153 Movies Like Whiplash (2014) (Page 2)

Chasing the feel of watching Whiplash ? Here are the movies we recommend you watch right after.

Miles Teller plays Andrew Nieman, an ambitious young jazz drummer striving for greatness, who is edged towards breaking point by the sadism of his teacher and conductor, Terence Fletcher, played expertly by J.K. Simmons. Fletcher insults him, pressures him, and makes him cry in front of all his peers. Directed by Damien Chazelle, who was one of the youngest people to receive a Golden Globe and an Academy Award for the powerful La La Land, the aptly titled Whiplash poses some intense questions about artistry and ambition. Will Andrew survive? Will it lift him to a higher artistic level? Can his tormentor be appeased through accomplishment? It's almost impossible to single out the best part of this film, considering the flawless performances, masterful script, and meticulously crafted soundtrack. Cherishing the existential artist without giving easy answers, Whiplash is an inspiring watch.

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16. The Spectacular Now, 2013

Everybody loves a good coming-of-age movie, but they have their trappings. Their youthful characters are often cartoonish, or perfect, or insanely inept. This is where The Spectacular Now achieves something that is indeed spectacular: it feels incredibly real. The film features Miles Teller (from Whiplash) as a charming, but slightly lost, heavily partying high-school senior named Sutter Keely. After waking up on a strange lawn after a long night, he is awoken by Aimee, played by Shailene Woodley, whose performance is as spectacular as the depth of this movie's characters. What starts as a rebound fling for Keely eventually goes deeper and deeper, while his problems become more and more apparent to us, the viewers, to Aimee, and to his caring teacher, played by the incredible Andre Royo, who some of you might recognize as the iconic Bubbles from The Wire. If this premise sounds corny to you, think again, because this film has a deep respect for its characters and the journeys they must take. A sensitive drama with incredibly life-like performances.

Genre: Comedy, Drama, Romance

Actor: Alex D'Lerma, Andre Royo, Bob Odenkirk, Brie Larson, Christopher Nathan, Dayo Okeniyi, Dina Sherman, Doug Haley, E. Roger Mitchell, Gary Weeks, Jennifer Jason Leigh, Kaitlyn Dever, Karen Strassman, Keith Silverstein, Kyle Chandler, Levi Miller, Mary Elizabeth Winstead, Masam Holden, Mike Hickman, Miles Teller, Nico Ford, Shailene Woodley, Valerie Payton, Whitney Christopher, Whitney Goin

Director: James Ponsoldt

Rating: R

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17. The Skeleton Twins, 2014

	

Directed and co-written by Craig Johnson (who made The Adolescents with Mark Duplass), The Skeleton Twins is a beautiful piece of drama, dealing with some dark themes. It does so with surprising success, given that the two main actors are seasoned comedians with little to no experience in the genre. And yet, it is precisely the two leads that turn this bleak comedy-drama into a somber, haunting, but beautiful watch. Bill Hader is amazing as the depressed and suicidal gay man, Milo, who is reunited with his estranged twin Maggie (Kristen Wiig) after a series of unfortunate events. Their attempts at repairing their fractured relationship also forces them to confront the trajectory of their own lives, while they rediscover their erstwhile childhood friendship and long-lost camaraderie. Again, don't expect a traditional comedy, but an honest display of the complexities of sibling relationships, mental health, and how conflict, compassion, and understanding fit into it all.
Genre: Drama
Actor: Adriane Lenox, Bill Hader, Boyd Holbrook, Cliff Moylan, David Garelik, Eddie Schweighardt, Genevieve Adams, Ian Hyland, Jennifer Lafleur, Joanna Gleason, Kathleen Rose Perkins, Kristen Wiig, Luke Wilson, Paul Castro Jr., Sydney Lucas, Truck Hudson, Ty Burrell
Director: Craig Johnson
Rating: R

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18. Winter Sleep, 2014

An absolutely beautiful film about superficiality, arrogance, and heartbreak. It focuses on the life of Aydin, a retired actor who now lives very comfortably managing a small hotel and a number of other small properties. Throughout the film Aydin's image shifts as he tackles the problems of his rather typical life. Having said this, there is nothing else typical about this film. It captures human relationships with an almost frightening precision. It almost feels as though you have an inside view into someone's actual life as Aydin battles it out with his sister Necla and his young wife Nihal. To me this is easily one of the best dramas of the decade, and if you so much as like movies that focus on humans and their interactions, it will be that for you too. Nuri Bilge Ceylan will make 3 hours pass more quickly than they ever have before.

Genre: Drama

Actor: Ayberk Pekcan, Demet Akbag, Ekrem İlhan, Emirhan Doruktutan, Haluk Bilginer, Mehmet Ali Nuroğlu, Mehmet Ali Nuroğlu, Melisa Sözen, Nadir Sarıbacak, Nadir Sarıbacak, Nejat İşler, Nejat İşler, Serhat Kılıç, Serhat Mustafa Kılıç, Serhat Mustafa Kılıç, Tamer Levent

Director: Nuri Bilge Ceylan

Rating: Not Rated, Unrated

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19. Nightcrawler, 2014

The film stars Jake Gyllenhaal as Lou Bloom, an impromptu freelance videographer who begins covering the crime world in LA for a local TV station. Almost as dark as a mystery can get, it is disturbing, and plays out as a combination of "Drive" and "The Network". The film is visually stunning as well as immensely suspenseful. It then becomes almost impossible to look away, even when you're the most horrified by just how far Bloom is willing to go to reach success. Gyllenhaal's performance is widely compared to that of Robert De Niro in Taxi Driver, which should give you an idea of its caliber.

Genre: Crime, Drama, Mystery, Thriller

Actor: Alex Ortiz, Ann Cusack, Bill Blair, Bill Paxton, Bill Seward, Carolyn Gilroy, Chris Wolfe, Christina De Leon, Dale Shane, Dan Gilroy, Dig Wayne, Eric Lange, Holly Hannula, Jake Gyllenhaal, James Huang, Jamie McShane, Jonny Coyne, Kathleen York, Kent Shocknek, Kevin Dunigan, Kevin Rahm, Kiff VandenHeuvel, Leah Fredkin, Marco Rodriguez, Merritt Bailey, Michael Hyatt, Michael Papajohn, Myra Turley, Pat Harvey, Price Carson, Rene Russo, Rick Chambers, Rick Garcia, Riz Ahmed, Sharon Tay, Stephanie D'Abruzzo, Viviana Chavez

Director: Dan Gilroy

Rating: R

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20. 35 Shots of Rum, 2008

This bittersweet film about a father and a daughter marks one of the more tender spots in Claire Denis’ brilliant filmography. Frequent collaborator Alex Descas plays Lionel (the father), while Mati Diop, now a director in her own right, plays Josephine (the daughter.) The film captures the two at a crossroads, with their closely-knit relationship tested as Josephine grows closer to her boyfriend, and Lionel must face the possibility of finally letting her go.

A melancholy lingers in the air as we learn more about their lives and the small community of neighbors and coworkers in their orbit. Meanwhile, the film's climax holds a mesmerizing sequence set to the Commodores’ Nightshift, which has to rank as one of the best needle drops in cinema from a director who already has an all-timer under her belt. (see. Beau Travail)

Genre: Drama

Actor: Adèle Ado, Alex Descas, Djédjé Apali, Ériq Ebouaney, Grégoire Colin, Ingrid Caven, Jean-Christophe Folly, Mati Diop, Nicole Dogué

Director: Claire Denis

Rating: Unrated

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21. The Player, 1992

Like so many pictures about the pictures, The Player is a biting satire of the biz. Tim Robbins plays Griffin Mill, a Hollywood executive who gives dinner speeches about movies being art but works at a studio where endings are unceremoniously tweaked for maximum audience approval ratings — and therefore maximum profits. The greedy corporate Tinseltown of The Player feels very close to the franchise-pumping Tinseltown of today, but there’s enough wit and irony here to keep it from feeling too depressing.

Legendary New Hollywood director Robert Altman packages his critique in familiar clothing: that of a film noir. After receiving threatening postcards from a disgruntled writer he never called back, Griffin takes matters into his own hands and soon finds himself living out the plot of a taut thriller. The Player gets even more deliciously meta than this: nearly every scene contains a winking reference to the movies, and it’d probably be easier to count which stars of past and present don’t show up for a cameo here. What’s more, Altman gives The Player the kind of “happy ending” that Griffin’s studio is always demanding from writers — only here, it’s spun into a bitter commentary on the whole industry. Simply masterful.

Genre: Comedy, Crime, Drama, Mystery, Thriller

Actor: Adam Simon, Alan Rudolph, Alexandra Powers, Althea Gibson, Andie MacDowell, Angela Hall, Anjelica Huston, Annie Ross, Bert Remsen, Brad Davis, Brian Brophy, Brian Tochi, Brion James, Bruce Willis, Buck Henry, Burt Reynolds, Cathy Lee Crosby, Charles Champlin, Cher, Cynthia Stevenson, David Alan Grier, Dean Stockwell, Dennis Franz, Derek Raser, Dina Merrill, Elliott Gould, Felicia Farr, Frank Barhydt, Fred Ward, Gary Busey, Gina Gershon, Greta Scacchi, Harry Belafonte, Jack Jason, Jack Kney, Jack Lemmon, Jack Riley, James Coburn, Jayne Meadows, Jeff Celentano, Jeff Goldblum, Jeremy Piven, Jill St. John, Joan Tewkesbury, Joel Grey, John Cusack, Julia Roberts, Karen Black, Katarzyna Figura, Kathy Ireland, Kevin Scannell, Leah Ayres, Leeza Gibbons, Lily Tomlin, Louise Fletcher, Lyle Lovett, Malcolm McDowell, Marina Zenovich, Marlee Matlin, Martin Mull, Marvin Young, Maxine John-James, Michael Bowen, Michael Tolkin, Mike Kaplan, Mimi Rogers, Natalie Strong, Ned Bellamy, Nick Nolte, Pamela Bowen, Patricia Resnick, Patrick Swayze, Paul Dooley, Paul Hewitt, Peter Falk, Peter Gallagher, Peter Koch, Randall Batinkoff, Ray Walston, Rene Auberjonois, Richard Anderson, Richard E. Grant, Ritchie Montgomery, Robert Carradine, Robert Wagner, Rod Steiger, Sally Kellerman, Sally Kirkland, Scott Glenn, Scott Shaw, Shari Belafonte, Stephen Tolkin, Steve Allen, Steve James, Susan Emshwiller, Susan Sarandon, Sydney Pollack, Ted Hartley, Teri Garr, Tim Robbins, Vincent D'Onofrio, Whoopi Goldberg

Director: Robert Altman

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22. Phone Booth, 2003

We love to see Colin Farrell playing an unlikeable guy, it feels like there is balance in the universe. Stu is quite annoying and often offensive, and he's been having an extra-marital affair, which he then gets punished for. Phone Booth carries over this remnant of 2000s morale with a sadistic twist, but that's not what defines it. Instead, the film is a rollicking ride that appeals to both cinephiles and entertainment-seeking viewers alike, a box-office hit that would be just as thrilling and triumphant if it was released today, with the added nostalgia value of the phone booth as a thing of the past. Could it be that in 2002, Schumacher pre-empted our fears regarding internet privacy and cancel culture?

Genre: Crime, Thriller

Actor: Arian Ash, Ben Foster, Billy 'Sly' Williams, Colin Farrell, Colin Patrick Lynch, Dean Cochran, Dean Tarrolly, Dell Yount, Django Craig, Domenick Lombardozzi, Forest Whitaker, Greg Finley, James MacDonald, Jared Leto, Jason Pace, John Enos III, John Vargas, Josh Pais, Juan Pope, Julio Oscar Mechoso, Karara Muhoro, Katie Holmes, Keith Nobbs, Kiefer Sutherland, Kimberly Bailey, Lanei Chapman, Maile Flanagan, Mary Randle, Mia Cottet, Nicole Prescott, Paula Jai Parker, Radha Mitchell, Ramón Franco, Richard T. Jones, Ruth Zalduondo, Seth William Meier, Shu Lan Tuan, Steve Alterman, Svetlana Efremova, Tanya Vidal, Tia Texada, Tom Reynolds, Tory Kittles, Tracy Metro, Troy Gilbert, Tyree Michael Simpson, Yorgo Constantine

Director: Joel Schumacher

Rating: R

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23. Lolo and the Kid, 2024

They did it. They took advantage of Pinoy movies’ penchant for sappy writing and used it to deliver on its premise. Coming into it blind more-so, you see the violent shift in writing and energy, with everything feeling more relaxed, organic, and truthful after the premise sets in. But they take that subversion a step further by unironically sticking with the sappy elements and not drowning in them; using dramatic backstories, catchphrases, and the staple recurring '80s theme song to tease and anchor the drama throughout. By Filipino drama standards, it might be an unconventional family film, but with how well they used the tropes, it might also be the quintessential Filipino family film.

Genre: Drama, Family

Actor: Alfred Vargas, Euwenn Mikaell, Iza Calzado, Joel Torre, Joem Bascon, Juan Karlos Labajo, Markki Stroem, Meryll Soriano, Nico Antonio, Shaina Magdayao

Director: Benedict Mique

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24. Ghostlight, 2024

	
“The healing power of art” sounds cheesy, but it’s a statement made beautiful and true in Ghostlight. It’s the sensitively told and wonderfully performed story of an ordinary man who, up until this point, doesn’t even know how Romeo and Juliet ends. That’s how detached he is from art. But when Rita (Dolly de Leon) pushes him into the arena, he surprises himself and his family by being receptive to it. It’s the only way he can get in touch with his feelings, which is vital since he’s gone through an unspeakable loss recently. What that loss is isn’t immediately revealed in the film, but the small details snowball and eventually pummel you to the ground with its sheer tragedy. You’re either grinning or crying watching this, there’s no in-between. But if there were, you’d probably be marveling at the trio at the heart of this film: the family played by a real-life family. Keith Kupferer, who plays Dan, Tara Mallen, who plays Sharon, and Katherine Mallen Kupferer, who plays their daughter Daisy, are all compelling and dazzling in their own ways.Genre: Comedy, Drama
Actor: Alma Washington, Bradley Grant Smith, Charin Alvarez, Deanna Dunagan, Dolly de Leon, Francis Guinan, H.B. Ward, Hanna Dworkin, Katherine Mallen Kupferer, Keith Kupferer, Sarab Kamoo, Tara Mallen
Director: Alex Thompson,  Kelly O'Sullivan
Rating: R

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25. Prophet's Prey, 2015

Prophet’s Prey is a documentary on the sect known as Fundamentalist Latter-Day Saints and its leader, Warren Jeffs. Claiming to have inherited a direct connection to God, Jeffs has used this pretext to control a closed society of thousands of individuals on a shockingly personal level, as well as marry dozens of underage girls and harvest the community’s financial resources on behalf of “the church.”

The subject is deftly handled by filmmaker Amy Berg (Deliver Us From Evil). Here she presents most of the story via interviews with the people whose tenacity was instrumental in exposing Jeffs. Woven throughout the film, too, is the haunting, disembodied voice of Jeffs himself, in recorded words to his followers, along with film footage of present-day FLDS communities. What emerges is the picture of a terrifying madman who still wields a disturbing amount of power over thousands of active congregants. Absolutely riveting.

Genre: Crime, Documentary, History

Actor: Nick Cave

Director: Amy J. Berg

Rating: TV-14

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26. Finders Keepers, 2015

A wacky viral story — the kind that gets played for laughs at the end of news broadcasts — gets uncommonly deep consideration in this documentary gem. That’s not to say that Finders Keepers ignores the surreal comedy of the situation that John Wood and Shannon Whisnant, two star-crossed North Carolina men, found themselves in in 2007: battling over the custody rights of John’s mummified amputated leg. The humor in this bizarre tale and all the myriad eccentricities of its real-life characters is never left untapped, but to simply focus on that would add nothing new to the way the story had been told thus far.

Unlike the many clips from news segments and reality TV that we see in the film, Finders Keepers instead looks beyond the low-hanging fruit and finds deep pathos simmering under the surface of this wacky tale. What emerges is a complex, often tragic, and very American picture of the way traumas shape our lives, the addictive pull of drugs and attention, and fate’s habit of twisting nightmares into blessings and vice versa. It’s the kind of film that makes you wonder how many other unexpectedly poignant stories have been short-changed by our impulse to be flippant.

Genre: Documentary

Actor: John Wood, Shannon Whisnant

Director: Bryan Carberry, J. Clay Tweel

Rating: R

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27. A Summer's Tale, 1996

The sunniest installment of Éric Rohmer’s Tales of the Four Seasons series is a sly, slow burn of a character study. Everything looks sensuously beautiful in the honey-toned French sunshine, except for the ugly egotism of Gaspard (Melvil Poupaud), the full extent of which is gradually revealed over the film’s runtime to amusing — if maddening — effect.

A brooding twenty-something, Gaspard has the traumatic task of having to decide between three beautiful and brilliant young women while vacationing alone on the French coast one summer. He dithers and delays his choice, each woman appealing to a different insecurity of his — but, as frustrating and plainly calculating as he is, you can’t help but be charmed by Gaspard. That’s partly because of Poupaud’s natural charisma, but also because Rohmer grants Gaspard as many searingly honest moments as he does deceitful ones. These come through Rohmer’s hallmark naturalistic walking and talking scenes (a big influence on the films of Richard Linklater), coastal rambles that produce conversations of startling, timeless candor. That inimitable blend of breeziness and frankness is never better matched in the director’s films than by the summer setting of this one, the sharp truths going down a lot smoother in the gorgeous sunlight.

Genre: Comedy, Drama, Romance

Actor: Aimé Lefèvre, Amanda Langlet, Aurelia Nolin, Gwenaëlle Simon, Melvil Poupaud

Director: Éric Rohmer

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28. There Are No Fakes, 2019

The highly unusual story of this documentary starts with Kevin Hearn, a member of the band Barenaked Ladies, realizing that his painting by famous Canadian Indigenous artist Norval Morrisseau is a fake. When he sues the collector he bought it from, he starts a series of inquiries that unravel a story that gets progressively darker: drug dealing, organized crime, addiction, sexual abuse, and completely crazy characters (reminiscent of Tiger King).

Behind all of that, There Are No Fakes is about the exploitation not only of Indigenous art but of Indigenous people in Canada in general.

Genre: Documentary

Actor: Kevin Hearn

Director: Jamie Kastner

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29. The Drop, 2014

One of The Drop's many strengths is its dark, clever, yet compassionate script. It will take you into the heart of the Brooklyn crime scene through the characters and their respective more or less fragile lifestyles. The extremely good performances, however, soon become the focus and attire of the film. James Gandolfini couldn't be more at home in this context and excels with his usual menace, yet somehow relatable presence. Tom Hardy, however, surprises in unfamiliar grounds, sharply portraying a vulnerable character, whose vulnerability you will keep doubting. The Drop is consistent from start to finish, and with jaw-dropping moments here and there, it is both an interesting and enjoyable film.

Genre: Crime, Drama, Mystery

Actor: Alex Ziwak, Ann Dowd, Chris Sullivan, Danny McCarthy, Elizabeth Rodriguez, Erin Darke, Jack Dimich, James Colby, James Frecheville, James Gandolfini, Jeremy Bobb, Jessica Tate, John Di Benedetto, John Ortiz, Khan Baykal, Lucas Caleb Rooney, Matthias Schoenaerts, MichaÃ«l R. Roskam, Michael Aronov, Michael Esper, Michael O'Hara, Mike Houston, Morgan Spector, Noomi Rapace, Patricia Squire, Robert Turano, Ross Bickell, Scott Johnsen, Tobias Segal, Tom Hardy

Director: Michael R. Roskam, Michael Roskam

Rating: R

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30. Tell Me Who I Am, 2019

This documentary starts with Alex Lewis, who gets into a motorcycle accident and wakes up in the hospital not knowing who he is. He doesn’t remember anything (not even what a bicycle or a TV is, or who his mother or father are), but he remembers his twin brother, Marcus. When Alex gets back into his childhood home, he’s full of questions, and Marcus is full of answers. However, slowly, Marcus realizes his power to reshape Alex’s version of their past. Marcus leaves one important detail from Alex’s life that makes this documentary (as if it wasn’t already) such an insane story. I know I said it’s a sad movie, but it’s also fascinating and, ultimately, humanizing of the brothers’ experience.

Genre: Documentary, Drama, Mystery

Actor: Alex Lewis, Andrew Caley, Evan Milton, Kathleen Rainey, Laura Obiols, Marcus Lewis |, Thomas Mulhurn

Director: Ed Perkins

Rating: TV-MA

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