12 Movies Like Violent Night (2022)

Staff & contributors

At one point in the documentary, director Kristen Lovell says, “I wanted to archive the movement that was building between transwomen and sex workers,” and that’s exactly what she achieves with The Stroll, a well-researched, creatively edited, and deeply moving account of the trans-sex-work experience that defined New York for a good chunk of the 20th century. It’s both historical and personal, touching and rousing, as it recounts a history that’s often been forgotten even among the LGBTQ+ community. To do this, Lovell digs up archival footage, brings to life long-buried data, and strikes up heartfelt conversations with survivors of The Stroll, that street in New York where Lovell and her fellow homeless escorts used to pick customers up. Thanks to Lovell’s hard work in telling this extraordinary story of struggle and success, there isn’t a moment in this film where you’re not shocked, frustrated, or exhilarated along with them.

Genre: Documentary, Drama

Actor: Laverne Cox, Michael Bloomberg, Rudolph Giuliani, RuPaul

Director: Kristen Parker Lovell, Zackary Drucker

Forget everything you know about the music biopic. One-on-one interviews, chronological storytelling, silent moments with the subjects—Moonage Daydream isn’t that kind of movie. Just as David Bowie isn’t your typical pop star, this documentary about him, directed by Brett Morgen, forgoes the usual beats for something extraordinary and fun.

Moonage Daydream is a concert, a light show, and a masterclass in collage editing. It's a feast for the senses, a fantastic neon fever dream that paints a picture of Bowie in his own words, drawn from archival footage, interviews, and concerts past.

Genre: Documentary, Drama, Music

Actor: Bing Crosby, Catherine Deneuve, Charlie Chaplin, David Bowie, Dick Cavett, Elizabeth Taylor, Fred Astaire, Ginger Rogers, Iman, Keanu Reeves, Lou Reed, Maria Falconetti, Max Schreck, Max von Sydow, Mick Ronson, Mike Garson, Russell Harty, Tina Turner, Trevor Bolder

Director: Brett Morgen

Rating: PG-13

In 2017, the New York Times published a groundbreaking report by Jodi Kantor and Megan Twohey that detailed, for the first time, Harvey Weinstein’s atrocious history of sexual abuse. The New Yorker would release Ronan Farrow’s report five days after, prompting multiple survivors to share their own stories—and the rest, as you know, is history. Following Kantor and Twohey (played by Zoe Kazan and Carey Mulligan, respectively), She Said sheds light on how this pivotal moment in the establishment of the #MeToo movement came to be.

Based on Kantor and Twohey’s book of the same name, the film reveals the specific journalistic processes involved in writing this expose—a seemingly impossible feat, considering Weinstein’s hold over multiple industries, including the press. Because it’s a newsroom drama, there’s a lot of talking, but there’s also a lot of listening. Gripping, empathetic, and (even now) necessary, She Said makes for a thrilling watch.

Genre: Drama, History

Actor: Adam Shapiro, Alex Hurt, Anastasia Barzee, Andre Braugher, Angela Yeoh, Ashley Judd, Carey Mulligan, Celia Au, Dalya Knapp, Davram Stiefler, Elle Graham, Frank Wood, Gregg Edelman, Gwyneth Paltrow, Harvey Friedman, Hilary Greer, Jennifer Ehle, John Mazurek, Judith Godrèche, Katherine Kendall, Keilly McQuail, Lola Petticrew, Makia Martin, Marceline Hugot, Mike Houston, Molly Windsor, Patricia Clarkson, Peter Friedman, Roxanna Hope, Ruby Thomas, Safia Oakley-Green, Samantha Morton, Seán Cullen, Shirley Rumierk, Tom Pelphrey, Traci Wolfe, Zabryna Guevara, Zach Grenier, Zoe Kazan

Director: Maria Schrader

Rating: R

Earnest, beautiful, and tender, Luca Guadagnino's Bones and All is many things: a road trip movie that sweeps the midwest deserts of 1980s America; a coming-of-age story that brings together two outsiders into an understanding world of their own; and a cannibal film that is unflinchingly flesh deep in its depiction of the practice. Bizarrely, these seemingly disparate elements work harmoniously to create a film that you won't soon forget, not least because of its rawness. 

As the aforementioned outsiders, Maren and Lee (Taylor Russell and Timothée Chalamet, respectively) are bewitching—individually sure but especially when they're together. They have a bond that is quite difficult to replicate onscreen, charged as it is with so much chemistry and warmth. The background players also bring their a-game when called for, especially Mark Rylance as the disturbing stalker Sully, Michael Stuhlbarg as the creepy but good-willed Jake, and Chloë Sevigny as Maren's stark mad mother. 

It's worth repeating that this movie goes all in on the gore, so steer clear if you don't have the heart for these sorts of things. But if you do, the viewing experience is rewarding. Bones and All is as romantic as they get, and rather than bury its message, the many layers on top of its core serve as a meaningful puzzle to unpack and unravel long after the credits roll.

Genre: Drama, Horror, Romance

Actor: Andre Holland, Anna Cobb, Brady Gentry, Chloe Sevigny, Christine Dye, David Gordon Green, Hannah Barlow, Jake Horowitz, Jenny McManus, Jessica Harper, Johanna McGinley, Madeleine Hall, Marcia Dangerfield, Mark Rylance, Michael Stuhlbarg, Sean Bridgers, Taylor Russell, Timothée Chalamet, Tom O'Brien

Director: Luca Guadagnino

Rating: R

The Banshees of Inisherin is an Irish dark comedy film that begins with the breakup of longtime friends Pádraic (Colin Farrell) and Colm (Brendan Gleeson). Averse to the sudden split, Pádraic tries to repair their relationship, but instead of achieving goodwill, he inadvertently sets off even more unrest in their little town of Inisherin. Set in 1923 against the backdrop of the Irish Civil War, the film doubles as a fable about the consequences of war. 

The last time Farrell and Gleeson were together was in the expert thriller In Bruges, and their reunion in The Banshees of Inisherin shows how powerful and chemistry-filled their pairing is. Theirs is a knockout turn, but it's also far from the only good thing in the movie. Packed with gorgeously lush images of rural Ireland, strong performances from an all-Irish cast, and a whipsmart script from writer-director Martin McDonagh, The Banshees of Inisherin is an impactful watch that will give you lots to unpack long after the credits roll. 

Genre: Comedy, Drama

Actor: Aaron Monaghan, Barry Keoghan, Brendan Gleeson, Bríd Ní Neachtain, Colin Farrell, David Pearse, Gary Lydon, Jon Kenny, Kerry Condon, Pat Shortt, Sheila Flitton

Director: Martin McDonagh

Rating: R

It may seem like it’s targeted at a specific demographic, but Spoiler Alert is actually a universal tale about love, grief, and moving on. Jim Parsons affectingly plays Michael, a romantic and TV aficionado who has trouble separating fact from fiction. He views life as one big sitcom, but his cheery outlook is increasingly challenged by the tragedies he encounters, not least of which is the surprise diagnosis of his boyfriend Kit (Ben Aldridge). 

Spoiler Alert is very sweet, perhaps too sweet for some viewers, but if you enjoy the unabashed schmaltz of romantic dramas, then this comes highly recommended. Of course, for that extra fluff, Spoiler Alert is mostly set during the holidays, so it’s best to watch while cozying up with a loved one—just make sure you have spare tissues on-hand for those tearjerking moments.

Genre: Comedy, Drama, Romance

Actor: Allegra Heart, Antoni Porowski, Ben Aldridge, Bill Irwin, Christine Renee Miller, Eleni Yiovas, Erica Cho, Jeffery Self, Jim Parsons, Josh Pais, Kate Pittard, Nikki M. James, Paco Lozano, Sadie Scott, Sally Field, Scott Burik, Shunori Ramanathan, Supriya Ganesh, Tara Summers, Winslow Bright

Director: Michael Showalter

I think it’s safe to say you’ve never seen a Pinocchio adaptation quite like Guillermo del Toro's Pinocchio. It still largely stays true to the source material, which is to stay it’s still about a father grappling with the loss of his son and a boy figuring out where he figures in the world. But the movie departs from it in significant ways too. Instead of a fairy tale setting, for instance, this Pinocchio has 1930s fascist Italy as its background, lending the film a realism and historicism that weren’t there before.

Stars Ewan McGregor, Christoph Waltz, Tilda Swinton, and newcomer Gregory Mann lend their voice in this tender and stellar stop-motion animated movie.

Genre: Animation, Drama, Family, Fantasy, Music

Actor: Alfie Tempest, Ariana Molkara, Benjamin Valic, Burn Gorman, Cate Blanchett, Christoph Waltz, David Bradley, Ewan McGregor, Finn Wolfhard, Francesca Fanti, Gregory Mann, John Turturro, Peter Arpesella, Rio Mangini, Ron Perlman, Roy Halo, Scott Martin Gershin, Sky Alexis, Tilda Swinton, Tim Blake Nelson, Tom Kenny

Director: Guillermo del Toro, Mark Gustafson

Rating: PG

Rye Lane knows it’s treading familiar ground by having its charming leads fall in love as they walk and talk their way through a beautiful city. So instead of experimenting on a tried-and-tested setup, it smartly focuses on specificity. It hones in on the characters’ Gen Z woes and cranks up the British references, giving itself character and charm for days. It also finds other ways to be inventive as it trades plot twists for bold editing and camerawork. Rye Lane is a refreshing entry into romcom cinema, but it is also obviously a big fan of it as it holds plenty of homages and subversions of the genre. This one is made for and by romcom fans, and it's always nice to see a modern love story set during our times.

Genre: Comedy, Drama, Romance

Actor: Alice Hewkin, Benjamin Sarpong-Broni, Cain Aiden, Colin Firth, David Jonsson, Delroy Brown, Esme Molly, Gary Beadle, George Taylor, Karene Peter, Levi Roots, Llewella Gideon, Malcolm Atobrah, Marva Alexander, Michael Dapaah, Munya Chawawa, Omari Douglas, Poppy Allen-Quarmby, Raine Allen-Miller, Sandra Daley, Simon Manyonda, Vivian Oparah, Yasmin Al-Khudhairi

Director: Raine Allen-Miller

Rating: R

It’s very likely you already know about the fictional character Matilda, a clever but neglected child who discovers she has telekinesis and uses it for good. You may have even grown up watching the 1996 film multiple times, as I have, and secretly tried to move a random object with your mind to see if you somehow shared Matilda’s powers…as I have.

If so, I can assure you that you’ll enjoy the latest Matilda adaptation, aptly called Roald Dahl’s Matilda the Musical on Netflix. It’s pure energy, all bright colors and high-pitched emotions, but not overwhelmingly so. It is also funny and tender, and the techniques it uses to transition and transpose are eye-poppingly inventive. It stars Emma Thompson, once again prosthetic-ed to perfection; Lashana Lynch, a grounding and heartwarming presence; and Alisha Weir, a revelation of a child actor.

Genre: Comedy, Drama, Family, Fantasy, Music

Actor: Alisha Weir, Amanda Lawrence, Andrea Riseborough, Ann Firbank, Bebe Massey, Charlie Hodson-Prior, Emma Thompson, James Dryden, James Laurenson, Katherine Kingsley, Lashana Lynch, Leon Ung, Matt Henry, Meesha Garbett, Noah Leggott, Serrana Su-Ling Bliss, Sindhu Vee, Stephen Graham, Thomas Arnold, Tim Bentinck

Director: Matthew Warchus

Rating: PG

An 80-minute documentary about a diver who gets stranded in the deep sea with 5 minutes of oxygen left, while the nearest rescue team was 30 minutes away. This type of diving in the depths of the sea, as someone explains, is like “going into space but underwater”.

The documentary uses genuine footage from the dive as well as interviews of people who were present. Still, some parts of this incredible story can’t be explained. And if like me you’re not familiar with diving, everything will have more appeal. The vessel they use is quite impressive, the duration of its dive is obscene (28 days!), and lastly: the divers inhale helium (and speak with a funny voice) the whole time they are down there.

Genre: Documentary

Actor: Alex Parkinson, Chris Lemons, Duncan Allcock, Kjetil Ove Alvestad, Michal Cichorski, Richard da Costa, Stuart Anderson

Director: Alex Parkinson, Richard da Costa

Rating: N/A

Just like with its predecessor, it can be surprising how sober Street Flow 2 is. You expect stories about street gang life to be of a certain tone, but these films are more interested in the emotional and philosophical struggle to respond to violence and poverty in a just and proper way. This sequel continues this conversation from a more stable (but therefore less interesting) position: youngest sibling Noumouké is no longer torn between the influence of his older brothers, as all three try to move forward as a united front. But without a more distinct dilemma driving the action forward, the film ends up spinning its wheels—and rushes to an incomplete ending  that doesn't say enough about survival, lawfulness, or the African immigrant experience in France.

Genre: Crime, Drama

Actor: Alessandra Sublet, Alix Mathurin, Bakary Diombera, Cherine Ghemri, Foued Nabba, Georgina Elizabeth Okon, Jammeh Diangana, Kadi Diarra, Kery James, Krystel Roche, Mahamadou Coulibaly, Sana Sri

Director: Alix Mathurin, Kery James, Leïla Sy

Rating: R

An interesting premise quickly sputters out in Fool’s Paradise, writer-star Charlie Day’s misfire of a directorial debut. Day plays a down-and-out Charlie Chaplin-esque mute who happens to be a dead ringer for a difficult method actor (also Day) who’s stalling production on a Billy the Kid remake — and so he’s brought in by the movie’s producer (Ray Liotta) to star instead. 

The rest of Fool’s Paradise follows in this vein, as things just happen to Latte Pronto (as he comes to be named). There’s wry satirical potential in this set-up: a lot can be revealed about someone (in this case, the self-serving stars, agents, and directors of Hollywood) by what they project onto a blank slate like Latte. The problem, however, is twofold: Fool’s Paradise doesn’t have anything especially sharp to say about the biz — and, in the absence of clever or indeed funny writing, the film’s weak center is exposed. Day’s wordless performance is understated to a fatal degree; presumably designed to highlight the ridiculousness of the Hollywood players he’s surrounded by, it only shows up the weakness of the material and the unfocusedness of some of the key supporting performances. Maybe the movie would’ve fared better had some of its other characters been silent instead.

Genre: Comedy

Actor: Adrien Brody, Aixa Maldonado, Alanna Ubach, Allison Paige, Andre Hyland, Andrew Leeds, Andrew Santino, Artemis Pebdani, Austin Zajur, Benito Martinez, Brett Wagner, Charles Grisham, Charlie Day, Christine Horn, Common, David Hornsby, Dean Norris, Drew Droege, Edie Falco, Eliza Coleman, Eric VanArsdale, George Lopez, Glenn Howerton, Harry Yi, Helen Geller, Jason Bateman, Jason Sudeikis, Jeremy Chu, Jillian Bell, Jimmi Simpson, John Ales, John Malkovich, Julia Cho, June Carryl, Kate Beckinsale, Katherine McNamara, Ken Jeong, Lance Barber, Leandra Terrazzano, Leonora Pitts, Lindsay Musil, Lisa Schwartz, Luvh Rakhe, Lyndon Smith, Marilyn Giacomazzi, Mary Elizabeth Ellis, Moses Storm, Peter MacKenzie, Ray Liotta, Ricky Wang, Robert Belushi, Romel de Silva, Roy Jenkins, Scott Allen Perry, Scott Pitts, Shane Paul McGhie, Steve Coulter, Steve DeCastro, Talia Tabin, Thomas Vu, Tom Beyer

Director: Charlie Day

Rating: R