114 Movies Like WALL·E (2008) On Itunes Canada (Page 5)

Science Fair is simultaneously a feel-good documentary and a feel-bad one: while inspiring and reassuring for all the brilliant young minds it spotlights, it also has the potential to make your own life accomplishments look paltry in comparison. The former effect is the strongest, though — because you can’t watch high schoolers as young as 14 present pioneering, disease-curing research and inventions and not feel like the future is in good hands.

Science Fair is light on the actual science, which makes it an accessible watch and prevents the film’s focus from mimicking the cutthroat nature of ISEF, the international competition it follows. With a grand prize of $75k and lots of college application-boosting medals up for grabs, the competition amongst the kids is fierce, but Science Fair instead takes an empathetic, celebratory approach so that all of the kids feel like deserved winners. That’s especially true of the more disadvantaged teens: though the competition itself might not take into account all the hurdles they’ve had to overcome even just to get in the room, this compassionate doc definitely does. Even if the science is all Greek to you, it’s impossible not to appreciate and be moved by the determination and resilience of these kids.

Genre: Documentary

Director: Cristina Costantini, Darren Foster

Rating: PG

After Loving Vincent, DK and Hugh Welchman’s iconic oil paint animation initially seems like old hat, but this time the style is actually more fitting for their second feature. As an adaptation of the iconic Polish novel, The Peasants had to live up to the book’s reputation as the Nobel-winning depiction of the Polish countryside, one of the first to take an intimate look into the lives of the commonfolk, their customs, beliefs, and traditions. The Welchmans’ naturalist, impressionist art style lines up with the way the original Chłopi was inspired by these movements, as does L.U.C’s selection of mesmerizing, haunting Polish folk songs. While the plot is a tad cliché, it only does so in the way folklore tends to weave the same threads. It just so happens that the threads in The Peasants lead to violent ends.

Genre: Animation, Drama, History

Actor: Andrzej Konopka, Andrzej Mastalerz, Anna Grzeszczak, Cezary Łukaszewicz, Cyprian Grabowski, Dorota Stalińska, Ewa Kasprzyk, Jadwiga Wianecka, Jarosław Gruda, Julia Wieniawa, Kamila Urzędowska, Klara Bielawka, Lech Dyblik, Maciej Musiał, Małgorzata Kożuchowska, Małgorzata Maślanka, Marek Pyś, Mariusz Kiljan, Mariusz Urbaniec, Mateusz Rusin, Matt Malecki, Mirosław Baka, Piotr Srebrowski, Robert Gulaczyk, Sonia Bohosiewicz, Sonia Mietielica, Szymon Kukla, Tomasz Więcek

Director: DK Welchman, Hugh Welchman

Rating: R

A man returns to a town chasing the memory of a woman he loved years ago.

Poet turned filmmaker Bi Gan coats his idiosyncratic filmmaking with a thick layer of neo-noir in this sumptuous follow up to his remarkable debut Kaili Blues. This time around, Kaili City is a neon-drenched dreamscape dripping in style and calling to mind the work of Tarkovsky and Wong Kar-wai. 

He may wear his influences on his sleeve, but Bi Gan keeps his trademark moves like the bravado long takes and a poetic disregard for past and present, reality and dreams. This leads to an explosive and unforgettable sequence in the second half that while originally intended for 3D loses little of its mind-bending power when watched at home.

Genre: Drama, Mystery

Actor: Bi Gan, Bi Yanmin, Chen Yongzhong, Chloe Maayan, Duan Chun-hao, Feiyang Luo, Hong-Chi Lee, Huang Jue, Jue Huang, Lee Hong-chi, Ming Dao, Qi Xi, Sylvia Chang, Tang Wei, Tuan Chun-hao, Zeng Meihuizi, 张艾嘉

Director: Bi Gan

Rating: Not Rated

Animated in every sense of the word, The Mitchells vs. the Machines is a fun and lively watch for anyone of any age. On the surface, it’s about a tech company’s AI going haywire as it turns against humans and takes over the world (an obvious and much-deserved dig at Big Tech). It also immediately stands out as an energetic and inventive film bursting with love for the animation genre.

But at its core, it's about family and learning to love them even and especially when the going gets tough. Teenager Katie and her father Rick are at that precarious moment in their relationship where everything they do seems to annoy the other, while Katie's mother Linda tries and fails and tries again to keep the peace. The Mitchells are filled with love, but they’re not quite sure how to express it to each other, and it's both funny and relatable how it takes a literal apocalypse for them to realize that. This is a family story elevated by dynamic animation and a bizarro storyline. Expect it to go off the rails in the best possible way.

Genre: Adventure, Animation, Comedy, Drama

Actor: Abbi Jacobson, Adam Wylie, Alex Hirsch, Alison Rich, Andrew Morgado, Ashley Peldon, Beck Bennett, Blake Griffin, Caitlin McKenna, Charlyne Yi, Chrissy Teigen, Conan O'Brien, Danny McBride, Doug Nicholas, Elle Mills, Eric André, Fred Armisen, Greg Levitan, Grey DeLisle, Griffin McElroy, Illya Owens, Jay Pharoah, Jeff Rowe, Jim Pirri, John Legend, Juan Pacheco, Justin Shenkarow, Lex Lang, Lisa Wilhoit, Madeleine McGraw, Maya Rudolph, Melissa Sturm, Michael Rianda, Michelle Ruff, Mike Rianda, Natalia del Riego, Natalie Canizares, Olivia Colman, Sasheer Zamata, Shane Sweet, Todd Hansen, Will Allegra, Zeno Robinson

Director: Jeff Rowe, Michael Rianda, Mike Rianda

Rating: PG

In Last Night in Soho, director Edgar Wright has so much to play with. The old lady character serves an unexpected role, while Ellie (Thomasin McKenzie) faces an interesting morality crisis as she tries to decide who to help at the end of the film. Just as fascinating is the film’s Ghibli-esque premise: we follow a hero going on an adventure far away from home and into a world where it's unclear where reality ends and fantasy begins. However, a lot of the time, it feels like the film was made to serve a big twist that doesn't have enough weight to it. The fantasy is far more intriguing than any tame interaction the film has to offer, so it doesn't feel like it lives up to its potential. But there is one obvious exception: Anya Taylor-Joy’s magnetic presence as Sandie—it’s a presence powerful enough to hold a film together.

Genre: Horror, Mystery, Thriller

Actor: Al Roberts, Alan Ruscoe, Andrew Bicknell, Anya Taylor-Joy, Celeste Dring, Colin Mace, Derek Lea, Diana Rigg, Elizabeth Berrington, Jacqui-Lee Pryce, James Phelps, Jessie Mei Li, Josh Zaré, Kassius Nelson, Katrina Vasilieva, Lati Gbaja, Lisa McGrillis, Margaret Nolan, Matt Smith, Michael Ajao, Michael Jibson, Michael Mears, Oliver Phelps, Paul Brightwell, Pauline McLynn, Rita Tushingham, Sam Claflin, Sam Parks, Synnøve Karlsen, Terence Stamp, Thomasin McKenzie

Director: Edgar Wright

Rating: R

The Safdie Brothers spent over a decade making films before their mainstream breakout with Good Time and Uncut Gems. Their rich backlog captures New York City in its raw vibrant glory. Daddy Longlegs is the sardonic semi-autobiographical portrait of the Safdies’ childhood spent with their father after their parents' divorce. 

Lenny (Ronald Bronstein) is an awful dad whose parenting style ranges from the wildly irresponsible to the criminally negligent. While his behavior is often detestable and has few if any redeeming traits, the Safdies’ puncture through his demeanor and craft a sensitive portrait of fatherhood imbued with affection and feeling that could only originate from the well of a child’s capacity for forgiveness and love.

 

Genre: Comedy, Drama

Actor: Abel Ferrara, Alex Greenblatt, Alex Kalman, Casey Neistat, Dakota Goldhor, Dakota O'Hara, Danny Callahan, Eléonore Hendricks, Josh Safdie, Lance de los Reyes, Lee Ranaldo, Marc Raybin, Ronald Bronstein, Sage Ranaldo, Salvatore Sansone, Sean Price Williams, Seth Fleischaner, Steve Davis, Van Neistat, Wayne Chin

Director: Benny Safdie, Josh Safdie

This stirring peek into the final days of a shuttering Las Vegas dive might be one of the finest odes to American bar culture yet. It also serves as a powerful portrait of a particular moment deep into the disastrous Trump years, yet right before the pandemic struck.

Directors Bill and Turner Ross capture the good, bad, and ugly, allowing conversations to unfold naturally. The colorful hues of the bar create a cinematic canvas for the patrons, who awash with booze and nostalgia, uncertainty, fear, and love, spend their last day together. If there was ever a film for those who miss the rough and tumble nightlife of the pre-Covid world, this is it. 

Genre: Documentary, Drama

Actor: Shay Walker

Director: Bill Ross IV, Turner Ross

As its title suggests, Steve James’ documentary isn’t shy about its sympathy for its subject. Physicist Ted Hall was just 18 when he was recruited to the Manhattan Project and underwent a crisis of conscience when it became apparent that the atomic bomb’s ostensible target — Nazi Germany — was on the brink of defeat. Concerned by the possibility that, post-WW2, the US would achieve a nuclear monopoly and become a new kind of imperialist power, Ted and friend Saville Sax leaked key information to the USSR.

James’ film takes a decidedly intimate approach: while it dips into archival interviews Ted gave before his death and provides background context via scholars, it’s mostly led by Ted’s wife Joan, a spirited interviewee. Her moving contributions expand the film’s scope, making it as much a portrait of a marriage as a study of the political impact his actions had. James also interviews their children — as well as those of his partner-in-espionage, Saville — to explore the conflicted personal legacy their actions left. In not limiting itself to a macro perspective, the film opens itself up to be more than a look in history’s dusty rear-view mirror, making it a welcome tonic to the Wikipedia-style approach commonly employed for subjects like this.

Genre: Documentary, Drama

Actor: Ann Harding, Dwight D. Eisenhower, Harry S. Truman, J. Robert Oppenheimer, Joseph Stalin, Mickey O'Sullivan, Theodore Hall, Walter Huston

Director: Steve James

Based on the short story “God Sees the Truth, But Waits” by Leo Tolstoy, The Woman Who Left is a film about people with nowhere to go. Set in 1990s Philippines, the film follows Horacia, an ex-convict seeking revenge on her former lover who masterminded her unjust 30-year imprisonment. Along the way, she meets various people—a hunchback balut vendor, vagabonds, and an epileptic trans woman, among others—all downtrodden in their own unique ways and united only by their nightly wanderings, with whom Horacia’s true nature is revealed and reconfigured with every encounter.

Lav Diaz’s signature slow cinema minimalism and sharp chiaroscuro lighting allow for a meditative experience, further enhancing the film’s immersive quality. Despite its bleak atmosphere, The Woman Who Left remains hopeful amidst moral quandaries, where things eventually fall into their rightful place, albeit in unexpected ways.

Genre: Drama

Actor: Charo Santos-Concio, John Lloyd Cruz, Kakai Bautista, Lao Rodriguez, Mae Paner, Michael De Mesa, Nonie Buencamino, Shamaine Buencamino

Director: Lav Diaz

For those of us who don't lurk on internet message boards and participate in social media culture, a documentary about memes might seem frivolous. But Feels Good Man steers the conversation into one about semiotics: the way images become symbols and can continue transforming—from a harmless expression of the self, into a hateful banner for bigotry, into a cry of protest and freedom. As his Pepe the Frog creation takes on a life of its own, artist Matt Furie attempts to reclaim ownership of it and finds that the relationship between an artist and their own work can be as difficult as any toxic relationship. It's a bleak view of how unfeeling internet culture can be, but it reminds us that we always still have some power to beat the hate.

Genre: Comedy, Documentary

Actor: Adam Serwer, Alex Jones, Donald Trump, Donald Trump Jr., Emily Heller, Hillary Clinton, Johnny Ryan, Joy Reid, Katy Perry, Lisa Hanawalt, Logan Paul, Matt Furie, Melania Trump, Mike Majlak, Nicki Minaj, Phil McGraw, Rachel Maddow, Richard Spencer, Samantha Bee, Skinner, Stephen Colbert, Susan Blackmore

Director: Arthur Jones