268 Movies Like WALL·E (2008) (Page 18)

Third dates usually feel more casual than that depicted in Longest Third Date, but with 2020 shifting everyone’s plans, it’s not surprising it shifted romantic relationships too. The documentary doesn’t feel like a factual and organized documentary, cobbled up together from the couple’s vlog and filmed interviews once they got back to the States, but it’s definitely a unique story, one that’s only been saved because of Matt’s influencer aspirations. It’s certainly watchable, with a spry 75-minute runtime, and with understandable conflicts, like flight cancellations and tipped over cars. The film does feel like it glosses things over, and Khani seems to be the private type of person, uncomfortable with the camera, but Longest Third Date, even with all its reality TV style, also feels somewhat like a cultural artifact. It’s not deep, but it does feel like opening a time capsule.

Genre: Documentary

Actor: Khani Le, Matt Robertson

Director: Brent Hodge

Rating: R

Frankly, In the Morning of La Petite Mort is not as provocative nor as erotic as implied by the title. Sure, there are sex scenes, with plenty of nude shots. But these scenes come about silently, nearly without dialogue, with a lack of passion in between most of the lovers, a lack of connectedness. It’s no less visceral, though, as it mirrors the same disconnection the characters feel, being at the margins of Taipei. While it’s sometimes muddled with certain subplots, the haunting, strikingly-shot images stirs some compassion, especially with the cast’s performances, but the indirect approach makes the film feel unclear and sometimes unrealistic.

Genre: Drama

Actor: Cres Chuang, Huei-ling Jan, Ivy Yin, Jieh-Wen King, Tzu-Chiang Wang, Yun-Chih Wang, Yûsuke Fukuchi

Director: Yu-Lin Wang

Proof that even the most tired tropes (which the holiday genre is arguably entirely made up of at this point) can still be warm and enjoyable with above-average craft and a fun cast, Candy Cane Lane avoids the monotony that tends to plague other Christmas movies. Which isn't to say that the film is a new classic—it still concludes too easily and doesn't give its more emotional side the space to breathe. But with an entertaining fantasy premise (specifically, a sort of scavenger hunt based on The Twelve Days of Christmas) bolstered by strong visual effects and supporting actors who have been given free rein to improvise, the movie stays dynamic and lightly humorous, if a little lacking in substance.

Genre: Comedy, Family, Fantasy

Actor: Aidan Kennedy, Ali Astin, Amanda Schoonover, Amy Johnston, Anjelah Johnson-Reyes, Catherine Dent, Chris Redd, D.C. Young Fly, Danielle Pinnock, David Alan Grier, Eddie Murphy, Genneya Walton, Iman Benson, James DuMont, Jenly Crespo, Jillian Bell, Kelly Younger, Ken Marino, Kevin Olusola, Kimberly Christian, Kirstin Maldonado, Lombardo Boyar, Madison Thomas, Matthew Sallee, Mitch Grassi, Nick Offerman, Preston Galli, Reginald Hudlin, Riki Lindhome, Robin Thede, Scott Hoying, Stephen Tobolowsky, Tallie Brinson, Thaddeus J. Mixson, Tiago Roberts, Timothy Simons, Tracee Ellis Ross, Trevante Rhodes

Director: Reginald Hudlin

Rating: PG

As much as the Alabama-bred stand-up comic doesn't fit into the stereotype of someone with an online presence, Dusty Slay's comedy special can't help but feel like you're scrolling through the Twitter feed of someone's funny but incoherent (and most likely high) thoughts. There isn't much connective tissue to be found in Workin' Man, which doesn't necessarily weaken his jokes—many of which are actually these amusing, absurd observations on everyday life—but definitely makes all the little silences feel much longer, and leaves you looking for some sort of primary theme to really bring the show home. Still, the fact that a self-proclaimed stoner is actually this normal and unassuming (as opposed to a few other comics who can get dark and aggressive with their drug-related content) is pretty refreshing, all things considered.

Genre: Comedy

Actor: Dusty Slay

Rating: PG-13

A fascinating kernel of certainty is padded out with giddy speculation in this documentary about a pair of unlikely art thieves. The facts are as such: 32 years after a $160 million painting by abstract artist Willem de Kooning was crudely cut from its frame in an Arizona gallery, a trio of small-town antique dealers discovered it in Jerry and Rita Alter’s estate sale. The Thief Collector is less interested in the painting itself  — in fact, it's openly dismissive about its artistic value — and more curious about how it fell into the hands of the mysterious couple, who frequently took exotic trips around the world despite their modest teacher incomes.

There are certainly intriguing questions raised by the Alters’ possession of the painting and compelling evidence that places them as the thieves, but this documentary can’t offer any convincing original theses of its own. It does try, by suggesting that the short stories Jerry wrote — about more thefts and gorier crimes — were thinly disguised autobiographical recollections, but it finds nothing to back these theories up except for a few loosely relevant anecdotes from relatives. With too many what-ifs to go on, it all makes for an intriguing but ultimately unsatisfying deep dive.

Genre: Crime, Documentary, Drama

Actor: Glenn Howerton, Sarah Minnich, Scott Takeda

Director: Allison Otto

With a premise that just seems inherently emotionally manipulative, it should take an especially sensitive touch to make a story like this work on screen. Unfortunately, See Hear Love—itself based on a South Korean webcomic—is both overdramatic and not nearly stylized enough in any meaningful way to help its subject matter evolve beyond melodrama. It remains a well-shot and decently acted film that, at the very least, treats its characters as adults and not as caricatures with disabilities. But the movie makes little effort to place these characters in believable situations that should shed a light on what it's like to live with blindness or as a Deaf person. See Hear Love takes the easiest (and slowest) way out, bringing its two lovers together under somewhat creepy circumstances, and having them endure cartoonishly exploitative "antagonists"—all for the sake of portraying the romance as grand and artificially tragic.

Genre: Drama, Romance

Actor: Dai Watanabe, Daikichi Sugawara, Mahiro Takasugi, Maika Yamamoto, Mari Natsuki, Masaya Kato, Motoki Fukami, Sayaka Yamaguchi, Tomohisa Yamashita, Tomoki Kimura, Yuko Araki

Director: John H. Lee

Known for his comedy skits on Facebook, the comedian Kountry Wayne finally gets his own Netflix special to middling results. The character that he plays on the stand-up stage is meant to be highly irreverent, showing a callous disregard to everybody except himself. But while a more seasoned comic (which Wayne could become in good time) might find a way to build these predictable jokes into something truly novel or subversive, Wayne settles for shock value—often relying on exaggerated physical comedy to sell a flatly written punchline. But even this trick he relies on too often, which makes his already impressive stage presence seem cheaper than it should.

Genre: Comedy

Actor: Kountry Wayne

Director: Jeff Tomsic

Rating: R

Built entirely around the star power of its lead performers, A Very Good Girl does, indeed, provide ample opportunities for both Kathryn Bernardo and Dolly de Leon to chew the scenery with wild abandon. But even their most campily delivered one-liners are only entertaining in the moment, as the film twists itself into increasingly complicated (and still oddly sanitized) knots to keep its thrills going. It ends with an incredibly muddled view of the kinds of violence perpetrated by the wealthy and the less fortunate, as if the studio funding the movie prevented it from becoming the bolder, edgier story it seems to want to be.

Genre: Comedy, Drama, Thriller

Actor: Althea Ruedas, Ana Abad-Santos, Angel Aquino, Chie Filomeno, Dolly de Leon, Donna Cariaga, Gabby Padilla, Gillian Vicencio, Iwa Moto, Jake Ejercito, Joji Vitug, Kaori Oinuma, Kathryn Bernardo

Director: Petersen Vargas

Rating: NR

There's a novel idea at the center of World's First Christmas, but the film's unfortunately takes it through the least interesting route available. There's a rich opportunity here to unpack what the holiday season really means to people, or to poke fun at how this occasion for togetherness and celebration has been co-opted by corporations trying to make a buck. But the film never gets there, running through a series of occasionally funny scenarios only to end up becoming an unconvincing advertisement for Christmas as a consumer holiday. The main gag here is that everyone has been left miserable by the absence of Christmas, which is an idea that falls apart immediately once you start asking even the simplest questions about it.

Genre: Comedy, Drama, Family, Fantasy

Actor: Fabiana Karla, Ígor Jansen, Ingrid Guimarães, Lázaro Ramos, Rafael Infante, Theo Mattos, Wilson Rabelo

Director: Gigi Soares, Susana Garcia

Mae is a hopeless romantic looking for love and more clients for her custom t-shirts. After a meet-cute at the grocery store, she turns to an app called Missed Connections to find him. After they finally meet, Mae realizes he has a connection with someone else. Now determined to make him fall in love with her, she hires him to rebuild her website. As a rom-com, the comedy isn't particularly outstanding or noticeable. The romance, and Mae, are hard to root for, especially when her obsessions go too far, her slut-shaming goes unchecked, and it all lasts for 90% of the film without any real cathartic resolutions. 

Genre: Comedy, Drama, Romance

Actor: Chie Filomeno, JC Santos, Kelvin Miranda, Matet De Leon, Miles Ocampo

Director: Jelise Chung

There is a clear and wide gap between what Maximum Truth wants to be and what it actually is. What it wants to be is a silly but smart sendup of right-wing activism and the rampant disinformation the movement propels. What it ends up being is an occasionally funny but mostly tiresome film that falls flat thanks to caricature performances and flimsy arguments that essentially work against the film's supposed ideals. In a self-contradictory twist, it actually helps the conservatives it claims to poke fun at by proving just how dumb liberal humor can be. The running gag about Rick being in the closet feels outdated at best and offensive at worst, while Simon being the typical airheaded jock does nothing to subvert the trope. It’s baffling that a film like this could come out in 2023; ultimately it just seems like a terrible waste of everyone’s time. 

Genre: Comedy

Actor: Andrew Friedman, Beth Grant, Blake Anderson, Brandon Wardell, Brenda Koo, Brianna Baker, David Stassen, Dylan O'Brien, Ike Barinholtz, Ithamar Enriquez, Jena Friedman, Jon Barinholtz, Josh Meyers, Kelvin Yu, Kiernan Shipka, Mark Proksch, Matt Corboy, Max Minghella, Mia Serafino, Robert Belushi, Scott MacArthur, Seth Rogen, Sunil Narkar, Tiya Sircar

Director: David Stassen

Rating: R