65 Movies Like Up (2009) (Page 5)

Frankly, In the Morning of La Petite Mort is not as provocative nor as erotic as implied by the title. Sure, there are sex scenes, with plenty of nude shots. But these scenes come about silently, nearly without dialogue, with a lack of passion in between most of the lovers, a lack of connectedness. It’s no less visceral, though, as it mirrors the same disconnection the characters feel, being at the margins of Taipei. While it’s sometimes muddled with certain subplots, the haunting, strikingly-shot images stirs some compassion, especially with the cast’s performances, but the indirect approach makes the film feel unclear and sometimes unrealistic.

Genre: Drama

Actor: Cres Chuang, Huei-ling Jan, Ivy Yin, Jieh-Wen King, Tzu-Chiang Wang, Yun-Chih Wang, Yûsuke Fukuchi

Director: Yu-Lin Wang

With expired film stock, seemingly random shots, not much dialogue, and virtually no plot, there is little to recommend It is Night in America for casual viewing. It is definitely experimental, and as director, editor, and sound designer Ana Vaz presents these shots of animals and urban landscapes, it doesn’t feel like it’s meant for entertainment. But there’s a curiously poignant tone, with the blue tint darkening the cityscape, in their eyes. Night falls for these creatures, who once had a home in this city, and all they can do is survive. É Noite na América isn’t quite the eco-horror it proclaims to be, but its moody and trancelike direction is an interesting approach to the nature documentary genre.

Genre: Documentary

Director: Ana Vaz

Based on the novel by Women Talking author Miriam Toews, this adaptation of All My Puny Sorrows holds clear reverence for its source material but falls short of making a case for its existence as a film. Toews's prose—significant parts of which writer/director Michael McGowan has kept intact in the dialogue—may be appropriate for a book that allows full internal access to its narrator, but on film her words come across as overly articulate and artificial, even if they speak beautiful, harsh truths about grief. And without a defined visual identity or proper flow of ideas to back up its admittedly complex characters (played with authentic tenderness and force by Alison Pill, Sarah Gadon, and Mare Winningham), the film ends up stuck in its own darkness, unable to give a proper form to all its thoughts.

Genre: Drama

Actor: Alison Pill, Aly Mawji, Amybeth McNulty, Boyd Banks, Donal Logue, Elizabeth Saunders, Mare Winningham, Marin Almasi, Martin Roach, Michael Musi, Mimi Kuzyk, Morgan Bedard, Racine Bebamikawe, Sarah Gadon

Director: Michael McGowan

Rating: R

It’s surreal to watch Congrats My Ex, because the Thai production feels inspired by Indian romance films, with its musical numbers, elaborate dance sequences, and maximalist sets and costumes. With both India and Thailand culturally linked for centuries, it’s interesting to see how this film celebrates their commonalities. That being said, this film isn’t too focused on this, on the difficulties of having an intercultural, long distance relationship– it knows that it wants to be an over-the-top wedding rom com. It does overly rely on the standard rom-com tropes, with a dash of slapstick shenanigans, over-the-top wedding dramatics, and one too many reckless driving accidents. It’s still a fun watch for fans of Bella and Bright though, but it’s nothing new.

Genre: Comedy, Romance

Actor: Anahita Bhooshan, Anjana Ghogar, Bright Vachirawit Chivaaree, Darina Boonchu, Mahir Pandhi, Passakorn Ponlaboon, Ranee Campen, Thongchai Thongkanthom, Vachirawit Chivaaree

Director: Prueksa Amaruji

Jack Whitehall definitely has funny observations to make about life around him, and he clearly has a writer's ear for detail-oriented jokes. But he hardly allows his jokes to breathe during this special, constantly over-explaining the point or killing the momentum of a really smart, clever punchline with so many more unnecessary lines after the fact. This is really just Whitehall's style at this point, and those who already find his dorkiness endearing (which it really can be) should enjoy most of this. But for this writer, his jokes are just far too obvious and feel far too "performed." It feels like he's speaking at an audience, rather than for them.

Genre: Comedy

Actor: Jack Whitehall

Director: Chris Howe

Rating: R