28 Movies Like Three Colors: Blue (1993) (Page 2)

Krzysztof Kieślowski’s trilogy reflects both the colors and the values of the French republic: liberté, égalité, fraternité. In Trois couleurs : Blanc (Three Colors: White), Kieślowski explores not only the theme of equality, but also the ramifications of defining and “achieving” equality as a European ideal.

After failing to consummate their marriage, Dominique (the ever-bewitching Julie Delpy) divorces Karol (Zbigniew Zamachowski), leaving him broke and humiliated. Karol plots to exact revenge on his ex-wife, becoming richer and cruller in the process. 

Although this is often regarded as the weakest of the trilogy, White is worth a watch not just for completionists. Kieślowski interrogates what it means to be equal in sex and socioeconomic class—and if when we strive to move upward in society, whether we are really debasing our basic humanity and humility.

Genre: Comedy, Drama, Mystery

Actor: Aleksander Bardini, Andrzej Precigs, Barbara Dziekan, Bartłomiej Topa, Bozena Szymanska, Cezary Harasimowicz, Cezary Pazura, Florence Pernel, Francis Coffinet, Grażyna Szapołowska, Grzegorz Warchoł, Janusz Gajos, Jerzy Nowak, Jerzy Stuhr, Jerzy Trela, Julie Delpy, Juliette Binoche, Marzena Trybała, Philippe Morier-Genoud, Piotr Machalica, Piotr Zelt, Teresa Budzisz-Krzyżanowska, Wanda Wróblewska, Zbigniew Zamachowski, Zdzisław Rychter

Director: Krzysztof Kieślowski

Les Glaneurs et la Glaneuse (The Gleaners and I) is one of the late Agnès Varda’s great documentaries. The film follows “gleaners”—scavengers and collectors of discarded garbage or abandoned items—from the French countryside into the city. The first of Varda’s subjects recalls, “Gleaning, that’s the old way,” marking a clear distinction: old versus new, rural versus urban, wasted versus repurposed.

Fans of Varda will recognize the signature tenderness with which she approaches both her subjects and their objects. Those new to her work will be sure to find something familiar in this documentary: a film largely about loss, but which approaches its ideas of modernization and time with humor and lightness. Among the rubble, there is joy yet to be found—and in this documentary, there is a great comfort, too, to be gleaned.

Genre: Documentary

Actor: Agnès Varda, Agnès Varda, Bodan Litnanski, François Wertheimer, François Wertheimer

Director: Agnès Varda, Agnès Varda

Rating: 0, Not Rated

Often considered Claire Denis’ best film, Beau Travail is an epic exploration of both masculinity and colonialism. Inspired by Melville’s Billy Budd, she transplants the story to Djibouti where the French Foreign Legion run seemingly aimless drills in an arid desert landscape while largely alienated from the local community. 

Denis inverts the male gaze and imbues charged eroticism to the bodies in motion as the men train and wrestle. Accompanied by the music of Britten’s Billy Budd opera, these movements transform into a breathtaking modern dance. Underneath her jaw-dropping direction is a cutting allegory on repression, desire, and violence, working on both the individual and geopolitical level. This incredible tale is capped off by one of the best end credit sequences of all time. 

Genre: Drama

Actor: Dan Herzberg, Denis Lavant, Gianfranco Poddighe, Grégoire Colin, Michel Subor, Mickael Ravovski, Nicolas Duvauchelle

Director: Claire Denis

Rating: Unrated

Elisabeth Moss is in it. Calling The One I Love a romantic-comedy, looking it up, or trusting anyone else about it -- especially my review, will ruin this film for you. Just watch it. If one's penchant is typically opposed to titles with 'love' in them, then it's for you. Just hit 'play', or 'start', or whatever. The initial wtf-ness that attracted me to it is compelled further by excellent acting. And Elisabeth Moss is in it.

Genre: Comedy, Drama, Romance

Actor: Charlie McDowell, Elisabeth Moss, Jennifer Spriggs, Kiana Cason, Mark Duplass, Marlee Matlin, Mary Steenburgen, Mel Eslyn, Sean O'Malley, Ted Danson

Director: Charlie McDowell

Rating: R

Peter Jackson made the transition from splattery gross-out movies like Braindead to more respectable fare with Heavenly Creatures, the true story of an intense relationship between two teenage girls that culminates in the murder of one of their mothers.

As the girls’ friendship becomes unhealthier, they invent a secret world for themselves, amusingly including a heart-throb Orson Welles. This gives Jackson the opportunity to indulge in his love of fantasy, creating some dazzling hallucinatory sequences.

The fantasy element contrasts beautifully with the humdrum setting of ‘50s New Zealand, and the final tragedy is heart-breaking. The film also provided an auspicious debut for Kate Winslet, who is terrific as one of the misguided fantasists.

Genre: Drama, Fantasy

Actor: Barry Thomson, Ben Fransham, Clive Merrison, Darien Takle, Diana Kent, Elizabeth Moody, Geoffrey Heath, Gilbert Goldie, Glen Drake, Glenys Lloyd-Smith, Jed Brophy, Jesse Griffin, Kate Winslet, Liz Mullane, Lou Dobson, Melanie Lynskey, Moreen Eason, Peter Elliott, Peter Jackson, Ray Henwood, Sarah Peirse

Director: Peter Jackson

Leave it to a master filmmaker like Krzysztof Kieślowski—known for the Three Colours Trilogy, The Double Life of Veronique, and the miniseries Dekalog (whose sixth episode was expanded into this film)—to take a premise as banal as that of a peeping tom and to turn it into something mysterious and poignant. There are definitely still parts to this story that may not hold up to scrutiny, like its belief in a romantic/spiritual connection that rewards the immature man for barging into a woman's life. In different hands, this subject matter would just be creepy. In Kieślowski's, the loneliness of these characters takes full shape.

As young postal clerk Tomek (Olaf Lubaszenko) quickly admits his spying to the older and more jaded Magda (Grażyna Szapołowska), the two are drawn to each other with a combination of fear, pity, and lust. And what Kieślowski does—with the help of cinematographer Witold Adamek's stunning, intimate frames; and his cast's subdued sorrow—is move the film away from concerns about consent and control, and to tell a story about what it means to truly be seen and acknowledged by another person. In an existence made up of meaningless routine and temporary relationships, seeing someone else at their most vulnerable feels like lightning.

Genre: Drama, Romance

Actor: Artur Barciś, Grażyna Szapołowska, Olaf Lubaszenko, Piotr Machalica, Stanisław Gawlik, Stefania Iwińska

Director: Krzysztof Kieślowski

In my own wished-for parallel universe, French actors Vincent Cassell and Emanuelle Devos are voted the sexiest actors alive. I find them both transfixing and appealing in every role they’ve performed, and they are quite the pair here. Devos plays Carla, a put-upon assistant at a property management company. While good at her job, there is little room for her to advance her career, as she is one of the only women at her company and also has a hearing deficiency. Into her humdrum life walks ex-convict Paul (Cassell), who Carla hires as a personal assistant. It turns out that what Paul lacks in secretarial skills he makes up for in other ways. The first half of the film plays almost like a dark workplace comedy, before taking a dangerous turn towards psychological crime thriller. Overall, it’s a dark and sexy character study of two mismatched outsiders who turn out to complement each other perfectly.

Genre: Crime, Drama, Romance, Thriller

Actor: Bernard Alane, Bô Gaultier de Kermoal, Celine Samie, Chloé Mons, Christophe Van de Velde, Christophe Vandevelde, David Saracino, Emmanuelle Devos, Francois Loriquet, Isabelle Caubère, Nathalie Lacroix, Olivia Bonamy, Olivier Gourmet, Olivier Perrier, Patrick Steltzer, Pierre Diot, Serge Boutleroff, Serge Onteniente, Vincent Cassel

Director: Jacques Audiard

Rating: R

Stereotypically made to look like one-note villains in many other films, the kinds of characters who lead Land and Freedom are rightfully depicted as people acting out of a desire for something constructive and good. Through director Ken Loach's trademark approach to no-frills storytelling, the complex ideologies motivating each of these factions against the common enemy (and against each other) are laid out with crystal clarity. In fact, the most exciting confrontations in the film aren't the skirmishes between the fascists and the revolutionary militias, but the debates held between allies, as they figure out the next best steps forward for every liberated person involved.

Genre: Drama, History, Romance, War

Actor: Angela Clarke, Daniel Muñoz, Eoin McCarthy, Francesc Orella, Frédéric Pierrot, Ian Hart, Icíar Bollaín, Jordi Dauder, Pep Molina, Rosana Pastor, Suzanne Maddock, Tom Gilroy

Director: Ken Loach