94 Movies Like Top Gun: Maverick (2022) (Page 2)

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There are three big reasons to watch Paddleton. The first two are Ray Romano and Mark Duplass, who play the two neighbors at the center of the story. And the third is Alexandre Lehmann, the director, who also is responsible for Blue Jay (on Netflix as well).

These two misfit neighbors find themselves together when one of them is diagnosed with cancer. They embark on a trip to the nearest pharmacy (a six-hour drive) which turns into an adventure.

This premise gives Paddleton a lot to play on: it’s a comedy, but it’s also a drama about a fatal disease. It’s a bromance, but it’s about a fragile friendship. All these contradictions make Paddleton a great slice-of-life movie. And again, both actors are amazing. Watching it just for them is worth it.

Genre: Comedy, Drama

Actor: Alana Carithers, Alexandra Billings, Bjorn Johnson, Carlos A. Salazar, Christine Woods, Dendrie Taylor, Dylan Matlock, Ever Mainard, Hiroo Minami, Jack McGraw, Jen Sung, Kadeem Hardison, Marguerite Moreau, Mark Duplass, Matt Bush, Ray Romano, Sam Ly, Sierra Fisk, Stephen Oyoung, Yolanda Bolden

Director: Alex Lehmann, Alexandre Lehmann

Rating: TV-MA

Mars One is a tender, wholesome drama that centers on The Martins, a family of four living on the fringes of a major Brazilian city. Their lower-middle-class status puts them in an odd position—they’re settled enough to have big dreams and occasionally lead lavish lives (the mother and the daughter like to party) but they barely have the means to pursue that kind of lifestyle. As a result, they’re always searching and wanting, aiming high but almost always falling flat on the ground.

There is no actual plot in Mars One. Instead, it studies its characters in a leisurely and almost offhand manner. The approach is so naturalistic, you’ll almost forget you’re watching a movie. But it’s still gorgeously shot and staged, Brazil being an inevitably striking background. At once gentle and vibrant, this big-hearted film is a must for those who are suckers for well-made family dramas.

Genre: Drama

Actor: Camilla Damião, Carlos Francisco, Cícero Lucas, Rejane Faria, Russo Apr

Director: Gabriel Martins

As courageous now as it was when it was first released domestically in the Philippines, Aswang stands as an essential act of bearing witness to a "war on drugs" that the government continues to deny or justify to this day. Director Alyx Arumpac remains firmly by the side of these ordinary people who have to live through the nightmare of their friends, relatives, and neighbors being slaughtered in the streets. There seems to be little editorializing on the part of the filmmakers, as they allow the people to walk us through their own stories—even if larger powers would have us believe that the poor are dangerous, volatile, and in need of disciplining through death. It's a harrowing watch that presents on-the-ground stories with clarity, tenacity, and a surprising level of polish to boot.

Genre: Documentary

Actor: Ciriaco Santiago III, Ezra Acayan, Jomari, Orly Fernandez, Vincent Go

Director: Alyx Ayn Arumpac

A twitchy, uncomfortable noir film for the digital age, Decision to Leave blends the trappings of a restless police procedural with an obsessive forbidden romance. Here, director Park Chan-wook flips every interrogation and piece of evidence on its head, pulling us away from the whodunit and towards the inherently invasive nature of a criminal investigation. It's a movie that remains achingly romantic even if everything about the central relationship is wrong. For detective Hae-jun and suspect Seo-rae (played masterfully by Park Hae-il and Tang Wei, respectively), the attraction between them is built entirely on distrust and suspicion—illustrating the danger of falling for the idea of someone rather than the person themself.

Genre: Crime, Drama, Mystery, Romance, Thriller

Actor: Ahn Seong-bong, Cha Seo-won, Choi Dae-hoon, Choi Sun-ja, Go Kyung-pyo, Go Min-si, Hwang Jae-won, Jeong Ha-dam, Jeong So-ri, Jin Yong-uk, Joo In-young, Jun Sung-ae, Jung Yi-seo, Jung Young-sook, Kim Do-yeon, Kim Mi-hwa, Kim Shin-young, Kwak Eun-jin, Kwon Hyuk, Lee Hak-joo, Lee Hak-ju, Lee Ji-ha, Lee Jung-hyun, Lee Yong-nyeo, Moon Jung-dae, Park Hae-il, Park Jeong-min, Park Yong-woo, Seo Hyun-woo, Shin An-jin, Tang Wei, Teo Yoo, Yoo In-hye, Yoo Seung-mok, Yoo Teo

Director: Park Chan-wook

In The Beasts, the idyllic semi-retirement that a French couple seeks in the Galician countryside — growing organic vegetables, fixing up abandoned farmhouses — devolves into a terrifying slow-burn nightmare. This beautifully shot yet spiritually ugly thriller plunges us straight into an atmosphere of crackling social tension that never abates. We begin after the event that turns local farmer Xan (Luis Zahera) and his brother Loren (Diego Anido) against French transplants Antoine (Denis Ménochet) and Olga (Marina Foïs): the latter two have vetoed the sale of land to a wind turbine company in favor of preserving the village’s rustic character. Incensed by what he sees as the theft of his birthright by an outsider, Xan orchestrates a steadily intensifying campaign of terror against the couple.

Though much slighter than the physically imposing Ménochet, Zahera makes for a profoundly menacing presence, and Xan’s seemingly endless appetite for hostility and vindictiveness charges the film with a deeply unsettling sense of inevitability. His performance alone would mark The Beasts as a standout, but an unexpected switch in character focus late on in the film wrests it out of Xan’s grasp and reorients the movie as a study of grim resolve — making it a film of two equally remarkable halves.

Genre: Drama, Thriller

Actor: David Menéndez, Denis Ménochet, Federico Pérez Rey, Luis Zahera, Luisa Merelas, Machi Salgado, Marie Colomb, Marina Fois, Xavier Estévez

Director: Rodrigo Sorogoyen

, 2022

Filled with dense conversations about classical music and cryptic suggestions of a guilty conscience, Tár makes for a challenging watch that rewards patient viewing. The film is ultimately a study of power in an industry built on preserving centuries-old traditions—which makes the character of Lydia Tár, as a queer woman and as a proud, egotistical conductor, such an anomaly in this world. Certain strange choices by the end notwithstanding, this is a movie that leaves itself wide open to interpretation to its view on karma, accountability, and cycles of power. And Cate Blanchett is as good as the awards say: fully immersed in Lydia's ways of arrogant self-preservation, and twitching at every ambient noise that reminds her how fake she truly is.

Genre: Drama, Music

Actor: Adam Gopnik, Alec Baldwin, Alexandra Montag, Allan Corduner, Alma Löhr, André Röhner, Artjom Gilz, Cate Blanchett, Christoph Tomanek, Diana Birenytė, Ed White, Frank Röth, Jessica Hansen, Johann von Bülow, Johanne Murdock, Julian Glover, Kenneth Won, Lee Sellars, Lucie Pohl, Lydia Schamschula, Marie-Anne Fliegel, Marie-Lou Sellem, Mark Strong, Mila Bogojevic, Murali Perumal, Nina Hoss, Noémie Merlant, Razvan Popescu, Sam Douglas, Sarah Bauerett, Somiko Singha-Sila, Songha Choi, Sophie Kauer, Sydney Lemmon, Sylvia Flote, Tamaki Steinert, Teresa Philomena Schild, Tilla Kratochwil, Vincent Riotta, Vivian Full, Xenia Assenza, Zethphan Smith-Gneist

Director: Todd Field

Marona’s Fantastic Tale is a rich story about life and death and everything in between, told entirely through the eyes of a dog. With breathtaking visuals and unmatched empathy, the film implores us to think about what might count as joyous and heartbreaking for our four-legged friends. Told normally and in any other way, we might not care as much, but in a story as artful and compassionate as this, we can't help but listen. 

Unlike other films about pets, Marona’s Fantastic Tale isn’t cutesy—its art is dizzying and demanding, but beautiful nonetheless. And isn't afraid to confront tragedy (in fact, it begins with it). But it buoys reality with dreamy art sequences and even finds humor along the way. All in all, it’s a mature film that poses big existential questions that will intrigue adults as well as kids.

Genre: Animation, Drama, Family

Actor: Annie Mercier, Bruno Salomone, Georges Claisse, Isabelle Vitari, Lizzie Brocheré, Maïra Schmitt, Nathalie Boutefeu, Thierry Hancisse

Director: Anca Damian

There’s a lot of good to be found in the charming, poignant, and endlessly quotable Marcel the Shell With Shoes On. It follows a documentarian named Dean, who has as his subject the one-inch talking shell that is Marcel. Marcel looks after an empty house along with his grandma Connie, and together they run a delightfully intricate system subsisting on electric mixers, tennis balls, and the occasional human hair.

Despite his small size, Marcel unwittingly makes big observations about life and the world around him, often moving Dean (and this writer) close to tears. It’s a simple film with a grand message, with lots to say about the importance of participating in life as opposed to merely observing it. But ultimately this is a movie with a precocious talking shell at the heart of it all, so really, what’s not to like?

Genre: Adventure, Animation, Comedy, Drama, Family, Fantasy, Kids

Actor: Andy Richter, Avan Jogia, Blake Hottle, Brian Williams, Conan O'Brien, Dean Fleischer-Camp, Isabella Rossellini, Jamie Leonhart, Jenny Slate, Jeremy Evans, Jessi Klein, Joe Gabler, Lesley Stahl, Nathan Fielder, Peter Bonerz, Rosa Salazar, Samuel Painter, Sarah Thyre, Scott Osterman, Shari Finkelstein, Thomas Mann, Victoria Justice

Director: Dean Fleischer-Camp

Rating: PG

With the nostalgia and the twin love triangle, at first glance, You & Me & Me seems like nothing new. However, this Thai coming-of-age drama is done so well that it feels entirely unique. Taking inspiration from the childhood of twin writer-directors, You & Me & Me brings us to a summer vacation in Isan, north Thailand, where the twins, distinguishable only by a mole and by dual-sided acting of Thitiya Jirapornsilp, encounter a boy named Mark. Amidst test taking, phin lute playing, and rowing in lotus filled lakes, their summer evokes some nostalgia, but also some drama, as their first forays into love threaten their bond. While the pacing is slow, and it does focus on the love triangle, You & Me & Me cares about each twin as they start to delve into new experiences outside of their duo. The film is a sweet and nuanced tale of twin sisterhood, but also a love letter to the Hongvivatanas’ childhood summer home.

Genre: Drama, Romance

Actor: Anthony Buisseret, Karuna Looktumthong, Natee Ngamneawprom, Supakson Chaimongkol, Thitiya Jirapornsilp, Yasaka Chaisorn

Director: Wanweaw Hongvivatana, Weawwan Hongvivatana

, 2022

Set in 1920s India, RRR follows two revolutionaries who strike up an unlikely bond and fend off the British regime from their home. In their epic journey to protect their people, they encounter a number of setbacks that prompts them to put their incredible combat skills on full display. 

Despite its three-hour run, RRR never drags, thanks in large part to its breathtaking action sequences and eye-popping visuals. It may contain all the familiar beats of a blockbuster, but RRR is notably grounded in its central, political theme of anti-colonialism, the sincerity of which keeps the film's big heart beating palpably throughout. 

Genre: Action, Adventure, Drama

Actor: Ahmareen Anjum, Ajay Devgn, Alexx O'Nell, Alia Bhatt, Alison Doody, Chatrapathi Sekhar, Edward Sonnenblick, Ivan Kostadinov, Makrand Deshpande, Mark Bennington, N. T. Rama Rao Jr., Oleh Karpenko, Olivia Morris, R. Bhakti Klein, Rahul Ramakrishna, Rajiv Kanakala, Ram Charan, Ray Stevenson, S. S. Rajamouli, Samuthirakani, Shriya Saran, Spandan Chaturvedi, Varun Buddhadev

Director: S. S. Rajamouli

Rating: Not Rated

, 2022

It's inspiring to see that, even after Jordan Peele made the jump to blockbuster budgets, he hasn't lost the ability to evoke the sheer visceral panic of seeing something that isn't supposed to be there. Nope is that increasingly uncommon kind of film whose dense air of mystery isn't frustrating—and in fact uses to great effect the very human instinct to understand the unknowable, even if we know it'll hurt us. Its characters might not be the most three-dimensional and the development of its themes seems to depend on a lot of extrapolation and educated guessing, but the way Nope transforms from alien invasion, to monster movie, to western adventure, to cosmic horror still makes the film much greater than the sum of its parts.

Genre: Horror, Mystery, Science Fiction

Actor: Alex Hyde-White, Andrew Patrick Ralston, Barbie Ferreira, Brandon Perea, Daniel Kaluuya, Devon Graye, Donna Mills, Eddie Jemison, Evan Shafran, Hetty Chang, Jacob Kim, Jennifer Lafleur, Keith David, Keke Palmer, Lincoln Lambert, Liza Treyger, Malcolm Jae O'Shea, Mark Casimir Dyniewicz Jr., Michael Wincott, Osgood Perkins, Oz Perkins, Pierce Kang, Ryan W. Garcia, Sophia Coto, Steven Yeun, Terry Notary, Wrenn Schmidt

Director: Jordan Peele

Rating: R

Among the sea of class satires released in the last year, Triangle of Sadness is one of the better ones. Directed by Ruben Östlund (The Square, Force Majeure), the film follows an ultra-rich group of people who get stranded on an island after their luxury cruise ship sinks. The social pyramid that has long favored them suddenly turns upside down when a crew member (a glowing Dolly de Leon) effectively runs the group of sheltered castaways.

Triangle of Sadness may not be as sharp as Östlund’s previous work, and it may not add anything particularly new to the saturated discussions of social class, but it remains a darkly humorous and engaging watch, masterfully helmed by a strong script and ensemble.

Genre: Comedy, Drama

Actor: Alex Schulman, Alicia Eriksson, Amanda Schulman, Amanda Walker, Arvin Kananian, Beata Borelius, Camilla Läckberg, Carolina Gynning, Charlbi Dean, Christina Saliba, Dolly de Leon, Emma Warg, Fredrik Quinones, Fredrik Wikingsson, Hanna Oldenburg, Harris Dickinson, Hedda Rehnberg, Henrik Dorsin, Iris Berben, Jean-Christophe Folly, Karin Myrenberg, Linda Anborg, Malte Gårdinger, Nana Manu, Oliver Ford Davies, Ralph Schicha, Shaniaz Hama Ali, Stefan Godicke, Sunnyi Melles, Vicki Berlin, Woody Harrelson, Zlatko Burić

Director: Ruben Östlund

Rating: R

Witty, unexpected, and thrilling, The Innocent pulls off an excellent European heist film with modern sensibilities and its stylistic mix of genres. All at once, the film is a crime film, as well as a family farce, but also a screwball romantic comedy. The genres line up with the premise perfectly, but there’s something intriguing about the way director Louis Garrel uses each genre’s tropes. Abel’s clumsy spying over his mom’s ex-convict husband and drama pupil Michel is framed through noir techniques, while his friend Clémence gleefully interrupts his efforts with witty repartee. Abel’s suspicion of Michel’s schemes ironically leads to one of his own. And when his mom’s expressive acting techniques are used in that scheme, Abel expects fake emotions, only to reveal his true feelings. With each new twist, The Innocent plays with genre expectations for unexpected but delightful results.

Genre: Comedy, Crime, Drama, Romance

Actor: Anouk Grinberg, Laëtitia Clément, Louis Garrel, Manda Touré, Noémie Merlant, Roschdy Zem

Director: Louis Garrel

In 1961, Francisco de Goya’s portrait of the Duke of Wellington was stolen from London’s National Gallery, but the theft was no slick heist pulled off by international art thieves. No, the improbable culprit was (the improbably named) Kempton Bunton, a retired bus driver and aspiring playwright who pinched the painting — which the gallery had recently acquired for £140,000 of UK taxpayers’ money — as a Robin Hood-esque “attempt to pick the pockets of those who love art more than charity.” The principled Bunton (played here by Jim Broadbent) was, at the time, waging a one-man campaign to convince the government to grant pensioners and veterans free TV licenses, and the Goya theft was his way of publicizing those efforts. It was an eccentric plan, but Broadbent leans fully into his status as a UK national treasure here, making oddball Bunton a deeply sympathetic and warm figure because of (not despite) those quirks. Thanks to his performance — and the note-perfect direction of the late, great Roger Michell — a quirky footnote of history becomes a sweet, unexpectedly moving story about solidarity and the power of the underdog.

Genre: Comedy, Drama, History

Actor: Aimee Kelly, Andrew Havill, Anna Maxwell Martin, Charlotte Spencer, Cliff Burnett, Craig Conway, Darren Charman, Dorian Lough, Fionn Whitehead, Heather Craney, Helen Mirren, Jack Bandeira, James Wilby, Jim Broadbent, John Heffernan, Joshua McGuire, Matthew Goode, Michael Hodgson, Richard McCabe, Sam Swainsbury, Sarah Beck Mather, Sian Clifford, Stephen Rashbrook, Val McLane, Will Graham

Director: Roger Michell

Rating: R

After receiving virtually unlimited funding from a wealthy businessman, Lola (played by the always excellent Penelope Cruz) sets out to mount an ambitious adaptation of a bestselling novel. To make her vision work, she employs renowned actors Ivan Torres (Oscar Martinez) and Felix Rivero (Antonio Banderas), knowing full well that their opposite philosophies in art and life will clash. What follows is a series of preps and rehearsals that play out like social experiments in their twistedness, which all in all speak to the outrageousness of film, art, and life itself.

In this Spanish dark comedy, no one is spared from satire—from the idiosyncratic auteur down to the sell-out actor, all are parodied in equal measure, each of their egos broken down in great and hilarious detail.

Genre: Comedy, Drama

Actor: Ana Belén, Antonio Banderas, Daniel Chamorro, Irene Escolar, Isabel García Lorca, José Luis Gómez, Juan Grandinetti, Ken Appledorn, Manolo Solo, María Guinea, Mary Ruiz, Melina Matthews, Mónica Bardem, Nagore Aranburu, Oscar Martinez, Penélope Cruz, Pilar Bergés, Pilar Castro, Sue Flack

Director: Gastón Duprat, Mariano Cohn

Rating: R