44 Movies Like Where the Crawdads Sing (2022) (Page 3)

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Where Palm Trees and Power Lines may stumble in its depiction of lower-middle class ennui among American teenagers (who are all made to seem not just bored, but boring), it more than makes up for in its delicate handling of power dynamics in its central relationship. To an outsider, Lea's decisions to let a stranger get so close to her are maddening, but co-writer and director Jamie Dack is careful to emphasize that the teenager ultimately isn't to blame. And Lily McInerny's entirely naturalistic performance communicates a fear of both missing out on life experiences and of being totally out of her depth.

Genre: Drama

Actor: Armani Jackson, Auden Thornton, Gretchen Mol, John Minch, Jonathan Tucker, Kenny Johnston, Lily McInerny, Michael Petrone, Timothy Taratchila, Yvette Tucker

Director: Jamie Dack

Rating: R

In Tina Mabry’s first full length feature film Mississippi Damned she tells the story of three poor, Black adolescents as they advance into adulthood. The story is mostly centered on Kari Peterson, portrayed by Tessa Thompson, who has fallen witness and victim to violence/abuse since her childhood. As she navigates her trauma while facing poverty and familial issues, we begin to understand the inner machinations of Kari and those who have harmed her.

While Mississippi Damned isn’t particularly easy to digest, I consider it essential. As unflinchingly brutal as this film is, it taught me a lot about trauma and how to navigate my own. With performances as powerful as these, it’s impossible to forget this film.

Genre: Drama

Actor: Adam Clark, Cynthia Addai-Robinson, D.B. Woodside, Malcolm David Kelley, Malcolm Goodwin, Michael Hyatt, Simbi Khali, Tessa Thompson

Director: Tina Mabry

Rating: TV-MA

Richard Wershe, Jr. was arrested for carrying eight kilos of cocaine in 1988, when he was just 17. He went on to become one of Michigan’s longest-serving non-violent juvenile drug offenders, dubbed by the press as White Boy Rick. His fate was sealed by Michigan law that had just been passed, which stated that anyone found with more than 650 grams of drugs had to be sentenced to mandatory life. 

Featuring interviews with drug lords, journalists, as well as Rick’s mother and attorney, this documentary — along with the follow-up Hollywood biopic, White Boy Rick, starring Matthew McConaughey— provides an insightful account into his tragic story. 

Genre: Documentary, Drama

Actor: Chris Hansen, Herm Groman, Johnny Curry, Richard Wershe Jr., Scott M. Burnstein, Seth Ferranti, Shawn Rech

Director: Christopher S. Rech, Shawn Rech

Rating: N/A

This documentary is about a unique program in Chicago called CeaseFire whose sole aim is to stop violent deaths in poor urban areas. CeaseFire is staffed by ex-gang members and ex-convicts who try to intervene in conflicts in their community, particularly those that may escalate into extreme violence or death. In these neighborhoods though, violent conflict can result from something as minor as someone making a funky comment about someone else’s shoes. This makes total success for a project like CeaseFire nearly impossible. It is not a totally depressing film though as the program and its practitioners are all pretty amazing, and director Steve James (who made Hoop Dreams) has unparalleled access to these struggling communities.

Genre: Documentary

Actor: Amanda Palmer, Ameena Matthews, Peter Ho-Sun Chan, Steve James, Tio Hardiman

Director: Steve James

Rating: Unrated

A very cool documentary about old ladies living in a forbidden zone near Chernobyl. They just came back to their homes in the "stalker zone" few years after the accident and kept living their lives care-free for a staggering 30 years. All of them seem healthy and they love telling jokes. It's a completely different view on this zone and you just find yourself full of admiration for these old ladies for their will and humorous way of living despite the circumstances. Home is home after all.

Genre: Documentary

Director: Anne Bogart, Holly Morris

Rating: Not Rated

So much of Puppy Love is adorable. The title alone promises that, and to be fair, it actually delivers. The movie is filled with romance, pooches, and hijinks that circle back to those two core aspects. I couldn’t be giddier watching this, as a dog lover and romantic comedy aficionado myself, but it’s frustrating how the movie doesn’t go above and beyond its basic premise, even if it easily could’ve done so. It has strong leads in Hale and Gustin, whose chemistry may be lacking but who individually perform well. It has a decent script, “reasonably funny” as it calls itself in the film, delivering amusing and touching lines in equal measure. It even manages to flesh out Nicole and Max with backstories; Max, in particular, gets an interesting characterization as an anxious germaphobe who refuses to go to the office for work. But for whatever reason, every exciting thorn in this premise gets smoothed out by the end. The tension is never realized and loose ends are tied up neatly in a conclusion that feels too simplified for its own good. 

Genre: Comedy, Drama, Romance

Actor: Al Miro, Christine Lee, Corey Woods, Grant Gustin, Jane Seymour, Lucy Hale, Michael Hitchcock, Nore Davis, Rachel Risen, Sarah Almonte Peguero

Director: Nicholas Fabiano, Richard Alan Reid

The 1868 semi-autobiographical novels of Louisa May Alcott have been adapted into film, television and theatre so many times: 6 movies, 4 TV shows, even a broadway musical. It’s a compelling story to watch as it unfolds, and it’s easy to see why many hold this one as the best adaptation of the novels. For one, the cast is top-notch and perfect for the roles: Christian Bale as Laurie, Susan Sarandon as Mrs. March, and Winona Ryder, Trini Alvarado, Claire Danes and a very young Kirsten Dunst as the four sisters. Little Women is the story of these four girls living in post-civil war America. We watch them grow together, find love, have their little fights, and try to find their place in the world. Everything from the costumes and settings to the dialogue do an excellent job of conveying the heartwarming story and the emotional impact behind it.

Genre: Drama, Family, Romance

Actor: A.J. Unger, Alan Robertson, Andrea Libman, Bethoe Shirkoff, Beverley Elliott, Billie Pleffer, Cameron Labine, Charles Baird, Christian Bale, Christine Lippa, Claire Danes, Corrie Clark, Dale Resteghini, Daniel Olsen, David Adams, Demetri Goritsas, Donal Logue, Eric Bruno Borgman, Eric Stoltz, Florence Paterson, Gabriel Byrne, Heather Feeney, Irene Miscisco, James Leard, Janet Craig, Janie Woods-Morris, Janne Mortil, Jay Brazeau, John Neville, Kate Robbins, Kirsten Dunst, Mar Andersons, Marco Roy, Marilyn Norry, Mary Wickes, Matthew Walker, Michele Goodger, Peter Haworth, Rebecca Toolan, Robin Collins, Samantha Mathis, Sarah Strange, Scott Bellis, Susan Sarandon, Tegan Moss, Trini Alvarado, Winona Ryder

Director: Gillian Armstrong

Rating: G, PG

Johnny is a story you’ve heard of a thousand times, but what makes it particularly endearing is that it’s all true and based on the real-life Father Jan Kaczkowski, a priest who went out of his way to help others. Kaczkowski led an extraordinary life, and the film honors that not by putting him on a pedestal but by emphasizing his humanness and humanity. As the misunderstood thief who befriends Kaczkowski, Piotr Trojan turns in a believable and realized performance, solidifying the film's credibility. 

Johnyy's premise is far from novel, but it is an effectively heartwarming film about forgiveness and second chances.

Genre: Drama, History

Actor: Anna Biernacik, Anna Dymna, Beata Bandurska, Beata Zygarlicka, Dawid Ogrodnik, Grażyna Bułka, Grzegorz Małecki, Hanna Klepacka, Iwona Sitkowska, Jakub Nosiadek, Jakub Sierenberg, Janusz R. Nowicki, Jerzy Nasierowski, Joachim Lamża, Jurek Owsiak, Katarzyna Anzorge, Katarzyna Z. Michalska, Konrad Beta, Kordian Rekowski, Łukasz Gajdzis, Maciej Kraszewski, Maciej Winkler, Magdalena Czerwińska, Maria Bednarska, Maria Pakulnis, Mariusz Bąkowski, Marta Stalmierska, Michał Kaleta, Mikołaj Osiński, Milena Lisiecka, Paweł Jusiński, Piotr Głuchowski, Piotr Łukaszczyk, Piotr Trojan, Ryszard Kluge, Witold Dębicki

Director: Daniel Jaroszek

Yu Katayama lives in a remote village with a garbage disposal business that's slowly turning into a landfill. When his childhood friend Misaki Nakai returns to the village, she encourages Yu to make a better life for himself despite his mother's gambling and the village ostracizing him. The Village is a slow-burning film interested in Yu's struggles as an outcast and in discussing the takeover of small villages for capitalistic industrial motives. The film is shot beautifully with dark, brooding visuals and lingering shots of Yu's quiet intensity throughout the film. Unfortunately, secondary characters are not fully developed outside of their interactions with Yu, causing the film to feel flat outside of pivotal moments. An evocative idea with parts more memorable than the whole.

Genre: Drama

Actor: Arata Furuta, Daiken Okudaira, Hana Kino, Haru Kuroki, Naomi Nishida, Ryusei Yokohama, Sakuma Ryuto, Shidô Nakamura, Tetta Sugimoto, Wataru Ichinose

Director: Michihito Fujii

Rating: R, TV-MA

Ijogbon is a straightforward thriller centered on a pouch of uncut diamonds, which bring chaos to the four teenagers that find it. With the film’s young cast, the ensemble, understandably, makes poor decisions when given a stack of cash. The way they and their families handle difficulties, like deciding who to get the gun, or deciding what to do when they find random dead bodies, actually feel humorous – there’s something to be said about how, given the right circumstances, both kids and adults make the same mistakes. Thematically, there’s also something here about how natural resources in Nigeria are made for high end technology they can’t afford. However, the film doesn’t really delve into its themes, or play up the comedic potential it has shown, deciding instead to play out the same way similar stories do.

Genre: Drama

Actor: Bimbo Manuel, Fawaz Aina, Ruby Akubueze, Sam Dede, Yemi Solade

Director: Kunle Afolayan

In terms of the quality of the material delivered in Son I Never Had, this special is really just okay at best. Heather McMahan has charisma and personality, but she has a tendency to run directly into the set-ups for her jokes, without the kind of build-up between segments that would make the whole hour flow better. And the comedy here is pretty standard, lightly raunchy fare that's often amusing but never really cuts deep into the various topics McMahan brings up. Where she's really successful, instead, is in the way she uses humor to contrast the lingering but gentle grief she feels over her father's passing. Son I Never Had, in its own roundabout way, becomes a sort of extended eulogy, emphasizing how our loved ones remain with us in our every memory.

Genre: Comedy

Actor: Heather McMahan

Director: Jen Zaborowski

Rating: R

Based on the novel by Women Talking author Miriam Toews, this adaptation of All My Puny Sorrows holds clear reverence for its source material but falls short of making a case for its existence as a film. Toews's prose—significant parts of which writer/director Michael McGowan has kept intact in the dialogue—may be appropriate for a book that allows full internal access to its narrator, but on film her words come across as overly articulate and artificial, even if they speak beautiful, harsh truths about grief. And without a defined visual identity or proper flow of ideas to back up its admittedly complex characters (played with authentic tenderness and force by Alison Pill, Sarah Gadon, and Mare Winningham), the film ends up stuck in its own darkness, unable to give a proper form to all its thoughts.

Genre: Drama

Actor: Alison Pill, Aly Mawji, Amybeth McNulty, Boyd Banks, Donal Logue, Elizabeth Saunders, Mare Winningham, Marin Almasi, Martin Roach, Michael Musi, Mimi Kuzyk, Morgan Bedard, Racine Bebamikawe, Sarah Gadon

Director: Michael McGowan

Rating: R

There's no doubt that this documentary on Jolly Joseph ought to be more interesting to those who are closer to the actual events of the case; it definitely has enough mystery and intrigue to be a good story. But the way it's been presented here is just too tedious for its own good, sticking to the same-old true crime devices and eventually devolving into discussion that sounds more like gossip. It's understandable that the primary suspect isn't in this film to be able to provide some sort of counter perspective, but the interviewees who do get to say their piece don't add particularly memorable insight into the circumstances surrounding these details, which can just be read up online.

Genre: Crime, Documentary

Actor: Jolly Joseph, M. S. Mathew, Remo Roy, Renji Wilson, Rojo Thomas

Director: Christo Tomy

It’s got a main character, 10-year-old Tochtli (Miguel Valverde Uribe), with the most unforgettably forgettable idiosyncrasies. The emotional anchor of this whole thing is entirely dependent on our inclination to be protective of children, but it gives surface level characterization of both the young boy and his father Yolcaut (Manuel Garcia-Rulfo). The most interesting thing it almost pulls off is the father trying to reconcile his commitment to his son and to being macho, but it’s barely a chapter in this 2-hour story. It has some potential with the teachings and aphorisms, but it never really leans into it. It fails four different times, never with fireworks.

Genre: Comedy, Drama

Actor: Alfredo Gatica, Daniel Giménez Cacho, Debi Mazar, Manuel Garcia-Rulfo, Mercedes Hernández, Miguel Valverde, Pierre Louis, Raúl Briones, Teresa Ruiz

Director: Manolo Caro

Rating: R