What strikes most people about The Vertical Ray of the Sun is how idyllic Tran Anh Hung captures Hanoi, Vietnam’s capital– lush greens, the summer sunshine softened by mosquito nets, scored by the birds and the neighborhood kids and a mix of early 00s soft rock and traditional Vietnamese songs. These visuals are so beautiful that it distracts from fairly turbulent conflicts in the three relationships present in the film, the unfulfilled desires they feel, some totally forbidden, some stemming from past generations, which makes the PG rating all the more surprising. But even as the drama unfolds, the feeling of a languid summer afternoon never fades, painting the melodramatic troubles under a peaceful veneer, made subtle and humorous with the way the sisters joke, make innuendoes, and decide on family matters together.

Genre: Drama, Romance

Actor: Chu Hung, Do Thi Hai Yen, Doan Viet Ha, Le Khanh, Le Tuan Anh, Le Vu Long, Ngo Quang Hai, Nhu Quynh, Tran Nu Yên-Khê

Director: Tran Anh Hung

Rating: PG-13

Before she captivated the film world with her performance in Scorcese’s crime drama Killers of the Flower Moon, Lily Gladstone starred in Erica Tremblay’s feature film debut Fancy Dance, earlier in 2023. It’s a tragic drama, wherein Gladstone portrays Jax, a lesbian woman dealing with the government that failed to find her sister, and that currently seeks to transfer her niece’s custody to her white father. But it’s also an uplifting drama, one that celebrates the connection between Jax and her niece Roki, the Cayuga culture and language, and the connection with their community and tribe that continues to persist despite state disenfranchisement. Pacing issues do make the film a tad rushed, but nevertheless, Fancy Dance is a subtle and poignant debut, made much more grounded with the excellent lead performances.

Genre: Drama

Actor: Audrey Wasilewski, Cory Hart, Crystle Lightning, Isabel Deroy-Olson, Jason Alan Smith, Lily Gladstone, Patrice Fisher, Ryan Begay, Shea Whigham, Tamara Podemski

Director: Erica Tremblay

Rating: R

When striving towards your life goal, some concessions have to be made in order to get there, e.g. you would forgo some wants in order to fulfill that higher purpose. But how much are you willing to sacrifice? Mario is a sports drama about an aspiring football player that wants to make it higher up in the league, but it’s also a queer drama, since to be that professional means to stick to a rigid notion of masculinity for the fans, for the sponsors, and sometimes for fellow homophobic teammates competing against them. At two hours, the naturalistic depiction of Mario’s experience might be a tad too long for some viewers, but the film understands the fear, the pressure, and the compromises gay athletes are forced to go through.

Genre: Drama, Romance

Actor: Aaron Altaras, Beat Marti, Doro Müggler, Jessy Moravec, Julian Koechlin, Jürg Plüss, Max Hubacher

Director: Marcel Gisler

Rating: NR

In the grand scheme of streamer romcoms, A Family Affair is not too bad. Like The Idea of You before it, the film explores what it means to find love as a woman late in life while proving that it can be just as exciting and steamy as any other affair. The film is even occasionally funny, with Efron’s vain character banging out punchlines like “It’s one of a kind! I only have two of these!” But there are too many lapses that are hard to ignore, such as the glaring lack of chemistry between Efron and Kidman, and the sheer unlikeability of King’s Zara. Yes, they acknowledge her narcissism multiple times, but it doesn’t change how exhausting she can be, and how rushed her growth was. In fact, none of them seem to really develop, except Brooke, who is the most realized character in the film. A Family Affair is at its best when it's parodying the franchise-hungry film industry and when it’s discussing the passions and pleasures of late womanhood. Unfortunately, they often feel like two separate films, and the filler in between feels exactly like that: filler, with nothing new, important, or forgivably funny to say.

Genre: Comedy, Romance

Actor: Brooks Ashmanskas, Carrie Solomon, Gissette E. Valentin, Ian Gregg, Irene Kim, Joey King, Kathy Bates, Liza Koshy, Nicole Kidman, Olivia Macklin, Sarah Baskin, Sean Evans, Sherry Cola, Vince Pisani, Wes Jetton, Zac Efron, Zele Avradopoulos

Director: Richard LaGravenese

Rating: PG-13

The manic pixie dream girl unexpectedly entering a young man’s life is the subject of plenty of romance films, to the point that this plot has become somewhat overdone, stereotypical, and overly unrealistic. However, there are moments in cinema when this archetype is portrayed well– Jab We Met is one of them. It’s joyful without being unrealistic, it’s realistic without being too jaded, and as two lost souls share the same train, writer-director Imtiaz Ali creates a feeling of freedom every time then-lovers Shahid Kapoor and Kareena Kapoor save each other from the prisons of their different, day-to-day lives. And it all comes with the song numbers as fun as the film’s leading lady.

Genre: Comedy, Drama, Romance

Actor: Asif Basra, Brijendra Kala, Dara Singh, Divya Shah, Kareena Kapoor Khan, Kiran Juneja, Pavan Malhotra, Saumya Tandon, Shahid Kapoor, Tarun Arora, Wamiqa Gabbi

Director: Imtiaz Ali

Rating: PG-13

While writing the classic novel Oliver Twist, Charles Dickens was also writing Nicholas Nickleby, with volumes released every month. His third novel was adapted in 2002 in a film adaptation that smooths out Dickens’ elaborate plot, with beautiful sets and costumes, and the classic good vs evil themes the classic novelist is known for. There’s a bit of a mismatch with Charlie Hunnam as the titular protagonist, but the rest of the cast slips into their characters well, most notably Christopher Plummer as the incredibly stingy uncle Ralph, and Jamie Bell, whose rendition of Smike makes his dynamic with Nickleby compelling. Nicholas Nickleby isn’t the most transformative adaptation, but it’s one that still works, especially for young viewers wanting a simplified plot for their book reports.

Genre: Adventure, Drama

Actor: Alan Cumming, Andrew Havill, Angela Curran, Angus Wright, Anne Hathaway, Barry Humphries, Bruce Cook, Charlie Hunnam, Christopher Plummer, Daisy Haggard, David Bradley, Edward Fox, Edward Hogg, Eileen Walsh, Gerard Horan, Hugh Mitchell, Jamie Bell, Jim Broadbent, Juliet Stevenson, Kevin McKidd, Lucy Davis, Mark Wells, Nathan Lane, Nicholas Rowe, Phil Davis, Roger Ashton-Griffiths, Romola Garai, Sophie Thompson, Stella Gonet, Timothy Spall, Tom Courtenay, William Ash

Director: Douglas McGrath

Rating: PG

Rarely do we get to see the human body in its natural state in public, mostly limited to nude beaches, but it’s understandably so– beyond the usual social norms, there’s a vulnerability in doing so, a vulnerability that is sometimes taken advantage of. Stranger by the Lake captures the beauty of that vulnerability, with stunning shots that elevate the explicit scenes from being pornographic, but crucially, the film also captures its dangers, namely the increasingly self-destructive risks Franck takes that leads him to a dangerous man. The line between lust and aggression blurs in this film, and understandably, some may take this film to be sex-negative, but Stranger by the Lake is an intriguing slow burn towards its inevitable conclusion.

Genre: Drama, Thriller

Actor: Alain Guiraudie, Christophe Paou, François-Renaud Labarthe, Jérôme Chappatte, Mathieu Vervisch, Patrick d'Assumçao, Pierre Deladonchamps

Director: Alain Guiraudie

When reading the premise, Tokyo Fist seems, at first glance, like the primordial eclectic mix of Challengers and Fight Club, with tennis swapped for boxing, and with sweat swapped for bruises. The film is entirely centered on a love triangle spurred on by a sport, with both players out to settle their rivalry, triggered again by a girl. However, being directed by cyberpunk horror auteur Shinya Tsukamoto, Tokyo Fist takes on a more visceral approach, with repressed resentment only able to be released through beating the hell out of each other, beating the hell out of themselves, and through bloodying both their fists and their opponents’ faces. It gets avant garde at certain moments, but Tokyo Fist is a sports horror ahead of its time, and an unexpected, underrated film from the man behind cult classic Tetsuo: the Iron Man.

Genre: Action, Drama, Thriller

Actor: Chu Ishikawa, Julie Dreyfus, Kaori Fujii, Koichi Wajima, Kôji Tsukamoto, Naomasa Musaka, Naoto Takenaka, Nobu Kanaoka, Shinya Tsukamoto, Tokitoshi Shiota, Tomorowo Taguchi

Director: Shinya Tsukamoto

While most people were aware about the devastating atomic bombs dropped on Hiroshima and Nagasaki, less people knew about the continued nuclear testing during the Cold War that occurred on American soil. Downwind shines a light on this in the usual documentary fashion, but it’s an important discussion to have, as the state government deemed nuclear testing in a cheaper place more urgent than the lives of the native Americans living near the plantation, and as the death of one of Hollywood’s leading men unable to even change this. While it was interesting to hear from Hollywood stars, Downwind works best in discussion with the Shoshone Nation, who bore the brunt of the consequences of nuclear fallout.

Genre: Documentary

Actor: Lewis Black, Mark Dickson Deans, Martin Sheen, Michael Douglas, Patrick Wayne

Director: Douglas Brian Miller, Mark Shapiro

, 2012

Something about falling in love in an exotic place makes it feel much more romantic, leading to plenty of classic black and white films centered on the idea, with a visual language and a set of aesthetics meticulously enacted in 2012’s Tabu. These classic films, however, rarely contemplate the actual reality behind these films– the reason that made these romantic trips possible in the first place. Tabu subtly critiques this indulgent imagination, with the silent memory melodramatically portrayed and narrated by the white lovers, but with the African natives and their homes and landscapes depicted naturally. Writer-director Miguel Gomes remixes classic cinema techniques to paint and reframe the lovers’ myopic memory, in such a striking fashion.

Genre: Drama, Romance

Actor: Ana Moreira, Carloto Cotta, Henrique Espírito Santo, Laura Soveral, Mariana Ricardo, Miguel Gomes, Telmo Churro, Teresa Madruga

Director: Miguel Gomes

Rating: NR

The Boy and the Heron isn’t Hayao Miyazaki’s best film, nor is it his most accessible, seeing as the director himself has admitted to getting lost in the world he’s built here. But it is his most personal film to date (apparently he’s out of retirement!) and consequently, it’s one of the most complex Ghibli films to exist. It eschews structure for pure, raw emotion so instead of dialogue and plots, you get wonderfully abstract fantasy worlds and protagonists with near-imperceptible depths. You don’t have to get the story to understand the heaviness, grief, joy, and hope that Mahito, and in turn Miyazaki, feel. You only have to see the delicate turns in the characters’ expressions and their wildly imaginative adventures.

Genre: Adventure, Animation, Fantasy

Actor: Aimyon, Jun Fubuki, Jun Kunimura, Kaoru Kobayashi, Karen Takizawa, Keiko Takeshita, Ko Shibasaki, Masaki Suda, Sawako Agawa, Shinobu Otake, Shōhei Hino, Soma Santoki, Takuya Kimura, Yoshino Kimura

Director: Hayao Miyazaki

Rating: PG-13

Diane von Furstenberg has no doubt lived a rich, fascinating life, but the documentary struggles to strike a balanced tone and instead comes off as an advertisement of DVF’s (admittedly beautiful) dresses. It’s not that the designer doesn’t merit the glowing praise given to her by friends, family, and experts in the documentary, but that the other side of the coin is never explored in depth. The creases to her character (and there are plenty) aren’t given any airtime as von Furstenberg is portrayed as an admirable albeit flat role model. The only exception here is when daughter Tatiana recalls the time her mother has been absent virtually all throughout her childhood, but even then, the documentary just glosses over this thorny part of their past. The film is fun and aspirational, loaded with delightful collages of home videos and designer clothes, but it’s hardly inspiring or relatable. Even in her old age, von Furstenberg seems to admit that she carries no business sense, and only stumbles into financial success with luck and plenty of help. Thankfully, she doesn’t feign ignorance about her privilege, even if the directors bafflingly insist on a rags-to-riches narrative.

Genre: Documentary

Actor: Diane von Fürstenberg

Director: Sharmeen Obaid-Chinoy, Trish Dalton

Rating: R

With more and more young people moving to the city for jobs, there’s a certain beauty in the countryside that is being missed out. The Road Home is a simple and straightforward love story, one that is mostly composed of Zhang Ziyi as a country girl stealing glances at the handsome city boy who’s come to teach in the village, but there’s a certain magic in the way director Zhang Yimou depicts the rural traditions of the village, the charming and distinct rhythms of life that continues to this day. While the film glosses over the reasons for Luo’s temporary departure, which some reviewers speculate is due to China’s then Anti-Rightist campaign, The Road Home beautifully depicts the way love can bloom despite these troubles, and how this love can shift the lives of an entire town.

Genre: Drama, Romance

Actor: Li Bin, Song Yuncheng, Sun Honglei, Yulian Zhao, Zhang Ziyi, Zheng Hao

Director: Zhang Yimou

Celebrities are often described as being “vulnerable” in documentaries, but it’s never been more fitting in this case. Here, Celine Dion opens up about her near-paralyzing illness, which affects her vocal cords and muscles and consequently prohibits her from performing on stage. We see clips of the star having spasms and breakdowns as she tries and fails and tries again to get her voice back. More than just a simple biography of what Dion has achieved, which we already know is massive, the film is largely about the doubt that creeps in and threatens to rock your sense of self, and the strength of the human spirit to persevere despite all that. The film is bracingly, unflinchingly raw, but it’s never exploitative, thanks partly to director Irene Taylor’s gentle direction and to Dion’s unwavering resilience.

Genre: Documentary, Music

Actor: Céline Dion, Claude 'Mégo' Lemay, Eddy Angélil, James Corden, Jean-Jacques Goldman, Jimmy Fallon, John Farnham, Natalie Hamel-Roy, Nelson Angélil, René Angélil, René-Charles Angélil, Ryan Reynolds, Thérèse Tanguay-Dion

Director: Irene Taylor

Rating: PG

Before gay marriage and gay adoption was legalized in America, people had plenty of hurdles to jump over when their same sex partner died. Partners weren’t guaranteed visits to their loved one, weren’t permitted to visit them at their last hours. They were the last to be informed and the last to be asked about their medical records, even though they would be the best source of knowledge after living together. Same sex parents weren’t guaranteed custody of their partner’s children. In The Family may depict these previous experiences in a dry, straightforward way for nearly three hours, but it’s a needed, respectful approach, with the lived-in knowledge of the quiet cruelties that was enforced just a decade ago.

Genre: Drama

Actor: Conan McCarty, Harriett D. Foy, Juliette Angelo, Lisa Altomare, Patrick Wang, Peter Hermann, Sebastian Banes, Susan Kellermann, Trevor St. John

Director: Patrick Wang