22 Movies Like They Cloned Tyrone (2023)

The Teacher’s Lounge is one of those movies where a simple misunderstanding is blown out of proportion, so much so that it causes the fabric of a community to unravel into chaos. Aided by a precise score, it ticks like a timebomb, with every second filled with so much dread and anxiety you have to remind yourself to breathe. It’s an impeccable and taut thriller, but it also works as an allegory about modern-day surveillance and authority. Director İlker Çatak gives the Gen-Z students and their much older teachers a level field where they struggle for control, and the result is both bleak and funny. It’s often said that schools are a microcosm of the real world, but nowhere is that more apparent than here. 

Genre: Drama, Thriller

Actor: Anne-Kathrin Gummich, Antonia Luise Krämer, Eva Löbau, Katharina M. Schubert, Kathrin Wehlisch, Katinka Auberger, Leonard Stettnisch, Leonie Benesch, Lisa Marie Trense, Michael Klammer, Özgür Karadeniz, Rafael Stachowiak, Sarah Bauerett, Uygar Tamer

Director: İlker Çatak

Rating: PG-13

The tired stereotype is that in horror films, it’s always the Black characters who are the first to die. The Blackening turns that on its head and gives us an interesting premise by asking, what if all the characters are Black? While it’s not the first film to do this (in fact, a lot of Black creatives are reclaiming horror and dominating the genre), it just might be the first to tackle the issue in a smart and funny way. This is a ridiculous parody filled with outsized performances and observational jokes, but it’s equally meta and socially aware as it literally (and thankfully) beats the stereotype to its final death. 

Genre: Comedy, Horror

Actor: Antoinette Robertson, Dewayne Perkins, Diedrich Bader, George Fisher, Grace Byers, James Preston Rogers, Jay Pharoah, Jermaine Fowler, Melvin Gregg, Sinqua Walls, X Mayo, Yvonne Orji

Director: Tim Story

Rating: R

In the world of excavation and wonderous breakthroughs, Unknown: The Lost Pyramid is a refreshing take on archaeology by showing the discoveries of Egyptian history from native Egyptian archaeologists. Following Dr. Hawass and his mentee, Dr. Waziri, as they race against the elements of the desert, the documentary uses their passion and egos to spearhead the narrative. Thus, every step closer feels both prideful and invasive with the constant reminder that they're excavating 2000+-year-old tombs. Comprehensive explanations and illustrative cinematography illuminate the meticulous labor that goes into Egyptology.

Genre: Documentary, Drama

Actor: Zahi Hawass

Director: Max Salomon

Shooting Stars may be based on LeBron James’ account of his teenage years, but this adaption by Chris Robinson is more than just a vanity project. In fact, James is hardly the lead here—every one of his friends gets a chance to shine in this coming-of-age story about brotherhood and friendship. It’s closer to films like Boyz N the Hood and Stand By Me in that way, but that’s not to say it’s a letdown in the sports department. The games are choreographed beautifully; the actors display wonderful athleticism and the filmmakers employ various camera techniques that never fail to surprise. There are times, though, that these techniques distract more than excite, and there is a sense that the film could’ve benefited from a more pared-down style. But this ultimately doesn’t take away from the film’s tender and thrilling story.

Genre: Drama, History

Actor: Algee Smith, Caleb McLaughlin, Chad L. Coleman, Dermot Mulroney, Joe Fishel, Katlyn Nichol, Khalil Everage, Mookie Cook, Natalie Paul, Scoot Henderson, Wood Harris

Director: Chris Robinson

Rating: PG-13

It’s slower and talkier than you’d expect from a semi-erotic film, but Ehnegard lives up to its title well enough to satisfy. It’s titillating, but in a cheeky rather than provocative way. The dialogues are lengthy, but they’re alternately witty and poetic, so despite the pace they never actually bore. Ehnegard’s real delight, however, is its beauty. Set in the old kingdom of Babenhausen, Ehnegard looks like a fairy tale come to life. The towering castles, the sprawling meadows, the twinkling forest lakes, and of course, the smartly costumed people who populate the scenery—all these and more ensure that each frame has a picturesque glow to it. And with Sidse Babett Knudsen (Borgen, Westworld) taking charge of an appealing cast, Ehnegard proves to be a charming watch. 

Genre: Comedy, Drama, Romance

Actor: Alice E. Bier Zandén, Christopher Laesso, Emilie Kroyer Koppel, Jacob Ulrik Lohmann, Mikkel Boe Følsgaard, Paul Hüttel, Sara-Marie Maltha, Sidse Babett Knudsen

Director: Bille August

Rating: R

Between Air, Pinball, Blackberry, and Tetris (is nothing sacred anymore?), 2023 has seen its fair share of business biopics. Unfortunately for The Beanie Bubble, it’s coming at the tail end of a trend that has overstayed its welcome in theaters. The Beanie Bubble isn’t very different from its predecessors in that it depicts its product as revolutionary and game-changing for the industry (it’s really not) and attempts to simplify the business phenom via cute graphics and quirky dialogue. Those aspects of the film are fine, if a bit forgettable, but The Beanie Bubble deserves some praise for exploring the power imbalance between Warner and his female partners, whose ideas he milked to no end. Robbie (Elizabeth Banks), Sheila (Sarah Snook), and Maya (Geraldine Viswanathan) are the ones telling this story, and even though the constant time hopping can get irritating, there are times when it feels inspired, like when Robbie starts one sentence and Maya ends her thought. They may be years apart but they’re all falling victim to the same greedy man who has a pattern of exploiting the talented women around him. 

Genre: Comedy, Drama

Actor: Adelle Drahos, Ajay Friese, Brian Troxell, Callie Johnson, Carl Clemons-Hopkins, Chris Mayers, Delaney Quinn, Elizabeth Banks, Geraldine Viswanathan, Hari Dhillon, Jason Burkey, Javier Vazquez Jr., Jeff Schine, Julia Farino, Kurt Yaeger, Laura Palka, Laura Whyte, Madison Johnson, Mariana Novak, Myke Holmes, Nils Onsager, Paul Kim, Paul Ryden, Robert Mello, Sam Salary, Sarah Snook, Scott Hanson, Stephanie Hong, Sweta Keswani, Tatyana White, Toru Shimoji, Tracey Bonner, Veanna Black, Vince Pisani, Zach Galifianakis

Director: Damian Kulash, Kristin Gore

Rating: R

A documentary about the rise and fall of the Enron Corporation, the energy-trading and utilities conglomerate that gained worldwide attention in 2001 upon its headline-grabbing bankruptcy. Detailing the massive amount of fraud and malfeasance committed by the organization’s top executives, the film delves into the many intricate strategies and "special purpose” entities that were manufactured in order to hide enormous losses and debt from shareholders and the general public. It’s a fascinating and distressing examination of hubris and greed, with so many ethical considerations laid aside in the pursuit of financial gain. The film is as pertinent today as it was when it was released in 2005—perhaps even more so in this post-financial collapse era of increased distrust in corporate agendas.

Genre: Documentary

Actor: Al Kaseweter, Amanda Martin-Brock, Andrew Weissmann, Arnold Schwarzenegger, Barbara Boxer, Bethany McLean, Bill Clinton, Carol Coale, David Freeman, Dick Cheney, Gray Davis, Henry Waxman, Jim Chanos, John Beard, Joseph Dunn, Kevin Phillips, Loretta Lynch, Max Eberts, Peter Coyote, Peter Elkind, Philip Hilder, Reggie Dees II, Tim Belden

Director: Alex Gibney

Rating: Not Rated, R

This a small-town, true-crime thriller that has John Hamm (Mad Men) as the detective, Nick Mohammed (Ted Lasso) as the trusty sidekick, and Tina Fey (30 Rock) as the love interest. They’re a charismatic cast helming a bizarro story whose real-life details are already teeming with juicy details, and yet, the resulting film, directed by John Slattery, is as lackluster and forgettable as can be. There is no sense of mystery, the jokes fall flat, and every scene looks like it’s shot from a studio lot. There is plenty of better fare out there for anyone looking for comedy capers, and I bet the true crime documentary of the real-life Maggie Moore case is infinitely more engaging than its filmic counterpart. 

Genre: Comedy, Crime, Mystery

Actor: Allison Dunbar, Bryant Carroll, Christopher Denham, Christopher Kriesa, Debrianna Mansini, Denielle Fisher Johnson, Derek Basco, Happy Anderson, Jodi Lynn Thomas, Jon Hamm, Louisa Krause, Mary Holland, Micah Stock, Nick Mohammed, Oona Roche, Peter Diseth, Richard Lippert, Roni Geva, Sewell Whitney, Tate Ellington, Tina Fey

Director: John Slattery

Rating: R

In the saturated sphere of sci-fi and superhero movies, Gray Matter just doesn’t cut it. The film, which was produced as part of the filmmaking workshop/reality show Project Greenlight, doesn’t add anything new, much less its own spin, to a story we’ve heard countless times: that of a young kid learning to harness her supernatural powers for the first time. If you’ve seen Carrie, Firestarter, or more recently Stranger Things, then you’ll be able to predict how most of Gray Matter turns out. It is watchable, sure, enjoyable even in the first few minutes where it promises a world chockful of lore, but it never fulfills that promise. To be fair, the performances are solid and the technicals maximize what limited resources the movie has (it looks more decent than you’d expect a small-budgeted sci-fi production to be), but the pros don’t outweigh the cons in this case. It’s simply too empty and generic to be elevated by anything else. 

Genre: Science Fiction

Actor: Andrew Liner, Garret Dillahunt, Jessica Frances Dukes, Mia Isaac

Director: Meko Winbush

Rating: PG-13

With its release coming so close to that of Christopher Nolan’s blockbuster treatment of the same subject, To End All War has clearly been designed as a companion piece for that fictional film. Though it mostly performs its function in a by-the-numbers fashion, this rather unexceptional adaptation of Oppenheimer’s Wikipedia page is somewhat livened up by fascinating archival footage and a few compelling talking heads. Among these is Nolan himself, whose contributions provide interesting insight into the structure of his own Oppenheimer movie. 

As its title suggests, To End All War hinges on Oppenheimer’s rationalization for developing the atomic bomb — namely, that, by creating such a catastrophically destructive weapon, he was, in effect, helping to deter future aggression. The film provides a counterpoint by suggesting that the scientists may have been somewhat swept up in egotistical fervor, though this is only gently touched on so as not to require the film to grapple too seriously with the ethics of its subject. This combination of ultimately non-threatening treatment with some genuinely compelling nuggets of perspective makes To End All War a quick, largely un-challenging way to brush up on history before or after tackling fictional exploration of its subject.

Genre: Documentary, History

Actor: Adolf Hitler, Alan B. Carr, Albert Einstein, Bill Nye, Charles Oppenheimer, Christopher Nolan, David Eisenbach, Edward Teller, Eleanor Roosevelt, Ellen Bradbury Reid, Hideko Tamura, J. Robert Oppenheimer, Jon Else, Judy Woodruff, Kai Bird, Leslie Groves, Michio Kaku, Richard Rhodes, Vladimir Putin, Xi Jinping

Director: Christopher Cassel