Genre: Documentary
Actor: Adil Brkovic, Gabriel Salazar, Gabriela Paterito, Javier Rebolledo, Patricio Guzman, Raul Zurita
Director: Patricio Guzmán
Chasing the feel of watching Whiplash ? Here are the movies we recommend you watch right after.
Miles Teller plays Andrew Nieman, an ambitious young jazz drummer striving for greatness, who is edged towards breaking point by the sadism of his teacher and conductor, Terence Fletcher, played expertly by J.K. Simmons. Fletcher insults him, pressures him, and makes him cry in front of all his peers. Directed by Damien Chazelle, who was one of the youngest people to receive a Golden Globe and an Academy Award for the powerful La La Land, the aptly titled Whiplash poses some intense questions about artistry and ambition. Will Andrew survive? Will it lift him to a higher artistic level? Can his tormentor be appeased through accomplishment? It's almost impossible to single out the best part of this film, considering the flawless performances, masterful script, and meticulously crafted soundtrack. Cherishing the existential artist without giving easy answers, Whiplash is an inspiring watch.
Genre: Documentary
Actor: Adil Brkovic, Gabriel Salazar, Gabriela Paterito, Javier Rebolledo, Patricio Guzman, Raul Zurita
Director: Patricio Guzmán
Genre: Documentary, Drama
Actor: Jay Reinke, Keegan Edwards
Director: Jesse Moss
Genre: Comedy, Drama, Music, Romance
Actor: Aidan Gillen, Art Campion, Ben Carolan, Des Keogh, Don Wycherley, Eva-Jane Gaffney, Ferdia Walsh-Peelo, Ian Kenny, Jack Reynor, Karl Rice, Keith McErlean, Kelly Thornton, Kian Murphy, Kyle Bradley Donaldson, Lucy Boynton, Lydia McGuinness, Marcella Plunkett, Maria Doyle, Maria Doyle Kennedy, Mark McKenna, Paul Roe, Percy Chamburuka, Peter Campion
Director: John Carney
This exploration of the complex and loving relationship between a mother and her son will take you through a variety of emotions: it's uplifting, disturbing, provocative, sad, and hopeful. We don't get many of these middle-class-budget films anymore, and this one might be one of the category's best.
A kidnapped girl (Brie Larson) has a son after being raped by her abductor. She tries to provide a "normal" environment for the kid in the room where they're being held captive until they can escape. Brie Larson won an Oscar for Best Actress in Room, so make sure to also check out Short Term 12, an equally impressive performance by her in an equally amazing movie.
Genre: Drama, Thriller
Actor: Amanda Brugel, Brie Larson, Cas Anvar, Chantelle Chung, Graeme Potts, Jack Fulton, Jacob Tremblay, Jee-Yun Lee, Joan Allen, Joe Pingue, Justin Mader, Kate Drummond, Katelyn Wells, Matt Gordon, Megan Park, Ola Sturik, Randal Edwards, Rodrigo Fernandez-Stoll, Rory O'Shea, Sandy McMaster, Sean Bridgers, Tom McCamus, Wendy Crewson, William H. Macy, Zarrin Darnell-Martin
Director: Lenny Abrahamson
It might not teach you the basics of cricket but Fire in Babylon uses the sport as an entertaining entry point into the discrimination faced by Caribbean peoples around the 1970s. The footage we see of actual cricket games is kept to the simplest elements, but what ultimately leaves a stronger impression are the lively testimonials from the documentary's many talking heads, injecting this historical account with a generous amount of personality. From the hip West Indian soundtrack to the unabashed pride that fuels every anecdote, this feels like a film that's genuinely being told by its characters, and not from an outsider's point of view.
Genre: Documentary, Family
Actor: Bunny Wailer, Clive Lloyd, Colin Croft, Viv Richards
Director: Stevan Riley
This documentary about the 2015 massacre at the Emanuel African Methodist Episcopal Church explores key questions around faith, justice, and forgiveness. It situates the massacre – which left nine African American churchgoers dead – within a bigger picture, with Emanuel being the first-ever freestanding black church in Charleston, a city in South Carolina with a highly charged racial history.
The film’s strengths lie in the stories of those who lost loved ones in the massacre, and the miraculous forgiveness some of the survivors offered the 21-year-old white supremacist responsible for the attack. Above all, it is a story about the power of faith.
Genre: Crime, Documentary, Drama
Actor: Dylann Storm Roof
Director: Brian Ivie
Last Stop Larrimah is the rare true-crime doc in which not a single tear is shed throughout its substantial two-hour runtime. That’s because the assumed-dead 70-year-old around whom it's centered had a lot of enemies: nearly all of his neighbors in the titular tiny Outback outpost he lived in, in fact. As the doc reveals, Larrimah — population: 10 (11 before Paddy Moriarty disappeared in 2017) — was a pressure cooker of big personalities roiling with animosity.
Given the town’s tiny population, the film has the uncommon privilege of being able to explore the potential motives of every possible suspect — and it does, diving into vicious feuds over meat pies, hungry pet crocodiles, and the million grievances Paddy’s neighbors apparently harbored. But, though it presents all motives as equally plausible, it turns out one explanation is much more likely than the rest. That’s the problem here: like so many other true-crime docs, by the end, you can’t help but feel that the journey this takes is ultimately exploitative. Though it’s an entertaining portrait of eccentric Aussie characters, the film is much too devoted to doing just that — entertaining — at the expense of all its participants (including the unremarkable local police, for some reason), and so its late pivot into emotional profundity feels markedly insincere.
Genre: Documentary
Director: Thomas Tancred
Genre: Documentary
Actor: Alyssa Farah Griffin, Clint Hickman, Greg Jacob, Marc Short, William Barr
Director: Dan Reed
The concept of Maaveeran is downright brilliant. As the timid comic strip writer is forced to be as brave as the hero he created, there’s something here that encourages its audience to listen to the yearnings already inside them. It allows for some cartoonish comedy that comes across as earnest. However, there's a certain hesitancy in the writing that makes the film’s second half a letdown. The film sticks too long to its protagonist’s cowardice that there’s so little time to wrap everything up. It’s still entertaining till the end, but a better sense of pacing would have kept the first half’s riveting comedy, and would have made a better case for being a hero.
Genre: Action, Drama
Actor: 'Jeeva' Ravi, Aditi Shankar, Balaji Sakthivel, Dhileban, Madhan Kumar Dhakshinamoorthy, Monisha Blessy, Mysskin, Ravi Teja, Saritha, Semmalar Annam, Sivakarthikeyan, Sunil Varma, Suresh Chakravarthy, Vijay Sethupathi, Yogi Babu
Director: Madonne Ashwin
Stories like Il Mare and Your Name/Kimi no Na Wa work because, unlike other romances, the conflict is understandably difficult. After all, how the heck can anyone fight against time and space? Love You Long Time takes a stab at the unique time-bending premise, with one main difference: the movie’s main lovers can talk to each other directly through an old pair of two-way radios. There’s no need for the two to depend on physical letters or texts. This difference is interesting – immediately, it allows Director JP Habac to play with cinematography, editing, and acting, to make us fall in love with the couple. Split between 2018 and 2022, the film makes meaningful points about the past and present, the years lost to the pandemic, and separation. However, without spoiling anything, the film’s third-act plot twists don’t land as well as they could have. Having them back to back made the plot nearly incomprehensible, and sadly, doesn’t resolve the conflict driving the film.
Genre: Drama, Romance
Actor: Ana Abad-Santos, Arlene Muhlach, Carlo Aquino, Meanne Espinosa, Patrick Quiroz
Director: Jaime P. Habac Jr.
Depressingly, Scout's Honor isn't necessarily an exposé about the crimes of the Boy Scouts of America because—as the documentary reminds us—this institution has been caught red-handed many times over since its inception, and yet it evades real accountability. The film is more like a renewed call for justice, with its approach being one of blunt force. This means that the documentary can be sloppy, piling on one case after another without much synthesis, and taking out its anger on one current representative of the Boy Scouts, whom the filmmakers constantly interrupt and interrogate during his interview, That said, it's also hard to object to this kind of approach, as the patterns of abuse become too damning to ignore. Maybe a different film will be able to unpack the systems that allow the Boy Scouts to get away with this, but for now this cry of rage is enough.
Genre: Crime, Documentary
Director: Brian Knappenberger
If you’re expecting a twisty and thrilling look at a dangerous group of hackers who hide deep within a military bunker in Europe, and who refer to their entire operation as “straight from a James Bond movie,” then you might be disappointed with Cyberbunker, a dragging documentary that relies too heavily on talking heads for momentum. It takes 30 minutes to establish the relevance of these figures, and a full hour before it finally explains the actual crime and wrongdoings they’re complicit in. The most interesting parts of the case, like the FBI’s involvement, Cyberbunker’s links to the propagation of child pornography, and the group’s advocacy on internet privacy, are completely buried beneath a stack of unnecessary tidbits. I appreciate the effort of the filmmakers and the interviewees coming together to make something decently informative, but by the end of it, you’re left wondering whether all this was better off as a Wikipedia article.
Genre: Crime, Documentary
Director: Kilian Lieb, Max Rainer
Set in the quaint city of Burlington, Vermont, Paint is a cute and folksy comedy that has a Wes Anderson-esque charm to it. The characters are dressed in blocked pastels and wooly sweaters, while the protagonist Carl seems stuck in the ‘70s, and not just sartorially, too. He drives a “Vantastic” custom van, swears off cell phones, and manages to incorporate phrases like “far out” in his daily lingo. It all makes for whimsical viewing, but underneath the flair, there’s very little substance holding this picture up. It tells the tale of an aging narcissist who learns the error of his ways when a younger version of himself is hired to aid and eventually replace him. Narratively, it’s familiar and forgettable, and it becomes immediately clear that style is a crutch that the film leans on. It’s funny, at times, thanks to a very likable Wilson and a strong supporting cast (there are occasional laugh-out-loud moments too, like when Carl does the big reveal about his portrait). But ultimately, it’s just too flat to be as special as the art it admires.
Genre: Comedy, Drama, Romance
Actor: Aidan T.K. Baker, Brit McAdams, Ciara Renée, Colin J. Sweeney, Crystal Tweed, Denny Dillon, Elisabeth Henry-Macari, Elizabeth Loyacano, Evander Duck Jr., Jen Smedley, Joel Leffert, Kristin Hensley, Lucy Freyer, Lusia Strus, Lynda Suarez, Michael Pemberton, Michaela Watkins, Noa Graham, Owen Wilson, Paul Kosopod, Rob Figueroa, Ryan Czerwonko, Ryan Gaul, Sarah Baker, Scott Beehner, Stephen Root, Vin Craig, Wendi McLendon-Covey
Director: Brit McAdams
Centered on a unique marriage, Satyaprem Ki Katha could have reinvented the romance genre with its depiction of women’s trauma. The film does care about the issue, as it sides with the victim in this regard, and there’s a certain sweetness in the relationship being portrayed. Kiara Advani’s performance feels believable and she clearly makes the best of her existing scenes. However, the film is too afraid to be critical of the men in this film, especially as it’s too concerned with Sattu as a savior. On top of this, it relies too much on the standard Indian song-and-dance, which, while spectacular, takes away too much time from the issue at hand. Because of this, Satyaprem Ki Katha feels like a missed opportunity.
Genre: Drama, Romance
Actor: Anuradha Patel, Arjun Aneja, Gajraj Rao, Kartik Aaryan, Kiara Advani, Nirmiti Sawant, Rajpal Yadav, Shikha Talsania, Siddharth Randeria, Supriya Pathak
Director: Sameer Vidwans
A fascinating kernel of certainty is padded out with giddy speculation in this documentary about a pair of unlikely art thieves. The facts are as such: 32 years after a $160 million painting by abstract artist Willem de Kooning was crudely cut from its frame in an Arizona gallery, a trio of small-town antique dealers discovered it in Jerry and Rita Alter’s estate sale. The Thief Collector is less interested in the painting itself — in fact, it's openly dismissive about its artistic value — and more curious about how it fell into the hands of the mysterious couple, who frequently took exotic trips around the world despite their modest teacher incomes.
There are certainly intriguing questions raised by the Alters’ possession of the painting and compelling evidence that places them as the thieves, but this documentary can’t offer any convincing original theses of its own. It does try, by suggesting that the short stories Jerry wrote — about more thefts and gorier crimes — were thinly disguised autobiographical recollections, but it finds nothing to back these theories up except for a few loosely relevant anecdotes from relatives. With too many what-ifs to go on, it all makes for an intriguing but ultimately unsatisfying deep dive.
Genre: Crime, Documentary, Drama
Actor: Glenn Howerton, Matt Pittenger, Sarah Minnich, Scott Takeda
Director: Allison Otto