24 Movies Like Women Talking (2022) On Vudu (Page 2)

Among the sea of class satires released in the last year, Triangle of Sadness is one of the better ones. Directed by Ruben Östlund (The Square, Force Majeure), the film follows an ultra-rich group of people who get stranded on an island after their luxury cruise ship sinks. The social pyramid that has long favored them suddenly turns upside down when a crew member (a glowing Dolly de Leon) effectively runs the group of sheltered castaways.

Triangle of Sadness may not be as sharp as Östlund’s previous work, and it may not add anything particularly new to the saturated discussions of social class, but it remains a darkly humorous and engaging watch, masterfully helmed by a strong script and ensemble.

Genre: Comedy, Drama

Actor: Alex Schulman, Alicia Eriksson, Amanda Schulman, Amanda Walker, Arvin Kananian, Beata Borelius, Camilla Läckberg, Carolina Gynning, Charlbi Dean, Christina Saliba, Dolly de Leon, Emma Warg, Fredrik Quinones, Fredrik Wikingsson, Hanna Oldenburg, Harris Dickinson, Hedda Rehnberg, Henrik Dorsin, Iris Berben, Jean-Christophe Folly, Karin Myrenberg, Linda Anborg, Malte Gårdinger, Nana Manu, Oliver Ford Davies, Ralph Schicha, Shaniaz Hama Ali, Stefan Godicke, Sunnyi Melles, Vicki Berlin, Woody Harrelson, Zlatko Burić

Director: Ruben Östlund

Rating: R

Somewhere near the border between Russia and Ukraine lies a shelter for kids coming from unstable homes. Their parents, either alcoholics or abusers, have nine months to prove that they’re fit to look after their children; otherwise, the kids are sent straight to the orphanage, with no chance of a goodbye. A House Made of Splinters is a documentary that quietly and closely follows the shelter’s occupants amid growing joys and pains, not to mention the ever-present danger of war.

Perhaps one of the most striking things about A House Made of Splinters is how attuned it is to the kids. It serves as a reminder of their immense sensitivity and observational skills (more than once, you’ll hear a child assess their home situation in the calmest of manners), as well as their clever ingenuity (there’s a lot of playing going on despite everything, which is heartwarming to watch.

Genre: Documentary, Drama

Director: Simon Lereng Wilmont

The Banshees of Inisherin is an Irish dark comedy film that begins with the breakup of longtime friends Pádraic (Colin Farrell) and Colm (Brendan Gleeson). Averse to the sudden split, Pádraic tries to repair their relationship, but instead of achieving goodwill, he inadvertently sets off even more unrest in their little town of Inisherin. Set in 1923 against the backdrop of the Irish Civil War, the film doubles as a fable about the consequences of war. 

The last time Farrell and Gleeson were together was in the expert thriller In Bruges, and their reunion in The Banshees of Inisherin shows how powerful and chemistry-filled their pairing is. Theirs is a knockout turn, but it's also far from the only good thing in the movie. Packed with gorgeously lush images of rural Ireland, strong performances from an all-Irish cast, and a whipsmart script from writer-director Martin McDonagh, The Banshees of Inisherin is an impactful watch that will give you lots to unpack long after the credits roll. 

Genre: Comedy, Drama

Actor: Aaron Monaghan, Barry Keoghan, Brendan Gleeson, Bríd Ní Neachtain, Colin Farrell, David Pearse, Gary Lydon, Jon Kenny, Kerry Condon, Pat Shortt, Sheila Flitton

Director: Martin McDonagh

Rating: R

It's difficult to portray Cinderella stories nowadays without making them feel cliche and irrelevant, but Mrs. Harris Goes to Paris seems to have achieved the impossible: it tells a well-worn tale without losing any of its charms, and Lesley Manville is the person to thank for this surprising triumph. As the titular Mrs. Harris, Manville is so sweet and likable —thoroughly convincing in her rags-to-riches journey—that it's impossible to watch her without grinning from ear to ear. Sure, the beats are predictable, polished to a fault even, but Manville makes every scene worth it. This is a feel-good movie if ever there was one, made even more enjoyable for fans of earnest performances, beautiful dresses, and clean, straightforward storytelling.

Genre: Comedy, Drama, History

Actor: Alba Baptista, Anna Chancellor, Barnabás Réti, Ben Addis, Bertrand Poncet, Christian McKay, Csémy Balázs, Declan Hannigan, Delroy Atkinson, Ellen Thomas, Freddie Fox, Guilaine Londez, Harry Szovik, Igor Szász, Isabelle Huppert, Jade Lopez, Jason Isaacs, Jeremy Wheeler, Lambert Wilson, Lesley Manville, Lucas Bravo, Panka Murányi, Philippe Bertin, Rose Williams, Roxane Duran, Saruul Delgerbayar, Vincent Martin, Wayne Brett, Zsolt Páll

Director: Anthony Fabian

Though it doesn't proceed like most animal/nature-centered documentaries that you've seen, the Oscar-nominated All That Breathes is instantly memorable in the way it de-centers the human perspective from its all-encompassing study of New Delhi, India. The wildlife rescue team that features prominently in this film still only becomes a vessel through which director Shaunak Sen explores the environmental and political hazards being faced by the nation today. It's a movie that definitely challenges you to think for yourself, as any talking heads or on-screen explanations are traded for truly stunning shots of New Delhi as a biome teeming with life among the dirt. For those who want their documentaries unconventional, this is excellent stuff.

Genre: Documentary, Drama

Director: Shaunak Sen

Formally speaking, 20 Days in Mariupol is little more than a compilation of footage bravely collected by Mstyslav Chernov in Ukraine, excerpts of which may seem familiar from when they were broadcast by major news stations. Unsure of whether or not Chernov would survive long enough to pass on his footage, he shot as much as he could day-in and day-out, resulting in this numbing, relentless compilation of anguish and death. As a documentary, there isn't exactly a unifying idea to 20 Days in Mariupol, with Chernov's narration only meant to provide necessary context and a foreboding score that probably didn't have to impose itself as much as it does.

And yet it's hard to deny the importance of the very existence of this footage, especially in a time when genocide is occurring elsewhere in the world with far fewer cameras on the ground to counter the denialist propaganda of those in power. Chernov's decision to let the images speak for themselves, without feeling the need to dissect every major moment for political analysis, isn't reductive; it's a statement that nothing can rationalize the indiscriminate killing of civilians and children. That the footage becomes overwhelming and hard to watch isn't a reason for us to look away.

Genre: Documentary, War

Director: Mstyslav Chernov

Rating: NR