While better known for Pride & Prejudice, Emma, and Sense & Sensibility, Jane Austen wrote Mansfield Park, a novel that garnered differing critical interpretations, but still intrigued readers even today. The 1999 film adaptation does capture some of the original novel’s ideas, such as Fanny’s modesty, the Cinderella-like submissiveness as means for survival, and the quiet strength to remain as herself, but it also expands on certain elements that were mostly only alluded to in the original, such as the elements pulled from Jane Austen’s actual life and her own sympathies for anti-slavery. While the film isn’t fully faithful to the original novel and should be considered its own, Mansfield Park does retain some of the essentials that makes it distinctly Austen.

Genre: Drama, Romance

Actor: Alessandro Nivola, Amelia Warner, Anna Popplewell, Bruce Byron, Charles Edwards, Danny Worters, Elizabeth Earl, Embeth Davidtz, Frances O'Connor, Gordon Reid, Hannah Taylor-Gordon, Harold Pinter, Hilton McRae, Hugh Bonneville, James Purefoy, Jonny Lee Miller, Justine Waddell, Lindsay Duncan, Philip Sarson, Sheila Gish, Sophia Myles, Victoria Hamilton

Director: Patricia Rozema

Rating: PG-13

While the market for animation is mostly dominated by American 3D and Japanese anime, once in a while, a film outside the two industries comes up with an entirely new style of its own, with the design inspired by their respective countries. European animation has garnered some interest with Loving Vincent, but Chicken with Linda! takes it further, taking a more vibrant than impressionistic approach to its art. Somewhat like a neon-colored Fauvist Madeline, the film proceeds with a series of hijinks that wouldn’t be out of place in a children’s storybook, but it charmingly captures the mother-daughter relationship healed through the power of homemade food. It’s sweet and chaotic, much like childhood and the art movement that inspired the film, and it’s undeniably human. Chicken with Linda! is an unexpected delight for both kids and adults.

Genre: Animation, Comedy, Family

Actor: Claudine Acs, Clotilde Hesme, Estéban, Laetitia Dosch, Mélinée Leclerc, Patrick Pineau, Pietro Sermonti

Director: Chiara Malta, Sébastien Laudenbach

Rating: NR

After a long life lived in a home one chose, it can be hard to uproot your entire life, especially in a country that seems diametrically opposed in manners and values. Before his American produced hits like Brokeback Mountain and Life of Pi, Ang Lee made his debut through Pushing Hands, a film entirely shot in America but produced from Taiwan, exploring from the Chinese perspective the generational conflict between Asian immigrants and the mainlander parents that they brought to have a good life. It’s humorous at certain moments, with the steady demeanor of Chu contrasted to everyone around him, but Pushing Hands stems from the understanding of someone who’s directly lived through it, unfolding into a thoughtful, sentimental drama that quickly established Lee’s directorial voice.

Genre: Comedy, Drama

Actor: Chit-Man Chan, Deb Snyder, Fanny De Luz, Haan Lee, Lung Sihung, Sihung Lung, Wang Bozhao, Wang Hung-Chang, Wang Lai

Director: Ang Lee

There is some dissonance here. A heavy coming of age backstory serves as the foundation to an otherwise straightforward, even feel-good plot involving fighting and protecting kaiju. The film doesn’t do the best job merging the shiny animations and cute story beats with the threat of the kaiju and the weight of the atmosphere set early on. Individually, however, each side is enjoyable, with the strained father-son relationship in particular being a worthwhile endeavor and full of honesty. But all things considered, there isn’t a whole lot of tension here, even for a film intended for younger audiences, making its 2-hour runtime unnecessarily long given everything it lacks.

Genre: Action, Animation, Family, Science Fiction

Actor: Artt Butler, Bret Marnell, Brittany Ishibashi, Christopher Sean, François Chau, Frank Buckley, Gedde Watanabe, Jonathan Groff, Julia Harriman, Julia Kato, Keone Young, Lee Shorten, Masa Kanome, Mayumi Yoshida, Paul Nakauchi, Rob Fukuzaki, Robert Yasumura, Tamlyn Tomita, Vic Chao

Director: Shannon Tindle

Rating: PG

Often deemed as South Asian John Wick, Monkey Man, of course, has plenty of the stylish action that’s been captivating today’s filmmakers and audiences alike. Dev Patel, now writing and directing alongside leading the film, created a crazy combination of action sequences that mess around with perspective, that’s fuelled by insane choreography, and that take the best from the action thriller greats, but it also mixes in such unique ways, with his one man crusade expanding into an unforgettable folklore-inspired counter campaign against a corrupt, nationalist administration. It’s not a perfect film, but Monkey Man is such a bold debut that marks Patel as a director to watch.

Genre: Action, Thriller

Actor: Adithi Kalkunte, Ashwini Kalsekar, Brahim Achabbakhe, Dev Patel, Makrand Deshpande, Pitobash, Sharlto Copley, Sikandar Kher, Sobhita Dhulipala, Vipin Sharma, Winai Wiangyangkung, Zakir Hussain

Director: Dev Patel

Rating: R

We’ve seen anthology films with three, four, sometimes even five parts, but Songs from the Second Floor comprises forty six separate vignettes, quickly shifting in and out without any connecting thread inbetween, except for the dull gray color palette. Yet, even as the film abruptly transitions between vignettes, from tanning beds, construction sites, cars, trains, or buildings, writer-director Roy Andersson crafts meticulously framed breakdowns of modern day living, some of which works based on individual experiences, but all coming together as several miniature portraits of how absurd and depressing our lives have become. Songs from the Second Floor is a bold way to return after a twenty five year hiatus.

Genre: Comedy, Drama

Actor: Bengt C.W. Carlsson, Lars Nordh, Rolando Núñez, Sandy Mansson, Stefan Larsson, Sten Andersson, Torbjörn Fahlström

Director: Roy Andersson

If you wanted to watch an epic historical drama about the three assassination attempts against the first emperor of China, 2002’s Hero is the better known, and better acclaimed, choice. Nevertheless, the drama that depicted this four years earlier, the Emperor and the Assassin, is a fairly decent watch, with nearly three hours to parse out Ying Zheng’s career with extravagant production design and excellent performances to marvel at. The film is also slightly more accurate, taking its characters from actual historical record. The Emperor and the Assassin may not be perfect– it’s aggressively sepia-tinged, and it does struggle to maintain the plot’s focus– but it depicts the history well, regardless.

Genre: Drama, History

Actor: Chen Kaige, Ding Haifeng, Gong Li, Li Hongtao, Li Qiang, Li Xuejian, Lü Xiaohe, Pan Changjiang, Sun Zhou, Wang Qian-Yuan, Zhang Fengyi, Zhao Benshan, Zhiwen Wang, Zhou Xun

Director: Chen Kaige

Rating: R

Snack Shack is the quintessential summer movie. It’s sun-soaked and full of mirth as it follows two rowdy boys fighting off bullies and scheming their way to profit, one ingenious scam at a time. But it’s also a tender coming-of-age film, one filled with realistic friendships and painfully awkward romantic encounters. In both instances, Snack Shack doesn’t reinvent the wheel—in fact it’s formulaic almost to a fault. But it’s saved by endearing performances and an effectively nostalgic backdrop. Many times, it feels like any John Hughes movie by way of Superbad. But for the most part, it’s its own distinctive, chlorine-tinged, popsicle-sweet thing.

Genre: Comedy

Actor: April Clark, Christian James, Conor Sherry, David Costabile, Gabriel LaBelle, Gillian Vigman, J.D. Evermore, Lucille Sharp, Michael Bonini, Mika Abdalla, Nick Robinson, Shannon Mosley, Steve Berg

Director: Adam Rehmeier

Rating: R

The fate of one’s financial, interpersonal, and physical desires are intertwined through marriage, and because of these sometimes conflicting needs, most people are willing to go past what they would like to acknowledge to win the affections of the person they believe would fulfill them. Henry James’ 1902 novel The Wings of the Dove is centered on this idea, but the 1997 film adaptation softens the leads, with the striking dynamic between Helena Bonham Carter, Alison Elliott, and Linus Roache feel like it was bound with some genuine affection, mixed alongside the self-centered desires present in the novel. Readers of the original book might not appreciate this change, but overall The Wings of the Dove paints an interesting interpretation to the classic novel, and does so with all the flair standard in British period romance dramas.

Genre: Drama, Romance

Actor: Alex Jennings, Alison Elliott, Ben Miles, Charlotte Rampling, Diana Kent, Elizabeth McGovern, Helena Bonham Carter, Linus Roache, Michael Gambon, Philip Wright

Director: Iain Softley

Rating: R

Films about drug dealing aren't particularly new, but the way Pusher delves into their lives feels different– more realistic than glamorous, somewhat like a guerrilla documentary, with the handheld camera as a silent, unnamed witness. As the camera follows low-level dealer Frank through the course of a week, Kim Bodnia skillfully garners empathy with the way he holds himself through the pressure, and does the opposite when he does the same wrongs that were done to him. The story itself may be simple, but writer-director Nicolas Winding Refn made his mark through this debut, inadvertently creating a franchise and influencing Danish cinema.

Genre: Action, Crime, Drama

Actor: Gordon Kennedy, Gyda Hansen, Jesper Lohmann, Karsten Schrøder, Kim Bodnia, Lars Bom, Laura Drasbæk, Levino Jensen, Lisbeth Rasmussen, Liv Corfixen, Mads Mikkelsen, Michael Hasselflug, Nicolas Winding Refn, Peter Andersson, Slavko Labović, Thomas Bo Larsen, Vanja Bajicic, Zlatko Burić

Director: Nicolas Winding Refn

When a woman that looks like the love of your life randomly shows up at an empty train station, but strangely has no memory of you, maybe you should try to confirm their identity first– doppelgangers do exist, after all. But aside from this detail, there’s a certain charm in the way Be With You unfolds, as the family gets a second chance to cherish a loved one, and as Woo-jin indulges in sharing their love story, a story that Woo-jin understandably doesn’t want to forget. Be With You doesn’t reinvent the entire genre, and it would inevitably be compared to the 2004 Japanese original, but this Korean remake does it so well, celebrating the way love transcends lifetimes.

Genre: Drama, Fantasy, Romance

Actor: Bae Yoo-ram, Gong Hyo-jin, Jo Ha-seok, Kim Hyun-soo, Kim Ji-hwan, Ko Chang-seok, Lee Jun-hyeok, Lee You-jin, Park Seo-jun, Seo Jeong-yeon, Shin Woo-hee, So Ji-sub, Son Ye-jin, Son Yeo-eun

Director: Lee Jang-hoon

Empirical truth is something that is observable, objective, and verifiable. However, without the ability to observe, one must find other means to obtain a set of observations– repeated, consistent answers to eventually parse out the reality. One must obtain proof. Proof is an Australian drama about a blind photographer named Martin, who uses his photos to get multiple viewpoints of what was present in that specific moment. Writer-director Jocelyn Moorhouse brilliantly uses that idea to craft a character that wields objectivity in order to protect himself and keep himself distant, as seen through the way he instantly trusts Andy due to his straightforward demeanor, and the way he attempts to drive away his housekeeper Celia to get her to see the worst of him, instead of the idealized, perhaps fetishized, image she creates of him. Proof challenges the photograph as a medium of truth, as well as the idea of complete honesty and trust in another person.

Genre: Drama, Romance

Actor: Belinda Davey, Cliff Ellen, Daniel Pollock, Frank Gallacher, Frankie J. Holden, Geneviève Picot, Heather Mitchell, Hugo Weaving, Jeffrey Walker, Russell Crowe, Saskia Post

Director: Jocelyn Moorhouse

Rating: R

There’s a cyclical tragedy at the heart of Bad Education, that starts with love, then continues in separation, and ends with hoping to redeem one’s self, and it would have felt repetitive if it wasn’t for the metafictional framing of Pedro Almodóvar. It boldly tackles the sexual abuse occurring in Catholic boarding schools, from which Almodóvar was educated under. It also explores it through a series of brilliant twists, as each reveal essentially repeats again and again, with each remix increasing the stakes, weaving a new layer to the love triangle, and exacerbating the consequences. Bad Education blends Enrique’s, and perhaps Almodóvar’s, life with fiction, with the brilliance and style Almodóvar is best known for.

Genre: Crime, Drama

Actor: Agustín Almodóvar, Alberto Ferreiro, Daniel Giménez Cacho, Fele Martínez, Francisco Boira, Francisco Maestre, Gael García Bernal, Javier Cámara, José María Yázpik, Juan Fernandez, Leonor Watling, Lluís Homar, Nacho Perez, Pau Poch, Petra Martínez, Pol Monen, Raul Garcia Forneiro, Sara Montiel

Director: Pedro Almodóvar

Rating: NC-17

When Toni Morrison taught at Princeton, she told her students, “Don’t write about your little life. Create something.” This documentary follows her instruction by being more than a simple biography. Apart from telling the story of her rich, fully-lived life, The Pieces I Am doubles as an artful and educational history lesson about the unique African-American experience. It’s dotted with beautiful artworks and insightful anecdotes shared by Morrison’s colleagues from the various schools and publishing houses she worked at. But most important of all, Morrison gets to narrate the film in her own beautiful, poetic words and, in the process, reveals different facets of herself. There’s Morrison the teacher, editor, writer, and mother, but also: the delightful baker, the supportive friend, the party enjoyer, the critical philosopher. The Pieces I Am is a great collection of many things, a moving collage that pieces together the most interesting parts about the beloved writer in question.

Genre: Documentary

Actor: Angela Davis, Barack Obama, Bill Moyers, Dick Cavett, Fran Lebowitz, Hilton Als, Muhammad Ali, Oprah Winfrey, Peter Sellars, Robert Gottlieb, Russell Banks, Sister Rosetta Tharpe, Toni Morrison, Walter Mosley

Director: Timothy Greenfield-Sanders

Rating: PG-13

In The Promised Land, director Nikolaj Arcel (A Royal Affair) and Mads Mikkelsen reunite to create another intense, enjoyable drama based on true historical events. Mikkelsen is reliably gripping as Captain Ludwig Kahlen, but it’s his back-and-forths with the diabolical landowner Frederik Schinkel (Simon Bennebjerg) that are the standout scenes here. And though The Promised Land resembles modern Westerns in its macho standoffs and sweeping backdrops, it has a surprising and satisfying feminist bent to it. It’s a historical epic that doubles as a revenge thriller and succeeds in both cases.

Genre: Drama, History

Actor: Adam Pengsawang, Amanda Collin, Arved Friese, Felix Kramer, Finn Nielsen, Gustav Lindh, Jacob Ulrik Lohmann, Joen Højerslev, Karel Heřmánek, Kristine Kujath Thorp, Lise Risom Olsen, Mads Mikkelsen, Magnus Krepper, Martin Feifel, Michael Brostrup, Morten Burian, Morten Hee Andersen, Nanna Finding Koppel, Simon Bennebjerg, Søren Malling, Thomas W. Gabrielsson, Zdeněk Dvořáček

Director: Nikolaj Arcel