Last Stop Larrimah is the rare true-crime doc in which not a single tear is shed throughout its substantial two-hour runtime. That’s because the assumed-dead 70-year-old around whom it's centered had a lot of enemies: nearly all of his neighbors in the titular tiny Outback outpost he lived in, in fact. As the doc reveals, Larrimah — population: 10 (11 before Paddy Moriarty disappeared in 2017) — was a pressure cooker of big personalities roiling with animosity. 

Given the town’s tiny population, the film has the uncommon privilege of being able to explore the potential motives of every possible suspect — and it does, diving into vicious feuds over meat pies, hungry pet crocodiles, and the million grievances Paddy’s neighbors apparently harbored. But, though it presents all motives as equally plausible, it turns out one explanation is much more likely than the rest. That’s the problem here: like so many other true-crime docs, by the end, you can’t help but feel that the journey this takes is ultimately exploitative. Though it’s an entertaining portrait of eccentric Aussie characters, the film is much too devoted to doing just that — entertaining — at the expense of all its participants (including the unremarkable local police, for some reason), and so its late pivot into emotional profundity feels markedly insincere.

Genre: Documentary

Director: Thomas Tancred

Familiarity breeds contempt, and Swedish Netflix’s new horror-comedy takes this idea to the extreme. Based on the novel by Mats Strandberg, who’s known as the Swedish Stephen King, The Conference is centered around a group of employees on their company retreat. With its ensemble, the film crafts a relatable dynamic, with the exact petty back-and-forth and the same exact corporate politics many adults have to deal with. It’s no wonder one of them snaps, and takes them out one by one. The film isn’t exactly new, with the decades’ collection of slashers all over the world, but this Swedish thriller is a fun take on it, with match cut transitions, quick paced sequences, and the gruesome murders of the group most adults spend time with - their colleagues. It’s an interesting watch as the world gets back to the office.

Genre: Comedy, Horror, Thriller

Actor: Adam Lundgren, Amed Bozan, Bahar Pars, Cecilia Nilsson, Christoffer Nordenrot, Claes Hartelius, Eva Melander, Jimmy Lindström, Katia Winter, Lola Zackow, Maria Sid, Marie Agerhäll, Martin Lagos, Robert Follin

Director: Patrik Eklund

An arguably tough watch, The Accused fluctuates between crime and courtroom drama, eschewing any kind of sentimentality in its storytelling. No place for pity where trauma reigns: the fact that the film is based on a real case of as gang rape means little in a world were that's still a daily occurrence. The Accused knows it well and invests its two protagonist with all the anger in the world, hoping the justice system will be on the right side of history at once: that of women. Two amazing leads set the bar very high: Jodie Foster and Kelly McGillis who plays prosecutor Kathryn Murphy. Together, they make a powerful duo of heated performances that embody the contradictions of being a woman under patriarchy.

Genre: Crime, Drama

Actor: Allan Lysell, Andrew Kavadas, Ann Hearn, Antony Holland, Babs Chula, Bernie Coulson, Carmen Argenziano, Christianne Hirt, Dana Still, David Sheridan, Denalda Williams, Deryl Hayes, Frances Flanagan, Freda Perry, Garry Chalk, Garwin Sanford, Jerry Wasserman, Jodie Foster, Kelly McGillis, Kevin McNulty, Kim Kondrashoff, Leo Rossi, Linda Darlow, Marsha Andrews, Michele Goodger, Mike Winlaw, Pamela Martin, Peter Bibby, Peter Van Norden, Rebecca Toolan, Rose Weaver, Scott Paulin, Stephen Dimopoulos, Stephen E. Miller, Steve Antin, Terry David Mulligan, Tom Heaton, Tom McBeath, Tom O'Brien, Veena Sood, Walter Marsh, Woody Brown

Director: Jonathan Kaplan

Rating: R

There's a cruelty to In My Mother's Skin that may seem off-putting at first, but one must reckon with the sheer scale of the violence already occurring before these characters are even introduced to us. The Japanese occupation of the Philippines was a particularly vicious period in the country's history; if Filipinos weren't fighting or hiding from their invaders, many of them were trying to maintain a precariously submissive, neutral existence, or they were being turned against each other due to the conflict of war trickling down between the social classes. All these things are implicit throughout Kenneth Dagatan's film, which doesn't try to reenact World War II but capture the total absence of hope during this period.

Dagatan's style of horror insists on a very slow pace, emphasizing every footstep leading to a horrifying reveal, and not just the main scare itself. This choice doesn't always work, especially as certain beats begin to repeat themselves, but the film's incredibly confident visual style fills every moment with an eerie paranoia. Gothic, shadowy interiors, nasty gore, and one opulently costumed fairy make everything perpetually unsettling—gradually forcing us to accept that these contradictions are just the reality of life under war.

Genre: Action, Drama, Fantasy, Horror, Mystery, Thriller, War

Actor: Angeli Bayani, Arnold Reyes, Beauty Gonzalez, Brian Sy, Felicity Kyle Napuli, James Mavie Estrella, Jasmine Curtis-Smith, Noel Sto. Domingo, Ronnie Lazaro

Director: Kenneth Lim Dagatan

You don’t have to have seen a single game of tennis to enjoy this mockumentary about the longest match that (n)ever took place in the sport’s history. Andy Samberg plays Aaron Williams, the mullet-sporting adopted brother of Serena and Venus (whose family “reverse Blind-Sided” him) made immortal by his record-smashing, week-long battle with posh, dim-witted English prodigy Charles Poole (Kit Harington) at Wimbledon. Things only get more riotously ridiculous from the premise: the team behind sports spoof Tour de Pharmacy chronicle the winding journeys the rivals took to that climactic seven-day showdown, from forays into the world of innovative underwear design to stints in Swedish jails, by way of a surreal tangent into the storied faux-history of courtroom sketch art. Suffice it to say: the tennis isn’t really the point here.

Real-life figures from the sport (including Serena Williams and John McEnroe) ground the spoof in enough reality to make the zany humor pop, with the comedy coming from a very game Fred Armisen, Michael Sheen, Lena Dunham, Will Forte, and Howie Mandel. With eccentric humor in spades — from the puerile to the surreal — and a lean runtime, 7 Days in Hell packs in as many dizzying jokes as Aaron and Charles do volleys in their absurd history-making rally.

Genre: Comedy, TV Movie

Actor: Andy Samberg, Chris Evert, Chris Romano, David Copperfield, Destiny Soria, Dolph Lundgren, Filip Hammar, Fred Armisen, Henrik Rutgersson, Howie Mandel, Jerry Gregorio, Jim Lampley, John McEnroe, Jon Hamm, June Squibb, Karen Gillan, Kit Harington, Lena Dunham, Lori Morkunas Jones, Ludwig Manukian, Lyssa Roberts, Mary Steenburgen, Michael Sheen, Serena Williams, Soledad O'Brien, Will Forte

Director: Jake Szymanski

Bowling For Columbine addresses the sore wounds of 9/11 by exploring the concepts of safety and fear as perceived by various people. From school shooting survivors, through Canadians who never lock their doors, to Marilyn Manson and actor/NRA president Charlton Heston, Michael Moore's interviewees all inform the complex picture of gun violence and its rise today. The director is not afraid to provoke and ask the pressing questions linking the abstract fear of the other to the reality of lost lives every day. Even his irony and parody—a morose cartoon arguably based on South Park especially—bites back hard.

Genre: Documentary, Drama

Actor: Adolf Hitler, Bill Clinton, Charlton Heston, Chris Rock, Dick Clark, Duke of York, George H. W. Bush, George W. Bush, Jacobo Árbenz, Jessica Savitch, Keanu Reeves, King Charles III of the United Kingdom, Marilyn Manson, Matt Stone, Michael Moore, Prince Andrew, Prince Andrew, Duke of York, Salvador Allende, Trey Parker

Director: Michael Moore

Rating: R

Pushing an already extreme activity even further beyond its limits, Ueli Steck and Dani Arnold have became the world champions of speed climbing—a variation of the sport that places much greater importance on direct competition over communing with nature. It's fascinating to hear what drives Steck and Arnold to courting death like this, and to see how their vastly different backgrounds and processes have still made them equals in the field. The documentary eventually runs out of ideas, however, as it clumsily shifts tones leading into its last third, and concludes abruptly without much synthesis of everything that had come before. It's still a worthwhile adventure whether or not one is into climbing; it's just disappointing that this story of such a unique rivalry settles into a more generic rhythm by the end.

Genre: Action, Adventure, Documentary

Actor: Dani Arnold, Ueli Steck

Director: Götz Werner, Nicholas de Taranto

Rating: PG-13

A remake of the 2018 South Korean film of the same name, Keys to the Heart never really seems like it comes together as a thematic whole. In its bid to be a modest slice of life—as a story that just happens to feature boxing and classical music amid family conflict—its separate parts wind up feeling underdeveloped. So despite admirable work from its cast and big emotional moments that are treated with a surprising level of sensitivity, there's always a sense that the film is constantly trying to be a soap opera instead of simply being a messier, more organic thing.

Genre: Drama

Actor: Althea Pinzon, Apollo Abraham, Bart Guingona, Dolly de Leon, Elijah Canlas, Katya Santos, Lao Rodriguez, Michelle Dee, Rafael Francisco, Tirso Cruz III, Zanjoe Marudo

Director: Kerwin Go

Documentaries tend to depict real subjects through grounded, true-to-life ways, but the subject matter of Beyond the Light Barrier feels quite fantastic. Based on the autobiography of a South African meteorologist, this documentary isn’t about the science of weather watching – instead, it’s about Elizabeth Klarer and her strange account of her alien lover. Director Uga Carlini reimagines her encounters through 50’s style graphics, comic book-like illustrations, and John Kani’s serene narration. The film doesn’t make the conclusion whether aliens are true, as the film’s interviews vary between believers and skeptics. However, it’s an interesting look into these encounters, and how people use these unusual accounts to express certain fears and ideologies, especially in its last fifteen minutes.

Genre: Documentary, Drama

Just like with his mentor and contemporary, Fred Rogers, there are no dark secrets to Ernest Coombs' earnest belief in giving children the space to be gentle and creative. Even with relatively little "drama" throughout the life of the man called Mr. Dressup, it's still profoundly moving to see him put in the work to make the world a kinder place. Director Robert McCallum keeps this documentary exactly as straightforward as it needs to be, moving through Coombs's life with total reverence but plenty of modesty—making sure not to inflate the idea of Mr. Dressup into something Coombs himself would have disagreed with.

In its act of honoring this person with an everyman personality and a trunk full of quaint costumes, the film also serves as a tribute to low budget educational television. Working within a very small studio, with simple puppets and no strict script to follow, Coombs and his friends found any way possible to stick to their original idea of teaching very young kids that being kind and communicating one's feelings clearly were the best things one could achieve. Behind Mr. Dressup's softness is a remarkable work ethic, a deep respect for children, and a commitment to thoughtful, universal values.

Genre: Documentary, Family

Actor: Andrew Phung, Bif Naked, Bruce McCulloch, Catherine Tait, Ed Robertson, Eric McCormack, Ernie Coombs, Fred Penner, Fred Rogers, Graham Greene, Jim Creeggan, Jim Parker, Jonathan Torrens, Judith Lawrence, Kevin Hearn, Lynn Coombs, Michael J. Fox, Nina Keogh, Paul Sun-Hyung Lee, Peter Mansbridge, Scott Thompson, Terry McManus, Trina McQueen, Tyler Stewart, Yannick Bisson

Director: Robert McCallum