The premise of Mars Express may not be novel, especially when films like Blade Runner have already gracefully explored the philosophical ramifications of the human-tech conflict. But the French animated movie’s richly built world, (digitally) hand-drawn characters, genuinely gripping action, and far-reaching ideas about space make it a refreshing watch. The plot is taut and tight, too, peppered with twists and grounded by character depth. It may look simple at first glance, predictable even, but by the end, you’ll be over the moon by the film’s imagination and ambition.

Genre: Action, Animation, Mystery, Science Fiction

Actor: Daniel Njo Lobé, Emmanuel Bonami, Geneviève Doang, Léa Drucker, Marie Bouvet, Marie Chevalot, Marthe Keller, Martial Le Minoux, Mathieu Amalric, Sébastien Chassagne

Director: Jérémie Périn

Rating: NR

The death of a loved one is always a tragedy, but it’s always different when things have been left unresolved, and so that love lingers, not moving on, perpetually haunting the lover left alive. Undertow takes this ghost story with a gentle, magic realism that doesn’t just bring the tears, but also frees Miguel to experience the hold of Santiago’s hand in public, to experience the moments other lovers share without prejudice. And as Santiago lingers, Miguel is left to reckon with the love that he never was allowed to have, as it’s outside the straight, monogamous dynamic expected of everyone in the small town. Contracorriente beautifully transforms the ghost story with its thoughtful juxtaposition of the latino queer experience.

Genre: Drama, Romance

Actor: Attilia Boschetti, Cristian Mercado, Emilram Cossío, José Chacaltana, Manolo Cardona, Tatiana Astengo

Director: Javier Fuentes-León

At one of the world’s largest shipping hubs, packages (and sometimes people) can get easily lost. It can be disheartening to lose something important, but that’s why it’s important to remember to check the lost and found. Through the titular niche industry, writer-director Lee Chi-Ngai crafts a existential love story that intertwines the lost souls of Hong Kong with a mournful melancholy marked with each repetition of Dance Me to the End of Love. It’s beautiful and depressing, and yet somehow Lee manages to tie all of the pieces together eloquently into something hopeful, despite the inevitable, if abrupt, ending.

Genre: Drama, Romance

Actor: Alan Mak, Cheung Tat-Ming, Henry Fong, Hilary Tsui, James Yuen, Joe Ma, Jordan Chan, Josie Ho, Joyce Tang Lai-Ming, Kelly Chen, Maria Cordero, Michael Wong, Moses Chan, Steven Ma, Takeshi Kaneshiro, Teddy Chan

Director: Lee Chi-Ngai

Directed by Indonesian filmmaker Mouly Surya (Marlina the Murderer in Four Acts), Trigger Warning is a technically impressive film that boasts beautiful cinematography and a handful of skillfully choreographed action sequences. Unfortunately, it’s let down by a mediocre and occasionally inconsistent script, as well as a less-than-stellar lead performance by Jessica Alba. Alba’s stunt double does well enough, but the actress herself is too lightweight to hold her own scenes. The CGI-ridden cold open doesn’t do it any favors too, sadly setting the tone of this promising but ultimately disappointing film.

Genre: Action, Thriller

Actor: Anthony Michael Hall, Gabriel Basso, Hari Dhillon, Jake Weary, Jessica Alba, Kaiwi Lyman, Mark Webber, Nadiv Molcho, Tone Bell

Director: Mouly Surya

Rating: R

, 1997

In this day and age, it thankfully has become less risky to come out as gay, due to the struggle of many LGBTQ+ people from the past. However, this struggle was hard won– while gay people were persecuted in the Nazi regime, it was only until decades later people started to discuss it, and one reason why research and education about it increased was due to the play Bent, depicted in film in 1997. The screen version admittedly falters compared to the West End original, with static staging and focus on the dialogue over action, but the performances are fairly decent, with an unexpected collection of cast members that maximize each moment they’re in. It’s quite depressing, and sometimes heavy handed, but Bent is a needed perspective.

Genre: Drama, History, Romance

Actor: Brian Webber, Clive Owen, Crispian Belfrage, David Meyer, David Phelan, Gresby Nash, Holly Davidson, Ian McKellen, Johanna Kirby, Jude Law, Lothaire Bluteau, Lou Gish, Mick Jagger, Nikolaj Coster-Waldau, Paul Bettany, Rachel Weisz, Richard Laing, Rupert Graves, Rupert Penry-Jones, Sadie Frost, Suzanne Bertish

Director: Sean Mathias

, 2015

Where The Secret Garden championed the restorative powers of tending to a garden as well as one’s thoughts, Swiss novel Heidi touched on similar themes a few decades before, celebrating instead the natural beauty of the Alps mountainside, and the titular character bringing back joy and hope to her family. The film remains faithful to the novel, playing out the book’s events with a more sleek look and even more stunning landscapes of the Swiss Alps. While previous generations would inevitably compare the version of their time to this latest version, 2015’s Heidi is a decent adaptation, recreating the classic tale for today’s kids.

Genre: Adventure, Family

Actor: Anna Schinz, Anuk Steffen, Beth Armstrong, Bruno Ganz, Charlotte Hamlyn, Gabriel Bismuth, Hannelore Hoger, Isabelle Ottmann, Jamie Croft, Jella Haase, Kate Fitzpatrick, Katharina Schüttler, Lucille Boudonnat, Maxim Mehmet, Michael Kranz, Monica Gubser, Monique Hore, Nicole Shostak, Penny Cook, Peter Jecklin, Peter Lohmeyer, Peter McAllum, Quirin Agrippi, Sophia Morrison, Tess Meyer, Thierry Gondet

Director: Alain Gsponer

Rating: G, N/A

While the world has gotten used to the many variants of the Romeo and Juliet story, Bombay was controversial upon its release, due to the story being centered on an interreligious marriage between a Hindu man and a Muslim woman– it led to bans in at least two countries, and to at least two homemade bombs thrown at the director’s house. The main Muslim leading lady was also portrayed by Nepali Hindu actress, Manisha Koirala, and there’s a bit of a bias with the way certain real-life events were portrayed. Despite this, Bombay still managed to captivate the country, with writer-director Mani Ratman skillfully holding our empathy for the two lovers, integrating their personal relationship in the context of the wider social issues that was shifting India at the time, and doing it all through its dynamic shots, excellent performances, and the spectacular soundtracks. It’s because of this Bombay is remembered as an ambitious masterpiece and commercial success, becoming one of the highest grossing Tamil films ever made.

Genre: Drama, Romance

Actor: Arvind Swamy, Kitty, Manisha Koirala, Nagendra Prasad, Nassar, Prakash Raj, Priya, Rohini, Sonali Bendre, Tinnu Anand

Director: Mani Ratnam

The beginning instantly captures Kodama’s essence, and quickly sets lofty expectations with the regal intro sequence and the clean narration and reenactments. But it’s basically a feature length interview of the subject, who shares her screen time with the supporting cast to her action drama life (assistants, love interests, the usual), tackling the big scandals that brought trouble to Kodama. It’s a worthy watch, if only for the deep Nelma Kodama and laundering iceberg; however, it does get very long and redundant in feel, which may be necessary to paint the whole picture, but at some point it’s a bunch of branches that lead to other branches and the tree is big.

Genre: Crime, Documentary

Actor: Anzu Lawson, Nelma Kodama

Director: João Wainer

Rating: R

There are people in life that have a one of a kind voice that you can’t help but listen to, as they provide different perspectives that challenge your own in compelling ways. The Whole Wide World tries to capture the fairly elusive pulp fiction writer Robert E. Howard, but through the perspective of the one love he once had, Novalyne Price. It’s a unique perspective, one that contrasts the choices the real life couple made that diverged their paths– pursuing the road less travelled over what’s socially expected– and director Dan Ireland crafts some pulp-like moments, especially with the rousing score and the excellent performances. That being said, Ireland does play it safe with his debut, as The Whole Wide World leaves things as vague as Howard did in his relationship with Price.

Genre: Drama, Romance

Actor: Ann Wedgeworth, Benjamin Mouton, Harve Presnell, Marion Eaton, Michael Corbett, Renée Zellweger, Vincent D'Onofrio

Director: Dan Ireland

There’s no doubt that pro climber Sasha DiGiulian is a fiercely brave and talented woman. And between her early entry into the sport and multiple first female ascents, her journey warrants an equally impressive film. Unfortunately, Here To Climb isn’t that film. It fails to capture DiGiulian’s spark and instead shows us a canned version of the athlete, one who may look appealing in inspirational clips and sponsored commercials, but here looks too guarded and rehearsed to seem authentic. The directors also don’t seem keen on appealing on a non-climbing audience since it doesn’t care to explain much of the jargon used, nor does it take its time to contextualize DiGiulian’s sport and success. The rare time it looks back, like when it introduced Lynn Hill and the major impact she had on rock climbing, is when it actually shines.

Genre: Documentary

Actor: Sasha DiGiulian

Director: Anne Sundberg, Ricki Stern

Before Games of Thrones delivered court intrigues, shocking murders, and adulterous affairs, Queen Margot delivered all these nearly two decades earlier, depicting the dramatized, real life events of the French Wars of Religion. While it doesn’t have dragons, it has style, with some of the most stunning scenes intercut with some of the most gruesome, pushing the envelope with a freedom only possible due to none of their descendants still holding the French throne. It’s also one of the most expensive French films ever made, but every franc was put to good use, with luxurious sound, sets, costumes, and camerawork excellently supporting the cast’s performances. Initially released to mixed reception in America with 20 minutes cut from the runtime, La Reine Margot has thankfully been restored and re-released in full for its 20th anniversary in 2014.

Genre: Drama, History, Romance

Actor: Asia Argento, Barbet Schroeder, Bernard Nissile, Bernard Verley, Bruno Todeschini, Claudio Amendola, Daniel Auteuil, Dominique Blanc, Emmanuel Salinger, Grégoire Colin, Isabelle Adjani, Jean-Claude Brialy, Jean-Hugues Anglade, Johan Leysen, Julie-Anne Roth, Julien Rassam, Laure Marsac, Luís Gaspar, Marc Citti, Marina Golovine, Miguel Bosé, Nicolas Vaude, Pascal Greggory, Philippe Duclos, Thomas Kretschmann, Ulrich Wildgruber, Valeria Bruni Tedeschi, Vincent Perez, Virna Lisi

Director: Patrice Chéreau

Coming-of-age films are usually optimistic, but sometimes, growing up isn’t as rosy as portrayed to be, as kids start to learn the failings of the adults that should know better and the tension that lies between sexes. Typhoon Club is like an anti-Breakfast Club, with the kids stuck in school overnight, not just one morning, due to a natural typhoon instead of randomly assigned detentions, and with the kids returning home traumatized instead of triumphant. Director Shinji Sōmai crafts a raw, turbulent experience, alternating between before, during, and after their stay that steadily heightens the uneasy, sometimes dangerous, experiences where these teenagers directly confront the disappointment that is adulthood. It’s a challenging film to watch, but Typhoon Club’s early exploration of teen ennui made it to be considered one of the best Japanese films ever made.

Genre: Drama

Actor: Makoto Satō, Minori Terada, Saburo Date, Tomiko Ishii, Tomokazu Miura, Toshinori Omi, Youki Kudoh, Yuichi Mikami, Yuka Ônishi, Yuriko Fuchizaki

Director: Shinji Sōmai

Black Barbie is at its best when director Lagueria Davis keeps the story as personal and political as possible. The first half of the documentary is a necessary history lesson about the impact toys have on our racial consciousness, which charmingly ties into Davis’ aunt’s own experience as one of the first Black staff members over at Mattel. Davis then intercuts colorfully set-up talking heads with equally charming scenes of stop-motion Barbies. But if only the entire documentary would just be as realized and focused as this half. The rest, unfortunately, are scattered pieces that never tie into a cohesive whole. At one point, the documentary morphs into a Mattel mouthpiece, and at another, it’s a straightforward roundtable analysis with little to no editing. The quirky flourishes and personal anecdotes that colored the early parts of the documentary are few and far at this point, making it feel ultimately half-baked.

Genre: Documentary

Actor: Virginia Watson

Director: Lagueria Davis

, 2004

While it plays the standard beats of the musician biopic, Ray is a fairly entertaining biopic centered on Ray Charles, the man that pioneered soul music, mixing in rhythm and blues, jazz, and gospel into a brand new sound. It goes through plenty of the melodramatic moments familiar to the genre– the prior hardships, the drug addiction, and of course, the moments of musical bliss– and there are some fictionalized moments, but Jamie Foxx’s excellent portrayal and Charles’ tunes are able to carry the film all the way through. Though the way Charles was parented in childhood is a tough watch, and isn't the best way to parent, Ray sticks true to the singer’s life, with every scene personally approved by the legend before his death.

Genre: Drama, Music

Actor: Aunjanue Ellis-Taylor, Bokeem Woodbine, Carol Sutton, Chris Thomas King, Clifton Powell, Curtis Armstrong, David Krumholtz, Denise Dowse, Gary Grubbs, Harry Lennix, Jamie Foxx, Jedda Jones, Kerry Washington, Kurt Fuller, Larenz Tate, Patrick Bauchau, Paula Jai Parker, Regina King, Richard Schiff, Rick Gomez, Robert Wisdom, Sharon Warren, Tequan Richmond, Terrence Howard, Thomas Jefferson Byrd, Warwick Davis, Wendell Pierce

Director: Taylor Hackford

Rating: PG-13

Given the controversial subject matter, there’s something remarkably placid about the way About Dry Grasses proceeds. Amidst the snowy white steppes of Eastern Anatolia, writer-director Nuri Bilge Ceylan slowly lets the plot unfold through multiple conversations, where an accusation of inappropriate contact leads to a he-said, she-said investigation, all centered around a misanthropic protagonist Samet. By focusing the entire film on Samet, Ceylan takes the time to understand this difficult, exhausting character in a detached manner, with the camera oftentimes taking in the whole lived-in, rundown places where Samet lives and works in. It’s an interesting perspective, depicting the ways everyone’s fumbling around, trying to create boxes to understand one’s place in the world, but it’s not an easy one to explore. About Dry Grasses dares to do so, anyway.

Genre: Drama

Actor: Cengiz Bozkurt, Deniz Celiloğlu, Ece Bağcı, Elit Andaç Çam, Erdem Şenocak, Merve Dizdar, Münir Can Cindoruk, Musab Ekici, Nalan Kuruçim, Yıldırım Gücük, Yüksel Aksu

Director: Nuri Bilge Ceylan