorite character. This freedom might go into strange territory, but most often than not, writers use fanfiction for escapism or for catharsis of their day-to-day lives. While the film doesn’t delve into fanfiction’s creative process, Polish drama Fanfic does recognize how the genre’s experimentation allows its writers to safely and freely explore different styles of expression, the same way teenage years hopefully do for its viewers. And as Tosiek goes through the trappings of coming-of-age self-discovery, it’s lovely and comforting and cathartic like the stories he writes.

Genre: Drama

Actor: Adam Cywka, Agnieszka Rajda, Alin Szewczyk, Anna Krotoska, Dobromir Dymecki, Ewelina Starejki, Helena Sujecka, Ignacy Liss, Jakub Wróblewski, Jan Cięciara, Kaya Kołodziejczyk, Krzysztof Oleksyn, Maja Szopa, Marcin Perchuć, Mateusz Górski, Natalia Łągiewczyk, Radosław Krzyżowski, Stanisław Cywka, Sylwia Achu, Wiktoria Kruszczyńska

Director: Marta Karwowska

Rating: NC-17

Watch this documentary and find yourself amazed at how much of Hollywood history was determined by one woman: legendary casting director Marion Dougherty. At a time when studios were casting actors based on “type,” Dougherty revolutionized the process with her preternatural ability to see the potential in budding actors like Al Pacino, Dustin Hoffman, Robert Redford, and Glenn Close. Her work in introducing NYC’s theater actors to the silver screen launched countless careers and indelibly shaped iconic films like Midnight Cowboy and Lethal Weapon.

And yet, Dougherty’s work — and that of those who followed in her steps — is criminally underappreciated, as this doc both lays bare and seeks to redress. A largely female profession, casting was long devalued by a casually misogynistic industry, the persistent legacy of which is subtly highlighted in some interviews here. Among the talking heads sharing appreciation and anecdotes are many of the actors and casting directors whose careers Dougherty launched, as well as filmmakers (including Martin Scorsese) testifying to the pivotal role casting has played in their work. Playing the villain is Ray director Taylor Hackford, who believes casting directors add little to the filmmaking process — an argument that the doc wryly disproves with the sheer weight of refuting evidence it offers up.

Genre: Documentary

Actor: Al Pacino, Amanda Mackey, Bette Midler, Buck Henry, Burt Young, Clint Eastwood, Cybill Shepherd, Danny Glover, David Rubin, Deborah Aquila, Diane Lane, Don Phillips, Dustin Hoffman, Ed Asner, Ed Lauter, Ellen Chenoweth, Ellen Lewis, Fred Roos, Glenn Close, Gretchen Rennell, Jeanine Basinger, Jeff Bridges, John Lithgow, John Papsidera, John Sayles, John Travolta, Jon Voight, Juliet Taylor, Linda Lowy, Lora Kennedy, Lynn Stalmaster, Marion Dougherty, Martin Scorsese, Mel Gibson, Mike Fenton, Nancy Klopper, Ned Beatty, Nessa Hyams, Norman Lear, Oliver Stone, Paul Haggis, Paul Mazursky, Paul Rudd, Peter Bogdanovich, Richard Donner, Richard Dreyfuss, Risa Bramon Garcia, Rita Hayworth, Robert De Niro, Robert Duvall, Robert Redford, Ronna Kress, Ronny Cox, Taylor Hackford, Tony Bill, Wallis Nicita, Woody Allen

Director: Tom Donahue

There’s something frightening about being consistently spurned due to circumstances out of your control. This is the main concern of Pulimada’s Vincent, since he’s not marriage material due to his family’s history of mental illness. The twisty plot is reminiscent of old gothic mysteries, complete with a tiger metaphor, but the execution is off, especially since it takes more than two thirds of the film before there’s anything to fear. It’s clear that Pulimada has an engaging, though dated concept, and Joju George’s transformation for Vincent could have definitely gotten there. But entering this tiger’s den feels like a letdown when there’s no risk, no style, no intrigue in the film’s approach.

Genre: Drama, Thriller

Actor: Abu Salim, Aishwarya Rajesh, Balachandra Menon, Chemban Vinod Jose, Dileesh Nair, Jaffer Idukki, Jeo Baby, Johny Antony, Joju George, Krishna Prabha, Lijomol Jose

Director: A K Sajan

Everyone has those days where nothing goes right, but no one’s having as bad of a day as detective Yuji Kudo is in Hard Days. It isn’t just that nothing goes right– everything goes wrong, and he’s just a hair away from losing it all each time. This Japanese adaptation might take a slightly more serious tone than the South Korean original, but it does retain its ridiculous escalation of increasingly terrible things that could possibly happen, with Junichi Okada and Go Ayano letting loose in their detective characters’ morally dubious behavior. Hard Day is a decent watch, if a bit bloated, especially for those familiar with the story.

Genre: Action, Crime, Drama, Thriller

Actor: Akira Emoto, Go Ayano, Hayato Isomura, Junichi Okada, Kurumi Shimizu, Maho Yamada, Mario Kuroba, Ryoko Hirosue, Ryusuke Komakine, Takashi Yamanaka, Taro Suruga, Tetta Sugimoto

Director: Michihito Fujii

Appropriately for its literary focus, The Lesson feels, in places, like the gripping adaptation of a bestselling psychological thriller. Unfortunately, though, its initial cleverness peters out in a contrived ending that ironically feels like it belongs to the pulpy airport fiction that one character accuses another of writing.

The Lesson’s early chapters (another way the movie’s form mirrors its content) crackle with tension, as Oxford grad and aspiring writer Liam observes the icy dynamics of the Sinclair family, whose son he’s been hired to provide university admission tuition to. The Sinclairs are still grieving the loss of another child, a process made more painful by the brittle ego of their patriarch — JM (Richard E. Grant), a celebrated author who happens to be Liam’s literary hero. Liam’s career ambitions complicate his position: he’s as much an enthusiastic student as he is a teacher here, and among the screenplay’s many suggestions is also Tom Ripley-style envy. The Lesson ultimately scuppers this complexity, though, as the writing eventually abandons its psychological study aspirations and swerves into melodrama, leaving the cast struggling to make it all believable. Still, while the ending may disappoint, there are juicy, intelligent ideas to be pondered over — not quite a bestseller, then, but definitely not airport fiction either.

Genre: Drama, Thriller

Actor: Crispin Letts, Daryl McCormack, Julie Delpy, Richard E. Grant, Stephen McMillan, Tomas Spencer

Director: Alice Troughton

Rating: R

This cult classic is the first hip-hop movie in cinema’s history — and, aptly, one of the most sampled movies in rap music. With a cast drawn exclusively from the NYC graffiti, breakdancing, and rap subcultures that it spotlights, Wild Style wisely doesn’t try too hard to construct a conventional drama. Instead, there are toe-tapping scenes in neon-lit, smoke-filled clubs that stretch far beyond usual cinematic limits because they’re following the dynamic pace and infectious rhythm of the battling emcees, not film’s rules.

In lieu of a plot, Wild Style captures the singular atmosphere of the period it was filmed in, when hip-hop culture was thriving and art curators had begun to look to graffiti artists to fill their galleries. That uneasy turning point in the culture is chronicled here through the perspective of Zoro (real graffiti “writer” Lee Quiñones), a young artist who looks on with disdain as his peers embrace the commercialization of their medium by NYC’s art world. (As he shrewdly puts it, risk is central to graffiti’s identity — made for subway cars and walls, not framed canvases.) Brilliantly capturing the freewheeling spirit of NYC’s hip-hop scene, this is a time capsule that never feels dusty thanks to the appropriately off-the-cuff filmmaking.

Genre: Drama, Music

Actor: Busy Bee, Daze, Dondi, Fab 5 Freddy, Grandmaster Flash, Lady Pink, Lee Quiñones, Nathan Ingram, Patti Astor, ZEPHYR

Director: Charlie Ahearn

Rating: R

Howard Ashman was at the peak of his career—fresh off Little Mermaid’s sweeping win at the Grammys and Oscars, and concocting the iconic songs that would make up Aladdin and Beauty and the Beast—when he died of AIDS at 40. But even at that relatively young age, Ashman already had a lifetime’s worth of work to show. Howard, the documentary, gives us a glimpse into Howard’s inner and early life, starting with his fanciful and imaginative childhood, all the way down to his formative college years, his foundational work in “off, off” Broadway, and the breakout success of The Little Shop of Horrors the Musical. Disney isn’t the whole picture, the documentary rightfully proclaims, so in between the abovementioned highlights, director Don Hahn inserts pockets of heartwarming anecdotes from Howard’s friends and family, and some of Howard’s own wise words from interview snippets. It’s clear Hahn was a good friend of Ashman, since the documentary often feels like a warm get-together of the people who knew and loved Ashman best. 

Genre: Documentary, Music

Actor: Adam Jacobs, Alan Menken, Angela Lansbury, Anne Bobby, Annette O'Toole, Barbara McCutchan, Barry Peterson, Bill Boggs, Bill Lauch, Bing Crosby, Bob Hope, Brynn O'Malley, Charles B. Griffith, Chris Montan, Colleen Camp, Dan Rather, Dan Stevens, Danny Glover, David Friedman, David Geffen, Denise Nickerson, Dennis Green, Diane Sawyer, Divine, Don Hahn, Donald W. Ernst, Douglas Seale, Dudley Moore, Ellen Greene, Emma Watson, Estelle Bennett, Fats Waller, Frank Oz, Frederick Coffin, Gary Trousdale, Glen Keane, Howard Ashman, James Monroe Iglehart, Janis Menken, Jeffrey Katzenberg, Jerry Orbach, Joan Prather, Jodi Benson, John Herman Shaner, John Musker, Jonathan Hadary, Jonathan Haze, Karen Miller, Kirk Wise, Kurt Vonnegut Jr., Kyle Renick, Larry Kramer, Leola Wendorff, Levi Stubbs, Maria O'Brien, Marvin Hamlisch, Maureen Abbott, Maury Yeston, Mel Welles, Melanie Griffith, Melinda Smith, Mena Massoud, Michelle Weeks, Mike Gabriel, Nancy Parent, Natalie Wood, Paige O'Hara, Pat Carroll, Paula Abdul, Peter Schneider, Phil Spector, Randy Cartwright, Richard Beymer, Richard White, Rick Moranis, Rob Minkoff, Roger Allers, Roger Ebert, Ron Clements, Ronnie Spector, Roy Edward Disney, Sarah Gillespie, Shirley Ashman, Steve Martin, Thomas Schumacher, Tichina Arnold, Tisha Campbell, Vincent Gardenia, Walt Disney, Will Smith

Director: Don Hahn

 As a result of the miraculous success of the famed Tham Luang cave rescue, which saw the return of 12 kids trapped in a cave for more than 15 days, you’ll find no shortage of documentaries about the mission. Some take the point of view of the children, even others the locals and loved ones. But National Geographic’s The Rescue largely focuses on the volunteer rescuers, all of whom were foreigners who flew from different parts of the globe to risk their lives for the young victims. The film dives into their personal lives and their psyches, even going so far as their childhood to explain the motivations behind the heroic decisions they made at that moment. In less deft hands, The Rescue might seem like yet another White Savior Complex story, but directors Jimmy Chin and Elizabeth Chai Vasarhelyi (the same creative couple behind the Oscar-winning doc Free Solo) prove that the divers’ expertise, skill, and personal stakes make for a story worth telling.   

Genre: Documentary, Drama

Actor: Anan Surawan, Chris Jewell, Craig Challen, Derek Anderson, Jason Mallinson, Jim Warny, John Volanthen, Josh Morris, Mikko Paasi, Mitch Torrel, Richard Harris, Rick Stanton, Siriporn Bangnoen, Somsak Kanakam, Thanet Natisri

Director: Elizabeth Chai Vasarhelyi, Jimmy Chin

Rating: PG