Call Me Kate isn’t as much of a revelation as the star it’s portraying, but of course, it’s still lovely to talk about the incredible Katharine Hepburn. Revealing new footage from one of Hepburn’s close friends, and contextualized with interviews with some of the few remaining people that were close with her, the documentary goes through her life, with a focus more on what she felt about it. Certain letters are read by a voice impressionist, which creates a bit of an uncanny valley, and the way the footage was arranged and organized can be strange. However, Call Me Kate is still able to capture what makes Katharine Hepburn so captivating.

Genre: Documentary

Actor: Katharine Hepburn

Director: Lorna Tucker

Generation-centric comedy is often of the “kids these days” variety — in which comedians make uninspired jibes about the youth of today while spectacularly lacking self-awareness of their own — but twenty-something stand-up Leo Reich thankfully upends that trend with his self-lampooning debut show. Reich takes a risk by unabashedly casting himself as a self-absorbed nepo baby in the opening — narcissism as a bit can become grating pretty quickly — but his perceptive abilities and readiness to both embody and commentate on Gen Z stereotypes are the saviors of this hour-long comedy special.

Stand-up isn’t the only medium he makes use of: the show is also part-musical, as Reich belts out wry musings on the contradictions of his generation — at once self-loathing but tending towards narcissism, cripplingly self-aware but no more enlightened for it — at intervals throughout. If there’s anything to lament here, it’s that Reich’s main character syndrome is so effectively paired with the doom-and-gloom context he paints (as he puts it, he’s spent way too much of his youth Googling "death toll") that the show’s aftertaste is a little too bitter — but then again, nihilism is another characteristic typically associated with zoomers, so you could argue this is simply supreme commitment to the bit.

Genre: Comedy

Actor: Leo Reich

Director: Thomas Hardiman

Rating: R

Biographical documentaries tend to depict exceptional people– people who are so great that everyone wants to know about them, and people who are so terrible that they serve as a warning. Great Photo, Lovely Life depicts a serial sexual abuser in photojournalist Amanda Mustard’s family, able to get away with nearly all his crimes each time he skips over state lines. It’s not an easy film. It’s deeply uncomfortable. There are certain interviews that will trigger anger, despair, and bewilderment over how someone so evil can remain out of bars all his life. Great Photo, Lovely Life doesn’t provide any easy, comforting sequence as a balm to sexual abuse survivors around the world, but it’s an urgent reminder of the consequences of maintaining silence.

Genre: Documentary

Actor: Amanda Mustard

Director: Amanda Mustard, Rachel Beth Anderson

For the entirety of Where Was I, Trevor Noah is comfortably in his pocket—speaking to an audience that's clearly familiar with his style and his views (if the respectful silences and occasional cheering are any indication) and branching off into sharing more serious facts between the jokes. And Noah's style is clearly refined, as he speaks clearly and sticks to a coherent structure at all times. But at a certain point his level of comfort here also leads to punchlines that are too easy or unsurprising, with too much focus placed on the kinds of voices and accents he can put on rather than the content of what he's saying. Noah remains a strong entertainer, but when you know how scathing he can get, this feels more like a warmup round.

Genre: Comedy, Documentary

Actor: Trevor Noah

Director: David Paul Meyer

Rating: PG-13

Loss can be straightforwardly heartwrenching, but it could also be bewildering, cryptic, and too sudden to even process. New Religion depicts a grieving mother, whose loss of her daughter, and her meet up with an eccentric photographer, causes her to behave strangely. The film goes through the events in a surreal, existential haze, with a skin-crawling scene that reveals the photographer’s nefarious reasons, but the sequences remain inscrutable and the themes and certain characters don’t mesh as well as they could have. New Religion might befuddle viewers just looking for a casual watch, but it’s definitely a thought provoking and promising debut from Keishi Kondo.

Genre: Drama, Horror

Actor: Daiki Nunami, Kaho Seto, Ryuseigun Saionji, Satoshi Oka, Yuki Nagata

Director: Keishi Kondo

There's a novel idea at the center of World's First Christmas, but the film's unfortunately takes it through the least interesting route available. There's a rich opportunity here to unpack what the holiday season really means to people, or to poke fun at how this occasion for togetherness and celebration has been co-opted by corporations trying to make a buck. But the film never gets there, running through a series of occasionally funny scenarios only to end up becoming an unconvincing advertisement for Christmas as a consumer holiday. The main gag here is that everyone has been left miserable by the absence of Christmas, which is an idea that falls apart immediately once you start asking even the simplest questions about it.

Genre: Comedy, Drama, Family, Fantasy

Actor: Fabiana Karla, Ígor Jansen, Ingrid Guimarães, Lázaro Ramos, Rafael Infante, Theo Mattos, Wilson Rabelo

Director: Gigi Soares, Susana Garcia

At least you can't accuse this holiday film of being generic. Combining the incredibly incompatible elements of drug busts and figure skating (and still failing to justify this crazy idea, though not for a lack of trying), Dealing with Christmas eventually begins to feel more like a series of comedy sketches making up the rules as it goes along. This definitely leads to moments of both excitement and effective humor, but its lack of consistency ultimately makes the awkward outweigh the good. Still, the audacity on display is something to be admired, and the film is just well-made enough to keep its constant experiments worth the curiosity.

Genre: Action, Adventure, Comedy, Fantasy

Actor: Alex Lutz, Alice Moitié, Bruno Sanches, Catherine Hosmalin, Élise Hobbé, Eric Judor, Etienne Guillou-Kervern, François Vincentelli, Guy Lecluyse, Hafid F. Benamar, Jean-Yves Tual, Jonas Dinal, Kim Higelin, Laura Felpin, Lison Daniel, Marie-Charlotte Leclaire, Monsieur Poulpe, Nicky Marbot, Paul Deby, Philippe Lacheau, Ragnar Le Breton, Tom Dingler

Director: Arthur Sanigou

When injustice takes away the ones you love, and when what you relied on abandoned you, it can be hard to open up again. Breath of Life is a story of a man that has gone through this, a man betrayed by both God and the colonial powers that once celebrated his talents, but he finds new purpose when his hired househelp enters his life. While the cast is great, the choice to stick completely in English feels disarming, some of the events that follow go down cliche paths, and the solutions found feel contrary to its intended message. Breath of Life has an interesting point, but the themes don’t mix as well as they could have.

Genre: Drama

Actor: Ademola Adedoyin, Chimezie Imo, Genoveva Umeh, Wale Ojo

Director: Bodunrin Sasore

Even if it knows to keep its ambitions modest, Holiday in the Vineyards still doesn't find much to do for its small cast. The actors do what they can and certainly seem like they're having fun play-acting a warm Christmas romcom, but when all is said and done there simply isn't anything particularly striking about the collection of romcom-isms assembled for this movie. Even the film's premise—which seems to promise a unique clashing of values between a small town and big capitalist business—resolves things with little more than a pat on the back. It's certainly sweet on the surface, but these people we're asked to to spend 107 minutes with still feel like strangers to us by the end.

Genre: Drama, Romance

Actor: Alan Toy, Annika Noelle, Carlos Solórzano, Cullen Douglas, Eileen Davidson, Gregory Zarian, Josh Swickard, Julian Rangel, Kaleina Cordova, Manuel Rafael Lozano, Omar Gooding, Paul Witten, Sol Rodríguez

Director: Alex Ranarivelo

Rating: PG

Family is one of the bonds we don’t really get to choose, and for better or for worse, they’re the bonds that form the foundation of our lives. Familia depicts this bond faithfully, as Leo’s remaining family, his three adult daughters, all travel back to the family’s olive orchard to decide on its fate. The way the bond is depicted feels realistic, as each of the family members can confront each other with their choices in the one time of the year they can do so. The film is able to make it work with its excellent cast, and carefully written dialogue that makes the conversation flow naturally. While Familia isn’t a holiday film, it’s a fairly realistic depiction of a family gathering and a timely film to watch before heading home to your family for the holidays.

Genre: Drama

Actor: Ángeles Cruz, Brian Shortall, Cassandra Ciangherotti, Daniel Giménez Cacho, Ilse Salas, Maribel Verdú, Natalia Solián, Vicky Araico

Director: Rodrigo García

Rating: R

With every new Aardman production, their stop motion animation technique becomes more and more seamless, looking practically indistinguishable from the work being put out by other animation studios that use CG. However, Chicken Run: Dawn of the Nugget also threatens to flatten into the same kind of entertainment churned out by other studios at a faster rate. There isn't as much personality to either the story or the art direction—which gave the first Chicken Run film such a sense of urgency—and any ideas about how one's radical beliefs are tested with age never really get off the ground. And yet, what Aardman is able to do with actual tactile models will never not be impressive, these rebellious chickens standing as a tribute to handcrafted storytelling that will never be replaced.

Genre: Adventure, Animation, Comedy, Family

Actor: Alison Dowling, Amy McAllister, Bella Ramsey, Daniel Mays, David Bradley, David Brooks, Harry McEntire, Imelda Staunton, Jane Horrocks, Josie Sedgwick-Davies, Julia Sawalha, Kate Harbour, Lynn Ferguson, Miranda Richardson, Naomi McDonald, Nick Mohammed, Peter Serafinowicz, Ramanique Ahluwalia, Rebecca Gethings, Romesh Ranganathan, Sam Fell, Sam Wilkinson, Sarah Counsell, Shobu Kapoor, Sudha Bhuchar, Tamaryn Payne, Thandiwe Newton, Tim Bentinck, Tom Doggart, William Vanderpuye, Zachary Levi

Director: Sam Fell

Rating: PG

Being a priest requires full devotion to God, so falling in love would naturally challenge a seminarian and make them question whether priesthood is the right path for them. I Love Lizzy portrays this conflict as the seminarian Jeff falls in love with Bicol tour guide Lizzy, on the break where he’s supposed to make his discernment. It’s an intriguing love story, especially as Jeff and Lizzy heal past wounds with each other, and Carlo Aquino adeptly navigates his second seminarian role with ease. However, it’s clear that more care and attention was given to Jeff’s storyline rather than Lizzy’s. Despite this, I Love Lizzy is a unique, if a bit uneven, take on the seminarian love story that continues to captivate the predominantly Catholic country today.

Genre: Drama, Romance

Actor: Andrew Gan, Barbie Imperial, Carlo Aquino, Meanne Espinosa, Robert Seña, Turs Daza

Director: RC Delos Reyes

Ordinary people don’t choose to join a war, but oftentimes, they are dragged into it, forced to fight, and become victims of it because of people in power. Adrishya Jalakangal takes this idea in a dystopic future, where war has turned India into a police state, and mixes in a watchman who’s able to talk with the dead. While the message is necessary and the idea is novel, the execution feels uneven, as the anti-war and magic realist elements feel like elements from what should be two separate movies. Alongside the sluggish pace and the dialogue that’s a tad too on the nose, it’s hard to get through Adrishya Jalakangal when it can’t decide what it wants to focus on.

Genre: Drama, Thriller

Actor: Indrans, Krishnan Balakrishnan, Nimisha Sajayan, Tovino Thomas

Director: Bijukumar Damodaran

A great example of a documentary that covers a marginalized community without imposing the gaze of a detached, "superior" filmmaker, Last Days at Sea chronicles daily life in a Filipino fishing town but remembers to contrast its images of hardship with the care of a community. There are times when the film's director, Venice Atienza, might insert herself into the picture a little too much, but for the most part this movie feels uniquely co-authored by the people it follows on screen. A subtle sadness permeates through every interaction, as memories are brought up of those who used to live here, and as those who remain acknowledge that everyone is fated to leave the warmth and safety of the town at some point—an injustice if ever there was one.

Genre: Documentary

Actor: Cleofe Betonio, Cresente Betonio, Emibie Paño, Florecita Paño, John Russel Rey Paño

Director: Venice Atienza

As a sluggishly paced, three-hour spiritual drama with little dialogue and even less plot, Inside the Yellow Cocoon Shell certainly won't convert anybody who isn't already interested in slow cinema. Even those who don't mind these types of films in which "nothing happens" might feel that it doesn't weave its themes of faith and suffering tightly enough. But there's more than enough beauty to contemplate here, courtesy of Dinh Duy Hung's stunning cinematography, which invites us to simply inhabit the world and to stop looking for answers. This may sound like a copout, but it's quite the experience to have a film force you to rethink how you're viewing it, as you're viewing it.

Genre: Drama

Actor: Le Phong Vu, Nguyen Thi Truc Quynh, Nguyen Thinh, Vu Ngoc Manh

Director: Pham Thien An