25 Movies Like The Wrestler (2008) On Itunes (Page 2)

Somehow an art house film, horror, and romance all in one, Let the Right One In explores the boundaries of its genres with unprecedented finesse, and offers a stunning alternative for those disappointed with recent vampire love stories. From its haunting minimalist imagery to its incredible score, it is persistently beautiful. The film follows twelve-year-old Oskar and Eli, drawing on numerous aspects of traditional undead lore, and still manages an impressive feat in feeling entirely fresh and devoid of cliche. Those in search of a terrifying movie might need to look elsewhere, but if what you're looking for is simply a great watch, don't pass this one up.

Genre: Drama, Horror

Actor: Anders T. Peedu, Henrik Dahl, Ika Nord, Johan Sömnes, Kåre Hedebrant, Karin Bergquist, Karl-Robert Lindgren, Lina Leandersson, Malin Cederblad, Mikael Rahm, Pale Olofsson, Patrik Rydmark, Per Ragnar, Peter Carlberg, Tom Ljungman

Director: Tomas Alfredson

Rating: R

Lauren Greenfield’s film follows the Siegel family’s decline from opulent abundance to gaudy ruin. Mega wealth, delusions of grandeur, and grotesquely opulent taste—the Siegel family were the perfect subjects for the film, which sets out to document their most lavish expense: their Versailles home, a mansion sprawling more than 85,000 square feet and modeled after the Palace of Versailles.

The Siegels, no doubt, are entirely out of touch with reality. David Siegel, the owner of one of the world’s largest timeshare developers, married Jackie, a former Mrs. Florida who is 30 years younger. The Versailles home is to be Jackie’s castle, an enormous home for her eight kids and numerous pets.

But the 2008 recession does not spare the Siegels, and their company is devastated. After layoffs and desperate attempts to recover financially, the family struggles to pay back the banks. Construction halts. The Versailles home remains vacant and unfinished.

While the film does not sympathize with the Siegels, Greenfield creates a space where pity is possible as well as criticism. And from there comes the universal: desperation, longing, hope for better, if not also more, more, more.

Genre: Documentary, Drama

Actor: Jacqueline Siegel, Virginia Nebab

Director: Lauren Greenfield

The Fountain is a highly compelling science-fiction/fantasy film told in three interwoven parts related to the mythical concept of the Tree of Life. Hugh Jackman and Rachel Weisz star in a triad of roles that alternate along the film’s narrative: 1) an ancient conquistador assigned by the Queen of Spain to locate the legendary tree within the jungles of South American, 2) a modern medical doctor desperately striving to find a cure for his wife’s terminal brain cancer, and 3) a futuristic space traveler transporting the sacred tree across the cosmos with spectral images of his wife as his companion. In this, his 3rd feature feature-length film, writer/director Darren Aronofsky has crafted a strikingly ambitious depiction of the search for, manifestation of and preservation of the oft-fabled key to eternity. It’s highly philosophical and at times strikingly abstract visual storytelling, aided immeasurably by Jackman’s and Weisz’s heartfelt, aggrieved performances. The passion and the earnestness they deliver helps to buoy a complicated plot that isn’t always entirely cohesive, but comes together as a wonderfully compelling amalgamation of sights and sounds bound to inspire the viewer. Kudos to Aronofsky for eschewing simple fantasy in lieu of something so dynamic, original and emotionally commanding.

Genre: Adventure, Drama, Romance, Science Fiction

Actor: Abraham Aronofsky, Alex Bisping, Boyd Banks, Cliff Curtis, Donna Murphy, Ellen Burstyn, Ethan Suplee, Fernando Hernandez, Hugh Jackman, Janique Kearns, Kevin Kelsall, Lorne Brass, Marcello Bezina, Mark Margolis, Rachel Weisz, Richard McMillan, Sean Patrick Thomas, Stephen McHattie

Director: Darren Aronofsky

Rating: PG-13

Summary: it’s a really unusual movie, especially for a star like Robin Williams. It’s almost an indie film actually. Robin Williams plays Lance Clayton, the father of a typical rude teenage boy Kyle Clayton (Daryl Sabara) wherein Sabara’s character meets an unusual demise, and out of embarrassment of the situation the father ghost-writes a suicide note from his son. This white lie leads to another and another and so on until his lies spread further than anticipated. The movie definitely earns points for making the film that was set out to be made. They wanted to make a dark comedy and a dark comedy was what they made. It’s even uncomfortable to watch at times. Between Lance’s love life and Kyle’s non-existent one there’s enough awkwardness that you feel like you can’t wait to get to the next scene just so this one can be over. All in all the actors did a truly fantastic job. Each character seemed well developed by the individual actor to the point where every gesture, line delivery, and awkward silence seemed too natural and organic. Additionally, the writing was exceptional for this movie, as no dialogue was ever wasted. Each and every little detail in each and every shot of each and every scene was very carefully designed to continually push the aesthetics, this film is a big success.

Genre: Comedy, Drama, Romance

Actor: Alexie Gilmore, Bobcat Goldthwait, Bruce Hornsby, Cheri Minns, Daryl Sabara, Ellie Jameson, Evan Martin, Geoff Pierson, Henry Simmons, Jermaine Williams, Jill Talley, Krist Novoselic, Lorraine Nicholson, Mitzi McCall, Morgan Murphy, Naomi Glick, Rebecca Erwin Spencer, Robin Williams, Toby Huss, Tom Kenny

Director: Bobcat Goldthwait

Rating: R

What happens to genius and complex filmmakers once they reach old age? Agnès Varda at 89 is one example. She maintains an interest in the same deep questions but portrays them in a casual way - basically tries to have a little more fun with things. She finds a friend in JR, a young artist with a truck that prints large portraits. Together they go around French villages (the French title is “Visages Villages”), connecting with locals and printing their photos on murals. Their interactions are researched, but not worked. In fact, they are deeply improvised. Because of this and because the movie is structured in an episode format, it will completely disarm you. And when you least expect it you will be met with long-lasting takes on mortality, loss, but also gender, the environment and the evasiveness of life and art.

Genre: Documentary

Actor: Agnès Varda, Amaury Bossy, Jean-Paul Beaujon, Jeannine Carpentier, JR, Yves Boulen

Director: Agnès Varda, JR

Rating: PG