12 Movies Like To Catch a Killer (2023)

Chasing the feel of watching To Catch a Killer ? Here are the movies we recommend you watch right after.

To Catch a Killer feels like a limited series shrunken down to fit a movie’s runtime: its many ideas, though potentially compelling on their own, are so underserved by the breezy treatment here that they lose all value. The film wants to hit every hot button — misogyny in the police force, demagoguery on TV news channels, high-level corruption, white supremacy, and the mental health crisis — but its frantic box-ticking makes it feel like a speed-run of topical issues rather than anything genuinely reflective. The characters feel similarly underdeveloped, not least star Shailene Woodley’s, a Clarice Starling wannabe who winds up delivering emotional counseling to the film’s bafflingly motivated serial killer in just one of many implausible scenes. Add to that the cringe-inducing dialogue, which is crammed to bursting point with clunky metaphors, and you can call off the manhunt — the script is the real killer here.

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1. Polite Society, 2023

Kill Bill meets Bend It Like Beckham in this wild ride about a martial arts-obsessed British-Pakistani teenager who views her older sister’s impending marriage as a catastrophe to be averted at all costs. Aspiring stuntwoman Ria (Priya Kansara) can’t stomach the idea of free-spirited Lena (Ritu Arya) giving up on her creative dreams to marry a nauseatingly perfect man — not least because art school dropout Lena is her hero for refusing to conform to their community’s traditional ideas about respectability and success.

Polite Society makes room to sensitively explore Ria’s disappointment and the loneliness of rebellion, but writer-director Nida Manzoor doesn’t stop there, throwing in a sharp allegory disguised as a zany twist. Rather than upending our expectations for upending’s sake, the surprise metaphor refigures the movie as perceptive cultural commentary on the age-old devaluation of women as mere vessels for the next generation. What’s more, Manzoor takes the analogy full circle to thoughtfully imagine how this kind of dehumanizing misogyny might have affected previous generations, suggesting that the real villains lie offscreen. Movies as inventive and intelligent as this don’t come around often, but one that’s this funny, visually bold, unabashedly feminist, and full of stars-in-the-making is rarer still.

Genre: Action, Adventure, Comedy, Drama

Actor: Akshay Khanna, Ella Bruccoleri, Eunice Huthart, James McNicholas, Jeff Mirza, Jenny Funnell, Nimra Bucha, Rekha John-Cheriyan, Ritu Arya, Seraphina Beh, Shobu Kapoor

Director: Nida Manzoor

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2. The Wolf House, 2018

This mortifying stop-motion fairy-tale is inspired by the very real horrors of Chile’s Colonia Dignidad: a cult colony turned torture camp under the Pinochet regime. Presented as colony propaganda, the tale tells the story of Maria, a girl who runs away from the safety of the colony into the forest and takes refuge in a house with two pigs. What transpires is a gut-wrenching allegory for the rise of fascism, colonialism, and white supremacy.

The staggering animation which seamlessly shifts mediums from paper mâché to painted walls is a bewildering sight to witness. But it’s the synthesis of this boundary-pushing art and the underlying horrors it depicts, that make this stand as an unmissable cinematic event.

Genre: Animation, Drama, Fantasy, Horror

Actor: Amalia Kassai, Natalia Geisse

Director: Cristóbal León, Joaquín Cociña

3. STILL: A Michael J. Fox Movie, 2023

There’s a scene early in the documentary when present-day Michael J. Fox, who famously suffers from Parkinson’s Disease, swaggers along a street and greets a fan, only to stumble at that very moment and have people surround him with concern. Instead of giving into their pity or pretending nothing happened, he cooly tells the fan, “It was so nice meeting you, you knocked me off of my feet!”

This brief moment tells you all you need to know about the ‘80s icon—Fox refuses to be a victim. Still is his brilliant and admirable attempt at telling his well-known story on his own terms. It covers everything from his childhood and early work in Hollywood to his life-changing roles in Family Ties, Teen Wolf, and most memorably, Back to the Future. It also sheds light on Fox's life as a husband, father, and Parkinson's sufferer. Director Davis Guggenheim (An Inconvenient Truth) does a genius job of using faceless reenactments and cuts from films and TV shows to accompany Fox’s narration, which pumps the film with a dynamism that matches Fox’s resilient spirit.

Urgent, clever, and exciting, Still is one of the rare celebrity biographies that serves a higher purpose than just recounting a famous person's life. Anyone who understands the importance of constantly moving and evolving will appreciate this film's existence.

Genre: Documentary

Actor: Christopher Lloyd, Crispin Glover, David Letterman, Donna Lysell, Eric Stoltz, Gary David Goldberg, Gene Siskel, Hannah Galway, Jason Calder, Jay Leno, Johnny Carson, Justine Bateman, Larry David, Meredith Baxter, Michael J. Fox, Michael McDonald, Muhammad Ali, Rick Pearce, Robert Zemeckis, Roger Ebert, Shayn Walker, Siobhan Murphy, Steven Spielberg, Thomas F. Wilson, Tracy Pollan, Woody Harrelson

Director: Davis Guggenheim

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4. The Scent of Green Papaya, 1993

	
Warm, enchanting, poetic and delicate, this is an almost silent film about a poor Vietnamese girl who goes to work for a well-off family in Saigon. The film follows her experiences as she grows but is also very focused on the nature around her, and the beautiful little details of this nature, which the young girl seems attuned to and curious about. The feelings in the film come more from the excellent visuals rather than the plot itself.Genre: Drama, Romance
Actor: Anh Hoa Nguyen, Hoa Hoi Vuong, Keo Souvannavong, Man San Lu, Ngoc Trung Tran, Thi Loc Truong, Tran Nu Yên-Khê, Vantha Talisman
Director: Anh Hung Tran, Tran Anh Hung
Rating: Not Rated

5. Suzume, 2022

Part fantasy, part road trip, and part coming-of-age, Suzume is a rich and fast-paced tale with no dull moments in between. The energy is relentless and the animation, as expected, is dazzling, so even though there are occasional plot holes and melodramatic reaches, you’d be hard-pressed not to forgive them. Suzume still wins you over. Of course, the fantastical aspects are what make Shinkai’s films his, but Suzume works best when it zeroes in on humans and their complicated feelings toward each other. The confrontation between Suzume and her aunt, where Suzume accuses her of suffocation and the aunt, in turn, laments the life she could’ve had if she wasn’t charged with caring for her dead sister’s daughter, is just as shattering as any scene involving slaying monsters or battling gods. I only wish there were more tender moments like this, but Suzume is just as endearing and entrancing all the same.

Genre: Adventure, Animation, Drama, Fantasy

Actor: Aimi, Akihiro Tajima, Ayumi Tsuji, Eri Fukatsu, Genta Nakamura, Hokuto Matsumura, Kana Hanazawa, Katsumi Fukuhara, Kyo Yaoya, Matsumoto Hakuō II, Nanoka Hara, Ryoko Nagata, Ryunosuke Kamiki, Sairi Ito, Saori Seto, Shota Sometani, Tomomichi Nishimura, Yoji Ueda, Yoshino Aoyama, Yuu Ayase

Director: Makoto Shinkai

Rating: PG

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6. Chile '76, 2022

Chile 76 takes place three years after the dictator Augusto Pinochet took over the country and cracked down on dissenting groups and rebels. There was political strife and unnecessary violence, but almost none of this plays out explicitly in the film. Instead, we mostly follow Carmen, who seems to be going through a crisis of her own, albeit an internal one. She lives a well-to-do life as she decorates a new house and volunteers at the church, but there is a deep-seated melancholia about her, which is maybe why she’s so drawn to Elias (Nicolás Sepúlveda). She exits her comfort zone and aids in his covert exchanges across town, perhaps because she’s genuinely interested in Elias’ cause, but possibly because she sees it as a way out from the humdrum of her privileged life. The beauty of the film is that it melds the personal with the political in subtle and interesting ways, allowing us viewers to draw our own conclusions to the matter.

Genre: Drama

Actor: Alejandro Goic, Aline Kuppenheim, Amalia Kassai, Antonia Zegers, Gabriel Urzúa, Germán de Silva, Graciela Tenenbaum, Marcial Tagle, Mauricio Pesutic

Director: Manuela Martelli

7. BlackBerry, 2023

Unlike other films about great inventions of a bygone era, BlackBerry isn’t nostalgic nor sentimental in the least bit. Instead, it’s chilly, calculating, and surprisingly comic (it has to be, with comedians Jay Baruchel and Glenn Howerton as leads). And it’s less about the brilliance of this one product than the cycle of greed, corruption, and vanity that eventually traps its too-ambitious creators.

It's a smart film that refuses to dumb down the tech and business side of things, and what it lacks in characterization (there is little to no backstory to be found), it more than makes up for in drama and a superb pace, which propulsively and practically brings you to its wonderful peak and bleak end. Equipped with a no-nonsense yet thrilling approach to facts, BlackBerry is a refreshing entry into the biopic genre.

Genre: Comedy, Drama, History

Actor: Al Bernstein, Cary Elwes, David Christo, Dillon Casey, Elena Juatco, Eric Osborne, Evan Buliung, Glenn Howerton, Greg Calderone, Gregory Ambrose Calderone, Gwynne Phillips, Jay Baruchel, Kelly Van der Burg, Laura Cilevitz, Mark Critch, Martin Donovan, Matt Johnson, Michael Ironside, Michelle Giroux, Rich Sommer, Rodrigo Fernandez-Stoll, Saul Rubinek, SungWon Cho

Director: Matt Johnson

Rating: R

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8. The Initiated, 2023

Based on four different books by Colombian author Mario Mendoza, The Initiated (or Los Iniciados) is perhaps too much of a good thing at times, as it struggles to have its many different pieces cohere into one thematic idea. These separate pieces are intriguing on their own, for sure: poisoned water supply, underground activists, the mayor potentially being involved in mysterious disappearances of bodies. But by the end, the film's noir elements seem to be mostly ornamental in nature, with the supposedly twisty narrative arriving at an overly tidy conclusion.

With that said, even just spending time in The Initiated's gloomy city streets and grimy underbelly should be a joy for anyone who already enjoys hardboiled crime dramas. Solid performances and strong technical craft all around keep this world immersive no matter if the central investigation is actually progressing logically or not. It's a film that, impressively, manages to still be suspenseful just on the strength of its mood and atmosphere alone. All the danger feels raw and threatening, and leads us to imagine an even harsher world outside of what we see on screen.

Genre: Crime, Mystery, Thriller

Actor: Ana Wills, Andrés Parra, Aria Jara, Francisco Denis, Jorge Cao, Juan Pablo Urrego, Julio Pachón, Patricia Tamayo

Director: Juan Felipe Orozco

9. Sisu, 2023

More shooting and spectacle than story, Sisu is a stunningly shot and unapologetically gory action film set at the tail end of World War II in Finland. It follows former commando turned prospector Aatami (nicknamed "Koschei" or immortal by the Russians) as he retrieves his stolen gold from the Nazis who've occupied and pillaged the nearby town.

Not much happens in the way of plot, but what it lacks in that department it more than makes up for in action, which easily matches the likes of John Wick. In fact, Aatami is a kind of John Wick with his undefeatable killer moves and trusty dog pal—a reprieve of cute in a sea of endless carnage. But in the long list of grindhouse movies, Sisu distinguishes itself as astutely patriotic. Of course, it's hard not to root for anyone going against Nazis, but Sisu compels you to its side in subtle but powerful ways.

You'll be reminded of John Wick, Mad Max, and many a Tarantino film watching Sisu, but you'll be struck by the film's singular hero, a stand-in for a nation unwilling to give up in the face of oppression.

Genre: Action, Drama, War

Actor: Aamu Milonoff, Aksel Hennie, Arttu Kapulainen, Elina Saarela, Ilkka Koivula, Jack Doolan, Joel Hirvonen, Jorma Tommila, Max Ovaska, Mila Leppälä, Mimosa Willamo, Onni Tommila, Pekka Huotari, Severi Saarinen, Tatu Sinisalo, Vincent Willestrand, Wilhelm Enckell

Director: Jalmari Helander

Rating: R

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10. Swallow, 2019

The disturbing conceit of a housewife swallowing inanimate objects may push some away, but those that can stomach it will find a searing exploration of patriarchal control over women’s bodies - an issue more relevant than ever in the US, as anti-choice zealots push closer to overturning abortion rights nationwide.

An odd twist towards the end, and a tone-deaf bit about a Syrian refugee, make the film uneven. But, the edge of the seat suspense, sumptuously colorful cinematography, and Haley Bennet’s resonant performance make this worth seeing nonetheless.

Genre: Drama, Horror, Thriller

Actor: Alyssa Bresnahan, Austin Stowell, Babak Tafti, David Rasche, Denis O'Hare, Elise Santora, Elizabeth Marvel, Haley Bennett, Laith Nakli, Lauren Vélez, Luna Lauren Velez, Maya Days, Myra Lucretia Taylor, Nicole Kang, Olivia Perez, Zabryna Guevara

Director: Carlo Mirabella-Davis

Rating: R

11. One True Loves, 2023

There’s no way to escape it– the plotline of One True Loves feels like the other side of Cast Away (2000), but instead of focusing on the survival aspect, it focuses on the wife trying to move on with grief. The original novel portrays Emma moving on through reclaiming her past, and learning to appreciate the roots she’s tried to forget with her lost husband. However, the film adaptation falters in depicting the personal, inner world of Emma, as it bungles through the timelines with Hallmark-esque quotes and disarranged scenes. It tries to save the film through its star-studded cast, but their decent performances can’t save the way the film is structured.

Genre: Comedy, Drama, Romance

Actor: Beth Broderick, Christina Bach, Cooper van Grootel, Gary Hudson, Jacinte Blankenship, Jay DeVon Johnson, Jessi Goei, Lauren Tom, Luke Bracey, Michael OKeefe, Michaela Conlin, Oona Yaffe, Phillipa Soo, Simu Liu, Tom Everett Scott, Victoria Blade, Wil Deusner

Director: Andy Fickman

Rating: PG-13

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12. Robots, 2023

What a waste of a premise, and what a waste of Woodley’s talents. Based on the short story “The Robot Who Looked Like Me” by Robert Sheckley, Robots has some clever things to say about the state of advanced tech and its role in society, but its clumsy, heavyhanded approach fumbles the execution. There’s an awkward and unfinished feel to Robots that doesn’t make anything about it believable—not the technology, not the convoluted story, and certainly not the romance. And except for Woodley, none of the characters seem likable. The male-dominated cast makes constant jokes about fatness and femininity, presumably for the sake of satire, but they end up participating in the very things they’re supposedly calling out. It’s not nearly as smart nor as charming as it thinks it is, and if you’re looking for an alternative, I would recommend the far superior German film I’m Your Man, which accomplishes everything Robots tries to be and more.

Genre: Comedy, Fantasy, Romance, Science Fiction

Actor: Case Matthews, Casey Messer, Charles Grisham, Chelsea Edmundson, David Grant Wright, Emanuela Postacchini, Hank Rogerson, Jack Whitehall, Jackamoe Buzzell, Keith Campbell, Kevin Foster, Leslie Fleming-Mitchell, Nick Rutherford, Paul Jurewicz, Paul Rust, Richard Lippert, Samantha Gonzalez, Shailene Woodley, Tiffany Adams

Director: Anthony Hines, Casper Christensen

Rating: R