Su-ki-da is a Japanese romantic drama about Yu and Yosuke, a girl and a boy studying in the same school. Their odd friendship develops as Yu starts following Yosuke to the meadow, where he goes to play his guitar. As the years go on, Yu and Yosuke grow apart — until a night of coincidence reunites them. Throughout the movie, there are a lot of silent moments shared between the two protagonists, which sometimes make for an awkward watch. But the soft sound of guitar and views of the lush meadow will be sure to fill you with serenity.

Genre: Drama, Romance

Actor: Aoi Miyazaki, Eita, Eita Nagayama, Hidetoshi Nishijima, Hiromi Nagasaku, Maho Nonami, Nao Ōmori, Ryō Kase, Sayuri Oyamada

Director: Hiroshi Ishikawa

, 1985

An attempt to articulate just how vast and magnificent the scope of Akira Kurosawa’s 乱 (Ran) is will inevitably fall short. Recognized as a master of epics, including his 七人の侍 (Seven Samurai, 1954), Kurosawa reimagines Shakespeare’s tragic King Lear set in medieval Japan. Each shot is labored and precise, as sublime landscapes overwhelm the screen, dwarfing the armies of men fighting below. 

At the center of the ensuing wars is Hidetora Ichimonji, an aging warlord. Ichimonji divides his conquered land between his three sons, Taro, Jiro, Saburo. The Ichimonji clan, however, will not settle for less than everything. Father and sons scheme against one another, leading to violent plots for control over the kingdom. Greed poisons the Ichimonji’s bloodline, pervasive and all-consuming. The tragedy that unfolds is indeed as poignant as any great Shakespeare work. 

The road ahead is lined with bodies, blood, jealousy, paranoia—and it’s a long way to the bottom from the throne. Kurosawa, confronting his own mortality and legacy, achieves a titanic masterpiece with Ran. Few films so deeply grasp the tragedy of war at this visceral level. While Ran is not an easy watch, it’s a must-watch for all.

Genre: Action, Drama, History

Actor: Akira Terao, Daisuke Ryû, Haruko Tôgô, Hisashi Igawa, Hitoshi Ueki, Jinpachi Nezu, Jun Tazaki, Kazuo Katô, Kenji Kodama, Kumeko Otowa, Mansai Nomura, Masayuki Yui, Mieko Harada, Norio Matsui, Pîtâ, Reiko Nanjo, Shinnosuke Ikehata, Susumu Terajima, Takeshi Katō, Tatsuya Nakadai, Tetsuo Yamashita, Tokie Kanda, Toshiya Ito, Yoshiko Miyazaki, Yoshitaka Zushi, 井川比佐志

Director: Akira Kurosawa

Alexander Sokurov might best be known for Russian Ark, his grand single-take jaw-dropper featuring over 2,000 actors. In a way, Mother and Son is the exact opposite, featuring only two, and instead of traversing hundreds of years of history, it wades through a singular moment in time. This intimate and hypnotic piece of slow cinema trails a son taking care of his dying mother out in the beautiful countryside.

Sokurov’s frames mirror impressionist paintings, while the mix of slow movement and sparse dialogue creates heartbreaking poetry. So many films casually employ death like a light-switch - on and off and out of mind. Sokurov instead confronts it as a corrosive force that bends time to its will and pulls both the dying and the grieving into its grasp.

Genre: Drama

Actor: Aleksei Ananishnov

Director: Aleksandr Sokurov

Wong Kar-wai’s dreamlike masterpiece is a perfect portrayal of the wilderness of a city at night. A hitman trying to get his job done, a woman hunting the prostitute who stole her boyfriend, and a mute who loves his father's cooking: each of the characters in Fallen Angels is eccentric and interesting in their own way. Along the watch, you may find yourself overwhelmed by all the events taking place as each character fights to stay alive and satisfy their desire, but this is exactly where the beauty lies. A hazy view of Hong Kong is the backdrop for the characters' riveting stories, blending loneliness, lust, as well as missed opportunities. Fallen Angels is a remarkably balanced film that not only exposes the coldness of people in the city, but also their warmth.

Genre: Action, Crime, Drama, Romance

Actor: Benz Kong, Benz Kong To-Hoi, Chan Fai-Hung, Chan Man-Lei, Chan Siu-Wah, Charlie Yeung, Choi Kwok-Keung, Choi Kwok-Ping, Chow Gam-Kong, Johnnie Kong, Karen Mok, Karen Mok Man-Wai, Kwan Lee-Na, Lee Tat-Chiu, Leon Lai, Michelle Reis, Takeshi Kaneshiro, Toru Saito, Wong Kwan-Hong

Director: Kar-Wai Wong, Wong Kar-wai

Rating: R

This moving biopic is about Maud Lewis, the legendary Canadian painter who suffered from arthritis. In the film, Maud gets away from her controlling family by finding a job as a live-in housekeeper for a local fish peddler. It is there where she begins to paint, before marrying the fish peddler in spite of their different personalities. Sally Hawkins, who plays Lewis, brings undeniable spark and soul to the role, for which she had to undergo an astonishing physical transformation.

Maudie is a beautiful and uncomplicated film that challenges the conventions of marriage and relationship roles, while at the same time celebrating Maud Lewis’ paintings and life’s simple pleasures.

Genre: Drama, Romance

Actor: Billy MacLellan, Brian Marler, David Feehan, Denise Sinnott, Erin Mick, Ethan Hawke, Gabrielle Rose, Greg Malone, Kari Matchett, Kate Ross, Lawrence Barry, Lisa Machin, Marthe Bernard, Mike Daly, Nik Sexton, Sally Hawkins, Zachary Bennett

Director: Aisling Walsh

Rating: PG-13

This South Korean coming-of-age story, an award-winning debut from Lee Su-jin, is centered around a high school student named Han Gong-ju. There's a dark aura surrounding our teenage protagonist, as she avoids making new friends and closes herself off from the world. More than anything, she is afraid that people will discover the secret behind her shy persona, and the past events that changed her life forever. This is an intricate and truly devastating tale, sensitively told, and is likely to leave even the most hardened viewers filled with rage at those who have wronged Han Gong-ju.

Genre: Drama

Actor: Baek Ji-won, Baik Ji-won, Beom-taek Kwon, Chun Woo-hee, Dong Hyun-bae, In-seon Jeong, In-sun Jung, Ji Soo, Jo Dae-hee, Jung In-sun, Kim Hyun-joon, Kim Ji-soo, Kim Jung-pal, Kim So-young, Kimchoi Yong-Joon, Kwon Beom-taek, Kwon Bum-taek, Lee Young-lan, Min Kyung-jin, Oh Hee-joon, Oh Hee-jun, So-young Kim, Son Seul-gi, Woo-hee Chun, Yeong-ran Lee, Yim Dong-seok, Yoo Seung-mok, Young-lan Lee

Director: Lee Su-jin, Su-jin Lee

Rating: R

Watching A Silent Voice, sensitive viewers will likely feel repulsion toward the main character, Shoya Ishida — and maybe you should, for the awful things he did as a kid. You might even feel the urge to jump into your screen and protect Shouko Nishimiya, the deaf girl who is new at school. A beautifully crafted anime, the story captures a high-school bully’s remorse and despair as he tries to redeem himself from past wrongdoing, demonstrating that even the cruelest among us can become vulnerable to feelings of shame and regret. While it is heart wrenching, the story is also full of hope, showing how to ask for forgiveness, as well as how to give it. Beyond the great script, animation, colours, and scoring, each shot of A Silent Voice is a masterpiece in and of itself.

Genre: Drama

Actor: Aoi Yuki, Kensho Ono, Mayu Matsuoka, Megumi Han, Miyu Irino, Naoko Yamada, Saori Hayami, Toshiyuki Toyonaga, Yoshitoki Oima, Yui Ishikawa, Yuki Kaneko

Director: Naoko Yamada

Rating: Not Rated

The apex of Abbas Kiarostami’s monumental filmography, Close-Up is a testament to the late directors’ ingenuity and humanism. Kiarostami documents the real-life trial of a man who impersonated fellow Iranian filmmaker Mohsen Makhmalbaf, and ingratiated himself to a family believing him to be the real deal. The courtroom drama and interviews are fascinating enough, but Kiarostami takes it one step further by having everyone involved reenact the events as they happened.

The result is an unparalleled piece of filmmaking that blurs the boundaries between documentary and narrative while posing vital questions about the exclusivity of cinema and the storytelling process. Despite its sophisticated constructions, Kiarostami’s direction is lucid and direct as it builds to a passionate and unforgettable conclusion.

Genre: Crime, Documentary, Drama

Actor: Abbas Kiarostami, Hossain Farazmand, Hossain Sabzian, Mohsen Makhmalbaf, Monoochehr Ahankhah

Director: Abbas Kiarostami

One of the most notable avant-garde filmmakers, Su Friedrich is both a tour-de-force of documentary filmmaking and queer cinema. In Sink or Swim, Friedrich explores the complicated dynamic between a distant, work-oriented father and young daughter longing for his attention, approval, and love.

At just barely 45 minutes, Sink or Swim is cinematic poetry. The movie slowly unfolds across six vulnerable vignettes, through which Friedrich invites the viewer to meditate on the past alongside her. Through photographs, archival footage, and loose narrative storytelling, Freidrich shows that storytelling is a way of both healing the past and learning to live with its ghostly figures.

Genre: Documentary, Drama

Actor: Jessica Meyerson

Director: Su Friedrich

Muriel is a young social outcast who spends her time obsessively planning a dream wedding without ever having been on a date. Her life is flipped upside down when she steals $15,000 from the family business to go on a tropical getaway. This brilliant comedy is memorable as much for Toni Collete’s breakout role as it is for its snarky subversion of rom-com tropes.

Muriel’s Wedding arrived in a wave of bright and brash Australian comedies of the early 90s like Priscilla Queen of the Desert and Strictly Ballroom. And like these counterparts, its heightened reality gives way to a surprising and heartbreaking emotional core. Director PJ Hogan would go on to direct My Best Friend’s Wedding - a fun but watered-down imitation of the surprising storytelling that made this a cult classic.

Genre: Comedy, Drama, Romance

Actor: Annie Byron, Barry Crocker, Basil Clarke, Belinda Jarrett, Bill Hunter, Cecily Polson, Chris Haywood, Dan Wyllie, Daniel Hepner, Daniel Lapaine, Darrin Klimek, Di Smith, Frankie Davidson, Fred Rouady, Gabby Millgate, Geneviève Picot, Gennie Nevinson, Heather Mitchell, Ineke Rapp, Jacqueline Linke, Jeanie Drynan, John Gaden, John Walton, Jon-Claire Lee, Julian Garner, Kevin Copeland, Kirsty Hinchcliffe, Kuni Hashimoto, Louise Cullen, Matt Day, Nathan Kaye, Penne Hackforth-Jones, Pippa Grandison, Rachel Griffiths, Richard Carter, Richard Morecroft, Richard Sutherland, Rob Steele, Robert Alexander, Robyn Pitt Owen, Roz Hammond, Scott Hall-Watson, Sophie Lee, Susan Prior, Toni Collette, Vincent Ball

Director: P.J. Hogan

Rating: R

This beautiful, realistic, and nostalgic anime movie about childhood is one that almost anyone can relate to. Set in the year of 1982, twenty-seven-year-old Taeko Okajima is traveling to the countryside by train. Along her journey, she gets flashbacks of her childhood: mostly in elementary school, stealing glances at a boy, and navigating puberty. The movie goes back and forth between past and present, easily making one long for sun-filled summers of yesteryear and silly jokes between playfriends. As well as telling a story about Taeko's past, Only Yesterday also tells a story about her present, and the combined realism of the plotline with the beautiful animation grips you and doesn’t let go. Only Yesterday truly feels like home.

Genre: Animation, Drama, Romance

Actor: Chie Kitagawa, Ichirō Nagai, Issey Takahashi, Masahiro Ito, Masahiro Itou, Mayumi Iizuka, Mayumi Izuka, Michie Terada, Miki Imai, Toshiro Yanagiba, Yoko Honna, Yorie Yamashita, Yoshimasa Kondô, Yuki Minowa, Yuuki Masuda

Director: Isao Takahata

Rating: PG

This Park Chan-Wook classic is the third part of a trilogy of films around the theme of revenge, following Sympathy for Mr. Vengeance and Oldboy. While ultimately unique, Lady Vengeance is a thriller set in a prison, in the vein of films such as the Japanese action drama Female Prisoner #701: Scorpion. After being framed and wrongly convicted for murder, our protagonist seeks out the true perpetrator of the crime –– but more than anything else, she seeks vengeance. 

This film’s run time is 115 minutes and every second is essential. There is often gratuitous violence perpetrated by men against women in film, however Lady Vengeance takes back control and for that reason it remains one of my favorite revenge films.

Genre: Drama, Thriller

Actor: Anne Cordiner, Bu-seon Kim, Byeong-ok Kim, Cha Soon-bae, Choe Hui-jin, Choi Hee-jin, Choi Jung-woo, Choi Min-sik, Go Su-hee, Ha-kyun Shin, Han Jae-duk, Hye-jeong Kang, Ji-tae Yu, Jin-Seo Yoon, Jin-seo Yun, Jun Sung-ae, Kang Hye-jeong, Kang Hye-jung, Kang-ho Song, Kim Bu-seon, Kim Byeong-Ok, Kim Byung-ok, Kim Ik-tae, Kim Jin-goo, Kim Keum-soon, Kim Shi-hoo, Kim Si-hoo, Kim Yoo-jung, Kim You-jung, Ko Chang-seok, Ko Su-hee, Koh Soo-hee, Kwon Yea-young, Lee Byung-joon, Lee Dae-yeon, Lee Seung-shin, Lee Yeong-ae, Lee Yong-nyeo, Lee Young-ae, Lim Su-gyeong, Min-sik Choi, Nam Il-woo, Oh Dal-su, Oh Gwang-rok, Oh Kwang-rok, Park Myung-shin, Ra Mi-ran, Ryoo Seung-wan, Seo Ji-hee, Seo Young-ju, Seung-Shin Lee, Seung-wan Ryoo, Shi-hoo Kim, Shin Ha-gyun, Shin Ha-kyun, Song Kang-ho, Su-hee Go, Toni Barry, Tony Barry, Won Mi-won, Yea-young Kwon, Yeong-ae Lee, Yoo Ji-tae, Yoon Jin-seo

Director: Chan-wook Park, Park Chan-wook

Rating: R

As impressive as Studio Ghibli’s collection of films are, I am still stubborn to believe that Porco Rosso is its most underrated film. Porco Rosso, directed by Hayao Miyazaki, is the story of a World War military aviator-turned-bounty hunter who has mysteriously been transformed into a pig. 

Bright with humor, heart, and flight (Miyazaki is largely influenced and inspired by the art of aviation), Porco Rosso manages to also acknowledge and reckon with the horrors of war. It also boasts one of, if not the greatest, line in any Ghibli film: I’d rather be a pig than a fascist.

Genre: Adventure, Animation, Comedy, Drama, Family

Actor: Akemi Okamura, Akio Otsuka, Bunshi Katsura, Bunshi Katsura Vi, Ginzo Matsuo, Hiroko Seki, Mahito Tsujimura, Minoru Yada, Nobuo Tanaka, Osamu Saka, Reizō Nomoto, Sanshi Katsura, Shinnosuke Furumoto, Shûichirô Moriyama, Tatsuyuki Jinnai, Tokiko Kato, Tsunehiko Kamijo, Yoko Soumi, Yu Shimaka, Yuzuru Fujimoto

Director: Hayao Miyazaki

Rating: PG

The Safdie Brothers spent over a decade making films before their mainstream breakout with Good Time and Uncut Gems. Their rich backlog captures New York City in its raw vibrant glory. Daddy Longlegs is the sardonic semi-autobiographical portrait of the Safdies’ childhood spent with their father after their parents' divorce. 

Lenny (Ronald Bronstein) is an awful dad whose parenting style ranges from the wildly irresponsible to the criminally negligent. While his behavior is often detestable and has few if any redeeming traits, the Safdies’ puncture through his demeanor and craft a sensitive portrait of fatherhood imbued with affection and feeling that could only originate from the well of a child’s capacity for forgiveness and love.

 

Genre: Comedy, Drama

Actor: Abel Ferrara, Alex Greenblatt, Alex Kalman, Casey Neistat, Dakota Goldhor, Dakota O'Hara, Danny Callahan, Eléonore Hendricks, Josh Safdie, Lance de los Reyes, Lee Ranaldo, Marc Raybin, Ronald Bronstein, Sage Ranaldo, Salvatore Sansone, Sean Price Williams, Seth Fleischaner, Steve Davis, Van Neistat, Wayne Chin

Director: Benny Safdie, Josh Safdie

This coming-of-age drama set near Sept-Îles in Quebec, Canada is about two indigenous Innu best friends who grow up together. One day, one of them meets a white guy and starts planning a life with him, which is seen by both her best friend and her community as a rupture with them.

“If everybody did the same thing you’re doing, we wouldn’t exist,” her friend tells her. Kuessipan is about that intersection between friends growing apart and indigenous identity, all set in the backdrop of Canadian reserve life. Won the Grand Prix at the Québec City Film Festival.

Genre: Drama

Actor: Anniss Desterres, Brigitte Poupart, Étienne Galloy, Katinen Grégoire-Fontaine, Martin Desgagné

Director: Myriam Verreault