14 Movies Like Through My Window: Across the Sea (2023)

Six years after blowing box-office records out of the water with Titanic, director James Cameron once again plunged into the deep for Ghosts of the Abyss. This documentary charts several 12500-foot-deep trips that Cameron, actor Bill Paxton (who played a treasure-hunter in the 1997 movie), and others took in submersibles down to the ship’s wreckage on the pitch-black bed of the Atlantic. The images they captured there are eerie and awe-inspiring: the camera floats through the skeleton of the once-grand ship, now colonised by sea life but still bearing haunting reminders of the people who perished with it. Digital superimpositions of the original layout help to bring the rusted interiors back to life, while ghostly, translucent images of actors are overlaid to recreate the panic and tragedy of the Titanic’s last night.

Granted, it isn’t the romantic epic the 1997 movie was, but Ghosts of the Abyss is an absorbing opportunity for Titanic fans to geek out and a window into the plucky logistics of these undersea trips (which have themselves become an object of great interest, given more recent, ill-fated journeys). Stripping back the Hollywood glamor and diving more deeply into the tragic reality of the Titanic, this is a companion piece that works just as compellingly on its own.

Genre: Documentary

Actor: Bill Paxton, Charles Pellegrino, Don Lynch, Federico Zambrano, James Cameron, John Broadwater, Ken Marschall, Lewis Abernathy, Lori Johnston, Mike Cameron, Tava Smiley

Director: James Cameron

Rating: G, PG

It’s a bit on the sensational side, but this Netflix documentary about a family torn apart by the medical industry is fascinating and empathetic enough to bring justice to its delicate subject matter. Director Henry Roosevelt takes care to use as many angles as possible in presenting the documentary’s central mystery —why is the hospital so insistent on separating Maya from her mother Beata?—while also leaving enough room for the audience to come to their own conclusions. I only wish they would probe into that question a bit more and get experts to hypothesize, for instance, what exactly would the hospital get out of allegedly lying and if it’s an occurrence that’s been happening in many places other than Florida. Painting it as a systemic problem might’ve given it more punch, though admittedly, it’s already stirring and powerful as it is.

Genre: Documentary

Director: Henry Roosevelt

Rating: TV-14

More streamlined and more technically ambitious than its predecessor, yet even less interested in developing an interesting setting or characters, Extraction 2 takes the most predictable route available for an action sequel. The first film's attempts to center its narrative on the unnecessary loss of life of children is nothing but an inconsequential footnote in this movie—which gestures toward the same ideas but never actually allows its already generic characters to be emotionally affected by anything.

So thank goodness that Extraction 2's action is so frequently fun to watch, proudly wearing its influences from movies like The Raid, and from the most relentless of video game set pieces. There's genuine inspiration behind how creative and how brutal the violence can get here, brought to life by crisp sound design and production design that the characters can constantly interact with. So while all the halfhearted character work doesn't give the action any extra weight, the action on its own is already so dynamic, that every set piece is still worth the wait.

Genre: Action, Thriller

Actor: Adam Bessa, Andro Japaridze, Chris Hemsworth, Daniel Bernhardt, Dato Bakhtadze, George Lasha, Golshifteh Farahani, Idris Elba, Irakli Kvirikadze, Justin Howell, Levan Saginashvili, Olga Kurylenko, Patrick Newall, Sam Hargrave, Sinéad Phelps, Tinatin Dalakishvili, Tornike Bziava, Tornike Gogrichiani

Director: Sam Hargrave

Rating: R

Yu Katayama lives in a remote village with a garbage disposal business that's slowly turning into a landfill. When his childhood friend Misaki Nakai returns to the village, she encourages Yu to make a better life for himself despite his mother's gambling and the village ostracizing him. The Village is a slow-burning film interested in Yu's struggles as an outcast and in discussing the takeover of small villages for capitalistic industrial motives. The film is shot beautifully with dark, brooding visuals and lingering shots of Yu's quiet intensity throughout the film. Unfortunately, secondary characters are not fully developed outside of their interactions with Yu, causing the film to feel flat outside of pivotal moments. An evocative idea with parts more memorable than the whole.

Genre: Drama

Actor: Arata Furuta, Daiken Okudaira, Hana Kino, Haru Kuroki, Naomi Nishida, Ryusei Yokohama, Sakuma Ryuto, Shidô Nakamura, Tetta Sugimoto, Wataru Ichinose

Director: Michihito Fujii

Rating: R, TV-MA

With its release coming so close to that of Christopher Nolan’s blockbuster treatment of the same subject, To End All War has clearly been designed as a companion piece for that fictional film. Though it mostly performs its function in a by-the-numbers fashion, this rather unexceptional adaptation of Oppenheimer’s Wikipedia page is somewhat livened up by fascinating archival footage and a few compelling talking heads. Among these is Nolan himself, whose contributions provide interesting insight into the structure of his own Oppenheimer movie. 

As its title suggests, To End All War hinges on Oppenheimer’s rationalization for developing the atomic bomb — namely, that, by creating such a catastrophically destructive weapon, he was, in effect, helping to deter future aggression. The film provides a counterpoint by suggesting that the scientists may have been somewhat swept up in egotistical fervor, though this is only gently touched on so as not to require the film to grapple too seriously with the ethics of its subject. This combination of ultimately non-threatening treatment with some genuinely compelling nuggets of perspective makes To End All War a quick, largely un-challenging way to brush up on history before or after tackling fictional exploration of its subject.

Genre: Documentary, History

Actor: Adolf Hitler, Alan B. Carr, Albert Einstein, Bill Nye, Charles Oppenheimer, Christopher Nolan, David Eisenbach, Edward Teller, Eleanor Roosevelt, Ellen Bradbury Reid, Hideko Tamura, J. Robert Oppenheimer, Jon Else, Judy Woodruff, Kai Bird, Leslie Groves, Michio Kaku, Richard Rhodes, Vladimir Putin, Xi Jinping

Director: Christopher Cassel

To The Hottest Summer's credit, it doesn't shy away from its title; as an erotic romcom, it gives us more sexual content than you'd expect, while still keeping away from anything too explicit. There's an undeniably exciting quality to how much the film is willing to show in its forbidden romance, and lead actors Nicole Damiani and Gianmarco Saurino have chemistry to spare. But while the film can be refreshing in how undaunted it is by the supposed taboo at the center of its story, its desire for simple, carnal thrills means the characters are much flatter than they probably deserve to be. Deacon Nicola's complicated relationship to his faith is never quite explored until it's too late, and Lucia's friendship with Valentina (played by Alice Angelica) seems to be of little consequence, even as the story tries to create drama between their competing affections for the young priest-to-be.

Genre: Comedy, Drama, Romance

Actor: Alberto Rossi, Alice Angelica, Balkissa Souley Maiga, Barbara Tabita, Gianmarco Saurino, Giuseppe Paternò Raddusa, Luca Capuano, Mehdi Meskar, Michela Giraud, Nicole Damiani, Nino Frassica, Stefania Sandrelli

Director: Matteo Pilati

While investigating a gold heist in Johannesburg, Chili (S'dumo Mtshali) is jaded after an undercover operation fails spectacularly. With one chance left, he must choose between following the law and protecting the wealth of higher-ups or going against it and helping a heist crew dole out the riches to those in need. Wealth redistribution is at the heart of the film, with greed on all sides thwarting any prospects of prosperity for the city. The action-crime-thriller examines economic inequality via the lead cops trying to effect change, all while leaning into a warm visual style that shifts cameras to mirror the tensions. It's a nice touch to the average Robin Hood and "for the people" narrative, but the CGI choices and generic action scenes can get distracting at times.

Genre: Action, Crime, Thriller

Actor: Brenda Ngxoli, Deon Lotz, Presley Chweneyagae, S'Dumo Mtshali

Director: Donovan Marsh

The Perfect Find follows Jenna (Gabrielle Union), a fashion editor trying to make a comeback after a public breakup and a high-profile firing. She lands a job at a new fashion magazine, but this is complicated when she falls for her charming and much younger coworker, Eric (Keith Powers), who just so happens to be the son of her boss. Admittedly, the plot is as cliche as can be, with a few shenanigans, quirky best friends, and an ex or two popping up in the third act. But it's also easy to fall for, especially with Union as the charismatic lead. The jokes about her character and Eric's age gap land well most times, and many parts of the film are beautiful enough, most notably: the talent, the color grading, and the eye-catching New York landscape. 

Genre: Comedy, Romance

Actor: Aisha Hinds, D.B. Woodside, Gabrielle Union, Gina Torres, Godfrey, Janet Hubert, Keith Powers, La La Anthony, Leigh Davenport, Numa Perrier, Remy Ma, Shayna McHayle, Sterling 'Steelo' Brim, Ts Madison, Winnie Harlow, Yrsa Daley-Ward

Director: Numa Perrier

Rating: R

Seemingly engineered in a lab to appeal strictly to romantic comedy enthusiasts who are familiar with every trope, Make Me Believe is charming and enjoyable in the moment, but ultimately does little with its ingredients. The things that it gets right are pretty foolproof: beautiful Turkish locales, steamy PG-rated romance, and a good dose of humor from supporting characters who can see the spark of love even before the couple does. Unfortunately this is all window dressing for a story built on flimsy foundations. The protagonist's assignment to book an interview doesn't actually carry that much weight, which makes the risk of pursuing and/or seemingly betraying her childhood neighbor feel inconsequential. And when these two characters inevitably meet in the middle, their connection is unconvincing, draining the excitement out of everything that follows.

Genre: Comedy, Romance

Actor: Ayça Ayşin Turan, Çağrı Çıtanak, Ekin Koç, Naz Çağla Irmak, Yıldız Kültür, Zerrin Sümer

Director: Evren Karabıyık Günaydın, Murat Saraçoğlu

Rating: R

Unfortunately, it isn't enough to have cartoonishly attractive people do silly things in the name of love for an entire feature film. This premise is undeniably fun at first: the pace is snappy, the locations are pretty, and there are more than a few intentional laughs buried within the film's fast-paced dialogue. But the longer Love Tactics 2 goes on, the more idiotic its characters seem and the more it feels like they don't actually deserve the love they supposedly earned in the previous movie. It greatly underestimates how frustrating it is to watch people fail to communicate over and over again, not out of any goodwill, but out of pure pride and jealousy. Sure, the leads provide plenty of eye candy, but after seeing how little they actually get to work with, watching them becomes an act of secondhand embarrassment.

Genre: Comedy, Romance

Actor: Atakan Çelik, Bora Akkaş, Ceyhun Mengiroğlu, Demet Özdemir, Deniz Baydar, Hande Yılmaz, İpek Tuzcuoğlu, Kerem Atabeyoğlu, Melisa Döngel, Şükrü Özyıldız

Director: Recai Karagöz

Rating: PG-13