On the one hand, American Fiction is a razor-sharp satire that pokes fun at the hypocrisy of the literary and entertainment industry. It's only when Monk (Wright), a genius but esoteric writer, decides to pander and give in to what publishers have come to expect from Black authors (that is: trauma porn) that he is finally celebrated for his work. But on the other hand, the film is also a tender family drama. Monk sells out, as it were, partly because he’s fascinated by the stupidity of decision-makers and supposed intellectuals, but mostly because he needs to pay for his ailing mother’s care. His relationship with his siblings and deceased father likewise informs much of his character, and they complicate what could’ve been just an intellectual approach to a social issue. This is an educational and entertaining film, yes, one that looks at the complex intersection between identity, craft, and profit. But it’s also an empathetic film, told with a big heart and a surprisingly light touch.

Genre: Comedy, Drama

Actor: Adam Brody, Alexander Pobutsky, Bates Wilder, Celeste Oliva, David De Beck, Dustin Tucker, Erika Alexander, Greta Quispe, Issa Rae, J. C. MacKenzie, Jeffrey Wright, Jenn Harris, John Ales, John Ortiz, Kate Avallone, Keith David, Leslie Uggams, Michael Cyril Creighton, Michael Jibrin, Michael Malvesti, Miriam Shor, Myra Lucretia Taylor, Neal Lerner, Okieriete Onaodowan, Patrick Fischler, Raymond Anthony Thomas, Skyler Wright, Sterling K. Brown, Tracee Ellis Ross

Director: Cord Jefferson

Rating: R

It's not that being similar to another, successful, animated franchise is a bad thing, but The Tiger's Apprentice hurries to practically every plot point without properly establishing its setting, its characters, or their relationships. It all means well, and once you get used to its lower production values, it becomes clear that the film has a distinct visual personality that it makes pretty good use of—especially during its kinetic fight scenes. But too much of the movie ultimately feels like a blueprint that hasn't had the details filled in yet. It becomes difficult to feel anything when the film doesn't give you a chance to sit with any one moment (like, you know, the death of an important character) for too long.

Genre: Action, Adventure, Animation, Family, Fantasy

Actor: Bowen Yang, Brandon Soo Hoo, Deborah S. Craig, Diana Lee Inosanto, Greta Lee, Henry Golding, Jo Koy, Josh Zuckerman, Leah Lewis, Lucy Liu, Michelle Yeoh, Patrick Gallagher, Poppy Liu, Raman Hui, Ryan Christopher Lee, Sandra Oh, Sherry Cola, Tan Kheng Hua

Director: Raman Hui

Rating: PG

Transporting the Henry James novella to the nightclub, The Beast in the Jungle turns the Edwardian era story into a surreal, escapist drama spanning the last decades of the 20th century. As John and May wait for that all-important event, they lose the importance of everything else, like love, friendship, and family, all to the decadence they only acknowledge as patience. This concept paired with the visuals are interesting, especially since the film also makes the viewer wait with them, drawing out the existential frustration, the fear of a life not lived, and the self-absorption, but the film struggles with the historical events, haphazardly inserting tragedies like the AIDS epidemic for what seems to be no reason.

Genre: Drama

Actor: Anaïs Demoustier, Bachir Tlili, Béatrice Dalle, Mara Taquin, Martin Vischer, Tom Mercier

Director: Patric Chiha

You don't need to be familiar with the rest of the Rurouni Kenshin live-action movie series—or the original manga and anime, for that matter—to appreciate The Beginning as a powerful period drama in its own right. This is a story that courses its historical context about a tumultuous time in Japan's past through a stoic, fearsome protagonist who can't seem to escape the violence that's become his only function. And even more impressively, as a prequel, the film keeps a heavy sense of dread about it, even if you're sure about which characters are meant to survive in order to appear in the previous films. It's the mark of any great tragedy that even the things that are destined can still feel so painful.

Genre: Action, Adventure, Drama, Romance

Actor: Eiki Narita, Eita Okuno, Emi Takei, Hoshi Ishida, Issey Takahashi, Kasumi Arimura, Kazuki Kitamura, Kinari Hirano, Makiko Watanabe, Mansaku Ikeuchi, Masanobu Ando, Masataka Kubota, Mayu Hotta, Nijiro Murakami, Shima Onishi, Soko Wada, Takahiro Fujimoto, Takeru Satoh, Towa Araki, Wataru Ichinose, Yosuke Eguchi

Director: Keishi Otomo

Rating: R

It’s always tricky translating literature to screen. In Shortcomings’ case, it struggles to make its Berkeley and New York settings appear more lived-in than just a few postcard-like frames. You could also tell that the conversations it stirs up about things like representation and mixed-race relationships began in the early aughts, when the novel it was adapted from was first released. But those lapses are small and forgivable in the face of a lovely ensemble cast and a whipsmart script. It also takes a special kind of skill to make a character as fiercely unlikeable as Ben (Min) watchable, to hold up a mirror to the audience and make them stay. Thankfully, it's a skill that Tomine and first-time director Randall Park display with such grace. Ben, Alice (Sherry Cola), and Miko (Ally Maki) are flawed and often pathetic, but they’re also honest reflections of who we become when the demands of self-preservation and romantic openness clash. It’s a little unnerving to hear them verbalize what we've always feared about ourselves, but it’s also exhilarating, not to mention comforting, knowing that we're not alone in feeling this way. Shortcomings works because it doesn't confine itself to genre: it's a character study first, and a romantic comedy second.

Genre: Comedy, Drama, Romance

Actor: Adam Enright, Adrian Tomine, Ally Maki, Boran Anh, Debby Ryan, George Deihl Jr., Jacob Batalon, Jess Nahikian, Justin H. Min, Melanie J. Newby, Mike Cabellon, Nikhaar Kishnani, Randall Park, Ronny Chieng, Scott Seiss, Sheldon Best, Sherry Cola, Sonoya Mizuno, Stephanie Hsu, Tavi Gevinson, Theo Iyer, Timothy Simons

Director: Randall Park

Rating: R

With cardboard houses, sugar winters, and broccoli trees, No Dogs or Italians Allowed at first seems lighthearted, playful, and not too serious. Alain Ughetto casts himself asking his grandmother Cesira about his family, but we only see his hands moving and interacting with the characters as if he was crafting clay model miniatures. However, the whimsical approach sugarcoats the very tragedies that struck his family– from the multiple wars to the discrimination they’ve faced as immigrants– with excellent animation and puppetry that feels much more lifelike than 3D CGI. In telling his family’s story, Ughetto also retells 20th century European history, reframing the worldwide events and movements through a personal perspective.

Genre: Animation, Drama

Actor: Alain Ughetto, Ariane Ascaride, Bruno Fontaine, Christophe Gatto, Diego Giuliani, Laura Devoti, Stefano Paganini

Director: Alain Ughetto

Going to sleep is something we do every day, though, when we were kids, it certainly wasn’t easy. With family-friendly source material and a new (and adorable!) sleepytime ensemble, Orion and the Dark plays with this fact of childhood, but screenwriter Charlie Kaufman transforms it into something more as the title characters journey into literal midnight dreams, tell stories-within-stories, and return back home with a poetic repetition. It still has some of his existential despair– after all, the overly imaginative Orion literally contemplates the possibility of death through his many, many anxieties– but it doesn’t just play with the classic childhood fear. Kaufman transforms the bedtime story, and the act of storytelling itself, as co-creation and connection between generations of filmmakers and viewers, with this film’s surprisingly layered writing.

Genre: Animation, Comedy, Family, Fantasy

Actor: Aliki Theofilopoulos, Amy Hill, Angela Bassett, Aparna Nancherla, Carla Gugino, Colin Hanks, Golda Rosheuvel, Hira Ambrosino, Ike Barinholtz, Jack Fisher, Jacob Tremblay, Matt Dellapina, Nat Faxon, Natasia Demetriou, Nick Kishiyama, Paul Walter Hauser, Ren Hanami, Sean Charmatz, Shannon Chan-Kent, Sky Alexis, Toru Uchikado, Walt Dohrn, Werner Herzog

Director: Sean Charmatz

Jack Whitehall definitely has funny observations to make about life around him, and he clearly has a writer's ear for detail-oriented jokes. But he hardly allows his jokes to breathe during this special, constantly over-explaining the point or killing the momentum of a really smart, clever punchline with so many more unnecessary lines after the fact. This is really just Whitehall's style at this point, and those who already find his dorkiness endearing (which it really can be) should enjoy most of this. But for this writer, his jokes are just far too obvious and feel far too "performed." It feels like he's speaking at an audience, rather than for them.

Genre: Comedy

Actor: Jack Whitehall

Director: Chris Howe

Rating: R

A character study in the absolute purest sense, Anne at 13,000 Ft. doesn't even have the kind of satisfying closure one would expect from any story, nor does it explain anything about its protagonist's difficult, erratic behavior in the context of mental health. It's an exercise in testing how much empathy a character can earn solely on account of their being a human being having a hard time. Appropriately, the filmmaking on display makes for a deliberately uncomfortable experience, with tension ratcheting up in practically every given situation, enhanced by the fact that director Kazik Radwanski and star Deragh Campbell improvised much of the movie as they were making it.

Genre: Drama

Actor: Deragh Campbell, Dorothea Paas, Helly Chester, Joseph Simon, Lawrene Denkers, Lisa Aitken, Matt Johnson, Michael Kuthe, Suzanne Pratley, Tiffany Blom

Director: Kazik Radwanski

Simple but lovely movies like Fallen Leaves are hard to come by these days. While others rely on complicated dialogue or overly ambitious premises to be deemed deep or important, Director Aki Kaurismäki trusts that his material is strong enough. After all, its silence speaks volumes; the characters don’t say much but when they do, you can be sure it’s something hard-hitting or funny. The plot doesn’t contain a lot of surprises, but when it makes a turn, it moves you instantly. And the leads, Ansa (Alma Pöysti) and Holappa (Jussi Vatanen) barely move their features, but their eyes convey more emotion, more longing and ache and joy, than one can hope for. Some movies can be challenging, exhilarating, or exhausting to watch. This one is simply delightful. 

Genre: Comedy, Drama, Romance

Actor: Alina Tomnikov, Alma Pöysti, Anna Karjalainen, Eero Ritala, Erkki Astala, Evi Salmelin, Janne Hyytiäinen, Juho Kuosmanen, Jussi Vatanen, Lauri Untamo, Maria Heiskanen, Martti Suosalo, Matti Onnismaa, Misha Jaari, Nuppu Koivu, Olli Varja, Sakari Kuosmanen, Sherwan Haji, Simon Al-Bazoon

Director: Aki Kaurismäki

Rating: NR

For better or worse, The Reason I Jump isn't a documentary made for autistic viewers but for a neurotypical audience that may not be very knowledgeable about autism. This means the film doesn't really offer anything new to the conversation, and it misses the opportunity to truly let its main characters express themselves in their own unique ways, uninterrupted. That said, The Reason I Jump still structures itself smartly (with stunning filmmaking to boot) by having each of its five characters introduce us to different aspects of the autism experience, from sense and memory to communication and community.

Genre: Documentary

Actor: David Mitchell, Donna Budway, Emma Budway, Jeremy Dear, Jordan O'Donegan

Director: Jerry Rothwell

With expired film stock, seemingly random shots, not much dialogue, and virtually no plot, there is little to recommend It is Night in America for casual viewing. It is definitely experimental, and as director, editor, and sound designer Ana Vaz presents these shots of animals and urban landscapes, it doesn’t feel like it’s meant for entertainment. But there’s a curiously poignant tone, with the blue tint darkening the cityscape, in their eyes. Night falls for these creatures, who once had a home in this city, and all they can do is survive. É Noite na América isn’t quite the eco-horror it proclaims to be, but its moody and trancelike direction is an interesting approach to the nature documentary genre.

Genre: Documentary

Director: Ana Vaz

We Are the World is a charity single created for African famine relief. It was a smash success– it inspired plenty of other charity singles and already has a TV documentary about it. But The Greatest Night in Pop reveals new behind-the-scenes footage with a home video flair, intercut with interviews from those who were in the booth on that fateful day. The anecdotes about that night might have already been said elsewhere, but director Bao Nguyen manages to capture the energy in the room, peeking into the emotions of the various personalities that helped shape the song. It’s an intriguing, if straightforward documentary, and it’s certainly a treat watching the decade’s best voices collaborate to make this one track.

Genre: Documentary, Music

Actor: Al Jarreau, Anita Pointer, Bette Midler, Billy Joel, Bob Dylan, Bob Geldof, Bonnie Pointer, Bruce Springsteen, Cyndi Lauper, Dan Aykroyd, Daryl Hall, Diana Ross, Dionne Warwick, Harry Belafonte, Huey Lewis, Jackie Jackson, James Ingram, Jeffrey Osborne, Jermaine Jackson, John Oates, Kenny Loggins, Kenny Rogers, Kim Carnes, La Toya Jackson, Lindsey Buckingham, Lionel Richie, Madonna, Marlon Jackson, Michael Jackson, Paul Simon, Prince, Quincy Jones, Randy Jackson, Ray Charles, Ruth Pointer, Sheila E., Smokey Robinson, Steve Perry, STEVEN IVORY, Stevie Wonder, Tina Turner, Tito Jackson, Tom Bähler, Tom Myers, Waylon Jennings, Wendy Garfield-Ferris Rees, Willie Nelson

Director: Bao Nguyen

Rating: PG-13