Coming-of-age films are usually optimistic, but sometimes, growing up isn’t as rosy as portrayed to be, as kids start to learn the failings of the adults that should know better and the tension that lies between sexes. Typhoon Club is like an anti-Breakfast Club, with the kids stuck in school overnight, not just one morning, due to a natural typhoon instead of randomly assigned detentions, and with the kids returning home traumatized instead of triumphant. Director Shinji Sōmai crafts a raw, turbulent experience, alternating between before, during, and after their stay that steadily heightens the uneasy, sometimes dangerous, experiences where these teenagers directly confront the disappointment that is adulthood. It’s a challenging film to watch, but Typhoon Club’s early exploration of teen ennui made it to be considered one of the best Japanese films ever made.

Genre: Drama

Actor: Makoto Satō, Minori Terada, Saburo Date, Tomiko Ishii, Tomokazu Miura, Toshinori Omi, Youki Kudoh, Yuichi Mikami, Yuka Ônishi, Yuriko Fuchizaki

Director: Shinji Sōmai

Black Barbie is at its best when director Lagueria Davis keeps the story as personal and political as possible. The first half of the documentary is a necessary history lesson about the impact toys have on our racial consciousness, which charmingly ties into Davis’ aunt’s own experience as one of the first Black staff members over at Mattel. Davis then intercuts colorfully set-up talking heads with equally charming scenes of stop-motion Barbies. But if only the entire documentary would just be as realized and focused as this half. The rest, unfortunately, are scattered pieces that never tie into a cohesive whole. At one point, the documentary morphs into a Mattel mouthpiece, and at another, it’s a straightforward roundtable analysis with little to no editing. The quirky flourishes and personal anecdotes that colored the early parts of the documentary are few and far at this point, making it feel ultimately half-baked.

Genre: Documentary

Actor: Virginia Watson

Director: Lagueria Davis

, 2004

While it plays the standard beats of the musician biopic, Ray is a fairly entertaining biopic centered on Ray Charles, the man that pioneered soul music, mixing in rhythm and blues, jazz, and gospel into a brand new sound. It goes through plenty of the melodramatic moments familiar to the genre– the prior hardships, the drug addiction, and of course, the moments of musical bliss– and there are some fictionalized moments, but Jamie Foxx’s excellent portrayal and Charles’ tunes are able to carry the film all the way through. Though the way Charles was parented in childhood is a tough watch, and isn't the best way to parent, Ray sticks true to the singer’s life, with every scene personally approved by the legend before his death.

Genre: Drama, Music

Actor: Aunjanue Ellis-Taylor, Bokeem Woodbine, Carol Sutton, Chris Thomas King, Clifton Powell, Curtis Armstrong, David Krumholtz, Denise Dowse, Gary Grubbs, Harry Lennix, Jamie Foxx, Jedda Jones, Kerry Washington, Kurt Fuller, Larenz Tate, Patrick Bauchau, Paula Jai Parker, Regina King, Richard Schiff, Rick Gomez, Robert Wisdom, Sharon Warren, Tequan Richmond, Terrence Howard, Thomas Jefferson Byrd, Warwick Davis, Wendell Pierce

Director: Taylor Hackford

Rating: PG-13

Given the controversial subject matter, there’s something remarkably placid about the way About Dry Grasses proceeds. Amidst the snowy white steppes of Eastern Anatolia, writer-director Nuri Bilge Ceylan slowly lets the plot unfold through multiple conversations, where an accusation of inappropriate contact leads to a he-said, she-said investigation, all centered around a misanthropic protagonist Samet. By focusing the entire film on Samet, Ceylan takes the time to understand this difficult, exhausting character in a detached manner, with the camera oftentimes taking in the whole lived-in, rundown places where Samet lives and works in. It’s an interesting perspective, depicting the ways everyone’s fumbling around, trying to create boxes to understand one’s place in the world, but it’s not an easy one to explore. About Dry Grasses dares to do so, anyway.

Genre: Drama

Actor: Cengiz Bozkurt, Deniz Celiloğlu, Ece Bağcı, Elit Andaç Çam, Erdem Şenocak, Merve Dizdar, Münir Can Cindoruk, Musab Ekici, Nalan Kuruçim, Yıldırım Gücük, Yüksel Aksu

Director: Nuri Bilge Ceylan

In another country, you can forge a completely different life from the one you had in your hometown. For closeted LGBTQ+ individuals, moving to a more tolerant society allows you to explore facets of your sexuality that wasn’t possible previously. In Goodbye Mother, first generation immigrant Nau Van is confronted with the secrets he hid from his hometown, the secret that isn’t a secret in America. The conflict plays out in a familiar fashion, going through plenty of the usual experiences that coming out entails, but, while these are familiar, Goodbye Mother tugs at the reality Asian immigrants experience, and does so in a sweet and empathetic way.

Genre: Drama, Romance

Actor: Hồng Ánh, Hồng Đào, Lãnh Thanh, Lê Thiện, Võ Điền Gia Huy

Director: Trinh Dinh Le Minh

Cheerfully outrageous yet heartwarmingly tender, the Adventures of Priscilla, Queen of the Desert was ahead of its time, daring to dive into drag and transexuality, when the rest of the world was still coming around to accepting homosexuality. On the bus which the title is named after, two drag queens and a trans woman have a road trip, that does have some difficult moments, when they drive through intolerant towns, but overall, becomes quite lovely, as the three forge a bond through drag, witty, sarcastic quips and sharing vulnerable moments. While all three leads are portrayed by cis men, and the role of Bob’s Filipino wife feels slightly stereotypical, overall, The Adventures of Priscilla is a grand ol’ time, a joyful film about finding family in a world where tolerance wasn’t a guarantee.

Genre: Comedy, Drama

Actor: Bill Hunter, Guy Pearce, Hugo Weaving, Kenneth Radley, Rebel Penfold-Russell, Sarah Chadwick, Terence Stamp

Director: Stephan Elliott

Rating: R

It’s hard not to botch a documentary about one of the most endearing, beloved, and talented celebrities to come out of the industry, so in subject matter alone, Love, Gilda is a winner. But director Lisa Dapolito rightly understands that Radner’s life is more than just the usual Hollywood story of stumbling into fame and fortune as she mines something quite special out of Radner’s journey. More than a biography, Love, Gilda is also a manifesto for female comedians, a relatable tale of girlhood, and a comforting message for those afflicted with similar illnesses that they’re not alone. Also, by the end, it turns into a great love story you can’t help but long for.

Genre: Documentary

Actor: Amy Poehler, Bill Hader, Bill Murray, Cecily Strong, Chevy Chase, Gene Wilder, Gilda Radner, Laraine Newman, Lorne Michaels, Martin Short, Maya Rudolph, Melissa McCarthy, Paul Shaffer

Director: Lisa D’Apolito

When Castro took over Cuba in the 1950s, Havana’s nightlife shifted as clubs and casinos were closed down, leading to certain traditional step-based genres like son, bolero, and danzón to decline. A few decades later, prominent American musician Ry Cooder travelled to Cuba with his friend documentarian Wim Wenders, to pay homage to traditional Cuban music in an album and its respective documentary. Wenders weaves in illuminating interviews and shots of Cuba today in between the band’s Amsterdam and Carnegie Hall performances, with a certain intuition that makes each song feel like a triumph. While the documentary does focus more on Cooder, Buena Vista Social Club is a delight to watch, even with its 90s digital grain.

Genre: Documentary, Music

Actor: Compay Segundo, Eliades Ochoa, Ibrahim Ferrer, Joachim Cooder, Omara Portuondo, Ry Cooder

Director: Wim Wenders

Rating: G

While Hollywood still makes some films in this genre, there are less historical epics being released, in part due to cost, but also in part due to having had so many, ever since the start of the medium. However, there are some historical events that we rarely see on film, and one of them is The Great Battle. Set before the formation of a united Korea, the film is a classic standoff against a larger army, that has all the swordfighting and armies we’ve come to expect, but it’s also grounded by the dynamic between a young warrior sent to assassinate, and the hardened, brilliant commander whose leadership kept the troops protected. While there are moments that definitely eludes historical accuracy, and there are some subplots that distract from the main conflict, The Great Battle is a fairly entertaining historical epic to watch, especially when focused on the action-packed clashes and the spectacular warfare.

Genre: Action, History, War

Actor: Bae Seong-woo, Bae Sung-woo, Cha Eun-woo, Eom Tae-goo, In-sung Jo, Jang Gwang, Jeong In-kyeom, Joo-Hyuk Nam, Ju Seok-tae, Jung Eun-chae, Jung Ji-hoon, Kim Seol-hyun, Nam Joo-hyuk, Oh Dae-hwan, Oh Dae-whan, Park Byung-eun, Park Sung-woong, Seol-Hyun Kim, Seolhyun, Shin Yoo-ram, Stephanie Lee, Sung Dong-il, Sung-woong Park, Um Tae-goo, Yeo Hoi-hyeon, Yu Oh-seong, Zo In-sung

Director: Kim Kwang-shik, Kim Kwang-sik, Kwang-shik Kim

Rating: Not Rated, R

Education isn’t always a guarantee, especially in less privileged areas that are underfunded, overlooked, and underprioritized, in the belief that these kids wouldn’t amount to much in the end. That being said, sometimes, what changes that fate is having a teacher that believed in his students and encouraged them to learn more than what they were expected. Stand and Deliver is a dramatization of the real life Jaime Escalante, who transformed a math program in an east LA high school to the point where his entire class ace California’s calculus test. The film definitely takes some dramatic liberties, but it does capture a sense of his quiet determination, the personality that pushed him to believe in and connect with students differently. While Escalante’s program eventually ended due to admin changes and staff in-fighting, Stand and Deliver is a reminder of the importance of nurturing ganas, or desire, in the classroom.

Genre: Drama

Actor: Andy Garcia, Betty Carvalho, Bodie Olmos, Carmen Argenziano, Edward James Olmos, Estelle Harris, Ingrid Oliu, Irene Olga López, Karla Montana, Lou Diamond Phillips, Manuel Benitez, Mark Phelan, Rosanna DeSoto, Vanessa Marquez, Virginia Paris

Director: Ramón Menéndez

Rating: PG

, 2024

If you’re coming into this expecting to relive your favorite ‘80s coming-of-age moments from The Breakfast Club to St. Elmo’s Fire, then you’ll get a taste of that, but don’t expect to be fully satisfied. Instead, the reunion that happens in Brats resembles group therapy more than anything. Here, director Andrew McCarthy (Pretty in Pink, St. Elmo’s Fire) seems to be on a journey to heal from his troubled past, which he believes was caused, in part, by a defamatory article that called him and a crop of young actors in the ‘80s “The Brat Pack.” The film follows McCarthy as he travels across the country to discuss the label with fellow Brat Packers, who funnily enough, don’t share his contempt for it. Sure, they’re annoyed, but they’ve moved on for the most part. McCarthy on the other hand doesn’t possess the self-awareness to know this, which is perhaps why he’s fallen trap to the Streisand Effect. “The Brat Pack” isn’t nearly as negative as he thinks it to be, but because he keeps ranting about it, he's unwittingly fueling the accusations against him. He just might be the vain celebrity, the brat, he claims he's not. Still, the documentary has its moments. The way it’s modestly filmed is charming and inventive, the artful blend of old footage and 80s music hits the nostalgic spot, and the conversations can be interesting. Who would’ve thought Demi Moore would be the wisest person in the room?

Genre: Documentary

Actor: Ally Sheedy, Andrew McCarthy, Bret Easton Ellis, Demi Moore, Emilio Estevez, Eric Stoltz, Howard Deutch, Jacqueline Bisset, James Spader, Joel Schumacher, John Ashton, John Cusack, John Hughes, Jon Cryer, Judd Nelson, Lauren Shuler Donner, Lea Thompson, Malcolm Gladwell, Marci Liroff, Molly Ringwald, Phil Donahue, Richard Schickel, Rob Lowe, Sammy Davis Jr., Sean Penn, Timothy Hutton, Tom Cruise, Tom Myers

Director: Andrew McCarthy

The Two of Us could have been a sweet romantic drama all about lifelong devotion regardless of the circumstances, but instead, first time director Filippo Meneghetti makes it feel more like an unsettling thriller that captures the paranoia and near insanity it feels to be closeted– with Nina having to beg Mado to tell her family, having to hide in what has become her own home, and having to bargain and manipulate her way to Madeleine’s side. Two of Us is quite a stunning debut with such a unique depiction of a lesbian relationship.

Genre: Drama, Romance

Actor: Aude-Laurence Clermont Biver, Barbara Sukowa, Denis Jousselin, Eugenie Anselin, Jérôme Varanfrain, Léa Drucker, Martine Chevallier, Muriel Bénazéraf

Director: Filippo Meneghetti

Rating: NR

, 2019

To those unfamiliar with Filipino folklore, some of the scenes in Rain (2019) might feel kooky, with horse heads and giant eggs and the personification of a typhoon popping up occasionally in between Maya’s quest for love. Even fans of Filipino romantic dramas and love teams might be taken aback by the last third of the film, which doesn’t take the usual route in the genre. But these eccentric choices work to characterize Maya as someone who loves being in love, as someone who grew up on mythology and fantasy to cope with the difficulties of life, as someone who nevertheless keeps that belief despite the terribleness of the mundane, the mismanaged inconveniences that pile up, and, of course, the multiple heartbreaks that she faces. It may be strange and unexpected, but Ulan is just one of the most unique Filipino romances ever created.

Genre: Drama, Fantasy, Mystery, Romance

Actor: Aj Muhlach, Andrea Del Rosario, Angeli Bayani, Carlo Aquino, Josef Elizalde, Jourdanne Castillo, Kylie Verzosa, Leo Martinez, Marco Gumabao, Nadine Lustre, Perla Bautista, William Martinez

Director: Irene Villamor

The premise is really exciting to jump into: Paralympic domination feels original, but the cartoonish crime underbelly is not at all the best wrinkle to add to the initial idea. The sports and family drama side of the action feels grounded, full of heart, and far from being fleshed out to a satisfying degree. In contrast, the dark world side of the action has a Hollywood emptiness to it, which is ironic because the premise is heavy enough on its own, only to be overcrowded by this sci-fi noise. It could do without a lot of the elements, but maybe all the bloat is intentional to move the story away from a political conversation and into a safer albeit uneventful one.

Genre: Action, Adventure, Science Fiction

Actor: Bruno Gagliasso, Christian Malheiros, Danton Mello, Erika Januza, Gabz, Guta Ruiz, Jessica Córes, Klebber Toledo, Miguel Falabella, Nill Marcondes, Paulo Vilhena

Director: Afonso Poyart

Rating: R

It starts out easy and compelling enough, in the middle of a crime scene with a naked dead girl on the shore. But easy and compelling this refuses to be. The film seems to be a slow, painful look at the process of capturing a perpetrator, a detective’s effort to profile a killer. But it threw a lot more at the wall hoping a lot more would stick. The nonlinear storytelling spices up the action, but it just feels like the base story needed all the help it could get. If you do stick with the movie, you’ll see some gory details, some twists, and an unnecessarily complex story.

Genre: Crime, Drama, Mystery, Thriller

Actor: Andrzej Konopka, Andrzej Zieliński, Jakub Gierszał, Jan Wieteska, Justyna Schneider, Maja Ostaszewska, Paweł Jusiński, Przemysław Bluszcz, Wojciech Zieliński, Zbigniew Stryj, Zofia Jastrzębska

Director: Adrian Panek