This documentary prides itself on its rawness from its home video style. It uses a lot of uninterrupted clips that don’t really need to be there, as well as odd choices for symbolic b-roll and mood-setting music in the early going. But at the center of the documentary is John du Pont, an unstable old money mark who wishes to be one of the boys, treating the wrestlers like his family in the absence of his own. The interviews paint a clear picture of him as a delusional, lonely, and dangerous man, and the foreshadowing is insane albeit too slow. While it may be visually all over the place, perhaps the biggest nitpick about it is that, out of respect, it could have allotted more time to Dave Schultz or the aftermath.

Genre: Crime, Documentary

Actor: Dan Chaid, Dave Schultz, John E. du Pont, Mark Schultz, Nancy Schultz

Director: Jon Greenhalgh

Rating: TV-14

This is a nostalgic, ethereal memory like a childhood yearning, which can be credited to the soundtrack and friendly characters. Its got a lovely message about unspoken or repressed feelings, but the journey there unravels quickly. The second act enters filler side quest territory and loses the energetic pace and tight direction of the exposition. In the end, the premise and pretty visuals feel almost wasted on an ill-paced bloated story, one that tries to capture a wistfulness or magic but ends up feeling forced and manufactured. This is one of those movies you wish was the first movie you ever watched as a child. You won’t have a clue what it was about, but you'll remember it was nice.

Genre: Adventure, Animation, Family, Fantasy

Actor: Aya Yamane, Hisako Kyoda, Kensho Ono, Mio Tanaka, Mitsuho Kambe, Miyu Tomita, Noriko Hidaka, Satoshi Mikami, Satsuki Yukino, Shintaro Asanuma, Shirou Saitou, Shouzou Sasaki, Tomoko Shiota

Director: Tomotaka Shibayama

Rating: PG-13

Stories of forbidden love are captivating, because in the face of a lover, in the face of one’s opposite, one cannot help but be challenged, hopefully for the better. This is not what happened here. Out in the Dark is a film debut that takes this idea in the Middle East, with two gay lovers coming from Palestine and Israel. It’s an intriguing idea, and had it been more nuanced, Israeli director Michael Mayer would have created a daring first feature, but the film clearly comes from a limited Israeli perspective, with no Palestinians casted or working behind the scenes. While the film may be sympathetic to hypothetical LGBTQ+ people in Palestine, Out in the Dark doesn’t have the guts to question why they’ve been persecuted in the first place.

Genre: Drama, Romance, Thriller

Actor: Alon Pdut, Chelli Goldenberg, Huda Al Imam, Jameel Khoury, Khawlah Hag-Debsy, Loai Nofi, Michael Aloni, Moris Cohen, Nicholas Jacob, Shimon Mimran

Director: Michael Mayer

Rating: NR

The Great Lillian Hall doesn’t do anything particularly great to a familiar premise, but it’s still worth watching for the knockout performances. There’s Lange, whose dementia both complicates her desire to mount one last performance and resurfaces her guilt for being an absent mother. There’s Bates, who offers both sympathy and tough love. And then there’s Rabe, who’s gut-punching as the pained daughter crawling her way into her mother’s stiff arms. Everything else about the film is not as noteworthy as it drags the film for way longer than it should be. But that trifecta of performances makes it all worthwhile.

Genre: Drama

Actor: Allison Mackie, Blaque Fowler, Bryan McClure, Cindy Hogan, Clayton Landey, David Chin, David Marshall Silverman, David Vaughn, Derrick LeMont, Erik Parillo, Jesse Williams, Jessica Lange, Jonathan Horne, Kathy Bates, Keith Arthur Bolden, Kenneth Trujillo, Lauren Buglioli, Lily Rabe, Meg Gillentine, Michael Rose, Noshir Dalal, Pierce Brosnan, Rebecca Watson, Robert Stevens Wayne, Tenz McCall, Zele Avradopoulos

Director: Michael Cristofer

Rating: PG-13

Too Funny to Fail isn’t just a documentary about funny people. It’s a documentary that’s hilarious in its own right. Director Josh Greenbaum assembles the comedic powerhouse behind the short-lived Dana Carvey Show and has them recall the idiosyncratic, subversive skits they did on the show. They are, of course, naturally funny, but it’s the questions Greenbaum asks them off-cam, the clips he shows, and the titles he picks for them (Bill Hader, as a fan who used to watch the show in lieu of going to classes, is stuck with “once skipped school”) that gives the documentary its own comedic signature. The spectacular failure of The Dana Carvey Show is also an inspirational story of sorts, given the astronomical success its staff and cast have and are continuing to enjoy since its cancellation.

Genre: Comedy, Documentary

Actor: Bill Hader, Dana Carvey, Jon Glaser, Louis C.K., Robert Carlock, Robert Smigel, Spike Feresten, Stephen Colbert, Steve Carell

Director: Josh Greenbaum

Rating: NR

With inconsistent pacing and a deeply unpleasant protagonist, it’s hard to recommend The Seeding to every viewer. It’s really slow-paced, deeply uncomfortable, and it starts with, of all things, a baby eating a finger. But there’s an interesting style to this arthouse horror, a marriage of desert survival thriller and folk horror that restricts all possible modes of escape through its claustrophobic canyon. As Wyndham gradually discovers a secret community driven back to primitive instincts, director Barnaby Clay inverts the idea of what it means to be one’s fundamental self. Most viewers might not appreciate the story, and the ideas aren’t as cohesive as it could be, but horror fans looking for something new in the genre might find The Seeding fairly interesting.

Genre: Horror, Thriller

Actor: Alex Montaldo, Charlie Avink, Kate Lyn Sheil, Scott Haze, SoKo, Thatcher Jacobs

Director: Barnaby Clay

Rating: R

Admittedly, being released in theaters a month after Immaculate, The First Omen can almost be accused of being derivative, with similar protagonists, plots, and themes. However, unlike Immaculate, this film captures a bit of the 1970s horror style that was best seen in the original 1976 Omen film, with the paranoia, the investigations, the Eastman Kodak-inspired color grading, and the number of the devil now depicted in striking modern images and clearer digital definition. And, considering that the Roe decision was overturned two years ago, the idea of a forced virgin conception is a great way to reintroduce Gen Z to the horror franchise, as the prequel, and today’s women, now have to deal with religion and authority reducing women only into vessels. The First Omen is a timely adaptation that takes familiar horror tropes and executes them well.

Genre: Horror

Actor: Alessandra Fallucchi, Andrea Arcangeli, Anton Alexander, Bill Nighy, Charles Dance, Dobrila Stojnic, Dora Romano, Eva Ras, Ishtar Currie Wilson, James Swanton, María Caballero, Mario Opinato, Mia McGovern Zaini, Michelangelo Dalisi, Milena Božić, Miodrag Rakočević, Nell Tiger Free, Nicole Sorace, Rachel Hurd-Wood, Ralph Ineson, Sônia Braga, Sylvia Panacione, Tawfeek Barhom

Director: Arkasha Stevenson

Rating: R

The tags raunchy and irreverent get thrown around on Netflix like I throw around the word fascinating. But make no mistake about it, this was disgusting right off the bat. There’s not a lot to the jokes, though, other than terrible accents and caricatures and small dick references. It feels like a reenactment of a mid standup comedy bit that went on too long. It's a fun bro movie that tells conservative Pinoy culture to suck it, but it’s a visual and narrative mess, and it has the balls to try and end on a meaningful note when it never attempted any semblance of it throughout.

Genre: Comedy

Actor: Caira Lee, Donna Cariaga, Enrique Gil, Kenneth Won, Kumron Jivachat, Miguel Almendras, Mihk Vergara, Nikko Natividad, Pepe Herrera, Red Ollero, Sahatchai Chumrum, Sunshine Teodoro, Vern Kaye, Wipawee Charoenpura

Director: Victor Villanueva

It’s hard not to be enchanted by Henson’s furtively creative world, which here is charmingly sectioned into nostalgic archival footage, stop motion art, and clips of Henson’s own experimental films early in his career. Those unfamiliar with Henson might think his story is simply the history of the Muppets and Sesame Street (though even then it would be a full one), but Henson has plenty of other creations too. He’s part of a line of chronically dissatisfied artists who are constantly reinventing and restlessly one-upping themselves, which is why his work evolved into early CGI, as well as The Dark Crystal franchise and films like Labyrinth. This lovingly told documentary tries to match Henson’s heart and creativity, while also showing the darker aspects of his life, such as the effect his nonstop artistry had on his family and health.

Genre: Documentary

Actor: Brian Henson, Dave Goelz, Fran Brill, Frank Oz, Jennifer Connelly, Jim Henson, Lisa Henson, Rita Moreno

Director: Ron Howard

Rating: PG

After the 1975 release of the Maysles brothers’ Grey Gardens, Big and Little Edie Beale’s story captivated viewers and spawned a musical and a dramatized biopic about the reclusive, impoverished socialite mother-daughter duo. The Beales of Grey Gardens is a compilation of the remaining unreleased archival footage, released after the death of both subjects and David Maysles. For those unfamiliar with their story, the film might feel a bit random and contextless. But for Beale fans, and those familiar with their first documentary, this sticks close to the classic cinema vérité style of the Maysles, while also uncovering other sides of these interesting, eccentric former socialites, becoming a lovely tribute for them and their fans.

Genre: Documentary, Drama

Actor: Albert Maysles, David Maysles, Edith Bouvier Beale, Jerry Torre, Lois Wright

Director: Albert Maysles, David Maysles

Rating: NR

While the mixed reception of its near-faithful American remake Vanilla Sky might make some viewers pause, there’s an intuitive brilliance in the Spanish original Open Your Eyes that isn’t easy to translate. Sure, the apparent differences help– it’s shorter and less complicated, and Cesar’s face turns more grotesque than David’s does. But what’s startling about Open Your Eyes is the way writer-director Alejandro Amenábar guides the camera through its various shifts, creating a more subtle and gradual realization that something is wrong, and thus, a more terrifying dream turned nightmare. Amenábar has later deemed the film as his worst, saying it was written when he didn't know much about life, but, in our opinion, Abre Los Ojos still holds up as a groundbreaking existential sci-fi simulation, one that still puzzles and captivates years after.

Genre: Drama, Science Fiction, Thriller

Actor: Chete Lera, Eduardo Noriega, Fele Martínez, Gérard Barray, Ion Gabella, Miguel Palenzuela, Najwa Nimri, Penélope Cruz, Tristán Ulloa, Walter Prieto

Director: Alejandro Amenábar

Rating: R