The new stand-up special from Pete Davidson won't win over any skeptics, but there's something to admire in how the comedian heads straight towards edgy material, tells us he's going to go there, and still manages to surprise when he follows through. Which is to say Davidson's audacity might be more impressive than any of his actual writing in this special, with a good number of his jokes highlighting the bizarre situations his fame leads him into, but little more than that. It's stoner comedy for better or worse—observations about a strange world from a hazy point of view that may not always be coherent.

Genre: Comedy

Actor: Pete Davidson

Director: Jason Orley

Rating: R

The level of access that A Thousand Cuts gets to both the side of the press and of the administration is ultimately what makes it valuable. By being on the ground with journalists doing honest-to-goodness hard work, the film reframes Duterte's war on drugs (really a campaign to terrorize the poor into submission) as an information war between news outlets and government propaganda. Unfortunately, in the process, the film also winds up excluding the voices of working class people and how they both engage and are engaged by all this information. There should be a way to honor the work of these journalists without accidentally positioning them above the public they serve.

Genre: Documentary

Actor: Amal Clooney, George Clooney, Leni Robredo, Maria Ressa, Patricia Evangalista, Pia Ranada

Director: Ramona S. Diaz

Even if it doesn't provide the most comprehensive information about treatment and care for multiple sclerosis (MS)—especially for those who can't afford a ridiculously expensive stem cell transplant—this isn't really the point of Introducing, Selma Blair. This is still mostly a biographical documentary about a (self-confessed) "not-so-famous" celebrity, who gets to be incredibly honest about some of the privilege she enjoys, and how that privilege still doesn't make MS any easier. Blair's determination, her sense of humor, and her articulate way of expressing herself keep the film from descending into total sadness, but it also never shies away from the uglier, more difficult parts of her journey.

Genre: Documentary

Actor: Selma Blair

Director: Rachel Fleit

Real life tragedies, especially one that's as sensationalized as the Miracle in the Andes, can be tough to depict on screen. On one hand, the film has to keep true to the story but also maintain some form of spectacle to keep people watching. Past depictions of the 1972 crash are preoccupied with the cannibalism portrayed by big name actors, but Society of the Snow takes a different route. The actors are newcomers, the threats to their lives don't require daring action stunts, and the cannibalism is limited to small chunks indistinguishable from animal meat. Instead, the spectacle of Society of the Snow is the human spirit– the vulnerability, the respect, and the generosity they've given each other in order to survive. It’s still an uncomfortable watch, especially since we get to know some of the survivors before the crash, but it’s definitely a transcendent addition to the genre dedicated to the miracle of existence.

Genre: Drama, History

Actor: Agustín Berruti, Agustín Della Corte, Agustín Lain, Agustín Pardella, Alfonsina Carrocio, Andy Pruss, Benjamín Segura, Blas Polidori, Carlos Miguel Páez Rodríguez, Daniel Patricio Antivilio Acuña, Diego Vegezzi, Emanuel Parga, Emanuel Sobré, Enzo Vogrincic, Esteban Bigliardi, Esteban Kukuriczka, Esteban Pico, Facundo Roure, Fede Aznárez, Federico Formento, Felipe González Otaño, Felipe Otaño, Felipe Ramusio, Felipe Ramusio Mora, Fernando Contigiani García, Francisco Bereny, Francisco Burghi, Francisco Romero, Gustavo Zerbino Stajano, Jerónimo Bosia, Juan Caruso, Juandi Eirea Young, Julian Bedino, Lautaro Bakir, Louta, Lucas Mascarena, Luciano Chattón, Mariano Rochman, Matías Recalt, Pablo Tate, Paula Baldini, Rafael Federman, Roberto Suárez, Rocco Posca, Santiago Vaca Narvaja, Simon Hempe, Sofía Lara, Tea Alberti, Tomas Wolf, Toto Rovito, Valentino Alonso, Virgínia Kauffmann

Director: J.A. Bayona

Rating: R

There's no doubt that this documentary on Jolly Joseph ought to be more interesting to those who are closer to the actual events of the case; it definitely has enough mystery and intrigue to be a good story. But the way it's been presented here is just too tedious for its own good, sticking to the same-old true crime devices and eventually devolving into discussion that sounds more like gossip. It's understandable that the primary suspect isn't in this film to be able to provide some sort of counter perspective, but the interviewees who do get to say their piece don't add particularly memorable insight into the circumstances surrounding these details, which can just be read up online.

Genre: Crime, Documentary

Actor: Jolly Joseph, M. S. Mathew, Remo Roy, Renji Wilson, Rojo Thomas

Director: Christo Tomy

Air Mata di Ujung Sajadah tugs at the heartstrings because it recognizes the pain of losing one’s child, whether that be to elopement, death, or to their biological parent. This, with a stirring score, and the tears of Titi Kamal and Citra Kirana, makes Aqilla and Yumna easy to root for, as they try to settle who would best be Baskara’s mother. It’s not an easy decision, and the film thankfully refrains from turning either woman to be an antagonist. However, all the sorrow, pain, and suffering hinges on Halimah’s decision, that, in the first place, shouldn’t have been possible. As the film plays out into its inevitable conclusion, the journey there is heartwarming, maybe even tearjerking, but it doesn’t feel as satisfying as it could have been if Halimah dealt with the consequences of her actions.

Genre: Drama

Actor: Citra Kirana, Dendy Subangil, Fedi Nuril, Jenny Rachman, Krisjiana Baharudin, Mbok Tun, Muhammad Faqih Alaydrus, Titi Kamal, Tutie Kirana

Director: Key Mangunsong

The American Christian film industry hasn't been terribly successful at crossing over to general audiences, and Journey to Bethlehem still succumbs to corny attempts at humor and performances that can still feel too self-conscious. But not unlike a musical such as Jesus Christ Superstar, this movie finds moderate success at balancing its faith-based elements with a focus on individual characters. Creative license has obviously been taken here to varying results: the songwriting is generally uninspired and lacks a unified style, but the songs add much-needed shades of humanity to a story that most people probably know as a Sunday school summary.

Genre: Comedy, Drama, Family, Music

Actor: Alicia Borrachero, Antonio Banderas, Antonio Cantos, Antonio Gil, Fiona Palomo, Geno Segers, Joel Smallbone, María Pau Pigem, Milo Manheim, Omid Djalili, Pedro Aijón, Rizwan Manji, Stephanie Gil

Director: Adam Anders

Rating: PG

Unlike in other films that only seem to evoke a previous era to make a target demographic feel warm and fuzzy inside, there's something vaguely artificial about Death of Nintendo's air of nostalgia—which is exactly what helps it tell its story. There isn't anything particularly novel about this movie's plot or characters, but Raya Martin's direction has us consider various themes between all the stuff you'd expect to see in a young adult movie. In moments of quiet unease that seem to punctuate every other sequence, we're drawn towards the absence of father figures, the inability of the women to get through to their sons (already embedded in patriarchal customs), and the idea that one's childhood in a Catholic country seems to be marked by physical pain. Beyond the film's feathery lighting and colorful production design, there's a surprising amount to think about.

Genre: Comedy, Drama

Actor: Agot Isidro, Elijah Alejo, Jigger Sementilla, John Vincent Servilla, Kim Chloe Oquendo, Lou Veloso, Mailes Kanapi, Nikki Valdez, Noel Comia Jr., Ramon Bautista

Director: Raya Martin