Horse riding. Gunslinging. Revenge and protection. These are notable elements in a Western, Spaghetti or otherwise. But rarely do these movies contemplate the indigenous tribes that originally lived in these desert towns, right before they were chased away and killed by white colonizers. Writer-director Felipe Gálvez Haberle takes these elements to showcase a new perspective in The Settlers, with mestizo Chilean sharpshooter Segundo forced to inflict atrocities onto his fellow native Chileans by the orders of a wealthy Spanish landowner, a British officer, and an American mercenary. The landscapes captured are sublime, the portraits are vignetted, but what’s most striking is the way Gálvez mixes in cinematic Western film style with real life colonial history, dramatic conflict with historical detail on a rarely discussed genocide.

Genre: Drama, Western

Actor: Agustín Rittano, Alfredo Castro, Benjamín Westfall, Camilo Arancibia, Heinz K. Krattiger, Luis Machín, Marcelo Alonso, Mariano Llinás, Mark Stanley, Sam Spruell

Director: Felipe Gálvez

Rating: NR

The inheritance murder mystery concept is played out, especially in recent years. You only really bother with it if you enjoy the formula, which is essentially all we’re getting here. It begins with character introductions and a heavy dose of didacticism, and the crazy family soap opera turns into a whodunnit with all the interviews and the jumping timelines and the red herrings that get no rise out of you. You know how it goes, you know where the twists come in. Some plot points do hit the mark by their sheer ridiculousness alone, but for the most part, getting from trope A to trope B is terribly corny and dragging. Ultimately nothing outstanding, nothing new.

Genre: Comedy, Mystery

Actor: Adam Ferency, Franciszek Słomiński, Gabriela Muskała, Jan Peszek, Joanna Trzepiecinska, Józefina Karnkowska, Maciej Stuhr, Mateusz Król, Piotr Pacek, Piotr Polak, Piotr Żurawski

Director: Sylwester Jakimow

There’s a certain magic in childhood that makes you see the world with bright eyes– every small task is an exciting quest, not weighed down by budgeting, lack of control, and worry. Riddle of Fire captures that magic on 16 mm film, transforming buying a blueberry pie into a whimsical, chaotic adventure involving covens, witches, and huntsmen in modern day forms, echoing a fairytale with vintage 20th century trappings. It’s certainly nostalgic, but it’s created through stylistic choices instead of constant references on older media franchises. While it does lose some momentum in certain moments, Riddle of Fire is such a charming feature debut.

Genre: Adventure, Comedy, Fantasy

Actor: Austin Archer, Charles Halford, Charlie Stover, Colleen Baum, Danielle Hoetmer, Jason K. Wixom, Lio Tipton, Lonzo Liggins, Phoebe Ferro, Skyler Peters

Director: Weston Razooli

Rating: PG-13

See, usually, when American violence in media is critiqued, it’s usually through analytic studies or overly exaggerated lectures stirring moral panic. Instead of doing this, however, auteur Michael Haneke decided to surpass the crime genre, playing with the form and emotions in Funny Games. It’s terrifying, not because it immediately delves into the violence, but because it starts off with an ordinary, innocuous visit, that gradually escalates into an unpredictable home invasion where two teenagers inflict needless violence in such a scary yet spectacular way, even involving the viewer into their shenanigans. Ironically, this led to Haneke creating a shot-for-shot American remake of this same story, but Funny Games’ break in form made Haneke a director to remember, as he started to film outside his native Austria after the standout thriller.

Genre: Drama, Horror, Thriller

Actor: Arno Frisch, Christoph Bantzer, Doris Kunstmann, Frank Giering, Stefan Clapczynski, Susanne Lothar, Susanne Meneghel, Ulrich Mühe

Director: Michael Haneke

Rating: R

When a stranger claiming to be your long lost uncle suddenly announces that he’ll be visiting you, there’s an immediate mystery there: is this man really who he claims he is? The Stranger is centered on that idea, but the way Satyajit Ray expands on his short story transforms this domestic drama into a witty and contemplative dialectic about civil society, Western versus Indian thinking, our ideas of home, and trust in a world that’s forgotten how to do so. Agantuk may not be Ray at his finest, but it’s a great film to end his career on, with a memorable character that encapsulates Ray’s philosophy.

Genre: Drama

Actor: Ajit Banerjee, Bikram Bhattacharya, Dhritiman Chatterjee, Dipankar Dey, Mamata Shankar, Rabi Ghosh, Subrata Chatterjee, Utpal Dutt

Director: Satyajit Ray

There is a lot to appreciate and learn from this work, which is a streamlined history of queer standup with so many enlightening stories. There is a LOT of standup footage and commentary from different eras, and different flavors between them evoking crass, feel-good, and revolutionary — which is reason enough to dive in. It’s got a self-assured tone to it, thanks to all the unapologetic and quick-witted figures telling their story and choosing to make it one of inspiration. In a word, it’s an informative celebration of queer standup comics, of tapping into empowered selves on and off-stage, reminding us that activism is always within reach.

Genre: Comedy, Documentary

Actor: Alec Mapa, Anita Bryant, Bill Clinton, Billy Eichner, Bob the Drag Queen, Bruce Vilanch, Carol Burnett, Cher, Conan O'Brien, Dave Holmes, David Letterman, Diane Sawyer, Eddie Izzard, Eddie Murphy, Ellen DeGeneres, Fortune Feimster, Gina Yashere, Guy Branum, Hannah Gadsby, Harvey Milk, James Adomian, Joel Kim Booster, Judy Gold, Lily Tomlin, Lucille Ball, Madonna, Mae Martin, Margaret Cho, Marsha Warfield, Matteo Lane, Patti Harrison, Richard Pryor, River Butcher, Ronald Reagan, Rosie O'Donnell, Roz Hernandez, Sandra Bernhard, Scott Thompson, Solomon Georgio, Sonny Bono, Susan Stryker, Suzanne Westenhoefer, Tig Notaro, Todd Glass, Trixie Mattel, Wanda Sykes

Director: Page Hurwitz

Rating: R

Relationships mostly come and go, but to some lucky people, they find love early, hold onto it, and never let it go. Holding the Man is a drama based on a memoir on a fifteen year love affair between John Caleo and writer Tim Conigrave, who first met in high school, and chose to stay with each other despite parental disapproval, diagnoses, and same-sex activity being illegal. While Ryan Corr and Craig Stott do seem unconvincing as high school students, they share a realistic, endearing chemistry that makes you hope for a happy ending for the two, despite the knowledge of what they would have to face that decade. The film captures the nostalgia of the times in such a relaxed way, while also sticking to the frank tone of the book. Holding the Man reminds us to cling to the people we love, because there might be a time where we cannot.

Genre: Drama

Actor: Anthony LaPaglia, Craig Stott, Geoffrey Rush, Guy Pearce, Jacob Collins-Levy, Kerry Fox, Lee Cormie, Luke Christopoulos, PiaGrace Moon, Ryan Corr, Sarah Snook, Tegan Higginbotham, Tony Rickards

Director: Neil Armfield

Rating: NR

It’s immediately apparent that there are more carefully made documentaries out there than Remembering Gene Wilder. The film is riddled with pixelated photos for one, and the overall tone is fawning for another. But Wilder is too great of a man to be affected by mediocre filmmaking, and so Remembering Gene Wilder still makes for an entertaining and insightful watch despite its small faults. The film is less about his life and more about his work—a chronological account of his career with nuggets of wisdom for performers, comedians, and writers tucked neatly in between. It still dives into his personal life, to be sure, but as Wilder will readily admit, his creative decisions spell out all you need to know about him.

Genre: Documentary

Actor: Alan Alda, Alan Zweibel, Ben Mankiewicz, Burton Gilliam, Carol Kane, Eric McCormack, Gene Wilder, Gilda Radner, Harry Connick Jr., Mel Brooks, Michael Gruskoff, Mike Medavoy, Peter Ostrum, Rain Pryor, Richard Pryor, Zero Mostel

Director: Ron Frank

Rating: NR

The medium of cinema has been used as a tool for revolution, but so too was it complicit in genocide. That was true of the Khmer Rouge regime, as the remaining footage of the time came entirely from the state, to be used in re-education programs and propaganda to hide the difficult realities caused by the administration. In response, three decades later, documentarian Rithy Panh reclaims the medium, juxtaposing archival footage of Pol Pot’s programs and Cambodia before, with clay figurines formed from his memories. It’s a grim recollection, but The Missing Picture takes back cinema to keep a collective memory that must be preserved.

Genre: Animation, Documentary

Actor: Jean-Baptiste Phou, Randal Douc

Director: Rithy Panh

Making a film is sort of a miracle– to make one can sometimes come into fruition through a lucky combination of connections, creativity and circumstances all perfectly aligning as if by fate. But making a film takes cash to do it. In the Soup is an independent comedy centered on an aspiring auteur meeting an eccentric, creative gangster that’s willing to do everything (including crime) to fund it. The film does mostly depend on conversations between characters, witty repartee and Steve Buscemi’s voice-over, but it does capture the importance of patrons in the artistic process, how silly some lofty artistic aspirations can be, and to never forget the human side of the filmmaking process, not just the solitary brainstorming.

Genre: Comedy, Drama

Actor: Carol Kane, Debi Mazar, Elizabeth Bracco, Jennifer Beals, Jim Jarmusch, Michael J. Anderson, Pat Moya, Paul Herman, Richard Boes, Rockets Redglare, Ruth Maleczech, Sam Rockwell, Seymour Cassel, Stanley Tucci, Steve Buscemi, Steven Randazzo, Sully Boyar, Will Patton

Director: Alexandre Rockwell

Rating: R

Remember Bing Bong from Inside Out? This time, there’s a whole world of imaginary friends that don't fade into the recesses of a child’s mind– instead, they transfer to another place, ready to take on the imaginations of children around the world. That’s the basic premise of The Imaginary. Of course, Studio Ponoc’s third film has been at least partially inspired by Studio Ghibli, with some of its staff having their start there, and with the film’s dreamlike portals and strange cats, but the film takes a more straightforward approach to its story and analogies. As Rudger fights against Mr. Bunting, the film examines, well, imagination, but in all its forms– fodder for corporations to feed on, propaganda to calm the masses, but also as the innately human response to grief, as a mature solution to life’s troubles. The Imaginary may not be a stand-out, but we can’t help but applaud Studio Ponoc’s sincerity in celebrating human creativity.

Genre: Adventure, Animation, Drama, Family, Fantasy

Actor: Akira Terao, Atsuko Takahata, Hana Sugisaki, Ikue Otani, Issey Ogata, Kokoro Hirasawa, Kokoro Terada, Mitsuaki Kanuka, Riisa Naka, Rio Suzuki, Sakura Andô, Takayuki Yamada

Director: Yoshiyuki Momose

Rating: PG

Like posters and stills of Space Cadet suggest, the film is cute and, occasionally, fun. Emma Roberts is bubbly and funny enough to carry the feature-length movie on her back, and the visuals, which are shock of Lisa Frank glittery pink, elevate an otherwise bland landscape. But the film doesn’t reach far enough into the sky to be the truly weird and out-there film it could be. Instead, it relies on implausible plot lines and go-girl messages to become yet another flatly inspiring film about how anyone can be anything if they just believed in themselves. Space Cadet proves that Legally Blone meets Apollo 11 has potential, but it’s not the film meant to land the idea home.

Genre: Comedy, Romance

Actor: Dave Foley, Desi Lydic, Drew Powell, Emma Roberts, Gabrielle Union, Joshua Harto, Kevin Downes, Kuhoo Verma, Max Jenkins, Poppy Liu, Sam Robards, Sebastián Yatra, Tom Hopper, Troy Iwata, Yasha Jackson

Director: Liz W. Garcia

Rating: PG-13