Good Movies to Watch on Netflix And Amazon Prime

1. Bad Press, 2023

We all learned that it’s good to have a free press, but most of us rarely consider why it’s good, why we should fight for it, and how to do so, in the first place. Bad Press tackles one such fight, specifically the battle for free press in the Muscogee Nation, and while it only tackles government control specifically, the documentary is a reminder of how fragile press freedom can be, broken in mere minutes, and how long and difficult it is to get it back. Has Bad Press figured out how to bring back free press? Perhaps, though the struggles were made much more murky with the way fake news outlets take advantage of the narrative, the way politicians keep their silence to maintain innocence, and the way the masses could have voted against it. But nonetheless, Bad Press was a necessary reminder of how much could have been lost.Genre: Documentary
Actor: Angel Ellis
Director: Joe Peeler, Rebecca Landsberry-Baker

2. Child Star, 2024

Child Star feels like it’s two movies clumsily stitched into one. On the one hand, it’s a straightforward documentary about the history of child actors. There are talking heads of experts explaining things like the Coogan Law, also known as the California Child Actor's Bill, as well as interviews with children who dream of being famous one day. These latter interviews are precious and heartbreaking, and they make the documentary’s advocacy feel more urgent and real. On the other hand, it’s a documentary about Demi Lovato and her famous friend's trauma dumping over coffee. I’m not saying these parts are less watchable than the others. In fact, I appreciate the celebrities’ willingness to unpack the traumatic parts of their childhood—Drew Barrymore, in particular, seemed to have it incredibly tough. But there’s just too much ground for a feature-length film to cover. This is all on top of Demi’s own catharthic confrontation with her past, which she hashes out with her friends and family. As a result, it feels like the film is merely scratching the surface of the important issues it brings up.Genre: Documentary
Actor: Alyson Stoner, Ariana Grande, Chris Columbus, Christina Ricci, Daniel Radcliffe, Demi Lovato, Drew Barrymore, Ellen DeGeneres, Emma Watson, Hilary Duff, Jackie Coogan, JoJo Siwa, Kenan Thompson, Macaulay Culkin, Miley Cyrus, Oprah Winfrey, Raven-Symoné, Rupert Grint, Selena Gomez, Shirley Temple, Zendaya
Director: Demi Lovato, Nicola B. Marsh
Rating: R

3. The Birdcage, 1996

The Birdcage could’ve gone wrong in so many ways. It could’ve mocked the minorities it centered in the film, or insensitively made light of heavy issues. But with Mike Nichols (The Graduate) and Elaine May (The Heartbreak Kid) at the helm, and with improv legend Robin Williams and theater staple Nathan Lane front and center, The Birdcage becomes a joyously messy romp, as well as a welcome reminder of how far we’ve gone in queer representation. The film is arranged like a play, as per May’s insistence, and so it brings the consistently breathless energy of the stage to the screen. And while it’s not as politically correct by 2020's standard, it’s still surprisingly subversive in how it combats homophobic conservative ideals and stays proud of its colorful cast.Genre: Comedy
Actor: Amy Powell, Andre Fuentes, Ann Cusack, Brian Reddy, Calista Flockhart, Christine Baranski, Dan Futterman, Dante Henderson, David Sage, Dianne Wiest, Don LaFontaine, Dorothy Constantine, Gene Hackman, Grant Heslov, Hank Azaria, James Hill, James Lally, Jay Leno, Jim Jansen, Jody Millard, Jordan Werner, Kenneth Stephens, Kevin Loreque, Kirby Mitchell, Lee Delano, Marjorie Lovett, Mary Major, Nathan Lane, Robin Williams, Ron Pitts, Scott Kaske, Stanley DeSantis, Sylvia Short, Thelma Gutiérrez, Tim Kelleher, Tom McGowan, Tony Gonzalez, Trina McGee
Director: Mike Nichols
Rating: R

4. Kneecap, 2024

When we think of biopics, we think of underdogs overcoming all odds just through the magnetic power of one’s voice or mastery of their instrument, with the accolades a natural reward for all they’ve been through. Kneecap is not that. The biopic about the titular Belfast hip hop act acknowledges the Troubles, but right off the bat, they would rather tackle that through the actual music. With a low budget, Kneecap dresses themselves in neon tracksuits, reliving their beginnings with stylized camera movements, scribbled out lyrics and action lines, and an impeccable energetic score sync from their usual music video director Rich Peppiatt. It’s an exciting new portrait of the band and Ireland today.Genre: Comedy, Drama, Music
Actor: Cathal Mercer, DJ Próvai, Fionnuala Flaherty, Jessica Reynolds, Josie Walker, Lalor Roddy, Michael Fassbender, Mo Chara, Móglaí Bap, Simone Kirby
Director: Rich Peppiatt
Rating: R

5. Like Water for Chocolate, 1992

Food can warm you, can nourish you, and can make you feel so much better. Food is also the way people can keep their culture, with techniques and knowledge passed down by generations to better make use of the ingredients in the country. However, in Like Water for Chocolate, food is the means for rebellion, for breaking free from tradition, with Tita, who’s stuck in the kitchen by her mom, infusing her creations with so much emotion that the rest of her family is compelled to find a love just as passionate as hers is for Pedro. It’s a passionate adaptation made by director Alfonso Arau for his wife and the novel’s author Laura Esquivel, and it’s just so well done that it’s easy to be swept up in the family’s unfulfilled desires.Genre: Drama, Romance
Actor: Ada Carrasco, Andrés García Jr., Arcelia Ramírez, Claudette Maillé, Lumi Cavazos, Marco Leonardi, Margarita Isabel, Mario Iván Martínez, Regina Torné, Yareli Arizmendi
Director: Alfonso Arau
Rating: R

6. Hayao Miyazaki and the Heron, 2024

At first, you wonder, couldn’t this behind-the-scenes look at the making of The Boy and The Heron just be a DVD special? But a few minutes in, it becomes clear how rich the material is. It’s not just about Miyazaki and the making of a movie, it’s about him grappling with grief and transforming it into art. A surprising chunk of this documentary is about death. Miyazaki’s friends and colleagues are passing away, it seems, every month, and the only way Miyazaki can mourn and honor them is through his (their) art. The Boy and The Heron itself is a fulfillment of a promise Miyazaki made to his closest friend, Isao Takahata, or Pak-san, as Miyazaki lovingly calls him. It’s Pak-san whom he mourns the most in the movie, but almost everyone who’s passed makes an appearance both in the documentary and the film. The lines between the two are often blurred by Miyazaki, in his failing memory, and by documentary director Kaku Arakawa. Arakawa’s editing is chaotic, if not experimental. He cuts between reality and fiction—documentary footage and Ghibli clips—faster than you can make sense of it all. “I opened my brain way too far for this project,” Miyazaki claims, and you can feel the exhilaration and fear in every second of this brilliant film.Genre: Documentary
Actor: Hayao Miyazaki, Isao Takahata, Kenshi Yonezu, Masaki Suda, Takuya Kimura, Toshio Suzuki
Director: Kaku Arakawa
Rating: PG-13

7. Uglies, 2024

I’m sure the novel Uglies is based on makes a lot more sense since it has a lot of space to world-build and explore themes like external beauty, class, and identity. Unfortunately, the same cannot be said about the movie Uglies, which is almost impressively out of date in look and tone. The CGI is 2000s-level wonky and the premise is unconvincing. You’re telling me these Hollywood kids are supposed to be ugly? So ugly that they’re nicknamed after their defects— “Nose,” “Skinny,” and “Squint”? What would they call normal-looking people like us? Slurs? And don’t get me started on their “pretty” versions. It’s literally just them with layers of makeup and a touch of Botox, which I suppose could be the point, but also…just wear makeup? It’s mind-numbingly confusing. The world of the Uglies doesn’t even seem that bad—they’re fed, roomed, allowed to explore their environment, and create friendships. A lot of people in the real world would kill for that level of comfort. If freethought is what’s being killed here, then they should have focused on that more. Ironically, the movie itself seems too preoccupied with looks to get that, so what we get instead is this half-baked mess.Genre: Adventure, Drama, Science Fiction, Thriller
Actor: Brett Hoyle, Brianne Tju, Charmin Lee, Chase Stokes, Dutch Johnson, Gabriella Garcia, Jan Luis Castellanos, Jessica Craig, Jessica Galinas, Jillian Murray, Joey King, Jordan Sherley, Keith Powers, Kelly Gale, Kevin Miles, Laverne Cox, Lindsay Rootare, Quintin Mims, Sarah Vattano, Zamani Wilder
Director: McG
Rating: PG-13

8. Humanist Vampire Seeking Consenting Suicidal Person, 2023

When vampires choose not to kill a human, it’s usually played up with so much drama, angst, and maybe a bit of romance. Humanist Vampire Seeking Consenting Suicidal Person on the other hand takes this choice as a comedic one. It may be a tad ludicrous for a vampire to refuse to drink blood on ethical grounds and trauma, but writer-director Ariane Louis-Seize takes this silly situation with a compelling sweetness, depicting Sasha with a familiar teen uncertainty made much more captivating with Sara Montpetit’s gothic ingénue charisma. Humanist Vampire does take a more quirky YA romance approach than expected from the title, but it’s funny, charming, and totally something new.Genre: Comedy, Fantasy, Horror, Romance
Actor: Arnaud Vachon, Félix-Antoine Bénard, Madeleine Péloquin, Marguerite Bouchard, Marie Brassard, Micheline Bernard, Noémie O'Farrell, Patrice Dubois, Patrick Hivon, Pierre-Luc Lafontaine, Sara Montpetit, Sarianne Cormier, Sébastien Beaulac, Sophie Cadieux, Steve Laplante, Sylvie Lemay
Director: Ariane Louis-Seize

9. Adam Sandler: Love You, 2024

It starts off with a cinematic intro sequence, flexing a big budget standup show that you’d only expect from a Hollywood star like Adam Sandler. But there are also elements of “lines being blurred,” with the pre-show frenzy backstage being carried over onstage. With a bizarre atmosphere firmly established, Sandler delivers his set like what I can only describe as an upbeat Jake “The Snake” Roberts, nonchalantly talking about his bizarre everyday interactions. He also delivers many of these stories in quick song format, with lyrics that sound like someone muttering under their breath about their grim day (or life). Just a fun, odd, and even emotional storytime with Adam Sandler.

Genre: Comedy

Actor: Adam Sandler, Andrew Bergman, Dan Bulla, Jackie Sandler, Joseph Vecsey, Lou Adler, Rob Schneider, Villiam Hafoka, Willie Tyler

Director: Josh Safdie

Rating: R

10. Oddity, 2024

When modern systems like law enforcement and forensics fail to come up with definite answers to a murder, loved ones of the victim usually have no recourse, which is the fear at the heart of Irish horror film Oddity. To lose someone you care about, forever, hurts. So when Darcy takes more strange and esoteric means of investigation, and when writer-director Damian Mc Carthy slowly reveals through personal effects, psychic images, and an excellent pace, the hurt and the pain intensifies the murder mystery and the hope that she would receive justice for her loss. Oddity feels genuinely unsettling, because Mc Carthy understands what’s truly scary about losing a loved one.Genre: Horror, Mystery
Actor: Caroline Menton, Carolyn Bracken, Gwilym Lee, Joe Rooney, Jonathan French, Shane Whisker, Steve Wall, Tadhg Murphy
Director: Damian Mc Carthy
Rating: R

11. Boxer (2024)

Boxer starts and ends with a reminder about Communist Poland and how difficult that time was for the country. “This is dedicated to the Polish immigrants who fled in the ‘80s, this story could’ve been real,” the intro reads. So one would expect just that, a film about the grit needed to succeed under an authoritarian state and the specific struggles immigrants go through as they assimilate into a new nation. Disappointingly, however, The Boxer is simply about a boxer, one so obnoxious and unlikeable that I wondered till the end why he was characterized in such a way. Are we supposed to root for this guy? If I was a Polish immigrant in the ‘80s, I’d be offended that he—a selfish, misogynistic, racist, power-hungry, violent man—was representing me. The Boxer could’ve done itself a favor by not pretending to be a film about migrant workers because it isn’t that at all. Instead, it’s a formulaic sports drama that doesn’t even redeem its hero. To his credit, Director Mitja Okorn seems to remember sometimes what the film stands for, and so the best parts are when it displays the discrimination Jedrzej and Kasia go through as non-English speaking European immigrants. But those moments are few and far between. What Okorn should’ve done to really save the film is make Kasia the lead. She is the only one who makes sense throughout the movie, and it’s her parts that are the most compelling. Sports movies starring an egotistical athlete are a dime a dozen, but to focus on the athlete’s partner and recognize their sacrifice and input? Now that’s exciting.Genre: Drama
Actor: Adam Woronowicz, Adrianna Chlebicka, Eryk Kulm jr, Eryk Lubos, Waleria Gorobets
Director: Mitja Okorn

12. Vanished into the Night, 2024

The film starts off with the intense court case drama side of things and generous foreshadowing about disappearances. From there, it’s a seamless escalation of the sinister developments that make up the rest of the story. The start gives us a healthy amount of conflict, suspects, and directions to mull over. The middle, which sees the adventure veer off, is phenomenally paced with all the eerily long silences. Until it unfortunately peaks as the most infuriating watch in the world. This movie doesn't seem well thought out once the hoo-ha is stripped away and we're left to confront a story. Organic and promising developments, wasted on forced and empty follow-throughs and a nothing ending.

Genre: Drama, Mystery, Thriller

Actor: Annabelle Wallis, Arturo Alessandri, Bruno Ricci, Gaia Coletti, Giandomenico Cupaiuolo, Lorenzo Ferrante, Massimiliano Gallo, Riccardo Scamarcio

Director: Renato De Maria

13. My First Film, 2024

Aspiring writer-director Vita of My First Film is insufferable. When she starts out making her first feature, she’s pleasantly surprised by the people who came to help her, but the repetition of the shoot, the scene not matching the idea in her head, which she tries to put into image and word, but can’t quite make the vision clear, the anxiety and pressure to be a professional filmmaker blinding her from the concerns of her cast and crew all combine to an inevitable failure of her first feature, which also happens to inspired by Vita’s actual life. Vita is insufferable, but writer-director Zia Anger manages to make her real in an eclectic meta multimedia patchwork that won’t work for everyone, but uniquely depicts an experience filmmakers, aspiring or otherwise, haven’t wanted to talk about.Genre: Drama
Actor: Cole Doman, Devon Ross, Eamon Farren, Eléonore Hendricks, Jane Wickline, Joanna Fang, Odessa Young, Philip Ettinger, Sage Ftacek, Zia Anger
Director: Zia Anger

14. Brahmāstra Part One: Shiva, 2022

When Disney and Marvel drove the industry with its multi-phase superhero film franchise surrounding the collection and use of magical alien MacGuffins, it’s no wonder that some Hindi filmmakers watched it, squinted, and thought that it was small fry compared to the vast collection of stories and reinterpretations of Hindu folklore and epics. But it’s not an easy thing to do. Brahmastra: Part One - Shiva has admirable ambition, but the plot is predictable, the characterization is scant, and the film just throws so much of the mythology at the audience rather than taking its time, letting the magic build up some mystery, and letting the audience get to know the characters before they launch themselves into a spectacular fight scene. It’s not a terrible watch, but Brahmastra is off to a very shaky start.Genre: Action, Adventure, Fantasy
Actor: Aditi Joshi, Alia Bhatt, Amitabh Bachchan, Chaitanya Sharma, Deepika Padukone, Dimple Kapadia, Farida Dadi, Gurfateh Pirzada, Lehar Khan, Mouni Roy, Nagarjuna Akkineni, Ranbir Kapoor, Rashi Mal, Saqib Ayub, Saurav Gurjar, Shah Rukh Khan
Director: Ayan Mukerji
Rating: PG-13

15. Dìdi (弟弟), 2024

Coming of age films are a staple in cinema, but rare is a great depiction of growing up on the internet, chatting with friends, and learning about the world through just a small screen. Dìdi is one of those rare films that remembers that pivotal era, which is why it’s often likened to Bo Burnham’s Eighth Grade, but Sean Wang depicts a more angsty than anxious Asian American kid with parents and grandparents less able to relate to the wider Western town they live in, and with nothing he wants to do but to skate, shoot skating, and try to fit in with people he thinks are cool. It’s both funny and self-critical, as if Wang was looking back to remember the times he screwed up, but it’s also just comforting to watch him own up to who he really is, even if it doesn’t garner the exact response he’s been hoping for. It’s also precisely why Dìdi found its audience.Genre: Comedy, Drama
Actor: Cameron Foxly, Chang Li Hua, Izaac Wang, Joan Chen, Joziah Lagonoy, Macaela Parker, Shirley Chen, Spike Jonze, Stephanie Hsu
Director: Sean Wang
Rating: R

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