56 Movies Like Transformers: Rise of the Beasts (2023) (Page 4)

Staff & contributors

Chasing the feel of watching Transformers: Rise of the Beasts ? Here are the movies we recommend you watch right after.

Despite an engaging opening that promises to deepen the world already established in 2018's Bird Box, this new installment slips back into the usual routine before long. That is: cheap thrills and an overall lack of scares, not necessarily because of the fact that the creatures terrorizing this world are invisible, but because the film doesn't take advantage of the fear and paranoia that builds among the human characters. A stronger focus on religious belief (or simply blind fanaticism) should lead to more interesting character dynamics, but there isn't a single person here who's defined by anything beyond a few base traits. So despite the efforts of a game cast (including Babylon's Diego Calva and especially Barbarian's Georgina Campbell), the film just can't overcome how boring it is to watch blindfolded people reacting to nothing.

Genre: Drama, Horror, Science Fiction, Thriller

Actor: Alejandra Howard, Celia Freijeiro, Diego Calva, Georgina Campbell, Gonzalo de Castro, Leonardo Sbaraglia, Lola Dueñas, Manel Llunell, Mario Casas, Michelle Jenner, Milo Taboada, Naila Schuberth, Patrick Criado

Director: Àlex Pastor, David Pastor

Rating: R

This B-movie sci-fi-action-thriller from co-writer-director Robert Rodriguez starts out like a hammy pastiche of (the already overdone) Taken, but its interminable succession of galaxy-brain twists reveals other obvious influences — among them Inception, Memento, and Shutter Island. Fine ingredients, but the recipe is all wrong, as a gravelly-voiced, seemingly barely awake Ben Affleck sleepwalks his way through the cringy dialogue. Alongside William Fichtner in shady supervillain mode, Affleck is joined in that endeavor by Alice Braga as the psychic who is (seemingly) helping his Detective Rourke track down his (again, seemingly!) kidnapped daughter, though what Braga mostly does is hold the audience’s hand and explain the plot’s increasingly convoluted sci-fi elements to us. At one point, she tells Rourke that “pain keeps the mind awake” — and, while the excruciating script doesn’t seem to have that effect on Affleck (judging from his lethargic performance), it’s hard not to find yourself a little enlivened by Hypnotic’s sheer absurdity.

Genre: Action, Drama, Mystery, Science Fiction, Thriller

Actor: Alice Braga, Ben Affleck, Bobby Hernandez, Bonnie Discepolo, Carrick O'Quinn, Corina Calderon, Dayo Okeniyi, Derek Russo, Gabriel 'G-Rod' Rodriguez, Hala Finley, J. D. Pardo, Jackie Earle Haley, Jeff Fahey, Kelly Frye, Kelly Phelan, Lawrence Varnado, Nikki Dixon, Ryan Ryusaki, Sonia Izzolena, William Fichtner, Zane Holtz

Director: Robert Rodriguez

At least you can't accuse this holiday film of being generic. Combining the incredibly incompatible elements of drug busts and figure skating (and still failing to justify this crazy idea, though not for a lack of trying), Dealing with Christmas eventually begins to feel more like a series of comedy sketches making up the rules as it goes along. This definitely leads to moments of both excitement and effective humor, but its lack of consistency ultimately makes the awkward outweigh the good. Still, the audacity on display is something to be admired, and the film is just well-made enough to keep its constant experiments worth the curiosity.

Genre: Action, Adventure, Comedy, Fantasy

Actor: Alex Lutz, Alice Moitié, Bruno Sanches, Catherine Hosmalin, Élise Hobbé, Eric Judor, Etienne Guillou-Kervern, François Vincentelli, Guy Lecluyse, Jean-Yves Tual, Jonas Dinal, Kim Higelin, Laura Felpin, Lison Daniel, Monsieur Poulpe, Nicky Marbot, Paul Deby, Philippe Lacheau, Ragnar Le Breton, Tom Dingler

Director: Arthur Sanigou

You ought to know what you’re getting into with a movie like The Out-Laws, a production from the Adam Sandler-founded Happy Madison banner that’s behind such lofty cinematic heights as Grown Ups and Paul Blart: Mall Cop. Even in that charitable frame of reference, though, The Out-Laws feels, even more than usual, like a tax write-off for its creators and a sweet solely-for-the-paycheck gig for its starry cast, who don’t have to do much by way of actual dramatic work here. The perfunctory editing and bland direction often seem disinterested in (or, perhaps, embarrassed by) most of the script’s attempts to be funny, and so the film rushes through its scenario, which is only mildly amusing to begin with. In a movie like this, that’s more of a blessing than a curse, even if it does mean some of its better moments get short shrift from the whistlestop treatment. All in all, even as Happy Madison vehicles go, this is an utterly forgettable 95 minutes — the kind you’ll barely even be able to recall by the time the credits roll.

Genre: Action, Comedy, Romance

Actor: Adam Devine, Anthony Belevtsov, Betsy Sodaro, Blake Anderson, Cale Schultz, Dean Winters, Derek Russo, Ellen Barkin, Haley Leary, Jackie Sandler, Jackson Beals, Julie Hagerty, Laci Mosley, Lauren Lapkus, Lil Rel Howery, Lynne Ashe, Michael Rooker, Mo Gallini, Montrel Miller, Nina Dobrev, Orelon Sidney, Otis Winston, Paul Eliopoulos, Peggy Walton-Walker, Pierce Brosnan, Poorna Jagannathan, Rebecca Covert, Reyn Doi, Richard Kind, Sunny Sandler, Tywayne Wheatt, Zele Avradopoulos

Director: Tyler Spindel

Rating: R

The Machine wants us to assume many unlikely things, with Bert Kreischer’s global fame being the most improbable. It also wants to be both high stakes as we follow Bert and his father (Mark Hamill) being chased by the mafia and comedic as they make lighthearted jokes along the way. But it never really achieves that balance. Though it looks sleek and high-budgeted, its contents are lopsided and messy, not once hitting the mark on its many targets. Moreover, it's based on a premise so thin, that it loses all credibility midway through the film. After that, it simply becomes a parody of itself. To be sure, there are some noteworthy moments in between, like when Kreischer and Hamill share genuine father-and-son moments, but for the most part, it’s just too overbearing to warrant anyone’s attention.

Genre: Action, Comedy, Crime

Actor: Aleksandar Srećković 'Kubura', Amelie Child-Villiers, Bert Kreischer, Brian Caspe, Dobrila Stojnic, Đorđe Simić, Iva Babić, Jess Gabor, Jimmy Tatro, Mark Hamill, Marko Nedeljković, Martyn Ford, Mercedes De La Cruz, Milena Predić, Miodrag Dragičević, Nikola Đuričko, Oleg Taktarov, Rita Bernard-Shaw, Robert Maaser, Set Sjöstrand, Stephanie Kurtzuba, Tea Wagner, Vladimir Gvojić

Director: Peter Atencio

Rating: R

All the little twists in the case of Mirna Salihin's murder are intriguing enough to speculate over, so Ice Cold is definitely a true-crime case worth revisiting. The problem is in how the documentary indulges sensationalist arguments and pure speculation with the same level of urgency as it does with expert counsel. A large part of the film has to do with how this trial started to become such a fixture in Indonesian public life, but it feels as if the movie would rather provoke even more baseless conspiracies through its gossipy tone than provide smarter analysis. There's an appeal to how simple this case is relative to other true-crime stories, but this shouldn't be an excuse to haphazardly throw opposing perspectives at each other for the sake of drama.

Genre: Crime, Documentary

Actor: Edi Darmawan Salihin, Jessica Wongso, Marcella Zalianty, Mirna Salihin, Otto Hasibuan

Director: Rob Sixsmith

Rating: PG-13

There’s no way to escape it– the plotline of One True Loves feels like the other side of Cast Away (2000), but instead of focusing on the survival aspect, it focuses on the wife trying to move on with grief. The original novel portrays Emma moving on through reclaiming her past, and learning to appreciate the roots she’s tried to forget with her lost husband. However, the film adaptation falters in depicting the personal, inner world of Emma, as it bungles through the timelines with Hallmark-esque quotes and disarranged scenes. It tries to save the film through its star-studded cast, but their decent performances can’t save the way the film is structured.

Genre: Comedy, Drama, Romance

Actor: Beth Broderick, Christina Bach, Cooper van Grootel, Gabriella Garcia, Gary Hudson, Jacinte Blankenship, Jay DeVon Johnson, Jessi Goei, Kelvin Hodge, Lauren Tom, Luke Bracey, Michael OKeefe, Michaela Conlin, Oceana Matsumoto, Oona Yaffe, Phillipa Soo, Simu Liu, Tom Everett Scott, Victoria Blade, Wil Deusner

Director: Andy Fickman

Rating: PG-13

What a waste of a premise, and what a waste of Woodley’s talents. Based on the short story “The Robot Who Looked Like Me” by Robert Sheckley, Robots has some clever things to say about the state of advanced tech and its role in society, but its clumsy, heavyhanded approach fumbles the execution. There’s an awkward and unfinished feel to Robots that doesn’t make anything about it believable—not the technology, not the convoluted story, and certainly not the romance. And except for Woodley, none of the characters seem likable. The male-dominated cast makes constant jokes about fatness and femininity, presumably for the sake of satire, but they end up participating in the very things they’re supposedly calling out. It’s not nearly as smart nor as charming as it thinks it is, and if you’re looking for an alternative, I would recommend the far superior German film I’m Your Man, which accomplishes everything Robots tries to be and more. 

Genre: Comedy, Fantasy, Romance, Science Fiction

Actor: Barney Burman, Case Matthews, Casey Messer, Charles Grisham, Chelsea Edmundson, David Grant Wright, Emanuela Postacchini, Hank Rogerson, Jack Whitehall, Jackamoe Buzzell, Keith Campbell, Kevin Foster, Leslie Fleming-Mitchell, Nick Rutherford, Paul Jurewicz, Paul Rust, Richard Lippert, Samantha Ashley, Samantha Gonzalez, Shailene Woodley, Tiffany Adams

Director: Anthony Hines, Casper Christensen

Rating: R

With uninteresting characters and an aggressively bland story right from the start, Choose Love fails to establish any stakes worth caring about, no matter what choices we make throughout. Any sense of novelty from playing this choose-your-own-romcom vanishes once you notice how certain decision points lead to the exact same idea, or are blatantly disregarded by the character you "control" anyway. Choice is a complete illusion here, and the fact that we're only asked to participate when it comes to some of the most inane dilemmas only highlights how the film's protagonist isn't acting like a rational, adult human being with any self-respect or regard for others. Sure, people are inherently flawed and it can be fun to see how disastrous this situation can get through our own manipulation, but by the end there's still no believable spark to be found. It feels like a cop-out no matter what.

Genre: Comedy, Drama, Romance

Actor: Avan Jogia, Benjamin Hoetjes, Blair Strang, Jack Bright, Jacque Drew, Jesse Griffin, Jordi Webber, Laura Marano, Lucy Wigmore, Megan Smart, Nell Fisher, Scott Michael Foster

Director: Stuart McDonald

Despite a solid premise that should lead to compelling drama—about men scarred by war and the morally grey inner workings of the police—Confidential Informant devolves into a half-baked thriller that's as dull as its title. Flat direction, a lack of connective tissue between scenes, and an unfortunately visible lack of production resources suck the life out of the script and from the actors' performances. There's clearly a foundation to be built upon here, but the film makes a crucial mistake in trying to have its cake and eat it too: it wants to deliver all the (unsatisfying) thrills of an antihero police procedural, but it just doesn't have the money or the creativity to do this, on top of being a character drama. And so any tension that it tries to build up deflates by the end, its characters nothing but hollow shells, stuck in a story that that never gives them a chance to be anything more interesting.

Genre: Action, Mystery, Thriller

Actor: Arielle Raycene, Dominic Purcell, Erik Valdez, Jon Lindstrom, Kate Bosworth, Meadow Williams, Mel Gibson, Nick Stahl

Director: Michael Oblowitz

Rating: R

There is a germ of an idea here, and executed well, Sheroes had the potential to be camp and crude and unapologetically fun in the way only films about female friendship can be (see: Girls Trip, Booksmart, Bridesmaids). Instead, with what looks like a negative production budget and zero commitment from the cast, the resulting film is unwatchably bad. The needle drops are excessive, the cinematography is straight out of a stock image site (what a waste of Thailand’s vibrant beauty!), and the acting, if you can call it that, is wholly unbelievable, with perhaps Isabelle Fuhrman and Skai Jackson standing out as the only exceptions. The chemistry of these so-called friends feels canned, making their montages of supposed fun look stiff and stilted. We’re supposed to believe these girls who can’t even hug right are friends? They’re out here dipping in the pool and sipping beers while thinking of ways to save their tied-up-in-the-middle-of-nowhere friend, so again I ask, we’re supposed to believe they're best friends? Let’s be real, because this film surely isn’t.

Genre: Action, Adventure, Comedy, Crime

Actor: Isabelle Fuhrman, Jack Kesy, Joseph Angelo, Kelly B. Jones, Prinya Intachai, Sahajak Boonthanakit, Sasha Luss, Skai Jackson, Wallis Day

Director: Jordan Gertner

Rating: R