57 Movies Like Wonder (2017) (Page 2)

Staff & contributors

Only a writer of Albert Brooks’ comedic and perceptive talents could turn the premise of an insecure middle-aged man having romantic trouble into something genuinely funny and poignant. Brooks appears as his signature brand of self-loathing boomer here: he plays John Henderson, a middling novelist who's recently gone through a second divorce. When he finds himself in the unenviable position of having to start afresh in his forties, John first decides he needs to get to the bottom of his recurring failures with women. In keeping with the neurotic preoccupations of his characters, Brooks has John take the psychoanalytic approach by going back to the source: his mother. 

To better get to the root of his hang-ups, John temporarily moves back in with Mrs Henderson, whom Debbie Reynolds plays as a hilariously blithe foil to her manic, insecure son. Brooks and Reynolds’ fractious rapport is tortuously true to life: John finds her petty habits maddening, while she doesn’t seem to understand his life or his work — an obliviousness that, it turns out, might run the other way, too. Cleverly turning the self-obsessions of its lead character on its head, Mother is a wry comedy full of insight and unexpected sweetness.

Genre: Comedy, Drama

Actor: Albert Brooks, Anne Haney, Billye Ree Wallace, Debbie Reynolds, Ernie Brown, Greg Bronson, Harry Hutchinson, Isabel Glasser, James Gleason, Joey Naber, John C. McGinley, Kimiko Gelman, Laura Weekes, Lisa Kudrow, Matt Nolan, Michael Moertl, Paul Collins, Peter White, Richard Assad, Rob Morrow, Rosalind Allen, Spencer Klein, Vanessa Williams

Director: Albert Brooks

Rating: PG-13

Somewhere near the border between Russia and Ukraine lies a shelter for kids coming from unstable homes. Their parents, either alcoholics or abusers, have nine months to prove that they’re fit to look after their children; otherwise, the kids are sent straight to the orphanage, with no chance of a goodbye. A House Made of Splinters is a documentary that quietly and closely follows the shelter’s occupants amid growing joys and pains, not to mention the ever-present danger of war.

Perhaps one of the most striking things about A House Made of Splinters is how attuned it is to the kids. It serves as a reminder of their immense sensitivity and observational skills (more than once, you’ll hear a child assess their home situation in the calmest of manners), as well as their clever ingenuity (there’s a lot of playing going on despite everything, which is heartwarming to watch.

Genre: Documentary, Drama

Director: Simon Lereng Wilmont

As heartbroken as you will be after watching this movie, you will feel nothing but triumph in the main actor's debut role. This movie has very little hope to offer the viewer, except the small amount felt every time the main character, Marina, gets up again to fight another day. This film depicts grief in such a profound and personal way within a character who must remain relatively silent and alone most of the movie. You will quickly know why the film is called "A Fantastic Woman".

Genre: Drama

Actor: Alejandro Goic, Aline Kuppenheim, Amparo Noguera, Antonia Zegers, Bárbara Mundt, Cristián Chaparro, Daniela Vega, Eduardo Paxeco, Erto Pantoja, Fabiola Zamora, Francisco González Hermosilla, Francisco Reyes, José Antonio Raffo, Loreto Leonvendagar, Luis Gnecco, Marcial Tagle, Moisés Angulo, Nestor Cantillana, Nicolas Saavedra, Pablo Cerda, Pablo Greene, Paola Lattus, Paulina Hunt, Roberto Farías, Senén Selim, Sergio Hernández, Trinidad González

Director: Sebastián Lelio

Rating: 15, R

, 2015

Shrooms director Paddy Breathnach has als dipped his toes in romcoms and thrillers, but this queer Bogota-set drama has a lot of tenderness in its heart. Micro-budget and full of life as the name suggests, Viva is an inspiring story that centers around Jesus (Héctor Medina) and his own individuation. A hairdresser with the talent of a drag performer, he assumes the role of Viva in the weekend cabaret. As warm and open as his father is detached and somber, Jesus is a likeable protagonist with the vulnerability and dedication to follow his dream, that no wonder the film made the Oscar shortlist in 2016.

Genre: Drama

Actor: Héctor Medina, Jorge Perugorría, Laura Aleman, Luis Alberto García, Luis Manuel Alvarez, Mark O'Halloran, Renata Maikel Machin Blanco

Director: Paddy Breathnach

Coming-of-age films are usually optimistic, but sometimes, growing up isn’t as rosy as portrayed to be, as kids start to learn the failings of the adults that should know better and the tension that lies between sexes. Typhoon Club is like an anti-Breakfast Club, with the kids stuck in school overnight, not just one morning, due to a natural typhoon instead of randomly assigned detentions, and with the kids returning home traumatized instead of triumphant. Director Shinji Sōmai crafts a raw, turbulent experience, alternating between before, during, and after their stay that steadily heightens the uneasy, sometimes dangerous, experiences where these teenagers directly confront the disappointment that is adulthood. It’s a challenging film to watch, but Typhoon Club’s early exploration of teen ennui made it to be considered one of the best Japanese films ever made.

Genre: Drama

Actor: Kaori Kobayashi, Makoto Satō, Minori Terada, Saburo Date, Tomiko Ishii, Tomokazu Miura, Toshinori Omi, Youki Kudoh, Yuichi Mikami, Yuka Ônishi, Yuriko Fuchizaki

Director: Shinji Sōmai

Two elderly gay men, Pak and Hoi, start a secret relationship during their twilight years. The catch: Pak is married and both are, well, old. Beneath their shared moments of tenderness, there is an undercurrent that the romance is ultimately futile, their remaining years too short to start life anew. Yet at the same time, director Ray Yeung uses the protagonists’ old age as justification for their love affair. Having dedicated their entire lives to their families and loved ones, romance is presented as a rewarding experience indicative of queer freedom, no matter how ill-fated or short-lived it might be.

Genre: Drama, Romance

Actor: Ben Yuen, Ben Yuen Foo-Wa, Ben Yuen Foo-Wah, Kong To, Lam Yiu-Sing, Lo Chun Yip, Patra Au Ga-Man, Tai Bo, Yuk-Guen Tsang

Director: Ray Yeung

After neglecting previous invitations, Leyla, a lawyer and a poet, decides to take an overnight train to finally attend a school reunion. On the train, she meets Canan, a young nursing student who dreams of becoming an actress. The two of them form a unique connection that will lead them to an unusual journey. 

Something Useful is about how, when dealing with pain and disappointment, art—and especially poetry– can help by revealing the beauty behind everyday moments. It's a wonderful film with beautiful photography and impressive performances. 

Genre: Drama

Actor: Aydan Kalınağa, Ayşenil Şamlıoğlu, Başak Köklükaya, Berfu Öngören, Fatih Sevdi, Güçlü Yalçıner, İbrahim Selim, Melih Düzenli, Murat Kılıç, Nalan Kuruçim, Öykü Karayel, Sedat Kalkavan, Süleyman Karaahmet, Yiğit Özşener

Director: Pelin Esmer

If you were on the Internet around 2015, you might be familiar with the viral phenomenon that is Wakaliwood, a “slum” neighborhood of Kampala, Uganda from where self-taught director Isaac Nabwana churns out bombastic DIY action comedies. Though they rack up online views in the millions, Isaac’s low-budget films weren’t money-makers due to a lack of proper distribution — something Alan Hofmanis, a Wakaliwood superfan and well-meaning New York-based publicist, wanted to help change.

Once Upon a Time chronicles the ups and somewhat perplexing downs of Isaac and Alan’s partnership, but their murky beef doesn’t detract too much from the documentary’s greatest strength, which is its showcasing of the scrappy spirit shared by Isaac and his volunteer collaborators: the actors who gleefully throw themselves in the mud for him, the “voice jokers” who provide riotous live narration at his screenings, and the props man who can jerry-rig just about anything his scripts call for. As Isaac points out, filmmaking is a business in the rest of the world — in Wakaliwood, it’s a passion. If Once Upon a Time does one thing, it’s faithfully transmit Isaac’s pure love for the craft — and, in doing so, reinvigorate us with the infectious joy that animates all of his movies.

Genre: Documentary, Drama

Actor: Alan Hofmanis, Bisaso Dauda, Nabwana IGG, V.J. Emmie

Director: Cathryne Czubek

More than a decade before she made Toni Erdmann, German filmmaker Maren Ade turned her eye on a small-town school, a socially awkward teacher, and the inarticulate in between. Even with her debut, Ade showcased a talent for spotting the hidden comic potential of situations that can be wounding, turning vulnerabilities into power through comedy. The Forest For the Trees is a dilemma-film, in the ways in which it both invites and rejects identification with Melanie. A frighteningly optimistic person, she misreads most if not all social cues and finds herself in embarrassing situations. Even more, her devotion to making it all work, after moving away from the big city for said teaching job, is something a lot of viewers can recognize and support, but her borderline unlikeability is sometimes too hard to ignore. However, a majestic finale crowns the film with a scene that is worth rewatching again and again, like a dream you wish to appropriate for yourself.

Genre: Comedy, Drama

Actor: Daniela Holtz, Eva Löbau, Heinz Röser-Dümmig, Ilona Schulz, Jan Neumann, Monika Hirschle, Robert Schupp

Director: Maren Ade

This moving biopic is about Maud Lewis, the legendary Canadian painter who suffered from arthritis. In the film, Maud gets away from her controlling family by finding a job as a live-in housekeeper for a local fish peddler. It is there where she begins to paint, before marrying the fish peddler in spite of their different personalities. Sally Hawkins, who plays Lewis, brings undeniable spark and soul to the role, for which she had to undergo an astonishing physical transformation.

Maudie is a beautiful and uncomplicated film that challenges the conventions of marriage and relationship roles, while at the same time celebrating Maud Lewis’ paintings and life’s simple pleasures.

Genre: Drama, Romance

Actor: Billy MacLellan, Brian Marler, David Feehan, Denise Sinnott, Erin Mick, Ethan Hawke, Gabrielle Rose, Greg Malone, Kari Matchett, Kate Ross, Lawrence Barry, Lisa Machin, Marthe Bernard, Mike Daly, Nik Sexton, Sally Hawkins, Zachary Bennett

Director: Aisling Walsh

Rating: PG-13

Many people have forgotten that representation and diversity in media isn’t meant just to fill a quota or to signal virtue– the push for it is in response to the way many of these stories were silenced, repressed, and shut out. Lilies might have been overlooked for quite a while, but its 2023 restoration has thankfully enabled more viewers to watch the tale of an imprisoned gay man finally telling his story, turning the tables on a long overdue confession. Michel Marc Bouchard adapts his play through this play-within-a-film, with director John Greyson playing with the confession booth as a viewing booth for both the bishop and the audience to get fully immersed in a love triangle a century ago, juxtaposed with motifs of martyred Catholic saints and French lilies and fire. Lilies is a well-crafted and deeply emotional masterpiece.

Genre: Drama, Fantasy, Romance

Actor: Alain Gendreau, Aubert Pallascio, Brent Carver, Danny Gilmore, Gary Farmer, Ian D. Clark, Jason Cadieux, John Dunn-Hill, Khanh Hua, Marcel Sabourin, Matthew Ferguson, Michel Marc Bouchard, Pierre Leblanc, Rémy Girard, Robert Lalonde

Director: John Greyson

When people think of football, they think of teams, and if not teams, they think of individual goalscorers. Higuita: the Way of the Scorpion focuses instead on a single goalkeeper from Latin America. To be fair, this goalkeeper is René Higuita – even just checking his Wikipedia is bound to pull some curiosity. But the documentary does a great job in introducing the man and his life story, starting with his fantastic scorpion kick before delving into the more personal and sensitive aspects of his life. With the wild gameplays and crazy controversies linked to the man, it’s actually unbelievable how a documentary like this hasn’t been made yet.

Genre: Documentary

Actor: René Higuita

Director: Luis Ara

Rating: R

Nisha, the daughter of conservative Pakistani immigrants in Oslo, finds ways to secretly go out with her Norwegian friends. She goes to parties, plays basketball, and dates. One day, Nisha’s father catches her with a boy, bringing what he perceives as a great shame to the family. Nisha’s delicate balance is broken, and her family acts drastically: without telling her about their plans, they move her to Pakistan. What Will People Say is based on its director and writer Iram Haq’s own experience being kidnapped to Pakistan and going back to Norway at age 16.

Genre: Drama

Actor: Adil Hussain, Assad Siddique, Ekavali Khanna, Farrukh Jaffar, Jan Gunnar Røise, Jannat Zubair Rahmani, Kjersti Elvik, Lalit Parimoo, Maria Bock, Maria Mozhdah, Rohit Saraf, Sara Khorami, Sheeba Chaddha, Sunakshi Grover, Trine Wiggen

Director: Iram Haq

Rating: 12

A documentary told entirely through animated avatars can be a hard sell, but instead of playing into the expected jokes, director Joe Hunting takes this digital environment extremely seriously, and that makes all the difference. He doesn't downplay how absurd it is to see what are essentially 3D characters going on dates and having bellydance classes together, and yet Hunting still takes time to emphasize how freeing this virtual existence is for all involved. It's disappointing that the film never addresses the many real concerns people have about purely online relationships (deception, exploitation, and abuse, among others), but as a positive and perhaps overly romanticized view of this new, 21st-century social space, the documentary remains fresh and vital.

Genre: Animation, Documentary

Actor: DragonHeart, Dust Bunny, DylanP, IsYourBoi, Jenny0629

Director: Joe Hunting

Rating: R

Appropriately for its literary focus, The Lesson feels, in places, like the gripping adaptation of a bestselling psychological thriller. Unfortunately, though, its initial cleverness peters out in a contrived ending that ironically feels like it belongs to the pulpy airport fiction that one character accuses another of writing.

The Lesson’s early chapters (another way the movie’s form mirrors its content) crackle with tension, as Oxford grad and aspiring writer Liam observes the icy dynamics of the Sinclair family, whose son he’s been hired to provide university admission tuition to. The Sinclairs are still grieving the loss of another child, a process made more painful by the brittle ego of their patriarch — JM (Richard E. Grant), a celebrated author who happens to be Liam’s literary hero. Liam’s career ambitions complicate his position: he’s as much an enthusiastic student as he is a teacher here, and among the screenplay’s many suggestions is also Tom Ripley-style envy. The Lesson ultimately scuppers this complexity, though, as the writing eventually abandons its psychological study aspirations and swerves into melodrama, leaving the cast struggling to make it all believable. Still, while the ending may disappoint, there are juicy, intelligent ideas to be pondered over — not quite a bestseller, then, but definitely not airport fiction either.

Genre: Drama, Thriller

Actor: Crispin Letts, Daryl McCormack, Julie Delpy, Richard E. Grant, Stephen McMillan, Tomas Spencer

Director: Alice Troughton

Rating: R